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Matthew Henry's Complete Commentary

Matthew Henry · 1714

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Matthew Henry 사후(1714) 공개 도메인. 디지털판 CC0-1.0.

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Jamieson-Fausset-Brown Commentary Critical and Explanatory on the Whole Bible

Robert Jamieson, A. R. Fausset, David Brown · 1871

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Commentary Critical and Explanatory on the Whole Bible (1871). CCEL expanded electronic edition states it is in the public domain.

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Barnes' Notes on the Bible

Albert Barnes · 1834

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Albert Barnes' Notes on Revelation Of St. John The Divine (New Testament, English original, public domain). Sourced from the Christian Classics Ethereal Library (CCEL). Public domain. Retrieval mirror: biblehub.com/commentaries/barnes.

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Adam Clarke's Commentary and Critical Notes on the Bible

Adam Clarke · 1831

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Public domain English commentary by Adam Clarke, normalized from Wikisource book pages for scripture.how. Public domain. Retrieval mirror: biblehub.com/commentaries/clarke.

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John Gill's Exposition of the Bible

John Gill · 1763

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John Gill(1697-1771), Exposition of the Old and New Testament(1746-1763). Public domain. Retrieval mirror: biblehub.com/commentaries/gill.

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Calvin's Commentaries

John Calvin · 1850

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종교개혁 신학 원천 (영역본 PD, 대부분 — 전권 아님)

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Matthew Poole's Annotations upon the Holy Bible

Matthew Poole · 1685

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간결 절별 전권 개혁주의 주석

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The Pulpit Commentary

ed. H.D.M. Spence & Joseph S. Exell · 1890

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전권 강해·설교·예화 풍부 (항목 대량)

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Keil & Delitzsch Commentary on the Old Testament

Carl F. Keil, Franz Delitzsch · 1866

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구약 학술 표준 — 히브리어·문헌비평·고대근동 배경

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Ellicott's Commentary for English Readers

ed. Charles J. Ellicott · 1878

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학술+가독 균형 전권 주석

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Cambridge Bible for Schools and Colleges

Cambridge (다저자) · 1900

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준전권 준학술 (권별 저자·연도 확인)

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Vincent's Word Studies in the New Testament

Marvin R. Vincent · 1887

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신약 헬라어 단어 연구

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Word Pictures in the New Testament

A.T. Robertson · 1933

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헬라어 시제·문법 해설 결정판 (KR PD / US 1931+ 권별)

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The Expositor's Greek Testament

ed. W. Robertson Nicoll (다저자) · 1910

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헬라어 신약 학술 (권별 저자 PD 확인 필요)

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Meyer's Critical and Exegetical Commentary on the New Testament

Heinrich A.W. Meyer · 1880

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신약 학술 정밀주해 (독일 — K&D 대응)

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Wesley's Explanatory Notes

John Wesley · 1755

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간결 실용 전권(NT 1755 / OT 1765) 웨슬리안

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Benson's Commentary of the Old and New Testaments

Joseph Benson · 1815

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웨슬리안 전권 주석

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MacLaren's Expositions of Holy Scripture

Alexander Maclaren · 1910

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설교형 강해 명저 (전권, 절별 가공 필요)

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The People's New Testament

B.W. Johnson · 1891

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평이 절별 신약 해설 (일반신자·모바일)

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Hodge's Commentary on the New Testament

Charles Hodge · 1860

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프린스턴 조직신학 관점 신약 정밀 주석 (롬·고전후·엡)

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Song of Songs Chapitre 6 서론

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Matthew Henry's Complete Commentary

Sans titre

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In this chapter, I. The daughters of Jerusalem, moved with the description which the church had given of Christ, enquire after him, So 6:1. II. The church directs them where they may meet with him, So 6:2,3. III. Christ is now found of those that sought him, and very highly applauds the beauty of his spouse, as one extremely smitten with it (So 6:4-7), preferring her before all others (So 6:8,9), recommending her to the love and esteem of all her neighbours (So 6:10), and, lastly, acknowledging the impressions which her beauty had made upon him and the great delight he took in it, So 6:11-13.

Adam Clarke's Commentary and Critical Notes on the Bible

Song of Solomon 6 Introduction

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The companions of the bride inquire after the bridegroom, Sol 6:1-3. A description of the bride, Sol 6:4-13.

John Gill's Exposition of the Bible

Song of Solomon 6 Introduction

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INTRODUCTION TO SONG OF SOLOMON 6

The discourse between the church and the daughters of Jerusalem is continued in this chapter: they inquire whither her beloved was gone, in order to seek him with her, Sol 6:1; she tells them where he was gone, and for what purpose he went thither, and what he was doing there; and claims and asserts her interest in him, Sol 6:2; Then follows a commendation of the church by Christ, who admires her beauty, and describes her by her eyes, hair, &c. Sol 6:4; and prefers her to all others; being a singular and choice one to him, and the praise of others, Sol 6:8; and next he gives an account of his going into his garden, and his design in it, and of what happened to him there, Sol 6:11. And the chapter is concluded with a charge to the Shulamite, to turn herself, that she might be looked upon; which occasions a question, to which an answer is returned, Sol 6:13.

Song of Songs Chapitre 6 1

5 commentaires comparés

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Jamieson-Fausset-Brown Commentary Critical and Explanatory on the Whole Bible

So 6:1-13.

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So 6:1-13.

1. Historically, at Jesus Christ's crucifixion and burial, Joseph of Arimathea, and Nicodemus, and others, joined with His professed disciples. By speaking of Jesus Christ, the bride does good not only to her own soul, but to others (see on

So 1:4;

Mal 3:16;

Mt 5:14-16).

Compare the hypocritical use of similar words

(Mt 2:8).

Barnes' Notes on the Bible

Song of Solomon 6:1

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The question put by the chorus, and the answer it receives from the bride, show that the loss and seeking are not to be taken too seriously.

Adam Clarke's Commentary and Critical Notes on the Bible

Song of Solomon 6:1

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Whither is thy beloved gone - These words are supposed to be addressed to the bride by her own companions, and are joined to the preceding chapter by the Hebrew and all the versions.

John Gill's Exposition of the Bible

Song of Solomon 6:1

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Whither is thy beloved gone, O thou fairest among women?.... The title is the same used by them, and by Christ before them, Sol 1:8; and here repeated, to assure her that they were serious in asking this question, and that it was in great respect to her they put it; and which, to the same sense, in other words, is expressed,

whither is thy beloved turned aside? which way did he take? on what hand did he turn, to the right or left, when he went from thy door? They ask no longer who or what he was, being satisfied with the church's description of him; by which they had gained some knowledge of him, and had their affections drawn out unto him; and were desirous of knowing more of him and of being better acquainted with him, and to enjoy his company and presence; though as yet they had but little faith in him, and therefore could not call him "their" beloved, only "her" beloved: and this question is put and repeated in this manner, to show that they were serious and in earnest; yea, were in haste, and impatient to know which way he went; say they,

that we may seek him with thee; it was not mere speculation or curiosity that led them to put the above questions; they were desirous to go into practice, to join with the church in the search of Christ, to seek him with her in the word and ordinances; upon which they were determined, could they get any hint from her whither he was gone, and where it was most likely to find him: for so the words may be rendered, "and we will seek him with thee" (p); this they had resolved on among themselves, and only wanted directions which way to steer their course, or a grant to go along with the church in quest of her beloved.

(p) Sept. "quaeremus", V. L. Pagninus, Montanus, Marckius, &c.

Matthew Poole's Annotations upon the Holy Bible

Song of Solomon 6:1

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An inquiry after Christ, Song of Solomon 6:1. The church’s answer, Song of Solomon 5:2. The church confesseth her faith in Christ, Song of Solomon 6:3. Christ showeth the graces of his church, Song of Solomon 6:4, and the beauty of several parts, Song of Solomon 6:5-10. He acquaints her where he had been, and what he had been doing, Song of Solomon 6:11; and discovers his affection to her, Song of Solomon 6:12; with an invitation of her to return to him again, Song of Solomon 6:13.

These are the words of the daughters of Jerusalem, last mentioned, whom this full and pathetical description of the Bridegroom’s excellency had inflamed with love to him.

Whither is thy Beloved turned aside, to wit, from thee, as thy words imply, Song of Solomon 6:6,8; where dost thou use to look for him, and to find him, when thou hast lost him? O thou who art well acquainted with all the places both of his usual abode, and of his diversion, inform us who are ignorant of them. That we may seek him with thee; we ask not with any evil design, but only because we desire an interest in him.