Commentari biblici

XXXIII.

This is a hymn of praise to Jehovah, as at once Almighty Creator and Ruler of the universe, and the Protector of His chosen people. It was plainly for liturgical use, and beyond this, as even the compilers of the collection left it anonymous, it is useless to inquire into its authorship or date. All that we see clearly is that faith in the protection of Jehovah and not in material force, that which we regard as the traditional faith of Israel, had by this time been firmly implanted. Both in rhythm, which is fine and well sustained, and subject this psalm bears a close relation to Psalms 147

(1) Rejoice.—A common hymnic word, meaning properly to “shout,” or “sing for joy.”

(2) Harp.—Heb., khinnôr (LXX. and Vulg., “cithara”), most probably a trigon or three-cornered harp, such as may be seen sculptured in Egyptian bas-reliefs. The number of strings probably varied, as different accounts are given. (See Bible Educator, 1:19.)

With the psaltery and an instrument of ten strings.—Properly, as LXX. and Vulg., “with the ten-stringed psaltery.” (See 1Samuel 10:5.) Evidently a more elaborate instrument than the khinnôr, and with greater capacities. (See Bible Educator, 1:70, and art. “Psaltery” in Smith’s Biblical Dictionary.) From the Greek psalterion comes the title “psalter” for the Book of Psalms. By its derivation it meant an instrument played with the fingers. The word was in use in old English:

“And before hem went minstrels many one,

As harpes, pipes, lutes, and sautry.”

CHAUCER: The Flower and the Leaf, 237.

(3) A new song.—This expression occurs in Psalm 96:1; Psalm 98:1; Psalm 149:1; Isaiah 42:10; Judith 16:13, and was adopted in Revelation 5:9; Revelation 14:3. The term apparently marked the revival of national psalmody after the Captivity. “Behold, the former things are come to pass, and new things do I declare . . . Sing unto the Lord a new song” (Isaiah 42:9-10).

Play skilfully with a loud noise.—The latter words represent a Hebrew expression of common hymnic use, describing the full choral effect when instruments and voices were joined in the service of the sanctuary (Psalm 95:1; Psalm 100:1, &c). Some, however, limit it (after Leviticus 25:9) to the trumpet accompaniment, and render—

“Strike the harp deftly for him,

Amid the blare of trumpets.”

(4) Right.—The first inspiring cause of praise for a faithful Israelite is the righteousness of the God of the Covenant. But the pregnant expression, “word of Jehovah,” naturally leads him on from the thought of its truth to the thought of its power, and in Psalm 33:6-7 we have praise of the creative act of the Almighty.

(6) The breath of his mouth.—This is plainly only a synonym for word. (Comp. Isaiah 11:4, where “breath of his lips” is used for the Divine sentence of judgment upon the heathen.)

(7) As an heap.—The image explains itself (so we speak of waves “mountains high “) without reference to the passage either of the Red Sea or the Jordan. Still less is there a comparison to heaps of corn, some think, since storehouses in the next clause are not necessarily barns, but reservoirs. But the LXX., Vulg., and all ancient interpreters read nôd (“a skin”), instead of nêd (“a heap”), and make the reference to the rain, the clouds being considered as bottles. With this comp. Job 38:37.

(10) The Lord bringeth.—The thought now passes on to the irresistible rule of Jehovah. His counsel stands for all generations, and being righteous as well as eternal, frustrates the counsel and thoughts of the heathen, while His chosen people (Psalm 33:12) rest in stable peace under the Theocracy. (Comp. Acts 5:38.) The word devices in Psalm 33:10 should be thoughts, as in Psalm 33:11, or, better in both, purposes.

Psalm 33:12 is the pivot, as it were, on which the whole psalm turns, and was doubtless sung in full chorus.