scripture.how Bible Commentaries

Study Resources

Bible Commentaries

Browse multiple public-domain commentaries and scripture.how Korean translations by book and chapter. Switch between commentary sources, read the translation alone, or compare it side by side with the original text.

Active commentary

Adam Clarke's Commentary and Critical Notes on the Bible

Adam Clarke · 1831

Total entries

22,101

21,603 translated

License

Public domain

Original source

Sources and licenses

Each commentary source keeps its original work, author, translation progress, and license information separate. Korean translations and editorial work by scripture.how are managed apart from the source text.

Full license overview

Adam Clarke's Commentary and Critical Notes on the Bible

Adam Clarke · 1831

Public domain

Public domain English commentary by Adam Clarke, normalized from Wikisource book pages for scripture.how. Public domain. Retrieval mirror: biblehub.com/commentaries/clarke.

Translation progress
21,603 / 22,101
Source language
en
View mode
Translation language
Translation status

Psalms Chapter 22 서론 Adam Clarke's Commentary and Critical Notes on the Bible

Psalm 22 Introduction

Translated Open passage

Under great affliction and distress, the psalmist prays unto God, Psalm 22:1-3; appeals to God's wonted kindness in behalf of his people, Psalm 22:4, Psalm 22:5; relates the insults that he received, Psalm 22:6-8; mentions the goodness of God to him in his youth, as a reason why he should expect help now, Psalm 22:9-11; details his sufferings, and the indignities offered to him, Psalm 22:12-18, prays with the confidence of being heard and delivered, Psalm 22:19-24; praises God. and foretells the conversion of the nations to the true religion, Psalm 22:25-31.

The title of this Psalm, To the chief Musician upon Aijeleth Shahar, A Psalm of David, has given rise to many conjectures. The words אילת השחר aiyeleth hashshachar are translated in the margin, "the hind of the morning;" but what was this? Was it the name of a musical instrument? or of a tune? or of a band of music? Calmet argues for the last, and translates "A Psalm of David, addressed to the Musicmaster who presides over the Band called the Morning Hind." This is more likely than any of the other conjectures I have seen. But aiyeleth hashshachar may be the name of the Psalm itself, for it was customary among the Asiatics to give names to their poetic compositions which often bore no relation to the subject itself. Mr. Harmer and others have collected a few instances from D'Herbelot's Bibliotheque Orientale. I could add many more from MSS. in my own collection: - thus Saady calls a famous miscellaneous work of his Gulisstan, "The Country of Roses," or, "The Rose Garden:" and yet there is nothing relative to such a country, nor concerning roses nor rose gardens, in the book. Another is called Negeristan, "The Gallery of Pictures;" yet no picture gallery is mentioned. Another Beharistan, "The Spring Season;" Bostan, "The Garden;" Anvar Soheely, "The Light of Canopus;" Bahar Danush, "The Garden of Knowledge;" Tuhfit Almumeneen, "The Gift of the Faithful," a treatise on medicine; Kemeea lsadut, "The Alchymy of Life;" Mukhzeen al Asrar, "The Magazine of Secrets;" Sulselet al Zahab, "The Golden Chain;" Zuhfit al Abrar, "The Rosary of the Pious:" Merat al Asrar, "The Mirror of Secrets;" Durj al Durar, "The most precious Jewels" Deru Majlis, "The Jewel of the Assembly;" Al Bordah, "The Variegated Garment;" a poem written by Al Basiree, in praise of the Mohammedan religion, in gratitude for a cure which he believed he received from the prophet who appeared to him in a dream. The poem is written in one hundred and sixty-two couplets, each of which ends with mim, the first letter in the name of Mohammed.

Scarcely one of the above titles, and their number might be easily trebled, bears any relation to the subject of the work to which it is prefixed, no more than Aijeleth Shahar bears to the matter contained in the twenty-second Psalm. Such titles are of very little importance in themselves; and of no farther use to us than as they serve to distinguish the different books, poems, or Psalms, to which they are prefixed. To me, many seem to have spent their time uselessly in the investigation of such subjects. See my note on 2 Samuel 1:18 (note).

On the subject of the Psalm itself, there is considerable diversity of opinion:

  1. Some referring it all to David;

  2. Others referring it all to Christ; and,

  3. Some, because of the application of several verses of it to our Lord in his sufferings, take a middle way, and apply it primarily to David, and in a secondary or accommodated sense, to Christ.

Of this opinion was Theodore of Mopsuestia. who gave a very rational account of his own plan of interpretation; for which he was condemned by the second council of Constantinople or fifth Ecumenic council. Grotius and others have nearly copied his plan; and I think, with a little correction, it is the only safe one. That several parts of it relate to David, primarily, there is very little reason to doubt; that several passages may be applied by way of accommodation to our Lord, though originally belonging to and expressing the state of David, may be piously believed; and that it contains portions which are direct prophecies of our Lord's passion, death, and victory, appears too evident to be safely denied. On this plan I propose to treat it in the following paraphrase; keeping it as near to the Gospel standard as I can. Dr. Delaney supposes the Psalm to have been written by David when he was at Mahaniam, the very place where God appeared to Jacob in his distress. See Genesis 32:1-2. And on this supposition the third, fourth, and fifth verses may be easily and strikingly illustrated: Our fathers trusted in thee; why may not I? Thou didst deliver Them; why may not I expect deliverance also? They cried unto thee, trusted in thee, and were not confounded; I cry until thee, trust in thee; and why should I be confounded? For thou art the same God, thou changest not; and with thee there is no respect of persons. Thus David encouraged himself in the Lord; and these considerations helped to sustain him in his painful exercises and heavy distresses.

Psalms Chapter 22 1 Adam Clarke's Commentary and Critical Notes on the Bible

Psalm 22:1

Translated Open passage

My God, my God, why hast thou forsaken me? - Show me the cause why thou hast abandoned me to my enemies; and why thou seemest to disregard my prayers and cries? For a full illustration of this passage, I beg the reader to refer to my note on Matthew 27:46.

The words of my roaring? - שאגתי shaagathi, The Vulgate, Septuagint, Syriac, Ethiopic, and Arabic, with the Anglo-Saxon, make use of terms which may be thus translated: "My sins (or foolishness) are the cause why deliverance is so far from me." It appears that these versions have read שגגתי shegagathi, "my sin of ignorance," instead of שאגתי shaagathi, "my roaring:" but no MS. extant supports this reading.

Psalms Chapter 22 2 Adam Clarke's Commentary and Critical Notes on the Bible

Psalm 22:2

Translated Open passage

I cry in the day-time, and in the night-season - This seems to be David's own experience; and the words seem to refer to his own case alone. Though I am not heard, and thou appearest to forget or abandon me; yet I continue to cry both day and night after thy salvation.

Psalms Chapter 22 3 Adam Clarke's Commentary and Critical Notes on the Bible

Psalm 22:3

Translated Open passage

But thou art holy - Though I be not heard, even while I cry earnestly, yet I cannot impute any fault or unkindness to my Maker; for thou art holy. and canst do nothing but what is right. This is the language of profound resignation, in trials the most difficult to be borne.

Inhabitest the praises of Israel - Thou dwellest in the sanctuary where the praises, thanksgivings, and sacrifices of thy people are continually offered.

Psalms Chapter 22 4 Adam Clarke's Commentary and Critical Notes on the Bible

Psalm 22:4

Translated Open passage

Our fathers trusted in thee - David is supposed to have been, at the time of composing this Psalm, at Mahanaim, where Jacob was once in such great distress; where he wrestled with the angel, and was so signally blessed. David might well allude to this circumstance in order to strengthen his faith in God. I am now in the place where God so signally blessed the head and father of our tribes. I wrestle with God, as he did; may I not expect similar success?

Psalms Chapter 22 5 Adam Clarke's Commentary and Critical Notes on the Bible

Psalm 22:5

Translated Open passage

They cried unto thee - So do I: They were delivered; so may I: They trusted in thee; I also trust in thee. And were not confounded; and is it likely that I shall be put to confusion?

Psalms Chapter 22 6 Adam Clarke's Commentary and Critical Notes on the Bible

Psalm 22:6

Translated Open passage

But I am a worm, and no man - I can see no sense in which our Lord could use these terms. David might well use them to express his vileness and worthlessness. The old Psalter gives this a remarkable turn: I am a worme, that es, I am borne of the mayden with outen manseede; and nout man anely, bot god als so: and nevir the latter, I am reprove of men. In spitting, buffetyng, and punging with the thornes and outkasting of folk; for thai chesed Barraban the thefe, and nought me.

Psalms Chapter 22 7 Adam Clarke's Commentary and Critical Notes on the Bible

Psalm 22:7

Translated Open passage

Laugh me to scorn - They utterly despised me; set me at naught; treated me with the utmost contempt. Laugh to scorn is so completely antiquated that it should be no longer used; derided, despised, treated with contempt, are much more expressive and are still in common use.

They shoot out the lip, they shake the head - This is applied by St. Matthew, to the conduct of the Jews towards our Lord, when he hung upon the cross; as is also the following verse. But both are primarily true of the insults which David suffered from Shimei and others during the rebellion of Absalom; and, as the cases were so similar, the evangelist thought proper to express a similar conduct to Jesus Christ by the same expressions. These insults our Lord literally received, no doubt David received the same.