Matthew Henry's Complete Commentary
Matthew Henry · 1714
Matthew Henry 사후(1714) 공개 도메인. 디지털판 CC0-1.0.
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Matthew Henry · 1714
Matthew Henry 사후(1714) 공개 도메인. 디지털판 CC0-1.0.
Robert Jamieson, A. R. Fausset, David Brown · 1871
Commentary Critical and Explanatory on the Whole Bible (1871). CCEL expanded electronic edition states it is in the public domain.
Albert Barnes · 1834
Albert Barnes' Notes on Revelation Of St. John The Divine (New Testament, English original, public domain). Sourced from the Christian Classics Ethereal Library (CCEL). Public domain. Retrieval mirror: biblehub.com/commentaries/barnes.
Adam Clarke · 1831
Public domain English commentary by Adam Clarke, normalized from Wikisource book pages for scripture.how. Public domain. Retrieval mirror: biblehub.com/commentaries/clarke.
John Gill · 1763
John Gill(1697-1771), Exposition of the Old and New Testament(1746-1763). Public domain. Retrieval mirror: biblehub.com/commentaries/gill.
John Calvin · 1850
종교개혁 신학 원천 (영역본 PD, 대부분 — 전권 아님)
Matthew Poole · 1685
간결 절별 전권 개혁주의 주석
ed. H.D.M. Spence & Joseph S. Exell · 1890
전권 강해·설교·예화 풍부 (항목 대량)
Carl F. Keil, Franz Delitzsch · 1866
구약 학술 표준 — 히브리어·문헌비평·고대근동 배경
ed. Charles J. Ellicott · 1878
학술+가독 균형 전권 주석
Cambridge (다저자) · 1900
준전권 준학술 (권별 저자·연도 확인)
Marvin R. Vincent · 1887
신약 헬라어 단어 연구
A.T. Robertson · 1933
헬라어 시제·문법 해설 결정판 (KR PD / US 1931+ 권별)
ed. W. Robertson Nicoll (다저자) · 1910
헬라어 신약 학술 (권별 저자 PD 확인 필요)
Heinrich A.W. Meyer · 1880
신약 학술 정밀주해 (독일 — K&D 대응)
John Wesley · 1755
간결 실용 전권(NT 1755 / OT 1765) 웨슬리안
Joseph Benson · 1815
웨슬리안 전권 주석
Charles H. Spurgeon · 1885
시편 주석 고전 (설교 자료 풍부)
Alexander Maclaren · 1910
설교형 강해 명저 (전권, 절별 가공 필요)
B.W. Johnson · 1891
평이 절별 신약 해설 (일반신자·모바일)
Thomas Coke · 1803
감리교 전권 주석
John Trapp · 1660
청교도 전권 주석 — Henry/Gill 보완
Charles Hodge · 1860
프린스턴 조직신학 관점 신약 정밀 주석 (롬·고전후·엡)
Adam Clarke's Commentary and Critical Notes on the Bible
David's psalm of thanksgiving for God's powerful deliverance and manifold blessings, including prophetic declarations relative to the humiliation and exaltation of the Messiah, vv. 1-51.
INTRODUCTION TO SECOND SAMUEL 22
This chapter contains a song or psalm, the same with the eighteenth psalm, and which, according to Jarchi, was composed by David in his old age, and, as Kimchi says, at the end or close of his days; but Abarbinel is of opinion that it was written in his youthful time, in the midst of his troubles, and was sung by him as often as he had a deliverance from any; and which may account for the several variations in it from the eighteenth psalm, which, the same writer observes, are seventy four; and are not to be ascribed to the difference of copies, or neglect of copiers: and very probably, towards the close of his days, he revised it, and made it fit for general use, and sent it with the rest of his psalms to the chief musician; but the particular consideration of it, and of the differences in it from Psalm 18:1 are referred to the exposition of that book in its course.
XXII.
This chapter, with numerous slight variations, constitutes Psalms 18, the first verse here serving as the title there, with only such differences as the nature of the Book of Psalms required. With this title may be compared the inscriptions of other historical psalms, as Exodus 15:1; Deuteronomy 31:30.
No more definite time can be assigned for the composition of this hymn than that already given in its title. 2Samuel 22:51 shows that it must have been after the visit of Nathan promising the perpetuity of David’s kingdom.
As comment upon this psalm will naturally be expected in connection with the Book of Psalms, only the differences between these two copies will here be spoken of. On the whole, the form given in the Psalms seems to be the later, and to have been in some points intentionally altered—probably by David himself—to adapt it to the exigencies of liturgical worship; but it must also be remembered that minor differences inevitably grow up in the copying of manuscripts age after age, and that much of the lesser variation is undoubtedly due to this cause.
Ch. 22. David’s thanksgiving for deliverance from his enemies
This magnificent hymn is substantially identical with Psalms 18. The chief variations are pointed out in the notes, and some general remarks on the difference of the two texts will be found in Additional Note III., p. 235.
It was written, as the title indicates, when David’s triumphs over his enemies at home and abroad were still recent. Its composition may with much probability be assigned to the period of peace described in ch. 2 Samuel 7:1; but must be placed after Nathan’s visit, as 2 Samuel 22:51 seems clearly to refer to the great promise made through him. The free and joyous tone of the Psalm, and its bold expressions of conscious integrity, also point to the earlier years of David’s reign rather than the later, overclouded as these were by the fatal consequences of his sin.
This chapter is the Haphtarah or lesson from the prophets appointed to be read in the Synagogue on the Sabbath in conjunction with Deuteronomy 32 according to the ritual of the Sephardim or Spanish Jews, and also on the seventh day of the Passover.
¹ And David spake unto the LORD the words of this song in the day that the LORD had delivered him out of the hand of all his enemies, and out of the hand of Saul:
Observe here, I. That it has often been the lot of God's people to have many enemies, and to be in imminent danger of falling into their hands. David was a man after God's heart, but not after men's heart: many were those that hated him, and sought his ruin; Saul is particularly named, either, 1. As distinguished from his enemies of the heathen nations. Saul hated David, but David did not hate Saul, and therefore would not reckon him among his enemies; or, rather, 2. As the chief of his enemies, who was more malicious and powerful than any of them. Let not those whom God loves marvel if the world hate them.
II. Those that trust God in the way of duty shall find him a present help to them in their greatest dangers. David did so. God delivered him out of the hand of Saul. He takes special notice of this. Remarkable preservations should be mentioned in our praises with a particular emphasis. He delivered him also out of the hand of all his enemies, one after another, sometimes in one way, sometimes in another; and David, from his own experience, has assured us that, though many are the troubles of the righteous, yet the Lord delivers them out of them all, Ps 34:19. We shall never be delivered from all our enemies till we get to heaven; and to that heavenly kingdom God will preserve all that are his, 2Ti 4:18.
III. Those that have received many signal mercies from God ought to give him the glory of them. Every new mercy in our hand should put a new song into our mouth, even praises to our God. Where there is a grateful heart, out of the abundance of that the mouth will speak. David spoke, not only to himself, for his own pleasure, not merely to those about him, for their instruction, but to the Lord, for his honour, the words of this song. Then we sing with grace when we sing to the Lord. In distress he cried with his voice (Ps 142:1), therefore with his voice he gave thanks. Thanksgiving to God is the sweetest vocal music.
IV. We ought to be speedy in our thankful returns to God: In the day that God delivered him he sang this song. While the mercy is fresh, and our devout affections are most excited by it, let the thank-offering be brought, that it may be kindled with the fire of those affections.
Jamieson-Fausset-Brown Commentary Critical and Explanatory on the Whole Bible
2Sa 22:1-51.
DAVID'S PSALM OF THANKSGIVING FOR GOD'S POWERFUL DELIVERANCE AND MANIFOLD BLESSINGS.
The song contained in this chapter is the same as the eighteenth Psalm, where the full commentary will be given [see on
Ps 18:1,
&c.]. It may be sufficient simply to remark that Jewish writers have noticed a great number of very minute variations in the language of the song as recorded here, from that embodied in the Book of Psalms--which may be accounted for by the fact that this, the first copy of the poem, was carefully revised and altered by David afterwards, when it was set to the music of the tabernacle. This inspired ode was manifestly the effusion of a mind glowing with the highest fervor of piety and gratitude, and it is full of the noblest imagery that is to be found within the range even of sacred poetry. It is David's grand tribute of thanksgiving for deliverance from his numerous and powerful enemies, and establishing him in the power and glory of the kingdom.
This song, which is found with scarcely any material variation as Psalm 18, and with the words of this first verse for its title, belongs to the early part of David's reign when he was recently established upon the throne of all Israel, and when his final triumph over the house of Saul, and over the pagan nations 2 Samuel 22:44-46, Philistines, Moabites, Syrians, Ammonites, and Edomites, was still fresh 2 Samuel 21. For a commentary on the separate verses the reader is referred to the commentary on Psalm 18.
The last words of David - i. e., his last Psalm, his last "words of song" 2 Samuel 22:1. The insertion of this Psalm, which is not in the Book of Psalms, was probably suggested by the insertion of the long Psalm in 2 Samuel 22.
David the son of Jesse said ... - The original word for "said" is used between 200 and 300 times in the phrase, "saith the Lord," designating the word of God in the mouth of the prophet. It is only applied to the words of a man here, and in the strikingly similar passage Numbers 24:3-4, Numbers 24:15-16, and in Proverbs 30:1; and in all these places the words spoken are inspired words. The description of David is divided into four clauses, which correspond to and balance each other.
This chapter is a psalm, a psalm of praise; we find it afterwards inserted among David's psalms (Ps 18:1-50) with some little variation. We have it here as it was first composed for his own closed and his own harp; but there we have it as it was afterwards delivered to the chief musician for the service of the church, a second edition with some amendments; for, though it was calculated primarily for David's case, yet it might indifferently serve the devotion of others, in giving thanks for their deliverances; or it was intended that his people should thus join with him in his thanksgivings, because, being a public person, his deliverances were to be accounted public blessings and called for public acknowledgments. The inspired historian, having largely related David's deliverances in this and the foregoing book, and one particularly in the close of the foregoing chapter, thought fit to record this sacred poem as a memorial of all that had been before related. Some think that David penned this psalm when he was old, upon a general review of the mercies of his life and the many wonderful preservations God had blessed him with, from first to last. We should in our praises, look as far back as we can, and not suffer time to wear out the sense of God's favours. Others think that he penned it when he was young, upon occasion of some of his first deliverances, and kept it by him for his use afterwards, and that, upon every new deliverance, his practice was to sing this song. But the book of Psalms shows that he varied as there was occasion, and confined not himself to one form. Here is, I. The title of the psalm, 2Sa 22:1. II. The psalm itself, in which, with a very warm devotion and very great fluency and copiousness of expression, 1. He gives glory to God. 2. He takes comfort in him; and he finds matter for both, (1.) In the experiences he had of God's former favours. (2.) In the expectations he had of his further favours. These are intermixed throughout the whole psalm.