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Adam Clarke's Commentary and Critical Notes on the Bible

Adam Clarke · 1831

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Adam Clarke's Commentary and Critical Notes on the Bible

Adam Clarke · 1831

Public domain

Public domain English commentary by Adam Clarke, normalized from Wikisource book pages for scripture.how. Public domain. Retrieval mirror: biblehub.com/commentaries/clarke.

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Song of Songs Chapter 6 서론 Adam Clarke's Commentary and Critical Notes on the Bible

Song of Solomon 6 Introduction

Translated Open passage

The companions of the bride inquire after the bridegroom, Sol 6:1-3. A description of the bride, Sol 6:4-13.

Song of Songs Chapter 6 1 Adam Clarke's Commentary and Critical Notes on the Bible

Song of Solomon 6:1

Translated Open passage

Whither is thy beloved gone - These words are supposed to be addressed to the bride by her own companions, and are joined to the preceding chapter by the Hebrew and all the versions.

Song of Songs Chapter 6 2 Adam Clarke's Commentary and Critical Notes on the Bible

Song of Solomon 6:2

Translated Open passage

My beloved is gone down into his garden - The answer of the bride to her companions.

Song of Songs Chapter 6 4 Adam Clarke's Commentary and Critical Notes on the Bible

Song of Solomon 6:4

Translated Open passage

Beautiful - as Tirzah - This is supposed to be the address of Solomon to the bride. Tirzah was a city in the tribe of Ephraim, (Joshua 12:24), and the capital of that district. It appears to have been beautiful in itself, and beautifully situated, for Jeroboam made it his residence before Samaria was built; and it seems to have been the ordinary residence of the kings of Israel, 1 Kings 14:17; 1 Kings 15:21. Its same signifies beautiful or delightful.

Comely as Jerusalem - This was called the perfection of beauty, Psalm 48:2, Psalm 48:3; Psalm 50:2. And thus the poet compares the bride's beauty to the two finest places in the land of Palestine, and the capitals of the two kingdoms of Israel and Judah.

Terrible as an army with banners - This has been supposed to carry an allusion to the caravans in the East, and the manner in which they are conducted in their travels by night. The caravans are divided into companies, called cottors, according to Thevenet; and each company is distinguished by the form of the brazier in which they carry their lights. After night, these braziers are placed on the ends of long poles, and carried by a person who walks at the head of the company. Some have ten or twelve lights, and are of different forms; some triangular, or like an N; some like an M, by which each pilgrim readily knows his own company, both by night and day. A whole caravan, composed of many thousands of hadgees or pilgrims, divided into various cottors or companies, each having its own distinguishing brazier or light, must necessarily produce a very splendid, if not a terrible, appearance.

Song of Songs Chapter 6 5 Adam Clarke's Commentary and Critical Notes on the Bible

Song of Solomon 6:5

Translated Open passage

Turn away thine eyes - As the sight of so many fires after night was extremely dazzling, and the eye could not bear the sight, so the look of the bride was such as pierced the heart, and quite overwhelmed the person who met it. Hence the bridegroom naturally cries out, "Turn away thine eyes from me, for they have overcome me."

Thy hair is as a flock of goats - See on Sol 4:1((note).

Song of Songs Chapter 6 6 Adam Clarke's Commentary and Critical Notes on the Bible

Song of Solomon 6:6

Translated Open passage

Thy teeth - See on Sol 4:2((note).

Song of Songs Chapter 6 7 Adam Clarke's Commentary and Critical Notes on the Bible

Song of Solomon 6:7

Translated Open passage

As a piece of a pomegranate - See on Sol 4:3((note).

Song of Songs Chapter 6 8 Adam Clarke's Commentary and Critical Notes on the Bible

Song of Solomon 6:8

Translated Open passage

There are threescore queens - Though there be sixty queens, and eighty concubines, or secondary wives, and virgins innumerable, in my harem, yet thou, my dove, my undefiled, art אצת achath, One, the Only One, she in whom I delight beyond all.