Barnes' Notes on the Bible · Song of Songs Capitolo 8

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Song of Songs Capitolo 8

1

Song of Solomon 8:1

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日本語

王家の身分と豪華さはうんざりするものとなった。王はかつて彼女を「姉妹」、また「姉妹であり花嫁」と呼んだ。彼が本当に「兄弟」、すなわち、どこで出会っても、ためらいや恥なしに会い、抱きしめ、迎えることのできる母の実の子であってほしい、と彼女は願う。彼に対する彼女の愛は素朴で、聖なる、純潔なものであり、単に地上的な情欲が伴う不安と汚れから免れている。

Originale inglese

Royal rank and splendor are grown wearisome. The king once called her "sister" and "sister-bride." Would he were indeed as a "brother," her mother's own child whom she might meet, embrace, and welcome everywhere without restraint or shame. Her love for him is simple, sacred, pure, free from the unrest and the stains of mere earthly passion.

2

Song of Solomon 8:2

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日本語

「私に教えてくださる方」――または「あなたは私を教えるであろう」(Isaiah 54:13)。ある寓意的解釈者たちは、Cant. 7:11-8:2 の全体を、Sol 1:2 と同様に、言葉の受肉を求める会堂の祈りとみなす(Sol 1:2 の注を参照)。他の人々は、それを、両方の契約の下にある教会が、いまだ未来に属する、受肉した神格との完全な一致を求める祈りであると解釈する。

Originale inglese

Who would instruct me - Or, thou shouldest teach me Isaiah 54:13. Some allegorists make the whole passage Cant. 7:11-8:2 a prayer of the synagogue for the Incarnation of the Word, like Sol 1:2((see note). Others, a prayer of the Church under both covenants for that complete union with the Incarnate Godhead which is still future.

3

Song of Solomon 8:3

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日本語

花嫁は今、向きを変えて、以前と同じように合唱隊に語りかける(欄外参照)。

Originale inglese

The bride now turns to and addresses the chorus as before (marginal reference).

4

Song of Solomon 8:4

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日本語

「あなたがたは…起こさないように」――文字どおりには欄外のとおりである。「私の愛」は、以前と同様に「愛」と読むべきである。ここで「鹿や雌鹿」が省かれていることは注目に値する。ヘブル語学者たちは、ここおよび Sol 2:7; Sol 3:5 におけるこの戒めを、荒野と捕囚の試練によって内面的に備えが整う前に、イスラエルが約束の地の獲得またはそこへの回復を、またその地における聖なる方との結合または再結合を企ててはならない、という訓戒とみなす。この解釈は、本来の文字通りの意味と思われるものにきわめて近い(Sol 2:7 の注を参照せよ)。彼らは、ここの言葉は終わりの日に「諸民の荒野」(Ezekiel 20:35)においてメシアがイスラエルに語ったものであり、前の Sol 3:5 の言葉はシナイの荒野においてモーセが語ったものであると考える。

Originale inglese

That ye stir not up - literally, as in the margin. For "my love" read as before love. The omission of "the roes and hinds" here is noticeable. Hebrew scholars regard this charge here and elsewhere Sol 2:7; Sol 3:5 as an admonition to Israel not to attempt obtaining a possession of, or restoration to, the promised land, and union or reunion there with the Holy One, before being inwardly prepared for it by the trials of the wilderness and the exile. This interpretation comes very near to what appears to be the genuine literal meaning (see Sol 2:7 note). They suppose the words here to be addressed by Messiah to Israel in "the wilderness of the people" Ezekiel 20:35, in the latter day, and the former words Sol 3:5 by Moses in the wilderness of Sinai.

5

Song of Solomon 8:5

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日本語

場面はエルサレムから花嫁の生まれ故郷へと移る。そこで花嫁は、愛する方である偉大な王の腕に寄りかかりながら、母の家へと上って来る姿として現れる。

「これはだれか」――Sol 3:6 と比較し、対照せよ。前の場面ではすべてが華やかさと高挙とであったが、ここではへりくだり、謙遜、愛の魅力がある。

「私はあなたを呼び起こした……」――「このりんごの木の下で、私はあなたを呼び覚ました」。王は、花嫁のこの家と生まれ故郷において最初の誓いの交わされた逢引の場であった一本の果樹を通りながら、花嫁の注意をその木に向ける。ヘブル語本文のマソラ式の読み(最も古い伝統的解釈)はこれらの言葉を花嫁に帰するが、キリスト教の教父たちの多数は王に帰する。後者の配列によって、全体の箇所は明快さと劇的表現を増す。

Originale inglese

The scene changes from Jerusalem to the birthplace of the bride, where she is seen coming up toward her mother's house, leaning on the arm of the great king her beloved.

Who is this - Compare and contrast with Sol 3:6. In the former scene all was splendor and exaltation, but here condescension, humility, and loving charm.

I raised thee up ... - Beneath this apple-tree I wakened thee. The king calls the bride's attention to a fruit-tree, which they pass, the trysting-spot of earliest vows in this her home and birthplace. The Masoretic pointing of the Hebrew text (the most ancient traditional interpretation) assigns these words to the bride, but the majority of Christian fathers to the king. The whole passage gains in clearness and dramatic expression by the latter arrangement.

6

Song of Solomon 8:6

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日本語

花嫁は、彼の腕にすがり、その胸に頭をもたせかけながらこれを言う。John 13:23; John 21:20 と比較せよ。この短い対話は、婚約の日のより長い対話である Cant. 4:7-5:1 に対応する。寓意的解釈者たちは、その成就を現在の摂理の時の終わりに見いだす。すなわち、イスラエルの約束の地への回復、そこでのメシアの古代の民への顕現、または教会への彼の再臨である。タルグムは Sol 8:6 を、聖なる地に回復されたイスラエルが二度と捕囚に連れて行かれないようにとの祈りとし、Sol 8:7 を、イスラエルが今より後は安全であるという主の応答の保証とする。Isaiah 65:24; Isaiah 62:3-4 と比較せよ。

Songs 8:6

詩の基調をなすものである。旧約聖書において、これは新約のパウロの賛歌 1 Corinthians 13:1-13 に対応するものを成す。

(a) ここで愛は、普遍的な力、すべての真の存在の根本原理とみなされており、神と人との二つの永遠の敵、すなわち死とその王国に立ち向かいうる唯一のものとされる。

「愛は死と同じように強く、 ねたみは陰府と同じように執拗である。」

ここでの「ねたみ」は「愛」を言い換えた別の語であり、その対象の所有を譲ることも、他と分かち合うこともできないこの愛情の、容赦できない力と熱情を表す。聖なる著者の心において、この愛情は神的な、すなわち真のいのちと同一視されている。

(b) 著者はさらに、それを、永遠なる方によって燃やされ、その本質にあずかる、すべてに行き渡る火として描く。

「その燃えさしは火の燃えさし、 ヤハからのいなずまの閃光である。」

Deuteronomy 4:24 と比較せよ。

(c) 次に、この神的原理は、水によって象徴されるあらゆる敵対する力にうち勝つものとして表される。

(d) これらすべてのことから、人間の愛情としての愛でさえ畏敬をもって扱われ、異なる性質の何物によっても買われることのないように扱われなければならない、という結論が従う。そうしようとする試みは、蔑みしか呼び起こさない。

Originale inglese

The bride says this as she clings to his arm and rests her head upon his bosom. Compare John 13:23; John 21:20. This brief dialogue corresponds to the longer one Cant. 4:7-5:1, on the day of their espousals. Allegorical interpreters find a fulfillment of this in the close of the present dispensation, the restoration of Israel to the land of promise, and the manifestation of Messiah to His ancient people there, or His Second Advent to the Church. The Targum makes Sol 8:6 a prayer of Israel restored to the holy land that they may never again be carried into captivity, and Sol 8:7 the Lord's answering assurance that Israel henceforth is safe. Compare Isaiah 65:24; Isaiah 62:3-4.

Songs 8:6

The key-note of the poem. It forms the Old Testament counterpart to Paul's panegyric 1 Corinthians 13:1-13 under the New.

(a) Love is here regarded as an universal power, an elemental principle of all true being, alone able to cope with the two eternal foes of God and man, Death and his kingdom.

"For strong as death is love,

Tenacious as Sheol is jealousy."

"Jealousy" is here another term for "love," expressing the inexorable force and ardor of this affection, which can neither yield nor share possession of its object, and is identified in the mind of the sacred writer with divine or true life.

(b) He goes on to describe it as an all-pervading Fire, kindled by the Eternal One, and partaking of His essence:

"Its brands are brands of fire,

A lightning-flash from Jah."

Compare Deuteronomy 4:24.

(c) This divine principle is next represented as overcoming in its might all opposing agencies whatsoever, symbolized by water.

(d) From all which it follows that love, even as a human affection, must be reverenced, and dealt with so as not to be bought by aught of different nature; the attempt to do this awakening only scorn.

8

Song of Solomon 8:8

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日本語

Ancora nessuna traduzione.

Originale inglese

A brief dialogue commencing with a question and answer probably made by brothers of the bride concerning a younger sister who will soon be old enough to be asked in marriage. The answer is given in the form of a parable: "If she be a wall," i. e., stedfast in chastity and virtue, one on whom no light advances can be made, then let us honor and reward her. This fortress-wall shall be crowned as it were with a tower or battlement of silver. But "if she be a door," light-minded and accessible to seduction Proverbs 7:11-12, then let us provide against assailants the protection of a cedar bar or panel.

10

Song of Solomon 8:10

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日本語

Ancora nessuna traduzione.

Originale inglese

The bride herself replies with the pride of innocence and virtue already crowned. She has shown herself to be such a fortress-wall as her brothers have alluded to, and her reward has been the royal favor.

11

Song of Solomon 8:11

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日本語

Ancora nessuna traduzione.

Originale inglese

She next turns to the king, and commends her brothers to his favorable regard by means of another parable. Solomon owns a vineyard in Baal-hamon (possibly Baalbak, or identical with Amana (Conder)), situated in the warm and fertile plains of Coele-Syria, overshadowed by the heights of Lebanon Sol 4:8. This vineyard he has let out to tenants etc.

The bride also has a vineyard of her own Sol 1:6, her beauty and virtue faithfully guarded by these same brothers in time past. This vineyard now belongs to Solomon. Let him have "the thousand" which is his due - she is indeed herself henceforth entirely his - but let the faithful keepers have their meed as well. At least two hundred silverlings should be theirs - a double tithe of royal praise and honor.

13

Song of Solomon 8:13

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日本語

Ancora nessuna traduzione.

Originale inglese

The poem having opened with the song of a chorus in praise of the king Sol 1:2-4, concludes with a versicle recited by the bride, repeating the last words of her former strain Sol 2:17, with one significant change. She no longer thinks of the possibility of separation. The "Mountains of Bether" (division) of Sol 2:17, are now "Mountains of Besamim" (spices). His haunts and hers are henceforth the same (compare Sol 4:6).