Matthew Henry's Complete Commentary
Matthew Henry · 1714
Matthew Henry 사후(1714) 공개 도메인. 디지털판 CC0-1.0.
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Jamieson-Fausset-Brown Commentary Critical and Explanatory on the Whole Bible
Robert Jamieson, A. R. Fausset, David Brown · 1871
Commentary Critical and Explanatory on the Whole Bible (1871). CCEL expanded electronic edition states it is in the public domain.
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Barnes' Notes on the Bible
Albert Barnes · 1834
Albert Barnes' Notes on Revelation Of St. John The Divine (New Testament, English original, public domain). Sourced from the Christian Classics Ethereal Library (CCEL). Public domain. Retrieval mirror: biblehub.com/commentaries/barnes.
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Adam Clarke's Commentary and Critical Notes on the Bible
Adam Clarke · 1831
Public domain English commentary by Adam Clarke, normalized from Wikisource book pages for scripture.how. Public domain. Retrieval mirror: biblehub.com/commentaries/clarke.
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John Gill's Exposition of the Bible
John Gill · 1763
John Gill(1697-1771), Exposition of the Old and New Testament(1746-1763). Public domain. Retrieval mirror: biblehub.com/commentaries/gill.
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Calvin's Commentaries
John Calvin · 1850
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Matthew Poole's Annotations upon the Holy Bible
Matthew Poole · 1685
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The Pulpit Commentary
ed. H.D.M. Spence & Joseph S. Exell · 1890
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Keil & Delitzsch Commentary on the Old Testament
Carl F. Keil, Franz Delitzsch · 1866
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Ellicott's Commentary for English Readers
ed. Charles J. Ellicott · 1878
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Cambridge Bible for Schools and Colleges
Cambridge (다저자) · 1900
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Vincent's Word Studies in the New Testament
Marvin R. Vincent · 1887
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Word Pictures in the New Testament
A.T. Robertson · 1933
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The Expositor's Greek Testament
ed. W. Robertson Nicoll (다저자) · 1910
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Meyer's Critical and Exegetical Commentary on the New Testament
Heinrich A.W. Meyer · 1880
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Wesley's Explanatory Notes
John Wesley · 1755
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Benson's Commentary of the Old and New Testaments
Joseph Benson · 1815
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The Treasury of David
Charles H. Spurgeon · 1885
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MacLaren's Expositions of Holy Scripture
Alexander Maclaren · 1910
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The People's New Testament
B.W. Johnson · 1891
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Coke's Commentary on the Holy Bible
Thomas Coke · 1803
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Trapp's Complete Commentary
John Trapp · 1660
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Hodge's Commentary on the New Testament
Charles Hodge · 1860
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This psalm is entitled, "To the chief Musician, a psalm for (margin, of) the sons of Korah." On the phrase "To the chief Musician," see the notes at the title to Psalm 4:1-8. On the phrase "For the sons of Korah," see the notes at the title to Psalm 42:1-11.
The occasion on which the psalm was composed, and the name of the author, are alike unknown. It is a triumphal psalm, and was composed apparently on some occasion of "victory" over enemies, with reference to a triumphal procession. Professor Alexander supposes that it was composed to commemorate the victory of Jehoshaphat over the Ammonites and Edomites, recorded in 2 Chronicles 20. It is, as he remarks, a coincidence of some importance, that there is express mention made of the presence of the "Kohattlites" on that occasion, as among those who "stood up to praise the Lord," 2 Chronicles 20:19. This is not, however, decisive, as they might have been present on other similar occasions, and as it is probable, in fact, that they usually took part in celebrations of this kind. All that can be expressed with any certainty in regard to the occasion on which the psalm was composed is, that it was on an occasion of victory.
The psalm consists of two parts, quite similar in structure and in design. Each part consists of an exhortation to praise God, followed by a statement of reasons why, it should be done.
I. The first part comprises the first five verses:
(1) An exhortation to praise God - to celebrate the joy of the soul by a clapping of hands, and by a shout of triumph, Psalm 47:1.
(2) reasons for doing this, Psalm 47:2-5. These reasons are that he is terrible; that he is king over all the earth; that he will subdue the nations, and make them subject to his own people; and that, in anticipation of this, and in proof of this, he had now achieved a signal victory, and had gone up as from that victory to his own abode in heaven.
II. The second part embraces the Last four verses of the psalm:
(1) An exhortation, as before, to praise God, Psalm 47:6.
(2) reasons for this, Psalm 47:7-9. These reasons are, as before, that God is king over all the earth; that he now sits upon the throne of his holiness, and that Psalm 47:9 the princes of the nations - the subdued kings and rulers - are borne along in triumph to the people of the God of Abraham; and that in this victory it has been shown that the shields of the earth belong to God. See the notes at Psalm 47:9.
The psalm, therefore, is a triumphal ode, and was probably composed to be sung on occasion of some military triumph - some solemn procession on a return from battle, with captive princes marching in the procession, and with a display of the "shields" and other implements of war taken from the foe. All this is celebrated as indicative of the interposing power of God in victory, and as evidence of his purpose to protect his chosen people in time of peril. The psalm may yet be used in a higher sense by the church at large, when all the foes of God on earth shall be subdued, and when his kingdom shall be in fact set up over all the world.
Adam Clarke's Commentary and Critical Notes on the Bible
Psalm 47 Introduction
The Gentiles are invited to celebrate the praises of God as the Sovereign of the world, Psalm 47:1, Psalm 47:2. The Jews exult in his kindness to them, Psalm 47:3, Psalm 47:4. All then join to celebrate his Majesty, as reigning over the heathen, and gathering the dispersed Jews and Gentiles together into one Church, Psalm 47:5-9.
The title, "A Psalm for the sons of Korah," has nothing remarkable in it. The Psalm was probably written about the same time with the preceding, and relates to the happy state of the Jews when returned to their own land. They renewed their praises and promises of obedience, and celebrate him for the deliverance they had received. See the introduction to Psalm 46:1-11 (note). In a spiritual sense, it appears to relate to the calling of the Gentiles to be made partakers of the blessings of the Gospel with the converted Jews.
INTRODUCTION TO Psalm 47
To the chief Musician, A Psalm for the sons of Korah. Thus psalm is thought by some to be written on occasion of the ark being brought from the house of Obededom to the city of David, to the place he had prepared for it; which was attended with singing and dancing, with shouting, and the sound of a trumpet, 2 Samuel 6:12; but it rather seems to be penned on account of the ascension of Christ to heaven, prophetically spoken of in this psalm; and of the spread of the Gospel, and the conquests it made in the Gentile world upon Christ's ascension; as the whole psalm shows: and even Aben Ezra and Kimchi apply it to the times of the Messiah; and so do some of their most ancient writers, who particularly interpret Psalm 47:5 of him, as may be seen in the note upon it.
XLVII.
This is one of those psalms that tantalise by seeming to tell the story of their origin, though on closer inspection the story refuses to be satisfactorily identified. Some public rejoicing for victory evidently gave it birth, but whether it was that of Jehoshaphat (2 Chronicles 20). or of Hezekiah (2Kings 18:8), or of John Hyrcanus over the Idumæans (Jos., Ant., xiii. 9, 1), must remain in the region of conjecture. The reading, “with the people,” in Psalm 47:9 (see Note), would lend probability to the last of these queries. The occasion, whatever it was, seems to have led to a re-dedication of the Temple (Psalm 47:5), such as we read of 1 Maccabees 4:54. The rhythm is fine and varied.
Title.—See titles Psalms 42, 3.
This Psalm is an expansion of the thought of Psalm 46:10. Zion’s King is the true ‘great King’ (Psalm 48:2), the King of all the earth. All nations are summoned to pay homage to the God who has proclaimed and proved His supremacy by His recent triumph over the heathen. The occasion of the Psalm was probably the same as that of Psalms 46, 48, though the allusions to the circumstances are less definite, and the resemblances to the prophecies of Isaiah are less marked than in those Psalms. But it celebrates a recent victory, after which God, who had ‘come down’ to fight for His people (Isaiah 31:4), had ‘ascended up’ in triumph to heaven (Psalm 47:5). The discomfiture of Sennacherib was precisely such a triumph; a lesson, as Isaiah repeatedly implies, to the nations not less than to Judah, of Jehovah’s supreme sovereignty.
The similarity of the Psalm to Psalms 93, 96-99, has led many commentators to connect it with the Return from Exile. There seems however to be scarcely sufficient reason for separating it from the Psalms between which it stands, and with both of which it has links of connexion.
It is rightly regarded as a Messianic Psalm, inasmuch as it looks forward to the submission of all the nations of the world to Jehovah as their King; and it has naturally, on account of Psalm 47:5, been used from ancient times as a special Psalm for Ascension Day. Not that Psalm 47:5 is a prophecy of the Ascension; the context makes it plain that it cannot be so regarded. But the words originally spoken of Jehovah’s return to His throne in heaven (as we speak) after His triumph over the deadly enemies of His people, may be legitimately applied to the return of Christ to heaven after His triumph over sin and death, to take His seat upon His throne of glory at the right hand of God.
It is the New Year’s Day Psalm of the Synagogue, recited seven times previous to the blowing of the Trumpets, which marked that festival (Numbers 29:1).
The Psalm consists of three stanzas:
i. An universal summons to praise Jehovah, the King of all the earth, who has chosen Israel to be His people (Psalm 47:1-4).
ii. A repeated summons to sing His praises, in view of the recent manifestation of His sovereignty (Psalm 47:5-7).
iii. The ultimate realisation of that sovereignty in the homage of the princes of the nations (Psalm 47:8-9).
Jamieson-Fausset-Brown Commentary Critical and Explanatory on the Whole Bible
Ps 47:1-9.
Ps 47:1-9.
Praise is given to God for victory, perhaps that recorded
(2Ch 20:20-30);
and His dominions over all people, Jews and Gentiles, is asserted.
1. clap . . . hands . . . people--literally, "peoples," or "nations" (compare
De 32:43; Ps 18:49; 98:9).
O clap your hands, all ye people - A common way of expressing joy, or indicating applause. Compare the notes at Isaiah 55:12. The "people" here referred to are probably the Jewish people, and the call on them is to rejoice, with the customary marks of joy, in view of the great victory which God had gained over their enemies.
Shout unto God - Make a joyful noise in praise of God; that is, in acknowledgment that this victory has been gained by his interposition.
With a voice of triumph - With such a shout as is usually raised when a victory is obtained; such a shout as occurs in a triumphal procession. Compare 2 Samuel 6:15; 1 Chronicles 15:28; Job 39:25; Zechariah 4:7; Exodus 32:18; Isaiah 12:6; Isaiah 42:11; Isaiah 44:23; Jeremiah 50:15. There are doubtless times when loud shouts, as expressive of joy, are proper.
The scope of this psalm is to stir us up to praise God, to stir up all people to do so; and, I. We are directed in what manner to do it, publicly, cheerfully, and intelligently, Ps 47:1,6,7. II. We are furnished with matter for praise. 1. God's majesty, Ps 47:2. 2. His sovereign and universal dominion, Ps 47:2,7-9. 3. The great things he had done, and will do, for his people, Ps 47:3-5. Many suppose that this psalm was penned upon occasion of the bringing up of the ark to Mount Zion which Ps 47:5 seems to refer to ("God has gone up with a shout");—but it looks further, to the ascension of Christ into the heavenly Zion, after he had finished his undertaking on earth, and to the setting up of his kingdom in the world, to which the heathen should become willing subjects. In singing this psalm we are to give honour to the exalted Redeemer, to rejoice in his exaltation, and to celebrate his praises, confessing that he is Lord, to the glory of God the Father.