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Adam Clarke's Commentary and Critical Notes on the Bible

Adam Clarke · 1831

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Adam Clarke's Commentary and Critical Notes on the Bible

Adam Clarke · 1831

Public domain

Public domain English commentary by Adam Clarke, normalized from Wikisource book pages for scripture.how. Public domain. Retrieval mirror: biblehub.com/commentaries/clarke.

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Song of Songs Chapter 4 서론 Adam Clarke's Commentary and Critical Notes on the Bible

Song of Solomon 4 Introduction

Translated Open passage

The bridegroom's description of his bride, her person, her accomplishments, her chastity, and her general excellence, vv. 1-16.

Song of Songs Chapter 4 1 Adam Clarke's Commentary and Critical Notes on the Bible

Song of Solomon 4:1

Translated Open passage

Thou hast doves' eyes within thy locks - Perhaps this refers rather to a sort of veil worn by many of the Eastern women, but especially in Egypt. It is a species of black cloth made of the hair of some animal, probably the black goat; is suspended from the head by silken cords, one of which comes from the crown of the head, down the forehead, to the upper part of the nose, just under the eyes, at which place the veil begins; for the forehead and the eyes are uncovered, except the cord above mentioned, which is ornamented with gold, silver, and precious stones, according to the circumstances of the wearer. This partial veil not only covers all the face, the eyes and forehead excepted, but the neck also, and hangs loosely down over the bosom. One of them, lately brought from Egypt, now lies before me.

But the clause, within thy locks, מבעד למתך mibbaad letsammathech, is not well translated, either by ourselves or by the versions. Jerome's translation is an indication of the meaning: Absque eo quod intrinsecus latet; without that, or independently of that, which lies hidden within. The Septuagint, Syriac, and Arabic have, besides thy silence. Calmet contends that none of these gives the true meaning, and that the word tmu tsemath has not the meaning of hair or locks wherever it occurs, and has quite a different meaning in Isaiah 47:2. St. Jerome on this place expresses himself thus: Nolentibus gui interpretati sunt transferre nomen quod in Sancta Scriptura sonat turpitudinem - Ergo Ktmu tsammathech, quod Aquila posuit, verenda mulieris appellanatur cujus etymologia apud eos sonat sitiens tuus. Calmet translates: Vous etes toute belle, won amie; vous etes toute belle: vos yeux sont des yeux de colombe; sans ce que la pudeur et la modestie tiennent cache. I leave the translation of these to the learned reader. See another description under Sol 4:7 (note).

As a flock of goats - Because it was black and sleek, as the hair of the goats of Arabia and Palestine is known to be; which, with its fine undulation, is supposed to bear some resemblance to the curls or plaits of a woman's tresses. The mountains of Gilead were beyond Jordan, on the frontiers of Arabia Deserta.

Song of Songs Chapter 4 2 Adam Clarke's Commentary and Critical Notes on the Bible

Song of Solomon 4:2

Translated Open passage

Thy teeth are like a flock - This comparison appears to be founded on the evenness, neatness, and whiteness of the newly shorn and newly washed sheep.

Song of Songs Chapter 4 3 Adam Clarke's Commentary and Critical Notes on the Bible

Song of Solomon 4:3

Translated Open passage

Thy lips are like a thread of scarlet - Both lips and cheeks were ruddy; sicut fragmen mali punici - Vulgate. Like the section of a pomegranate, that side cut off on which is the finest blush. This is a good and apt metaphor. But the inside may be referred to, as it is finely streaked with red and white melting into each other. She had beautiful hair, beautiful eyes, beautiful cheeks and lips, and a most pleasing and dulcet voice.

Within thy locks - See on Sol 4:1((note), and Sol 4:7 (note).

Song of Songs Chapter 4 4 Adam Clarke's Commentary and Critical Notes on the Bible

Song of Solomon 4:4

Translated Open passage

Thy neck is like the tower of David - It is certain that bucklers were frequently hung about towers, both for their ornaments, and to have them at hand when their use was required; see Ezekiel 27:10. But the allusion here may be to those pillars which are often seen in armouries on which weapons of various kinds are hung, formed into a great variety of shapes and very splendid. Whoever has seen the armoury in the tower of London, or such like places, has most probably seen something very similar to that of which the poet speaks.

Song of Songs Chapter 4 5 Adam Clarke's Commentary and Critical Notes on the Bible

Song of Solomon 4:5

Translated Open passage

Thy two breasts are like two young roes - I have met with many attempts to support this similitude, or rather to show that there is a similitude; but I judge them unworthy of citation. The poet speaks the language of nature; and in a case of this kind, where the impassioned lover attempts to describe the different perfections of his bride, language often fails him, and his comparisons and similitudes are often without strict correctness. In love songs we have heard ladies' necks compared to that of the swan, not only for its whiteness, but also for its length! The description here shows more of nature than of art, which I consider a high recommendation.

Feed among the lilies - It may be the nipples especially, which the poet compares to the two young roes; and the lilies may refer to the whiteness of the breasts themselves.

Song of Songs Chapter 4 6 Adam Clarke's Commentary and Critical Notes on the Bible

Song of Solomon 4:6

Translated Open passage

Until the day break - Until the morning breeze. See Sol 2:17.

The shadows flee away - Till the sun sets.

Mountain of myrrh - Probably the same as the mountains of Bether, Sol 2:17. Mountains where the trees grew from which myrrh and incense were extracted.

Song of Songs Chapter 4 7 Adam Clarke's Commentary and Critical Notes on the Bible

Song of Solomon 4:7

Translated Open passage

Thou art all fair - there is no spot in thee - "My beloved, every part of thee is beautiful; thou hast not a single defect." The description given of the beauties of Daphne, by Ovid, Metam. lib. 1: ver. 497, has some similarity to the above verses: -

Spectat inornatos collo pend ere capillos.

Et, quid si comantur? ait. Videt igne micantes

Sideribus similes oculos; videt oscula, quae non

Est vidisse satis. Laudat digitosque, manusque,

Brachiaque, et nudos media plus parte lacertos.

Si qua latent meliora putat.

Her well-turn'd neck he view'd, (her neck was bare),

And on her shoulders her disheveled hair.

O, were it comb'd, said he, with what a grace

Would every waving curl become her face!

He view'd her eyes, like heavenly lamps that shone,

He view'd her lips, too sweet to view alone;

Her taper fingers, and her panting breast.

He praises all he sees; and, for the rest,

Believes the beauties yet unseen the best.

Dryden.

Jayadeva describes the beauty of Radha in nearly the same imagery: "Thy lips, O thou most beautiful among women, are a bandhujiva flower; the lustre of the madhuca beams upon thy cheek; thine eye outshines the blue lotos; thy nose is a bud of the tila; the cunda blossom yields to thy teeth. Surely thou descendedst from heaven, O slender damsel! attended by a company of youthful goddesses; and all their beauties are collected in thee." See these poems, and the short notes at the end.

The same poet has a parallel thought to that in Sol 4:5, "Thy two breasts," etc. The companions of Radha thus address her: "Ask those two round hillocks which receive pure dew drops from the garland playing on thy neck, and the buds on whose tops start aloft with the thought of thy beloved."