Matthew Henry's Complete Commentary
Matthew Henry · 1714
Matthew Henry 사후(1714) 공개 도메인. 디지털판 CC0-1.0.
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Jamieson-Fausset-Brown Commentary Critical and Explanatory on the Whole Bible
Robert Jamieson, A. R. Fausset, David Brown · 1871
Commentary Critical and Explanatory on the Whole Bible (1871). CCEL expanded electronic edition states it is in the public domain.
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Barnes' Notes on the Bible
Albert Barnes · 1834
Albert Barnes' Notes on Revelation Of St. John The Divine (New Testament, English original, public domain). Sourced from the Christian Classics Ethereal Library (CCEL). Public domain. Retrieval mirror: biblehub.com/commentaries/barnes.
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Adam Clarke's Commentary and Critical Notes on the Bible
Adam Clarke · 1831
Public domain English commentary by Adam Clarke, normalized from Wikisource book pages for scripture.how. Public domain. Retrieval mirror: biblehub.com/commentaries/clarke.
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John Gill's Exposition of the Bible
John Gill · 1763
John Gill(1697-1771), Exposition of the Old and New Testament(1746-1763). Public domain. Retrieval mirror: biblehub.com/commentaries/gill.
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Calvin's Commentaries
John Calvin · 1850
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Matthew Poole's Annotations upon the Holy Bible
Matthew Poole · 1685
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The Pulpit Commentary
ed. H.D.M. Spence & Joseph S. Exell · 1890
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Keil & Delitzsch Commentary on the Old Testament
Carl F. Keil, Franz Delitzsch · 1866
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Ellicott's Commentary for English Readers
ed. Charles J. Ellicott · 1878
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Cambridge Bible for Schools and Colleges
Cambridge (다저자) · 1900
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Vincent's Word Studies in the New Testament
Marvin R. Vincent · 1887
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Word Pictures in the New Testament
A.T. Robertson · 1933
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The Expositor's Greek Testament
ed. W. Robertson Nicoll (다저자) · 1910
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Meyer's Critical and Exegetical Commentary on the New Testament
Heinrich A.W. Meyer · 1880
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Wesley's Explanatory Notes
John Wesley · 1755
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Benson's Commentary of the Old and New Testaments
Joseph Benson · 1815
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The Treasury of David
Charles H. Spurgeon · 1885
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MacLaren's Expositions of Holy Scripture
Alexander Maclaren · 1910
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The People's New Testament
B.W. Johnson · 1891
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Coke's Commentary on the Holy Bible
Thomas Coke · 1803
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Trapp's Complete Commentary
John Trapp · 1660
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Hodge's Commentary on the New Testament
Charles Hodge · 1860
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Analysis Of The Chapter
This chapter Revelation 15:1-8 has a close connection in design with the previous chapter. In that, pledges and assurances had been given that all the enemies of religion would be cut off, and that the church would be ultimately triumphant, and particularly that that formidable anti-Christian power represented by the "beast" would be destroyed. This chapter commences the statement in regard to the manner in which these pledges would be accomplished, and the statement is pursued through the subsequent chapters, giving in detail what is here promised in a general manner. The vision in this chapter may be thus described:
I. The writer sees a new sign or wonder in heaven. Seven angels appear, having the seven last plagues that fill up or complete the wrath of God; representing the wrath that is to come upon the beast, or the complete overthrow of this formidable anti-Christian power, Revelation 15:1.
II. Those who in former times had "gotten the victory over the beast," now appear standing on a sea of glass, rejoicing and rendering thanks for the assurance that this great enemy of the church was now to be destroyed, and that now all nations were to come and worship before God, Revelation 15:2-4.
III. The writer sees the interior of the temple opened in heaven, and the seven angels, having the seven plagues, issuing forth to execute their commission. They come clothed in pure and white linen, and girded with golden girdles. One of the four beasts before the throne immediately gives them the seven golden vials full of the wrath of God, to empty them upon the earth - that is, to bring upon the beast the predicted destruction. The temple is immediately filled with smoke, so that no one might enter; that is, no one could now approach to make intercession, and the destruction of this great enemy's power is now certain, Revelation 15:5-8.
This chapter, therefore, is merely introductory to what follows, and its interpretation is attended with no particular difficulty. It is a beautiful scenic representation preparatory to the infliction of predicted judgments, and designed to introduce the account of those judgments with suitable circumstances of solemnity.
Adam Clarke's Commentary and Critical Notes on the Bible
Revelation 15 Introduction
The seven angels with the seven last plagues, Revelation 15:1. The sea of glass, and those who had a victory over the beast, Revelation 15:2. The song of Moses and the Lamb, Revelation 15:3, Revelation 15:4. The temple in heaven opened, Revelation 15:5. Seven angels come out of the temple, who receive from one of the four living creatures seven golden vials full of the wrath of God, Revelation 15:6-8.
INTRODUCTION TO Revelation 15
This chapter is a preparation to the pouring out of the seven vials, and contains a vision of the seven angels in heaven that should do this work, of a chorus of harpers on this occasion, and of the same seven angels coming out of the temple, and receiving the vials, in order to execute their commission. The vision of the seven angels, having the seven last plagues, so called because filled up with the wrath of God, is said to be a sign, great and marvellous, Revelation 15:1 a sea of glass, mingled with fire, is seen, with persons standing on it, described by the victory they had got over the beast, his image, mark, and number of his name; by having the harps of God in their hands, and by the song they sung, called the song of Moses, and of the Lamb; in which they ascribe to Christ deity, dominion over the saints, omnipotence, justice, truth, and holiness; give him glory, celebrate his works, commend his ways, and suggest that he ought to be the object of the fear and worship of all, Revelation 15:2. Next the temple in heaven is seen opened, out of which come the seven angels, described by the place they came from, the temple; by what they had, the seven plagues; by their habit, clothed in pure white linen; and by their golden girdles about their breasts, Revelation 15:5 to whom one of the four living creatures, made mention of in Revelation 4:6 delivers to them seven golden vials full of divine wrath, upon which the temple is filled with smoke from the Lord; so that it was not possible for anyone to enter into it, until these seven plagues were ended, Revelation 15:7.
The Seven Vials. Chaps. 15, 16
After this partial anticipation of the final catastrophe, the Apocalypse returns to a fuller and independent description of its processes (Revelation 15:2-4 = Revelation 14:1-5, Revelation 15:1; Revelation 15:5-8. = Revelation 14:6-11; Revelation 14:14-20). The panorama of the prelude is once more sevenfold, but this time seven angels (under the control of God, Revelation 16:9) drench the earth with plagues from seven bowls which are brimming with the divine anger. The vision is a poetical expansion of Leviticus 26:21 (προσθήσω ὑμῖν πληγὰς ἑπτὰ κατὰ τὰς ἁμαρτίας ὑμῶν, cf. 18, 24, 28). The plagues, like Habbakuk’s theophany, recall the Egyptian plagues (Exodus 7-10.), but their description is less impressive than the previous cycles of punishment. Like the seven trumpets (Revelation 8:2-5), they are introduced by a scene in heaven (Revelation 15:2-4); Revelation 14:1 is merely a title or frontispiece to what follows (5 f.), since the angels do not become visible till 5 (cf. Revelation 8:1-2; Revelation 8:6), and do not receive their bowls till 7. This θαυμαστόν (awe-inspiring) σημεῖον is the sequel (ἄλλο) to that of Revelation 12:1 f., and the plagues are final (1 ἐσχάτας), in contrast to the trumpet-plagues (Revelation 9:20), as they represent the wrath of God which can no longer be repressed (Revelation 14:17-19. = the working out of these plagues, cf. Revelation 16:12 f., Revelation 19:19, Revelation 17:1). Like ch. 16., to which it forms an overture, 15. is not the revision of a Jewish source (so especially Spitta, Ménégoz, and Schmidt) but Christian (Briggs, Erbes) and the work of the Apocalyptist himself (Sabatier, Schön, Bousset, etc.)
Meyer's Critical and Exegetical Commentary on the New Testament
Revelation 15 Introduction
CHAPTER 15
Revelation 15:2. τοὺς νικῶντας. So here (cf., on the other hand, Revelation 2:7) Lach., Tisch. 1854 and IX. [W. and H.], in accordance with A, C, א, Elz. Tisch. 1859 has νικοῦντ. adopted from C. The addition derived from Revelation 13:17, ἐκ τοῦ χαράγματος αὐτοῦ before ἐν τ. ἀριθμ. (Elz.), is certainly false.
Revelation 15:3. τῶν ἐθνῶν. So A, B, 2, 4, 6, al., Compl., Plant., Genev., Beng., Lach., Tisch. The variation τ. αἰώνων (cf. 1 Timothy 1:17) occurs in C, א1, 18, Vulg. (var.: caelorum) [adopted by W. and H.]. The rec. τ. ἁγίων is almost without any testimony.
Revelation 15:4. The σε after φοβ. (Elz., Beng.) is to be erased according to A, B, C (Lach., Tisch. [W. and H.]). א has it after τίς. The same testimonies require δοχάσει, instead of δοξάσῃ (א, Elz.).
Revelation 15:6. λιθον. So A, C, Vulg., Ambrose, Beda, Andr., al., Lach. [W. and H.] The rec. λινον (Tisch.) seems to be a modification which occurs already in B (א: καθ. λινους).
Revelation 15:8. καπνοῦ. B indeed has ἐκ τοῦ κ. (Tisch.), and the omission of ἐκ τοῦ was readily suggested; yet the mere καπνοῦ by itself (Elz., Lach., Tisch. [W. and H.]) is attested by A, C, א, al.
In a new vision (Revelation 15:1 : καὶ εἱδ. ἄλλο σημ.)[3591] seven angels are represented, who are to bring the last plagues determined by the wrath of God. After they who stand, as victors over the beast,[3592] at God’s throne, have celebrated the wonderful and righteous works and judgments of God, whose end is now to be introduced by the seven angels (Revelation 15:2-4), these angels, coming into heaven from the opened temple, receive from one of the four beings (Revelation 6:6 sqq.) seven vials full of the wrath of God, whose pouring-forth is then described in ch. 16.
[3591] Cf. Revelation 12:1.
[3592] Ch. 13.
Noch keine Übersetzung.
Hitherto, according to the judgment of very eminent expositors, God had represented to his servant, John, I. The state of the church under the pagan powers, in the six seals opened; and then, II. The state of the church under the papal powers, in the vision of the six trumpets that began to sound upon the opening of the seventh seal: and then is inserted. III. A more general and brief account of the past, present, and future state of the church, in the little book, etc. He now proceeds, IV. To show him how antichrist should be destroyed, by what steps that destruction should be accomplished, in the vision of the seven vials. This chapter contains an awful introduction or preparation for the pouring out of the vials, in which we have, 1. A sight of those angels in heaven who were to have the execution of this great work, and with what acclamations of joy the heavenly hosts applauded the great design, Re 15:1-4. 2. A sight of these angels coming out of heaven to receive those vials which they were to pour out, and the great commotions this caused in the world, Re 15:5-8, etc.