Matthew Henry's Complete Commentary
Matthew Henry · 1714
Matthew Henry 사후(1714) 공개 도메인. 디지털판 CC0-1.0.
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Jamieson-Fausset-Brown Commentary Critical and Explanatory on the Whole Bible
Robert Jamieson, A. R. Fausset, David Brown · 1871
Commentary Critical and Explanatory on the Whole Bible (1871). CCEL expanded electronic edition states it is in the public domain.
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Barnes' Notes on the Bible
Albert Barnes · 1834
Albert Barnes' Notes on Revelation Of St. John The Divine (New Testament, English original, public domain). Sourced from the Christian Classics Ethereal Library (CCEL). Public domain. Retrieval mirror: biblehub.com/commentaries/barnes.
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Adam Clarke's Commentary and Critical Notes on the Bible
Adam Clarke · 1831
Public domain English commentary by Adam Clarke, normalized from Wikisource book pages for scripture.how. Public domain. Retrieval mirror: biblehub.com/commentaries/clarke.
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John Gill's Exposition of the Bible
John Gill · 1763
John Gill(1697-1771), Exposition of the Old and New Testament(1746-1763). Public domain. Retrieval mirror: biblehub.com/commentaries/gill.
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Calvin's Commentaries
John Calvin · 1850
종교개혁 신학 원천 (영역본 PD, 대부분 — 전권 아님)
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Matthew Poole's Annotations upon the Holy Bible
Matthew Poole · 1685
간결 절별 전권 개혁주의 주석
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The Pulpit Commentary
ed. H.D.M. Spence & Joseph S. Exell · 1890
전권 강해·설교·예화 풍부 (항목 대량)
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Keil & Delitzsch Commentary on the Old Testament
Carl F. Keil, Franz Delitzsch · 1866
구약 학술 표준 — 히브리어·문헌비평·고대근동 배경
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Ellicott's Commentary for English Readers
ed. Charles J. Ellicott · 1878
학술+가독 균형 전권 주석
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Cambridge Bible for Schools and Colleges
Cambridge (다저자) · 1900
준전권 준학술 (권별 저자·연도 확인)
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Vincent's Word Studies in the New Testament
Marvin R. Vincent · 1887
신약 헬라어 단어 연구
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Word Pictures in the New Testament
A.T. Robertson · 1933
헬라어 시제·문법 해설 결정판 (KR PD / US 1931+ 권별)
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The Expositor's Greek Testament
ed. W. Robertson Nicoll (다저자) · 1910
헬라어 신약 학술 (권별 저자 PD 확인 필요)
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Meyer's Critical and Exegetical Commentary on the New Testament
Heinrich A.W. Meyer · 1880
신약 학술 정밀주해 (독일 — K&D 대응)
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Wesley's Explanatory Notes
John Wesley · 1755
간결 실용 전권(NT 1755 / OT 1765) 웨슬리안
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Benson's Commentary of the Old and New Testaments
Joseph Benson · 1815
웨슬리안 전권 주석
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The Treasury of David
Charles H. Spurgeon · 1885
시편 주석 고전 (설교 자료 풍부)
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MacLaren's Expositions of Holy Scripture
Alexander Maclaren · 1910
설교형 강해 명저 (전권, 절별 가공 필요)
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The People's New Testament
B.W. Johnson · 1891
평이 절별 신약 해설 (일반신자·모바일)
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Coke's Commentary on the Holy Bible
Thomas Coke · 1803
감리교 전권 주석
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Trapp's Complete Commentary
John Trapp · 1660
청교도 전권 주석 — Henry/Gill 보완
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Hodge's Commentary on the New Testament
Charles Hodge · 1860
프린스턴 조직신학 관점 신약 정밀 주석 (롬·고전후·엡)
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This beautiful and animated psalm closes the series of the Hallelujah Psalms Ps. 146-150, and appropriately also closes the entire volume. Its author is unknown, but in respect to the object for which it was composed there can be no uncertainty. It was manifestly designed, whoever wrote it, to occupy the very place which it does occupy - to complete the volume devoted to praise. Praise is the suitable ending of the book; praise is what the Spirit of inspiration meant to secure in the heart and on the lips. In the review of the whole there is occasion for praise. In view of all that has been disclosed about God, about his religion, about the manifestations of his mercy and grace to his people, there is occasion for praise. After all that has been experienced, observed, and recorded in this book - all of trial, sorrow, temptation, conflict, disappointment, sickness, bereavement, persecution, war, captivity, bondage, exile, tears, pain, darkness, trouble - there is, as the result of the whole, as there will be at the end of our own troubled and chequered lives, occasion for exultation, praise, triumph - songs, rejoicings, raptures, hallelujahs. This psalm, then, made up wholly of expressions of gratitude and praise, is an appropriate close to the entire Book of Psalms. So may our lives close, when its varied scenes are over, with thanksgivings and praises, as a proper expression in view of the past, and as emblematic of the uninterrupted employment that awaits us in the heavens.
Adam Clarke's Commentary and Critical Notes on the Bible
Psalm 150 Introduction
A general exhortation to praise God, Psalm 150:1, Psalm 150:2. With the trumpet, psaltery, and harp, Psalm 150:3. With the timbrel and dance, stringed instruments and organs, Psalm 150:4. With the cymbals, Psalm 150:5. All living creatures are called upon to join in the exercise, Psalm 150:6.
This Psalm is without title and author in the Hebrew, and in all the ancient versions. It is properly the full chorus of all voices and instruments in the temple, at the conclusion of the grand Hallelujah, to which the five concluding Psalms belong.
INTRODUCTION TO Psalm 150
This psalm is of the same kind and upon the same subject with the two preceding ones; and very probably was written by the same hand, and about the same time; and is a very proper psalm to conclude this book with, being all praise. Some say (q) this psalm was sung by the Israelites, when they came with their firstfruits into the sanctuary, with the basket on their shoulders. "Thirteen" times in this short psalm is the word "praise" used; not on account of thirteen properties or perfections in God, as Kimchi thinks: but it is so frequently and in every clause used, to show the vehement desire of the psalmist that the Lord might be praised; and to express his sense of things, how worthy he is of praise; and that all ways and means to praise him should be made use of, all being little enough to set forth his honour and glory. And not the Levites only, whose business it was in the temple service to praise the Lord with musical instruments, are here exhorted to it, as R. Judah the Levite thinks, but all people; not the people of Israel only, as Kimchi; but the Gentiles also, even all that have breath, Psalm 150:6. For, as R. Obadiah Gaon observes, this psalm belongs to the times of the Messiah; to the Gospel dispensation, to the latter part of it, especially when Jews and Gentiles shall be converted; and when all will praise the Lord, as they will have reason for it.
(q) Weemse's Christ. Synagog. l. 1. c. 6. s. 4. p. 145.
CL.
In the place of the short doxology, such as concludes each of the former books of the psalter, this psalm was fitly composed or selected to close the whole collection. It has been well called “the finale of the spiritual concert,” and no doubt afforded a good musical display, music performed with full orchestra and choir, every kind of instrument known to the Hebrews, wind, string, and percussion, being mentioned, and in the last verse all who had breath and voice being invited to join. The form of the invocation embracing heaven and earth, and putting forward as the object of praise both Jehovah’s majesty and His great works wrought for Israel, is also exactly suited for a conclusion to the great collection of Israelite song. The parallelism is perfect.
The Book of Praises fitly ends with this full-toned call to universal praise with every accompaniment of jubilant rejoicing. It may have been composed as a closing doxology for the whole Psalter, corresponding to the doxologies at the end of the first four books; but it would seem rather to have been intended primarily, like the other Psalms of this group, for liturgical use, and to have been placed at the end of the Psalter on account of its inherent fitness.
“This noble close of the Psalter rings out one clear note of praise, as the end of all the many moods and experiences recorded in its wonderful sighs and songs. Tears, groans, wailings for sin, meditations on the dark depths of Providence, fainting faith and foiled aspirations, all lead up to this. The Psalm is more than an artistic close of the Psalter; it is a prophecy of the last result of the devout life, and in its unclouded sunniness as well as in its universality, it proclaims the certain end of the weary years for the individual and the world. ‘Everything that hath breath’ shall yet praise Jehovah” (Maclaren).
Jamieson-Fausset-Brown Commentary Critical and Explanatory on the Whole Bible
Ps 150:1-6.
Ps 150:1-6.
This is a suitable doxology for the whole book, reciting the "place, theme, mode, and extent of God's high praise."
1. in his sanctuary--on earth.
firmament of his power--which illustrates His power.
Praise ye the Lord - See the notes at Psalm 146:1.
Praise God in his sanctuary - His holy place; the place where he dwells. The allusion here is, probably, to the temple, the place of his abode on earth.
Praise him in the firmament of his power - The whole expression is equivalent to earth and heaven; Praise him on earth; praise him in heaven. The word rendered firmament is the same which is used in Genesis 1:6. It properly means an expanse - a thing spread out. The verb from which the word is derived means to beat; then, to beat out - that is, to spread out by beating, as gold is; and then, simply to spread out, to expand. Compare Psalm 136:6; Isaiah 42:5; Isaiah 44:24. In Syriac the word means to make firm; but this idea is not necessarily in the Hebrew word. The idea of a firmament as something firm is derived from the Septuagint - in Genesis 1:6, στερέωμα stereōma - in this place, ἐν στερεώματι en stereōmati. The Hebrew, however, merely means "an expanse" - something spread out, as the heavens seem to us to be "stretched out;" and the call here is on all that dwell above that expanse - in heaven - to unite with those on earth in his praise. It is called "the expanse of his power" because it is in the heavens - in the sun, the moon, the stars - that the power of God seems to be principally displayed.
The first and last of the psalms have both the same number of verses, are both short, and very memorable. But the scope of them is very different: the first psalm is an elaborate instruction in our duty, to prepare us for the comforts of our devotion; this is all rapture and transport, and perhaps was penned on purpose to be the conclusion of these sacred songs, to show what is the design of them all, and that is to assist us in praising God. The psalmist had been himself full of the praises of God, and here he would fain fill all the world with them: again and again he calls, "Praise the Lord, praise him, praise him," no less than thirteen times in these six short verses. He shows, I. For what, and upon what account, God is to be praised (Ps 150:1,2), II. How, and with what expressions of joy, God is to be praised, Ps 150:3-5. III. Who must praise the Lord; it is every one's business, Ps 150:6. In singing this psalm we should endeavour to get our hearts much affected with the perfections of God and the praises with which he is and shall be for ever attended, throughout all ages, world without end.