Matthew Henry's Complete Commentary
Matthew Henry · 1714
Matthew Henry 사후(1714) 공개 도메인. 디지털판 CC0-1.0.
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Jamieson-Fausset-Brown Commentary Critical and Explanatory on the Whole Bible
Robert Jamieson, A. R. Fausset, David Brown · 1871
Commentary Critical and Explanatory on the Whole Bible (1871). CCEL expanded electronic edition states it is in the public domain.
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Barnes' Notes on the Bible
Albert Barnes · 1834
Albert Barnes' Notes on Revelation Of St. John The Divine (New Testament, English original, public domain). Sourced from the Christian Classics Ethereal Library (CCEL). Public domain. Retrieval mirror: biblehub.com/commentaries/barnes.
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Adam Clarke's Commentary and Critical Notes on the Bible
Adam Clarke · 1831
Public domain English commentary by Adam Clarke, normalized from Wikisource book pages for scripture.how. Public domain. Retrieval mirror: biblehub.com/commentaries/clarke.
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John Gill's Exposition of the Bible
John Gill · 1763
John Gill(1697-1771), Exposition of the Old and New Testament(1746-1763). Public domain. Retrieval mirror: biblehub.com/commentaries/gill.
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Calvin's Commentaries
John Calvin · 1850
종교개혁 신학 원천 (영역본 PD, 대부분 — 전권 아님)
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Matthew Poole's Annotations upon the Holy Bible
Matthew Poole · 1685
간결 절별 전권 개혁주의 주석
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The Pulpit Commentary
ed. H.D.M. Spence & Joseph S. Exell · 1890
전권 강해·설교·예화 풍부 (항목 대량)
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Keil & Delitzsch Commentary on the Old Testament
Carl F. Keil, Franz Delitzsch · 1866
구약 학술 표준 — 히브리어·문헌비평·고대근동 배경
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Ellicott's Commentary for English Readers
ed. Charles J. Ellicott · 1878
학술+가독 균형 전권 주석
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Cambridge Bible for Schools and Colleges
Cambridge (다저자) · 1900
준전권 준학술 (권별 저자·연도 확인)
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Vincent's Word Studies in the New Testament
Marvin R. Vincent · 1887
신약 헬라어 단어 연구
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Word Pictures in the New Testament
A.T. Robertson · 1933
헬라어 시제·문법 해설 결정판 (KR PD / US 1931+ 권별)
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The Expositor's Greek Testament
ed. W. Robertson Nicoll (다저자) · 1910
헬라어 신약 학술 (권별 저자 PD 확인 필요)
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Meyer's Critical and Exegetical Commentary on the New Testament
Heinrich A.W. Meyer · 1880
신약 학술 정밀주해 (독일 — K&D 대응)
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Wesley's Explanatory Notes
John Wesley · 1755
간결 실용 전권(NT 1755 / OT 1765) 웨슬리안
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Benson's Commentary of the Old and New Testaments
Joseph Benson · 1815
웨슬리안 전권 주석
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The Treasury of David
Charles H. Spurgeon · 1885
시편 주석 고전 (설교 자료 풍부)
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MacLaren's Expositions of Holy Scripture
Alexander Maclaren · 1910
설교형 강해 명저 (전권, 절별 가공 필요)
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The People's New Testament
B.W. Johnson · 1891
평이 절별 신약 해설 (일반신자·모바일)
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Coke's Commentary on the Holy Bible
Thomas Coke · 1803
감리교 전권 주석
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Trapp's Complete Commentary
John Trapp · 1660
청교도 전권 주석 — Henry/Gill 보완
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Hodge's Commentary on the New Testament
Charles Hodge · 1860
프린스턴 조직신학 관점 신약 정밀 주석 (롬·고전후·엡)
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This psalm is described as a "psalm of David," and it bears internal evidence that it was composed by him, as it contains first, a prayer for deliverance from enemies Psalm 64:1-6; and second, a confident expectation of deliverance, Psalm 64:7-10; a form of structure found in many of the psalms written by David. It is addressed, or dedicated, as many others are, "To the chief Musician." This fact shows that it was not designed as an expression of mere private feeling, but was intended to be employed in the worship of God. See the notes at the Introduction to Psalm 4:1-8.
The occasion on which this psalm was composed is unknown. In its general structure and character, it bears a strong resemblance to Psalm 58:1-11. Indeed, many of the expressions in the two psalms are the same, and it would seem probable that it was composed with reference to the same occasion, or that the circumstances in the two cases were so similar as to make the same expressions in the main appropriate. The occasion may have been, either the times of persecution under Saul, or the rebellion of Absalom. Perhaps we may suppose, without impropriety, that the former psalm Psa 58:1-11 was composed in the time of Saul, and this in the time of Absalom, and that the circumstances in the two eases were so similar, that the author found the same phraseology which he had used on the former occasion to be appropriate to his present position, or that his feelings were so identical now with what they were then, that he naturally expressed himself in substantially the same language.
The psalm, as observed above, is composed of two parts:
I. A prayer for deliverance from his enemies, with a description of their character, Psalm 64:1-6.
II. An expression of confident expectation that his prayer would be answered, and that God would interpose in his behalf, Psalm 64:7-10.
Adam Clarke's Commentary and Critical Notes on the Bible
Psalm 64 Introduction
The psalmist prays for preservation from the wicked, Psalm 64:1, Psalm 64:2; whom he describes, Psalm 64:3-6; shows their punishment, Psalm 64:7, Psalm 64:8; and the effect that this should have on the godly, Psalm 64:9, Psalm 64:10.
The title, To the chief Musician, or conqueror, A Psalm of David. The Syriac says, "composed by David when warned by Gad the prophet, who said, Stay not in Masrob, because Saul seeks thy life." Some think it was composed by David when he was persecuted by Saul; or during the rebellion of Absalom. But Calmet thinks it is a complaint of the captives in Babylon.
INTRODUCTION TO Psalm 64
To the chief Musician, A Psalm of David. This psalm is applied by R. Obadiah to Haman and Mordecai. The enemy is Haman, the perfect man shot at is Mordecai; about whom Haman communed with his friends to lay snares for him, and searched diligently for occasions against him and his people, which issued in his own destruction. The ancient Midrash (y) of the Jews applies it to Daniel, when cast into the den of lions; and Jarchi supposes that David, by a spirit of prophecy, foresaw it, and prayed for him who was of his seed; and that everything in the psalm beautifully falls in with that account: Daniel is the perfect man aimed at; the enemy are the princes of Darius's court, who consulted against him, communed of laying snares for him, and gained their point, which proved their own ruin. But the psalm literally belongs to David, by whom it was composed. The Arabic versions call it a psalm of David, when Saul persecuted him; and the Syriac version refers it to the time when Gad said to him, abide not in the hold, 1 Samuel 22:5. He is the perfect man, who was upright and innocent as to what he was charged with in respect to Saul; who is the enemy, from the fear of whom he desires his life might be preserved; and who with his courtiers took counsel against him, and laid deep schemes to destroy him, but at last were destroyed themselves. Moreover, the psalm may very well be applied to the Messiah, the son of David, and who was his antitype, and especially in his sufferings: he is the perfect man in the highest sense; the Jews were the enemies that took counsel, and searched for occasions against him, and accomplished their designs in a good measure; for which wrath came upon them to the uttermost. The psalmist also may be very well thought to represent the church and people of God; who in all ages have had their enemies and their fears; against whom wicked men have devised mischief, and levelled their arrows of persecution; though no weapon formed against them shall prosper.
(y) Apud Jarchium & Yalkut Simeoni in loc.
LXIV.
The situation indicated in this psalm is one that frequently occurs in Israel’s hymn-book. A prey to calumny, the poet for himself, or, more probably, for the community, implores the protection of God, and then suddenly takes up the prophetic strain—persuaded, from the known order of Providence, that retribution must come—and foretells the sudden dissipation of the deeply-laid schemes of those who vex and oppress God’s chosen people.
The last couplet is probably a liturgical addition, and not part of the original poem, which without it divides into three regular stanzas of seven lines.
Title.—See title, Psalms 4.
The theme of this Psalm is God’s judgement upon the enemies of the righteous. It falls into two main divisions, in each of which the verses are arranged in pairs.
i. The Psalmist confidently appeals to God for protection against the secret plots and open attacks of evil-doers (Psalm 64:1-2), who are bent on ruining innocent men by slander and intrigue (Psalm 64:3-4), and flattering themselves that they have nothing to fear, prosecute their designs with an evil inventiveness and determination (Psalm 64:5-6).
ii. But surely and suddenly the arrow of God’s judgement will pierce them, and their plots will recoil upon themselves, to the scorn of all beholders (Psalm 64:7-8). In their fate men will recognise the hand of God, and the righteous will rejoice in this proof of His providence (Psalm 64:9-10).
Thus the Psalmist’s present and personal need is merged in the larger question of the punishment of the persecutors of the righteous; and the certainty of their punishment as the consequence of their sin is proclaimed in a tone of prophetic authority. The Ps. has its distinctive peculiarities, though numerous parallels of thought and language are to be found in other Psalms. Cp. especially 5, 7, 10, 11, 12, 14, 36, 5255, 57, 58.
Jamieson-Fausset-Brown Commentary Critical and Explanatory on the Whole Bible
Ps 64:1-10.
Ps 64:1-10.
A prayer for deliverance from cunning and malicious enemies, with a confident view of their overthrow, which will honor God and give joy to the righteous.
1. preserve . . . fear--as well as the danger producing it.
Hear my voice, O God, in my prayer - The use of the word voice here would seem to imply that this was audible prayer, or that, though alone, he gave utterance to his petitions aloud. We have this same use of the word often in the Psalms, making it probable that even private prayers were uttered in an audible manner. In most cases, when there is no danger of being overheard, or of its being construed as ostentation or Pharisaism, this is favorable to the spirit of secret devotion. Compare the notes at Daniel 6:10. The word here rendered prayer means properly speech, discourse; then, complaint; then, meditation. It is most commonly rendered complaint. See Job 7:13; Job 9:27; Job 10:1; Job 21:4; Psalm 55:2 (notes); Psalm 102 (Title); Psalm 142:2. It refers here to a state of mind caused by trouble and danger, when the deep meditation on his troubles and dangers found expression in audible words - whether those words were complaint or petition. As there are no indications in the psalm that David was disposed to complain in the sense of blaming God, the proper interpretation here is that his deep meditations took the form of prayer.
Preserve my life from fear of the enemy - Either Saul or Absalom. He prayed that his life might be made so secure that he would not have occasion to be afraid of his enemy.
This whole psalm has reference to David's enemies, persecutors, and slanderers; many such there were, and a great deal of trouble they gave him, almost all his days, so that we need not guess at any particular occasion of penning this psalm. I. He prays to God to preserve him from their malicious designs against him, Ps 64:1,2. II. He gives a very bad character of them, as men marked for ruin by their own wickedness, Ps 64:3-6. III. By the spirit of prophecy he foretels their destruction, which would redound to the glory of God and the encouragement of his people, Ps 64:7-10. In singing this psalm we must observe the effect of the old enmity that is in the seed of the woman against the seed of the serpent, and assure ourselves that the serpent's head will be broken, at last, to the honour and joy of the holy seed.