Barnes' Notes on the Bible · Isaiah 第5章

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Isaiah 5章

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Isaiah 5 Introduction

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本章(Isaiah 5)開啟一個新題目,本身是一篇完整的預言,與前後兩章並無關聯。它「何時」發出,無從得知;但從這裡所指涉的情形與 Isaiah 2 所指涉的情形極為相似看來,大概屬於同一時期。此外,在以賽亞預言集裡,它被安置在所分配的位置上、與該章緊相連接,這也是強有力佐證這看法的一項情形。本章的總旨,是斥責全國盛行的諸般罪惡,並宣告這些罪惡必隨之帶來沉重的審判。本章可方便地視為分為三部分。

I. 一個優美的比喻,說明神向他百姓所顯的眷顧(Isaiah 5:1-7)。他陳明自己為他們所行的事;呼籲他們自己判斷,他是否沒有為他們行了一切所能行的;他的葡萄園既不結好果子,他便威脅要拆毀它的籬笆,毀滅它。

II. 全國盛行的種種罪惡與罪行被斥責,刑罰被宣告(Isaiah 5:8-23)。

  1. 貪婪之罪(Isaiah 5:8-10)。

  2. 酗酒、宴樂、放縱之罪(Isaiah 5:11-17)。

  3. 藐視輕慢神之罪,以及行惡彷彿他看不見、或不能刑罰的罪(Isaiah 5:18-19)。

  4. 顛倒是非、稱惡為善、稱善為惡之罪(Isaiah 5:20)。

  5. 虛妄自信、驕傲、自視過高之罪(Isaiah 5:21)。

  6. 再次責備酗酒之罪,以及受賄之罪;這大概是因為兩者實際上相連(Isaiah 5:22-23)。

III. 因放縱這些罪,刑罰向全國宣告(Isaiah 5:24-30)。刑罰就是:他必召遠方的國家入侵他們的地,使地荒涼。

「這預言的主題,」Lowth 說,「與 Isa. i. 並無實質差別,但在力量、嚴厲、變化與典雅上,卻遠勝於它。」

英語原文

This chapter Isaiah 5 commences a new subject, and is in itself an entire prophecy, having no connection with the preceding or the following chapter. "When" it was delivered is unknown; but from the strong resemblance between the circumstances referred to here, and those referred to in Isaiah 2, it is probable it was at about the same period. The fact, also, that it is closely connected with that in the place which has been assigned it in the collection of the prophecies of Isaiah, is a circumstance which strongly corroborates that view. The general design of the chapter is to denounce the prevalent vices of the nation, and to proclaim that they will be followed with heavy judgments. The chapter may be conveniently regarded as divided into three parts.

I. A beautiful parable illustrative of the care which God had shown for his people, Isaiah 5:1-7. He states what he had done for them; calls on them to judge themselves whether he had not done for them all that he could have done; and, since his vineyard had brought forth no good fruit, he threatens to break down its hedges, and to destroy it.

II. The various vices and crimes which prevailed in the nation are denounced, and punishment threatened, Isaiah 5:8-23.

  1. The sin of covetousness, Isaiah 5:8-10.

  2. The sins of intemperance, revelry, and dissipation, Isaiah 5:11-17.

  3. The sin of despising and contemning God, and of practicing iniquity as if he did not see it, or could not punish it, Isaiah 5:18-19.

  4. The sin of those who pervert things, and call evil good and good evil, Isaiah 5:20.

  5. The sin of vain self-confidence, pride, and inordinate self-esteem, Isaiah 5:21.

  6. The sin of intemperance is again reproved, and the sin of receiving bribes; probably because these were in fact connected, Isaiah 5:22-23.

III. Punishment is denounced on the nation for indulgence in these sins, Isaiah 5:24-30. The punishment would be, that he would, call distant nations to invade their land, and it should be laid waste.

"The subject of this prophecy," says Lowth, "does not differ materially from Isa. i., but it is greatly superior to it in force, in severity, in variety, in elegance."

1

Isaiah 5:1

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「現在我要唱歌」——這表明以下的內容是詩體,或是適於歌唱或詠唱的。

「為我所親愛的」——此處所用的字——ידיד yedı̂yd——是一個表達親愛之情的稱呼。它本義指朋友、蒙眷愛者、深蒙所愛的人。此字用於聖徒,指他們是神所愛、所眷愛的(Psalm 127:2;Deuteronomy 33:12)。在這裏,它顯然是稱呼耶和華,就是猶太人的神。由於我們有若干理由相信,猶太人的神——那承擔拯救他們出埃及之工、並以「立約的使者」之名被啟示為「他們的」神的那位顯現的神性——就是彌賽亞,因此先知在此或有可能是指著他說的。然而,這並不是指那「將要來」的彌賽亞;不是指道成肉身的神——拿撒勒人耶穌;而是指猶太人的神,指著他在以賽亞的時代作他們立法者與保護者的身分說的,而不是指著他那成了肉身之救主的身分說的。

「是我所愛者的歌」——羅斯(Lowth)將希伯來文稍加改動,譯作「愛情之歌」。דוד dôd 一字通常指「叔父」,即父親的兄弟;但它也意指所親愛的人、朋友、戀人(Sol 1:13-14;Sol 1:16;Sol 2:3;Sol 2:8;Sol 2:9;Sol 4:16)。在此它指的是耶和華,表達先知對他的性情和律法所懷那份溫柔而深摯的眷愛。

「論他葡萄園的事」——猶太人常以葡萄園的形象出現,是神所栽植、所培育的(見 Psalm 80;Jeremiah 2:21;Jeremiah 12:10)。我們的救主也使用了這個優美的比喻,來表明神對他百姓所施的看顧與關懷(Matthew 21:33 及下;Mark 12:1 及下)。

「我所親愛的」——即神。

「在肥美的山岡上有葡萄園」——希伯來文作「在油之子的角上」。此處希伯來文所用「角」字,指山嶺的「額頂」或尖峰。這字在其他語言中也這樣用來指山,如瑞士語中的「shreckhorn、buchorn」。又如英格蘭的 Cornwall,在古不列顛語中稱為「Kernaw」,因它像角一樣漸次收窄,伸出一個個如角的海角;因為不列顛人稱「角」為「corn」,複數為「kern」。「角」一字用於山嶺並非罕見。如波科克(Pococke)告訴我們的(vol. ii. p. 67),加利利有一座低山,兩端隆起,看去彷彿兩座山,稱為「Horns of Hutin」(胡廷諸角)。然而哈默(Harmer)認為,這字在此是用來指敘利亞地,因它形狀似角;Obs. iii. 242。但這裏的觀念顯然是:神表明自己栽植葡萄園的那地,如同一座高聳的山岡,極適宜這樣的栽種。它可指山的「頂」,或一座小山,或與其他山分隔的一座「峰」。最宜栽植葡萄園之處是在山坡上,因那裏可充分得著日曬。——Shaw,《Travels》,p. 338。維吉爾(Virgil)也說:

denique apertos Bacchus amat colles.

(「巴克斯喜愛敞露的山丘」);Georg. ii. 113。「油之子」一語是照猶太人的慣用法,其中「子」意指後裔、親屬等(見 Matthew 1:1 的註釋)。在此它的意思是:那地如此肥沃,簡直可稱為「油之子」,就是脂膏——意即豐饒。這意象是詩意的,也十分優美;表明神將他的百姓栽植在這樣的境況中,使他有權期待他們對他的敬愛大大增長。他們之所以未以敬虔著稱,並非因他方面有絲毫疏於照料。迦勒底譯本(Chaldee)將本節譯作:「先知說:我如今要向以色列唱歌,他好比一座葡萄園,是我所愛的亞伯拉罕的後裔;是我所愛者論他葡萄園的歌。」

英語原文

Now will I sing - This is an indication that what follows is poetic, or is adapted to be sung or chanted.

To my well-beloved - The word used here - ידיד yedı̂yd - is a term of endearment. It properly denotes a friend; a favorite; one greatly beloved. It is applied to saints as being the beloved, or the favorites of God, in Psalm 127:2; Deuteronomy 33:12. In this place, it is evidently applied to Yahweh, the God of the Jewish people. As there is some reason to believe that the God of the Jews - the manifested Deity who undertook their deliverance from Egypt, and who was revealed as "their" God under the name of 'the Angel of the covenant' - was the Messiah, so it may be that the prophet here meant to refer to him. It is not, however, to the Messiah "to come." It does not refer to the God incarnate - to Jesus of Nazareth; but to the God of the Jews, in his capacity as their lawgiver and protector in the time of Isaiah; not to him in the capacity of an incarnate Saviour.

A Song of my beloved - Lowth, 'A song of loves,' by a slight change in the Hebrew. The word דוד dôd usually denotes 'an uncle,' a father's brother. But it also means one beloved, a friend, a lover; Sol 1:13-14, Sol 1:16; Sol 2:3, Sol 2:8, Sol 2:9; Sol 4:16. Here it refers to Jehovah, and expresses the tender and affectionate attachment which the prophet had for his character and laws.

Touching his vineyard - The Jewish people are often represented under the image of a vineyard, planted and cultivated by God; see Psalm 80; Jeremiah 2:21; Jeremiah 12:10. Our Saviour also used this beautiful figure to denote the care and attention which God had bestowed on his people; Matthew 21:33 ff; Mark 12:1, following.

My beloved - God.

Hath a vineyard in a very fruitful hill - Hebrew 'On a horn of the son of oil.' The word "horn" used here in the Hebrew, denotes the "brow, apex," or sharp point of a hill. The word is thus used in other languages to denote a hill, as in the Swiss words "shreckhorn, buchorn." Thus "Cornwall," in England, is called in the old British tongue "Kernaw," as lessening by degrees, like a horn, running out into promontories, like so many horns; for the Britons called a horn "corn," and in the plural "kern." The term 'horn' is not unfrequently applied to hills. Thus, Pococke tells us (vol. ii. p. 67), that there is a low mountain in Galilee which has both its ends raised in such a manner as to look like two mounts, which are called the 'Horns of Hutin.' Harmer, however, supposes that the term is used here to denote the land of Syria, from its resemblance to the shape ofa horn; Obs. iii. 242. But the idea is, evidently, that the land on which God respresents himself as having planted his vineyard, was like an elevated hill that was adapted eminently to such a culture. It may mean either the "top" of a mountain, or a little mountain, or a "peak" divided from others. The most favorable places for vineyards were on the sides of hills, where they would be exposed to the sun. - Shaw's "Travels," p. 338. Thus Virgil says:

  • denique apertos

Bacchus amat colles.

Bacchus loves open hills;' "Georg." ii. 113. The phrase, "son of oil," is used in accordance with the Jewish custom, where "son" means descendant, relative, etc.; see the note at Matthew 1:1. Here it means that it was so fertile that it might be called the very "son of oil," or fatness, that is, fertility. The image is poetic, and very beautiful; denoting that God had planted his people in circumstances where he had a right to expect great growth in attachment to him. It was not owing to any want of care on his part, that they were not distinguished for piety. The Chaldee renders this verse, 'The prophet said, I will sing now to Israel, who is compared to a vineyard, the seed of Abraham my beloved: a song of my beloved to his vineyard.'

2

Isaiah 5:2

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「他刨挖園子」——旁註作「在周圍築牆」。此處所用的字,更可能是「四周掘挖、剷掘」之意,如用鎬或鏟所作的。——Gesenius。這字在阿拉伯語中、以及猶太他勒目的一處有這個意義。——Kimchi。武加大譯本與七十士譯本把它理解為造籬笆或圍牆,這大概是預備葡萄園的第一步工作。而 Isaiah 5:5 既明確提到「籬笆」,那在此處大概也是這個意思。

「撿去石頭」——使園子易於耕種。這當然是必要而恰當的工作。

「栽種上等的葡萄樹」——希伯來文作「以 sorek 栽種」。這是一種上選的葡萄樹,據猶太註釋家說,它的葡萄核極小、幾乎難以察覺;這種樹至今在摩洛哥稱為 serki,在波斯稱為 kishmis。——Gesenius。

「在園中蓋了一座樓」——為要看守並保護葡萄園。這些樓大概設在可以俯瞰整個葡萄園的位置,因而成了瞭望哨;比較 Isaiah 1:8 的註釋;另見 Matthew 21:33 的註釋。

「又鑿出壓酒池」——即放置葡萄、榨取汁液之處;見 Matthew 21:33 的註釋。

「指望」——他懷著期待等候,如同農夫耐心等候葡萄樹生長結實一般。

「反倒結了野葡萄」——此處所用的字出自動詞 באשׁ bāʿash,「發臭、敗壞、腐爛」;Gesenius 認為它指「烏頭」(monk's-hood),一種氣味難聞、結葡萄狀漿果的毒草。這個意思比「野生的或未經栽培的葡萄」的推測更合上下文。武加大譯本把它理解為稱為「野葡萄——labruscas」的雜草。七十士譯本譯作「荊棘」,ἄκανθας akanthas。猶大地確有結這類毒漿果、卻形似葡萄的藤蔓,這是明顯的;見 2 Kings 4:39-41:「有一人出去到田野掐菜,遇見一棵野瓜藤,就摘了一兜野瓜回來。」摩西也提到類似的葡萄樹;Deuteronomy 32:32-33:「他們的葡萄樹是所多瑪的葡萄樹,蛾摩拉田園所生的;他們的葡萄是苦葡萄,全掛都是苦的。」哈塞爾奎斯特(Hasselquist)認為先知在此指的是「顛茄」(nightshade)。他說,阿拉伯人稱它為「狼葡萄」;它在葡萄園中大量生長,為害甚大。此處所指的,無疑是某種長在野藤上、有毒而令人厭惡的漿果。

這比喻的大意並不難明白;比較 Matthew 21:33 的註釋。耶柔米(Jerome)曾設法把寓意推演到底,解釋其中的細節。他說:「葡萄園的比喻應理解為猶太百姓,他被眾天使所圍繞或護衛;撿去石頭,指除去偶像;樓,指建在猶大當中的聖殿;酒池,指祭壇。」然而,這樣細微地解釋比喻的各個部分,並不恰當。大意乃是:神揀選了猶太人,在賜律法、保護和供應上厚賜眷顧;凡能產生敬虔、順服與幸福的,他一樣沒有留下不做;他們卻濫用了這一切,非但沒有順服,反而變得極其敗壞。

英語原文

And he fenced it - Margin, 'Made a wall about it.' The word used here is supposed rather to mean "to dig about, to grub," as with a pick-axe or spade. - "Gesenius." It has this signification in Arabic, and in one place in the Jewish Talmud. - "Kimchi." The Vulgate and the Septuagint understands it of making a hedge or fence, probably the first work in preparing a vineyard. And as 'a hedge' is expressly mentioned in Isaiah 5:5, it seems most probable that that is its meaning here.

And gathered out the stones ... - That it might be easily cultivated. This was, of course, a necessary and proper work.

And planted it with the choicest vine - Hebrew, 'With the sorek.' This was a choice species of vine, the grapes of which, the Jewish commentators say, had very small and scarcely perceptible stones, and which, at this day, is called "serki" in Morocco; in Persia, "kishmis." - "Gesenius."

And built a tower - For the sake of watching and defending it. These towers were probably placed so as to overlook the whole vineyard, and were thus posts of observation; compare the note at Isaiah 1:8; see also the note at Matthew 21:33.

And also made a wine-press - A place in which to put the grapes for the purpose of expressing the juice; see the note at Matthew 21:33.

And he looked - He waited in expectation; as a farmer waits patiently for the vines to grow, and to bear grapes.

Wild grapes - The word used here is derived from the verb באשׁ bâ'ash, "to be offensive, to corrupt, to putrify;" and is supposed by Gesenius to mean "monk's-hood," a poisonous herb, offensive in smell, which produces berries like grapes. Such a meaning suits the connection better than the supposition of grapes that were wild or uncultivated. The Vulgate understands it of the weed called "wild vine - labruscas." The Septuagint translates it by "thorns," ἄκανθας akanthas. That there were vines in Judea which produced such poisonous berries, though resembling grapes, is evident; see 2 Kings 4:39-41 : 'And one went out into the fields to gather pot herbs, and he found a field vine, and he gathered from it wild fruit.' Moses also refers to a similar vine; Deuteronomy 32:32-33 : 'For their vine is as the vine of Sodom; their grapes are grapes of gall; their clusters are bitter.' Hasselquist thinks that the prophet here means the "nightshade." The Arabs, says he, call it "wolf-grapes." It grows much in vineyards, and is very pernicious to them. Some poisonous, offensive berries, growing on wild vines, are doubtless intended here.

The general meaning of this parable it is not difficult to understand; compare the notes at Matthew 21:33. Jerome has attempted to follow out the allegory, and explain the particular parts. He says, 'By the metaphor of the vineyard is to be understood the people of the Jews, which he surrounded or enclosed by angels; by gathering out the stones, the removal of idols; by the tower, the temple erected in the midst of Judea; by the wine-press, the altar.' There is no propriety, however, in attempting thus minutely to explain the particular parts of the figure. The general meaning is, that God had chosen the Jewish people; had bestowed great care on them in giving them his law, in defending them, and in providing for them; that he had omitted nothing that was adapted to produce piety, obedience, and happiness, and that they had abused it all, and instead of being obedient, had become exceedingly corrupt.

3

Isaiah 5:3

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「現在」——這是神就他將要行之事的公義與合宜,向猶太人自己所作的呼籲。他在 Micah 6:3 也作了類似的呼籲:「我的百姓啊,我向你做了甚麼呢?我在甚麼事上使你厭煩?你可以向我證明。」他有意「懲罰」他們(Isaiah 5:5-6),並向他們呼籲這事的公義。他要照他們對待一座曾細心預備和守護、卻終歸無用的葡萄園所行的,照樣行在他們身上。他在 Isaiah 1:18 也作了類似的呼籲;我們的救主在葡萄園的比喻中,也作了極其相似的應用(Matthew 21:40-43)。他很可能正是想到以賽亞書的這一段;因此,猶太人竟不明白他講論的指向,就更加令人詫異了。

英語原文

And now ... - This is an appeal which God makes to the Jews themselves, in regard to the justice and propriety of what he was about to do. A similar appeal he makes in Micah 6:3 : 'O my people, what have I done unto thee? and wherein have I wearied thee? Testify against me.' He intended to "punish" them Isaiah 5:5-6, and he appeals to them for the justice of it. He would do to them as they would do to a vineyard that had been carefully prepared and guarded, and which yet was valueless. A similar appeal he makes in Isaiah 1:18; and our Saviour made an application remarkably similar in his parable of the vineyard, Matthew 21:40-43. It is not improbable that he had his eye on this very place in Isaiah; and it is, therefore, the more remarkable that the Jews did not understand the bearing of his discourse.

4

Isaiah 5:4

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我還有什麼可做的呢……——正如一個人行了以賽亞書 5:2 所描述的事,便是為葡萄園做了「所能」做的一切,神也照樣說,他已按猶太人的處境,為使他們成為聖潔、得著福樂而行了所能行的一切。他揀選了他們;賜給他們律法;差遣先知和教師到他們那裡;保護他們;在審判和憐憫中向他們顯現;如今他訴諸「他們」,要他們說出「還能」再做什麼。這一節十分重要,它暗示神已行了他所能行的一切;也就是說,凡他所能一貫而行的事,或凡公義與良善要求他行、以保障自己百姓福祉的事,他都已行了。這當然不是說他在能力上無法再行別的事;這話必須按眼前的論點來解釋——即訴諸他人,請他們裁定:在事件的處境中,神已行了所能行的一切。就這方面而言,我們可以不失恰當地說,神的能力有其限度。我們無法設想他「能」賜下一條更聖潔的律法;無法設想他能在律法上附加比永死的威嚇更嚴肅的制裁;無法設想他能提供比永生盼望更高的指望;也無法設想他能賜下一位更尊貴的救贖主。有人主張(見《Princeton Biblical Repertory》1841 年 4 月號),這裡是指將來,這問題的意思是「作為不悅的表達,如今我還可向我的葡萄園行什麼?」或說這問題是為引出他在以賽亞書 5:5 所述懲罰百姓的用意而發。但上述解釋才是本節的含義、即指神實際已行的事,這可從以下幾點清楚看出:

(1) 他在以賽亞書 5:2 已詳細說明了自己所行的事。他行了通常對葡萄園所行的「一切」:圍上籬笆,撿去石頭,栽種上好的葡萄樹,又在園中鑿出壓酒池。一個人無論財富多少、無論有多大能力去行「別」的事,說他「在使葡萄園完善的事上再不能做什麼」,也不為不當。

(2) 這是原文最自然表達的意思。希伯來文直譯是:「還要行什麼?」עוד מה־לעשׂות(mah-la‛ăŝôth ‛ôd)。Coverdale 照我們的譯法譯作「還能為它多做什麼呢?」路德(Luther)譯作「我還該在我的葡萄園行什麼,是我未曾為它行的呢?」武加大譯本作 Quid est quod debui ultra facere——「還有什麼是我理當再行的?」七十士譯本作 Τί ποιήσω ἔτι(Ti poiēsō eti)——「我還要行什麼?」——暗示他已為它行了他所能行的一切。迦勒底譯本作「我還可說要為我民行什麼好事——טבא מה(mah ṭâbâ')——是我未曾為他們行的?」暗示凡可述說的善,他都已為他們行了。敘利亞譯本作「我的葡萄園還剩下什麼要行而我未曾行的?」在這一切譯本中,所給的含義實質相同——神已行了一切所能行的,好叫他葡萄園結果子這指望成為合理。這些譯本中沒有一個提及他以後「將要行」的事,而無一例外地指向他「已經行」的事,即為使葡萄園結果子的指望「合理」而做的事。

(3) 這是恰當的解釋,這一點從以下事實也顯而易見:當他在以賽亞書 5:5 說到他「將要行」的事時,那與他所說「已經行」的事完全不同。他「已經」行了一切所能行的,使期待果子成為合理;他如今「要行」的,是對未結果子恰當表達不悅的事:他必撤去它的籬笆,拆毀它的牆垣,使它荒廢。但在《Princeton Repertory》所提議的解釋中,本節「我未曾在其內行」這一部分被完全略過了。因此,用這段經文表明神已為人的救恩行了一切所能一貫而行的事,並非不當;如今也可以向各處的罪人發出同樣的呼籲,可以問:神為他們的救恩,還「能」行什麼是尚未行的?他「能」賜給他們更純潔的律法嗎?他「能」提出比「永」恆天堂的盼望與「永」恆地獄的恐懼所引出的更高的動機嗎?他「能」預備比他親兒子的血所成就的更完全的贖罪嗎?我們當下的結論與先知所說的一致:神為罪人的救恩,已行了處境中所能行的「一切」;他們若滅亡,責任惟獨由他們自己承擔。

英語原文

What could I... - As a man who had done what is described in Isaiah 5:2, would have done all that "could" be done for a vineyard, so God says that he has done all that he could, in the circumstances of the Jews, to make them holy and happy. He had chosen them; had given them his law; had sent them prophets and teachers; had defended them; had come forth in judgment and mercy, and he now appeals "to them" to say what "could" have been done more. This important verse implies that God had done all that he could have done; that is, all that he could consistently do, or all that justice and goodness required him to do, to secure the welfare of his people. It cannot, of course, be meant that he had no physical ability to do anything else, but the expression must be interpreted by a reference to the point in hand; and that is, an appeal to others to determine that he had done all that could be done in the circumstances of the case. In this respect, we may, without impropriety, say, that there is a limit to the power of God. It is impossible to conceive that he "could" have given a law more holy; or that he could append to it more solemn sanctions than the threatening of eternal death; or that he could have offered higher hopes than the prospect of eternal life; or that he could have given a more exalted Redeemer. It has been maintained (see the "Princeton Bib. Repert.," April 1841) that the reference here is to the future, and that the question means, 'what remains now to be done to my vineyard as an expression of displeasure?' or that it is asked with a view to introduce the expression of his purpose to punish his people, stated in Isaiah 5:5. But that the above is the meaning or the passage, or that it refers to what God had actually done, is evident from the following considerations:

(1) He had specified at length Isaiah 5:2 what he had done. He had performed "all" that was usually done to a vineyard; in fencing it, and clearing it of stones, and planting in it the choicest vines, and building a wine-press in it. Without impropriety, it might be said of a man that, whatever wealth he had, or whatever power he had to do "other" things, he "could do nothing more to perfect a vineyard."

(2) It is the meaning which is most naturally suggested by the original. Literally, the Hebrew is, 'What to do more?' עוד מה־לעשׂות mah-la‛ăs'ôth ‛ôd. Coverdale renders this, as it is in our translation, 'What more could have been done for it?' Luther, 'What should one do more to my vineyard, that I have not done for it?' Was sollte man doth mehr thun an meinem Weinberge, das ich nicht gethun babe an illin? Vulgate, Quid est quod debui ultra facere. 'What is there which I ought to do more?' Septuagint, Τί ποιήσω ἔτι Ti poiēsō eti, 'What shall I do yet?' implying that he had done all that he could for it. The Chaldee renders it, 'What good thing - טבא מה mah ṭâbâ' - shall I say that I will do to my people that I have not done for them?' implying that he had done for them all the good which could be spoken of. The Syriac, 'What remains to be done to my vineyard, and I have not done it?' In all these versions, the sense given is substantially the same - that God had done all that could be done to make the expectation that his vineyard would produce fruit, proper. There is no reference in one of these versions to what he "would" do afterward, but the uniform reference is to what he "had" done to make the expectation "reasonable," that his vineyard would produce fruit.

(3) That this is the fair interpretation is apparent further, because, when, in Isaiah 5:5, he says what he "would do," it is entirely different from what he said he "had done." He "had" done all that could be done to make it proper to expect fruit; he now "would" do what would be a proper expression of his displeasure that no fruit had been produced. He would take away its hedge; break down its walls, and lay it waste. But in the interpretation of the passage proposed by the "Princeton Repert.," there is an entire omission of this part of the verse - 'that I have not done in it.' It is not improper, therefore, to use this passage to show that God had done all that could be consistently done for the salvation of man, and the same appeal may now be made to sinners everywhere; and it may be asked, what God "could" have done for their salvation more than has been done? "Could" he have given them a purer law? "Could" he present higher considerations than have been drawn from the hope of an "eternal" heaven, and the fear of an "eternal" hell? Could he have furnished a more full atonement than has been made by the blood of his own Son? The conclusion to which we should come would be in accordance with what is said in the prophet, that God has done "all" for the salvation of sinners that in the circumstances of the case could be done, and that if they are lost, they only will bear the blame.

5

Isaiah 5:5

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現在——此處的希伯來文字眼通常譯作「求你」,是用以「喚起注意」的話。我們譯作副詞「現在」的 נא(nā')正是由此而來。

我必撤去籬笆——「籬笆」是荊棘的圍籬,任荊棘叢長得密不通行而成。此處的意思是:神必撤去對猶大人的保護,任憑他們被仇敵侵佔踐踏,如無保護的葡萄園被野獸踐踏一樣。

牆垣——葡萄園似乎有「雙重」的圍護——Gesenius 如是說。這樣的雙重防護或屬必要,因為有些動物能攀過石牆,卻無法穿過荊棘籬。此處的意思是:猶大人雖曾受一切可能的保護,這保護卻必被撤去,他們必落在毫無防衛的境地。

英語原文

Go to - The Hebrew word here is one that is commonly rendered, 'I pray you,' and is used "to call the attention to" what is said. It is the word from which we have derived the adverb "now," נא nā'.

I will take away the hedge - A "hedge" is a fence of thorns, made by suffering thorn-bushes to grow so thick that nothing can pass through them. Here it means that God would withdraw his protection from the Jews, and leave them exposed to be overrun and trodden down by their enemies, as a vineyard would be by wild beasts if it were not protected.

The wall ... - Vineyards, it seems, had a "double" enclosure. - "Gesenius." Such a double protection might be necessary, as some animals might scale a wall that would yet find it impossible to pass through a thorn-hedge. The sense here is, that though the Jews had been protected in every way possible, yet that protection would be withdrawn, and they would be left defenseless.

6

Isaiah 5:6

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我必使它荒廢……——這裏的描述是 Isaiah 5:5 的延續。這形象繼續延展,意思是猶太人將被撇下,全然失去保護。

我也必命雲……——這裏可以清楚看出,比喻或形象已部分隱去。農夫無法吩咐雲彩;惟有神才能這樣行。於是葡萄園的形象隱去,而神以主權者的身分登場發言。其意是:祂必收回祂神聖的感化,任憑他們陷於荒涼。本節整體的意思很明顯。神必任憑猶太人失去保護;祂必撤去祂曾施予他們的護衛、幫助與種種感化,任憑他們自行其路,如同一座無人修剪、無人耕作、無人澆灌的葡萄園。迦勒底語譯本把這段經文的意思表達得很好:「我必除去我聖所的居所(聖殿),他們必被踐踏。我必看他們為有罪,他們必無扶持,也無防衛;他們必被撇棄,成為流離飄蕩的人。我必吩咐眾先知,不可再論他們說預言。」這裏所教導的功課是:一個民族若變得忘恩負義、悖逆不服,神就必從他們中間退去,任憑他們陷於荒涼;試比較 Revelation 2:5。

英語原文

I will lay it waste ... - The description here is continued from Isaiah 5:5. The image is carried out, and means that the Jews should be left utterly without protection.

I will also command the clouds ... - It is evident here, that the parable or figure is partially dropped. A farmer could not command the clouds. It is God alone who could do that; and the figure of the vineyard is dropped, and God is introduced speaking as a sovereign. The meaning is, that he would withhold his divine influences, and would abandon them to desolation. The sense of the whole verse is plain. God would leave the Jews without protection; he would remove the guards, the helps, the influences, with which he had favored them, and leave them to their own course, as a vineyard that was unpruned, uncultivated, unwatered. The Chaldee has well expressed the sense of the passage: 'I will take away the house of my sanctuary (the temple), and they shall be trodden down. I will regard them as guilty, and there shall be no support or defense for them; they shall be abandoned, and shall become wanderers. I will command the prophets, that they shall not prophesy over them.' The lesson taught here is, that when a people become ungrateful, and rebellious, God will withdraw from them, and leave them to desolation; compare Revelation 2:3.

7

Isaiah 5:7

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「葡萄園」——這是比喻的應用。神對待猶太人,正如農夫對待葡萄園一樣。這是「他的」葡萄園——他信實而不懈之看顧的對象。這是他「唯一」的葡萄園;在地上萬民之中,他唯獨向這百姓傾注他特別的眷顧。

「他所喜愛的樹」——他所喜悅的那棵樹。農夫既費心栽種「上等的葡萄」(Isaiah 5:2),神也照樣揀選猶太人的古老族系作為自己的,使這民族成為他首要眷顧的對象。

「他指望的是公平」——即公正或公義。

「誰知倒有暴虐」——譯作「暴虐」的詞,本義是「流人血」。原文在此有一處顯著的「雙關」(paronomasia),即文字遊戲;這在希伯來文聖經中並不罕見,且被視為文章的一大美致:

他指望「公平」(משׁפט mishpâṭ),
看哪,竟是「流人血」(משׂפח mis'pâch);
指望「公義」(צדקה tsedâqâh),
看哪,竟是「冤聲」(צעקה tse‛âqâh)。

當然,這在翻譯中是無法保留的。

「冤聲」——喧嚷、混亂;伴隨無政府狀態、貪婪與放蕩而來的喧囂(Isaiah 5:8、Isaiah 5:11-12),而非公平所要求的沉穩與堅定。

英語原文

For the vineyard ... - This is the application of the parable. God had treated the Jews as a farmer does a vineyard. This was "his" vineyard - the object of his faithful, unceasing care. This was his "only" vineyard; on this people alone, of all the nations of the earth, had he bestowed his special attention.

His pleasant plant - The plant in which he delighted. As the farmer had been at the pains to plant the "sorek" Isaiah 5:2, so had God selected the ancient stock of the Jews as his own, and made the race the object of his chief attention.

And he looked for judgment - For justice, or righteousness.

But behold oppression - The word rendered "oppression" means properly "shedding of blood." In the original here, there is a remarkable "paranomasia," or play upon words, which is not uncommon in the Hebrew Scriptures, and which was deemed a great beauty in composition:

He looked for "judgment," משׁפט mishpâṭ, And lo! "shedding of blood," משׂפח mis'pâch; For "rightousness," צדקה tsedâqâh, But lo! "a clamor," צעקה tse‛âqâh.

It is impossible, of course, to retain this in a translation.

A cry. A clamor - tumult, disorder; the clamor which attends anarchy, and covetousness, and dissipation Isaiah 5:8, Isaiah 5:11-12, rather than the soberness and steadiness of justice.

8

Isaiah 5:8

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「禍哉!那些……」——先知現在開始具體指出,他在葡萄園的比喻中所提過的一些罪——猶太人所犯的。第一樣是「貪婪」。

「以房接房」——指那些追求佔有許多房屋的人;或指那些追求住在宏大華美宮殿裏的人。對這罪的類似譴責見於 Micah 2:2;Nehemiah 5:1-8。這與隨後所說的一切,都違反了摩西的律法。摩西規定,以色列人進迦南地時,地要公平分配;為防止貪婪,他設立了「禧年」——每五十年一次,使每人和每家都歸回原有的產業(Leviticus 25)。大概再沒有一條律法,比這更完善地防止貪婪的存在、避免其禍害。然而,儘管那律法的要求和精意如此明顯,以賽亞時代的人已普遍變得貪婪。

「以地連地」——指那些接連購買田園的人。「連」字意為「使之靠近」;即他們把一塊田接連另一塊田。

「以致不留餘地」——直到他們達到那地的「外圍界限」;直到他們佔有一切。

「只顧自己獨居境內」——即他們要排擠其他所有的人;要把別人從他們的地業上趕走,自己佔有。

「境內」——或更恰當地說,在「那地」之中。他們想要取得全地,把現今的業主全部逐出。對貪婪再沒有比這更準確的描述了。它不以現有的為滿足,除非全地都歸它所有,它才會滿足。然而貪婪的人到那時仍不滿足。他會坐下痛哭,因為再沒有可想要的東西了。這與宗教並愛慕他人幸福所生出的「知足」,是何等不同!

英語原文

Wo unto them ... - The prophet now proceeds to "specify" some of the crimes to which he had referred in the parable of the vineyard, of which the Jews had been guilty. The first is "avarice."

That join house to house - That seek to possess many houses; or perhaps that seek to live in large and magnificent palaces. A similar denunciation of this sin is recorded in Micah 2:2; Nehemiah 5:1-8. This, together with what follows, was contrary to the law of Moses. He provided that when the children of Israel should enter the land of Canaan, the land should be equitably divided; and in order to prevent avarice, he ordained the "jubilee," occurring once in fifty years, by which every man and every family should be restored to their former possession; Leviticus 25. Perhaps there could have been no law so well framed to prevent the existence, and avoid the evils of covetousness. Yet, in defiance of the obvious requirements and spirit of that law, the people in the time of Isaiah had beome generally covetous.

That lay field to field - That purchase one farm after another. The words 'that lay,' mean "to cause to approach;" that is, they "join" on one farm after another.

Till there be no place - Until they reach the "outer limit" of the land; until they possess all.

That they may be placed alone - That they may displace all others; that they may drive off from their lands all others, and take possession of them themselves.

In the midst of the earth - Or rather, in the midst of the "land." They seek to obtain the whole of it, and to expel all the present owners. Never was there a more correct description of avarice. It is satisfied with no present possessions, and would be satisfied only if all the earth were in its possession. Nor would the covetous man be satisfied then. He would sit down and weep that there was nothing more which he could desire. How different this from that "contentment" which is produced by religion, and the love of the happiness of others!

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Isaiah 5:9

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「我耳聞」——這大概是指先知說的。彷彿他曾說:「神已向我啟示」,或「神已在我耳中說」,即對我說。七十士譯本讀作:「這些事已聽聞於萬軍之耶和華的耳中」,即那貪婪之人的「心願」。迦勒底文譯本作:「先知說,我親耳聽見了;一項諭令已從萬軍之耶和華發出」等。

「必有許多房屋成為荒涼」——指這民族因自己的罪行必遭的災禍。

英語原文

In mine ears - This probably refers to the prophet. As if he had said, 'God has revealed it to me,' or 'God has said in my ears,' i. e, to me. The Septuagint reads it, 'These things are heard in the ears of the Lord of hosts,' that is, the wishes" of the man of avarice. The Chaldee, 'The prophet said, In my ears I have heard; a decree has gone from the Lord of hosts,' etc.

Many houses shall be desolate - Referring to the calamities that should come upon the nation for its crimes.

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Isaiah 5:10

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「十英畝葡萄園」——本節說明前一節所提及的房屋何以必致荒涼。原因乃是:因著他們壓迫人的罪,土地必成為貧瘠荒蕪,作為神的審判。先知在此所指的確切時期並不明顯。然而迦南地確曾屢屢淪為不毛。早雨與晚雨不降,或因任何緣故而荒廢耕作,都會產生這種結果。今日這從前肥沃的國家,已屬地上最貧瘠之列。

「十英畝」——在希伯來人中,一「英畝」乃一對牛一日所能耕犁的面積,與我們今日的英畝並無重大差別。

「只出一罷特」——即葡萄酒一罷特。「罷特」是猶太人量液體的單位,約含七加侖半。說「十英畝」所產的酒不過如此,就等於說它幾乎一無所出。

「一賀梅珥穀種」——「賀梅珥」是希伯來人量穀物的單位,約含八蒲式耳。

「一伊法」——「伊法」約含三配克。因此,說一賀梅珥的種子只出三配克左右的收成,就等於說它幾乎一無所出。

英語原文

Yea, ten acres - In this verse a reason is rendered why the houses mentioned in the previous verse should become desolate. The reason is, that the land would become sterile and barren, as a divine judgment for their oppression. To what particular time the prophet refers, here, is not apparent. It is certain, however, that the land of Canaan was frequently given up to sterility. The withholding of the early and latter rains, or the neglect of cultivation from any cause, would produce this. At present, this formerly fertile country is among the most unproductive on the face of the earth.

Ten acres - An "acre," among the Hebrews, was what could be plowed by one yoke of oxen in a day. It did not differ materially from our acre.

Shall yield one bath - One bath of wine. The "bath" was a Jewish measure for liquids, containing about seven gallons and a half. To say that "ten acres" should produce no more wine than this; was the same as to say that it would produce almost nothing.

And the seed of an homer - An "homer" was a Hebrew measure for grain, containing about eight bushels.

An ephah - The "ephah" contained about three pecks. Of course, to say that an homer of seed should produce about three pecks, would be the same as saying that it would produce almost nothing.

11

Isaiah 5:11

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「禍哉」——先知既已譴責了「貪婪」,現在轉到另一種惡行——「無節制,即放蕩」。

「清早起來」——即「為此目的」而起來,別的事都不能喚醒他們。可以這樣說明:古人並不常在一日之晨便醉酒;見 Acts 2:15 的註釋;參 1 Thessalonians 5:7。人在清早便這樣行,當時正如如今一樣,表明無節制已成為頑固的習慣。「波斯人縱酒作樂時,清早起來,認為早晨是開始飲酒的最佳時刻,藉此把放縱延續到夜間。」——莫里爾(Morier)。

「追求濃酒」——即 שׁכר shêkār。這字出自意為喝、醉酒的動詞。萬族都發現了某種醉人的飲料。希伯來人所用的,是由穀物、果子、蜂蜜、棗等發酵製成。這字有時與酒同義(Numbers 28:7),但更常指較烈的飲料,與酒有別,如「酒和濃酒」這常語所示;見 Leviticus 10:9;Numbers 6:3;Judges 13:4, 7。它有時或指「香料調和的酒」——酒與香料混合,也能迅速致醉。迦勒底譯本把這字譯作 חמר chămar ‛atı̂yq,「陳年發酵的酒」,表明濃酒通常製備的「方式」。在此可以留意:無論醉人的飲料以何種「形態」製成,它在萬族中實質上都相同。醉由「酒精」而起,而酒精由發酵產生;它絕非由蒸餾造成或增加。蒸餾的唯一作用,是把存在於啤酒、酒或蘋果酒中的酒精收集並保存。因此,飲酒致醉的,與飲白蘭地致醉的,是同一種物質;蘋果酒或其他發酵飲料如此,烈酒也是如此。

「留連到夜深」——即終日飲酒。這表明這裏所說的「濃酒」並不產生「突然」的醉意。這是對東方諸國常見情景的確切描述。他們一有放縱之資,久坐飲酒的風俗便無處不然。達爾維厄(D'Arvieux)說,他住在迦密山的亞拉伯人中間時,海岸發生了一次船難,一位埃米爾從中得到兩大桶酒。他立即差人邀請鄰近的埃米爾們來同飲。他們欣然而來,一直喝了兩天兩夜,直到酒一滴不剩。照樣,塔韋尼耶(Tavernier)記述說,波斯王一日清早召他進宮,他與眾人被迫終日直到深夜陪沙阿飲酒;最後,「王睏倦了,准我們離去;我們非常樂意,因為一連辛苦了十七個小時」。

「因酒發燒」——即激動他們、刺激他們。我們也有同樣的說法——表明烈酒的「灼熱」之性。美洲印第安人恰切地稱之為「火水」(fire-water)。

英語原文

Wo unto them - The prophet, having denounced "avarice," proceeds now to another vice - that of "intemperance, or dissipation."

That rise up early ... - That rise "for this purpose," when nothing else would rouse them. It may illustrate this somewhat, to remark, that it was not common among the ancients to become intoxicated at an early hour of the day; see the note at Acts 2:15; compare 1 Thessalonians 5:7. It indicated then, as it does now, a confirmed and habitual state of intemperance when a man would do this early in the morning. 'The Persians, when they commit a debauch, arise betimes, and esteem the morning as the best time for beginning to drink wine, by which means they carry on their excess until night.' - "Morier."

That they may follow strong drink - - שׁכר shêkār, or sichar. This word is derived from a verb signifying to drink, to become intoxicated. All nations have found out some intoxicating drink. That which was used by the Hebrews was made from grain, fruit, honey, dates, etc., prepared by fermentation. The word sometimes means the same as wine Numbers 28:7, but more commonly it refers to a stronger drink, and is distinguished from it, as in the common phrase, 'wine and strong drink;' Leviticus 10:9; Numbers 6:3; Judges 13:4, Judges 13:7. Sometimes it may be used for "spiced wine" - a mixture of wine with spices, that would also speedily produce intoxication. The Chaldee renders the words עתיק חמר chămar ‛atı̂yq, 'old fermented liquor;' denoting the "mode" in which strong drink was usually prepared. It may be remarked here, that whatever may be the "form" in which intoxicating drink is prepared, it is substantially the same in all nations. Intoxication is caused by "alcohol," and that is produced by fermentation. It is never created or increased by distillation. The only effect of distillation is, to collect and preserve the alcohol which existed in the beer, the wine, or the cider. Consequently, the same substance produces intoxication when wine is drank, which does when brandy is drank; the same in cider or other fermented liquor, as in ardent spirits.

That continue until night - That drink all day. This shows that the "strong drink" intended here, did not produce "sudden," intoxication. This is an exact description of what occurs constantly in oriental nations. The custom of sitting long at the wine, when they have the means of indulgence, prevails everywhere. D'Ar-vieux says, that while he was staying among the Arabs on mount Carmel, a wreck took place on the coast, from which one of the emirs obtained two large casks of wine. He immediately sent to the neighboring emirs, inviting them to come and drink it. They gladly came, and continued drinking for two days and two nights, until not a drop of the wine was left. In like manner, Tavernier relates that the king of Persia sent for him early one morning to the palace, when, with other persons, he was obliged to sit all the day, and late at night, drinking wine with the shah; but at last, 'the king growing sleepy, gave us leave to depart, which we did very willingly, having had hard labor for seventeen hours together.'

Inflame them - Excite them; or stimulate them. We have the same phrase - denoting the "burning" tendency of strong drink. The American Indians appropriately call "fire-water."

12

Isaiah 5:12

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先知進一步陳述他們罪惡的程度。這一節記述他們放縱的習俗,以及隨之而來的對神的遺忘。他們在筵席上慣用樂器,這從舊約許多經文可以清楚看出;見 Amos 6:5-6。他們的筵席也伴以歌唱(Isaiah 24:8-9)。

「彈琴」——כנור(kinnôr)。這是一種眾所周知的弦樂器,常用於聖樂。它常被提及為用以表達大衛敬虔的情感(Psalm 32:2;Psalm 43:4;Psalm 49:5)。它早早便被提及為猶八所發明(Genesis 4:21)。據推想,它通常有十根弦(Josephus《猶太古史》第十卷第十二章第3節)。它用手彈奏(1 Samuel 16:23;1 Samuel 18:9)。כנור(kinnôr)一詞的「詞根」不詳。「kinnor」一詞見於一切與希伯來文同源的語言,甚至波斯文中也承認它。這裏所指的樂器大概為一切東方民族所共有,因為它似乎在洪水之前便已為人熟知,其知識自然廣為流傳。這是一個東方的名稱和樂器,希臘人由此得出他們的 κινύρα(kinura)一詞。七十士譯本把它譯作 κιθάρα(kithara)和 κινύρα(kinura)。

有一次,他們以 ὄργανον(organon, Psalm 136:2)代替它(Psalm 136:2);另有五次以 ψαλτήριον(psaltērion, Genesis 4:20)代替它(Genesis 4:20;Psalm 48:4;Psalm 80:2;Psalm 149:3;Ezekiel 26:13)。琴——כנור(kinnôr)——不僅被提及為猶八所發明,拉班在描述各種慶典時也提到它;關於那些慶典,他向逃走的雅各保證,他本願以一切喜樂的表示伴送他——「以唱歌、擊鼓、彈琴」(תף tôph and כנור kinnôr;' Genesis 31:27 和 כנור kinnôr;Genesis 31:27)。在最初的時代,它被奉獻於喜樂與歡騰。因此,它被提述為大衛用以驅除掃羅憂鬱的樂器(1 Samuel 16:16-22),也是慣常用以頌讚神的樂器(Psalm 33:1-2;Psalm 43:4;Psalm 49:5;Psalm 71:22-23)。但琴不僅用於神聖的場合。以賽亞也提到它被妓女攜帶行走(Isaiah 23:16),也提到它用於收取葡萄的場合,用以增添節期的歡樂。

它也用於軍事凱旋。在約沙法在位年間,戰勝摩押人之後,他們伴著 כנור(kinnôr)的彈奏凱旋回耶路撒冷(2 Chronicles 20:27-28)。琴普遍用於喜樂的場合。只有一處——Isaiah 16:11——它被提述為用於哀悼之時。沒有一幅可信為真品的古代 כנור(kinnôr)圖像。我們只能說,它是一種以會發聲的木料製成、裝有琴弦的樂器。Josephus 說它裝有十根弦,用撥子彈奏(《猶太古史》第八卷第十章)。Suidas 在解釋它時,明言提及弦或筋(第318頁);Pollux 則說到以山羊蹄作撥子使用。大衛以 ברושׁ(berôsh,即柏樹)製造它,所羅門則以檀香木製造。Pfeiffer 設想,琴弦張在一塊中空木頭的腹面上,與我們的小提琴有幾分相似。但更可能的是,人們通常對琴的描繪——大致呈三角形、缺去一邊或前部——是正確的。關於這問題的完整討論,見 Pfeiffer 論古希伯來人音樂的文章,載《聖經文庫》(Bib. Repos.)卷六第366-373頁。Montfaucon 提供了一幅據信是古代 כנור(kinnôr)的圖畫,本書中印有該圖。但歸根結底,它通常的形制仍不十分確定。

Bruce 發現了一幅琴的雕像,與通常置於大衛手中的形像相似,即近乎三角形;其境況使他設想它古老如西索斯特里斯(Sesostris)的時代。

「鼓瑟」——נבל(nebel)。希臘文 νάβλα(nabla)一詞及拉丁文 nablium 和 nabla 均由此詞而來。但要對這樂器形成正確的觀念並不容易。其詞源會引導我們設想它形似「瓶」;它大概具有東方所用皮瓶的形狀,或至少是盛酒之器的形狀(1 Samuel 10:3;1 Samuel 25:18;2 Samuel 16:1)。它起初以 ברושׁ(berôsh,即柏樹)製成,後來以檀香木製成,有時似乎也以金屬製成(2 Samuel 6:5;1 Chronicles 13:8)。這樂器的外部是木製的,上面以各種方式張著琴弦。Josephus 說它有十二根弦(《猶太古史》第八卷第十章);他又說它是用手指彈奏的——同上。Hesychius 和 Pollux 把它列於弦樂器之中。其共鳴出自樂器的瓶體或底部,琴弦便張在其上。據 Ovid(奧維德)所記,這樂器是用雙手彈奏的:

Quaravis mutus erat, voci favisse putatur

Piscis, Aroniae fabula nora lyrae.

Disce etiam duplice genialia palma

Verrere.

——《愛的藝術》(De Arte Amandi)卷三第327行。

據耶柔米(Jerome)、Isodorus 和 Cassiodorus 說,它呈倒置的希臘字母 Delta δ(d)之形。Pfeiffer 設想,這樂器大概與古代紀念碑上所見的相同。樂器的腹面是一隻木碗,底部有一小孔,上面蒙一張繃緊的皮,皮的中間高於兩側。兩根柱子上端由一根橫木相連,斜穿過這張皮。五根弦張在皮上,以橫木為支弦的琴馬。這樂器沒有弦軸或螺旋,每根弦都用一些亞麻布纏繞在橫木上加以固定。這樂器的描述由 Niebuhr 提供(Thess. i. p. 179)。它的彈奏方式有二:或用手指敲擊,或用一塊皮革——也許是一根掛在旁邊、橫掠琴弦的羽管。這樂器發明於何時、何時開始在希伯來人中使用,無法確定。它最先在掃羅的時代被提及(1 Samuel 10:5),從那時起在舊約中經常出現。它特別用於對神的公眾崇拜(2 Samuel 6:5;1 Kings 10:12;2 Chronicles 20:28;2 Chronicles 29:25;1 Chronicles 15:16;1 Chronicles 16:5)。它通常與其他樂器合用,也用於節期和宴樂(見《聖經文庫》卷六第357-365頁)。它通常被描繪的形制如前圖所示,也就是里拉琴在古代紀念碑上、與阿波羅(Apollo)雕像相伴出現的形制。

本書中的圖畫,是西門馬加比時代一枚猶太舍客勒上里拉琴的圖樣;它很可能確是猶太人中常用的形制。

Niebuhr 從東方帶給我們一件樂器,據信與以賽亞所指的極為相似。這樂器即本書圖畫所示。

「擊鼓」——תף(tôph and כנור kinnôr;' Genesis 31:27)。這是用手敲擊的樂器之一,是古人的壺鼓;它比希伯來人所用的大多數樂器更易確定形制和用途。七十士譯本和其他希臘文譯者以 τύμπανον(tumpanon)翻譯它。這詞與拉丁文 tympanum 一樣,顯然出自希伯來文。用於同一樂器的亞拉伯文「duf」一詞,也出自同一希伯來詞。它是一種木製的、挖空的、蒙上皮革、以手敲擊的樂器——鼓的一種。這種鼓的形式為西班牙人所沿用,自摩爾人時代以來一直保存至今。它早有使用:拉班願以它的聲音伴送雅各(Genesis 31:27);摩西的姐姐米利暗和與她同行的婦女,以這樂器伴和得勝的歌(Exodus 15:20)。

約伯熟悉它(Job 17:6;Job 21:12);大衛在宗教的歡慶中使用它(2 Samuel 6:5)。經中提述使用它的場合都是喜樂的場合,而且奏它的大多是婦女;因此她們被稱為「擊鼓的婦女」(Psalm 68:26)——在我們的譯本中作「擊鼓的少女」。在我們的譯本中,它被譯作「鼓」(Isaiah 5:12;1 Samuel 10:5;Genesis 31:26;Isaiah 24:8;Isaiah 30:32;1 Samuel 18:6;Ezekiel 38:13;Jeremiah 31:4;Job 17:6),「擊鼓」(Nahum 2:7),以及「手鼓」(Psalm 81:2;Exodus 15:20;Job 21:12;Psalm 149:3;Psalm 150:4;Judges 11:34;Psalm 68:25)。它從未被提及用於戰爭或軍事活動。它有時僅僅是在木環上蒙一張皮製成,因而相當於我們所知的鈴鼓。它形如篩子,常見於古代紀念碑,尤其是在西比莉(Cybele)手中。在東方,如今沒有一種樂器比它更普遍。

Niebuhr(Thes. i. p. 181)對它作了如下的描述:「那是一個寬闊的木環,一面蒙著繃緊的皮。環緣通常裝有薄的金屬小滑輪或小輪;當這鼓被一隻手高舉、用另一隻手的指頭敲擊時,它們便發出一些聲響。也許沒有一種樂器在土耳其像它這樣被廣泛使用。婦女們在閨中跳舞或唱歌時,總是以這樂器打拍子。它名為 doff。」見《聖經文庫》卷六第398-402頁。人們通常認為,「陀斐特」(Tophet)一名便是由 toph 一詞而來——那是耶路撒冷附近約沙法谷的名稱,因為人在那裏向摩洛獻兒童為祭時,便用這樂器淹沒孩童的哭聲。

「吹笛」——חליל(châlı̂yl)。這詞或出自 חלל(châlal),意為「穿孔」,因而帶有鑽孔而成、帶有指孔之笛的觀念(Gesenius);或出自 חלל(châlal, "to leap" or "to dance),意為「跳躍」或「跳舞」,因而帶有在舞蹈中吹奏之樂器的觀念(Pfeiffer)。

希臘文譯者一向以 αὐλός(aulos)翻譯它。它在舊約中總共只出現於四處(1 Kings 1:40;Isaiah 5:12;Isaiah 30:29;Jeremiah 48:36),我們的譯者一律譯作「笛」。笛的起源不詳。多數古代民族都有笛,只是形式大不相同。它有時以木製成,有時以蘆葦,有時以獸骨、角等製成;黃楊木是製笛常用的材料。它有時用於哀婉的音樂(試比較 Matthew 9:23);但也與其他樂器合用,在上耶路撒冷守大節的旅途中使用;見 Isaiah 30:29 的註釋。它雖用於哀傷的場合,卻也用於喜樂歡愉之時。因此,在猶大馬加比的時代,猶太人哀嘆「雅各的喜樂盡都消逝,笛與琴也都靜默了」(1 Macc. 3:45);見《聖經文庫》卷六第387-392頁。本書所載的優美圖形,將顯出希臘人吹笛的姿態。在東方,按本書所示的方式吹奏雙笛,也是常見的技藝。就這些樂器的使用本身而言,並無不妥。先知所斥責的,是他們不是用以讚美神,甚至不是用以無害的娛樂,而是把它們引入縱酒狂歡的筵席,因而使之成為忘記神的原因。約伯美妙地描述了與音樂舞蹈相連的對神的遺忘:

他們打發小孩子出去,多如羊群;

他們的兒女踴躍跳舞。

他們隨著琴鼓歌唱,

又因簫聲歡喜。

他們度日諸事亨通,

轉眼下入陰間。

他們對神說:

「離開我們罷!

我們不願曉得你的道。

全能者是誰,我們何必事奉他呢?

求告他有甚麼益處呢?」

英語原文

The prophet proceeds to state still further the extent of their crimes. This verse contains an account of their dissipated habits, and their consequent forgetfulness of God. That they commonly had musical instruments in their feasts, is evident from many passages of the Old Testament; see Amos 6:5-6. Their feasts, also, were attended with songs; Isaiah 24:8-9.

The harp - - כנור kinnôr. This is a well-known stringed instrument, employed commonly in sacred music. It is often mentioned as having been used to express the pious feelings of David; Psalm 32:2; Psalm 43:4; Psalm 49:5. It is early mentioned as having been invented by Jubal; Genesis 4:21. It is supposed usually to have had ten strings (Josephus, "Ant." B. x. ch. xii. Section 3). It was played by the hand; 1 Samuel 16:23; 1 Samuel 18:9. The "root" of the word כנור kinnôr, is unknown. The word "kinnor" is used in all the languages cognate to the Hebrew, and is recognized even in the Persian. It is probable that the instrument here referred to was common in all the oriental nations, as it seems to have been known before the Flood, and of course the knowledge of it would be extended far. It is an oriental name and instrument, and from this word the Greeks derived their word κινύρα kinura. The Septuagint renders it κιθάρα kithara and κινύρα kinura.

Once they substitute for it ὄργανον organon, Psalm 136:2; and five times ψαλτήριον psaltērion, Genesis 4:20; Psalm 48:4; Psalm 80:2; Psalm 149:3; Ezekiel 26:13. The harp - כנור kinnôr - is not only mentioned as having been invented by Jubal, but it is also mentioned by Laban in the description which be gives of various solemnities, in regard to which he assures the fleeing Jacob that it had been his wish to accompany him with all the testimonials of joy - 'with music - תף tôph and כנור kinnôr;' Genesis 31:27. In the first age it was consecrated to joy and exultation. Hence, it is referred to as the instrument employed by David to drive away the melancholy of Saul 1 Samuel 16:16-22, and is the instrument usually employed to celebrate the praises of God; Psalm 33:1-2; Psalm 43:4; Psalm 49:5; Psalm 71:22-23. But the harp was not only used on sacred occasions. Isaiah also mentions it as carried about by courtezans Isaiah 23:16, and also refers to it as used on occasions of gathering in the vintage, and of increasing the joy of the festival occasion.

So also it was used in military triumphs. Under the reign of Jehoshaphat, after a victory which had been gained over the Moabites, they returned in triumph to Jerusalem, accompanied with playing on the כנור kinnôr;" 2 Chronicles 20:27-28. The harp was generally used on occasions of joy. Only in one place, in Isaiah Isa 16:11, is it referred to as having been employed in times of mourning. There is no ancient figure of the כנור kinnôr that can be relied on as genuine. We can only say that it was an instrument made of sounding wood, and furnished with strings. Josephus says that it was furnished with ten strings, and was played with the plectrum ("Ant." B. viii. ch. x.) Suidas, in his explanation of it, makes express mention of strings or sinews (p. 318); and Pollux speaks of goats' claws as being used for the plectrum. David made it out of the ברושׁ berôsh, or fir, and Solomon out of the almug. Pfeiffer supposes, that the strings were drawn over the belly of a hollow piece of wood, and that it had some resemblance to our violin. But it is more probable that the common representation of the harp as nearly in the form of a triangle, with one side or the front part missing, is the correct one. For a full discussion of the subject, see Pfeiffer on the Music of the ancient Hebrews, "Bib. Repos." vol. vi. pp. 366-373. Montfaucon has furnished a drawing of what was supposed to be the ancient כנור kinnôr, which is represented in the book. But, after all, the usual form is not quite certain.

Bruce found a sculpture of a harp resembling that usually put into the hands of David, or nearly in the form of a triangle, and under circumstances which led him to suppose that it was as old as the times of Sesostris.

And the viol - נבל nebel. From this word is derived the Greek word νάβλα nabla, and the Latin nablium and nabla. But it is not very easy to form a correct idea of this instrument. The derivation would lead us to suppose that it was something in the shape of a "bottle," and it is probable that it had a form in the shape of a leather bottle, such as is used in the East, or at least a vessel in which wine was preserved; 1 Samuel 10:3; 1 Samuel 25:18; 2 Samuel 16:1. It was at first made of the ברושׁ berôsh or fir; afterward it was made of the almug tree, and occasionally it seems to have been made of metal; 2 Samuel 6:5; 1 Chronicles 13:8. The external parts of the instrument were of wood, over which strings were drawn in various ways. Josephus says it had twelve strings ("Ant." B. viii. ch. x.) He says also that it was played with the fingers. - "Ibid." Hesychius and Pollux reckon it among stringed instruments. The resonance had its origin in the vessel or the bottom part of the instrument, upon which the strings were drawn. According to Ovid, this instrument was played on with both hands:

Quaravis mutus erat, voci favisse putatur

Piscis, Aroniae fabula nora lyrae.

Disce etiam duplice genialia palma

Verrere.

De Arte Amandi, lib. iii.327.

According to Jerome, Isodorus, and Cassiodorus, it had the form of an inverted Greek Delta δ d. Pfeiffer supposes that this instrument was probably the same as is found represented on ancient monument. The belly of the instrument is a wooden bowl, having a small hole in the under part, and is covered over with a stretched skin, which is higher in the middle than at the sides. Two posts, which are fastened together at the top by a cross piece, pass obliquely through this skin. Five strings pass over this skin, having a bridge for their support on the cross piece. The instrument has no pins or screws, but every string is fastened by means of some linen wound with it around this cross piece. The description of this instrument is furnished by Niebuhr ("Thess." i. p. 179). It is played on in two ways, either by being struck with the finger, or by a piece of leather, or perhaps a quill hung at its side and drawn across the strings. It cannot with certainty be determined when this instrument was invented, or when it came into use among the Hebrews. It is first mentioned in the time of Saul 1 Samuel 10:5, and from this time onward it is frequently mentioned in the Old Testament. It was used particularly in the public worship of God; 2 Samuel 6:5; 1 Kings 10:12; 2 Chronicles 20:28; 2 Chronicles 29:25; 1 Chronicles 15:16; 1 Chronicles 16:5. It was usually accompanied with other instruments, and was also used in festivals and entertainments; see "Bib. Repos." vol. vi. pp. 357-365. The usual form of representing it is shown in the preceding cut, and is the form in which the lyre appears on ancient monuments, in connection with the statues of Apollo.

The drawing in the book is a representation of a lyre from a Jewish shekel of the time of Simon Maccabeus, and may have been, not improbably, a form in frequent use among the Jews.

Niebuhr has furnished us with an instrument from the East, which is supposed to bare a very near resemblance to that which is referred to by Isaiah. This instrument is represented by the picture in the book.

The tabret - תף tôph. This was one of the instruments which were struck with the hands. It was the kettle-drum of the ancients, and it is more easy to determine its form and use than it is of most of the instruments used by the Hebrews. The Septuagint and other Greek translators render it by τύμπανον tumpanon. This word, as well as the Latin tympanum, is manifestly derived from the Hebrew. The Arabic word "duf" applied to the same instrument is also derived from the same Hebrew word. It was an instrument of wood, hollowed out, and covered over with leather and struck with the hands - a species of drum, This form of the drum is used by the Spaniards, and they have preserved it ever since the time of the Moors. It was early used. Laban wished to accompany Jacob with its sound; Genesis 31:27. Miriam, the sister of Moses, and the females with her, accompanied the song of victory with this instrument; Exodus 15:20.

Job was acquainted with it Job 17:6; Job 21:12, and David employed it in the festivities of religion; 2 Samuel 6:5. The occasions on which it is mentioned as being used are joyful occasions, and for the most part those who play on it are females, and on this account they are called 'drum-beating women' Psalm 68:26 - in our translation, 'damsels playing with timbrels,' In our translation it is rendered "tabret," Isaiah 5:12; 1 Samuel 10:5; Genesis 31:26; Isaiah 24:8; Isaiah 30:32; 1 Samuel 18:6; Ezekiel 38:13; Jeremiah 31:4; Job 17:6; "tabering," Nahum 2:7; and "timbrel," Psalm 81:2; Exodus 15:20; Job 21:12; Psalm 149:3; Psalm 150:4; Judges 11:34; Psalm 68:25. It is no where mentioned as employed in war or warlike transactions. It was sometimes made by merely stretching leather over a wooden hoop, and thus answered to the instrument known among us as the tambourine. It was in the form of a sieve, and is often found on ancient monuments, and particularly in the hands of Cybele. In the East, there is now no instrument more common than this.

Niebuhr (Thes i. p. 181) has given the following description of it: 'It is a broad hoop covered on one side with a stretched skin. In the rim there are usually thin round pullies or wheels of metal which make some noise, when this drum, held on high with one hand, is struck with the fingers of the other hand. No musical instrument perhaps is so much employed in Turkey as this. When the females in their harems dance or sing, the time is always beat on this instrument. It is called doff.' See "Bib. Repos." vol. vi. pp. 398-402. it is commonly supposed that from the word "toph, Tophet" is derived - a name given to the valley of Jehoshaphat near Jerusalem, because this instrument was used there to drown the cries of children when sacrificed to Moloch.

And pipe. - חליל châlı̂yl. This word is derived either from חלל châlal, "to bore through," and thence conveys the idea of a flute bored through, and furnished with holes ("Gesenius"); or from חלל châlal, "to leap" or "to dance;" and thence it conveys the idea of an instrument that was played on at the dance. - "Pfeiffer."

The Greek translators have always rendered it by αὐλός aulos. There are, in all, but four places where it occurs in the Old Testament; 1 Kings 1:40; Isaiah 5:12; Isaiah 30:29; Jeremiah 48:36; and it is uniformly rendered "pipe or pipes," by our translators. The origin of the pipe is unknown. It was possessed by most ancient nations, though it differed much in form. It was made sometimes of wood, at others of reed, at others of the bones of animals, horns, etc. The "box-wood" has been the common material out of which it was made. It was sometimes used for plaintive music (compare Matthew 9:23); but it was also employed in connection with other instruments, while journeying up to Jerusalem to attend the great feasts there; see the note at Isaiah 30:29. Though employed on plaintive occasions, yet it was also employed in times of joy and pleasure. Hence, in the times of Judas Maccabeus, the Jews complained 'that all joy had vanished from Jacob, and, that the flute and cithera were silent;' 1 Macc. 3:45; see "Bib. Repos." vol. vi. pp. 387-392. The graceful figures (shown in the book) will show the manner of playing the flute or pipe among the Greeks. It was also a common art to play the double flute or pipe, in the East, in the manner represented in the book. In the use of these instruments, in itself there could be no impropriety. That which the prophet rebuked was, that they employed them not for praise, or even for innocent amusement, but that they introduced them to their feasts of revelry, and thus made them the occasion of forgetting God. Forgetfulness of God, in connection with music and dancing, is beautifully described by Job:

They send forth their little ones like a flock,

And their children dance;

They take the timbrel and harp,

And rejoice at the sound of the organ;

They spend their days in mirth,

And in a moment go down to the grave.

And they say unto God -

'Depart from us;

For we know not the knowledge of thy ways.

What is the Almighty, that we should serve him?

And what profit should we have if we pray unto him?'

13

Isaiah 5:13

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所以,我的百姓必被擄去——這顯然是指著「將來」說的。先知把事件描述為如在異象中「從他眼前經過」(見 Isaiah 1:1 的註釋);這裡他彷彿「看見」百姓被擄去,便把它當作正在發生的事來描述。

被擄去——無疑指被擄於巴比倫。

因無知——因為他們不肯持守對神的認識。

他們的尊貴人——希伯來文作「民的榮耀成了飢餓的人」;即他們必因饑荒滅亡。這是他們在宴席上放縱私慾的「懲罰」。

群眾——民族的大眾、主體,即平民百姓。

極其乾渴——因他們縱酒而這樣受罰。這裡所指定的刑罰,特別指經過乾旱荒涼之地、極難得水之旅程的刑罰。這正是後來這民族被迫往巴比倫去時所走的路。

英語原文

Therefore my people are gone - This is evidently used with reference to the "future." The prophet described events as "passing before his eyes" as a vision (note, Isaiah 1:1); and he here seems to "see" the people going into captivity, and describes it as an event actually occurring.

Into captivity - Referring, doubtless, to the captivity at Babylon.

Because they have no knowledge - Because they do not choose to retain the knowledge of God.

And their honorable men - The Hebrew is, 'The glory of the people became people of famine;' that is, they shall be destroyed with famine. This was to be a "punishment" for their dissipation at their feasts.

And their multitude - The mass, or body of the nation; the common people.

Dried up with thirst - Are punished in this manner for their indulgence in drinking. The punishment here specified, refers particularly to a journey through an arid, desolate region, where drink could be obtained only with difficulty. Such was the route which the nation was compelled afterward to take in going to Babylon.

14

Isaiah 5:14

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故此,陰間——譯作「陰間」的 שׁאול she'ôl 一詞,並沒有我們今日賦予「hell」一詞的同樣含義;在希伯來人中,它通常指「下界、亡靈之境」,相當於希臘文的 ἅδης Hadēs(「陰間」),即死人之地。這詞在新約出現十一次(Matthew 11:23; Matthew 16:18; Luke 10:15; Luke 16:23; Acts 2:27, Acts 2:31; 1 Corinthians 15:55; Revelation 1:18; Revelation 6:8; Revelation 20:13-14),除 1 Corinthians 15:55 外都譯作「hell」,雖然其中大多數地方與舊約一樣,指死人的居所。七十士譯本在此處、通常也把 שׁאול she'ôl 譯作 ἅδης Hadēs(「陰間」)。希伯來人把它描述為位於地「下極深之處」,與天的高遠相對(Deuteronomy 32:22; Job 11:8; Psalm 139:7-8)。它是幽暗掌權之地(Job 10:21-22):「就是那幽暗死蔭之地;那地黑暗,如同幽暗本身。」它被描寫為有「谷、有深處」(Proverbs 9:18);又說它有「門」(Isaiah 38:10);並且有大批的人居住其中,有的坐在寶座上,所行的與在地上所行的有幾分相似(見 Isaiah 14:9 的註釋);又說惡人從地上的裂口下到那裡,如可拉、大坍、亞比蘭一樣(見 Numbers 16:30 及以下)。在這裡,它顯然指「死人之境」,不含刑罰的意思;詩意的描寫是:猶太人被饑荒、乾渴、刀劍剪除的將如此之多,連那遼闊的境界也必須「擴張自己」來容納他們。因此,這話的意思是:他們雖有許多人被擄去(Isaiah 5:13),卻有無數的群眾被饑荒、乾渴和刀劍剪除。

開了無限量的口——彷彿要把他們吞下、消滅,如大地的「洞穴」或裂口一般;參 Numbers 16:30。

無限量的——毫無限量地。

他們的榮耀——他們引以為傲為榮的一切,都必一同墜入那張開的深淵。

群眾——指百姓的群眾、他們的大批人馬。

繁華——喧嚷、騷動;指爭戰、得勝時的忙亂、呼喊與排場(Isaiah 13:4; Amos 2:2; Hosea 10:14)。

並快樂的人——那民族所誇的一切、一切歡樂的緣由,都必滅亡。

英語原文

Therefore hell - The word transated "hell," שׁאול she'ôl, has not the same meaning that we now attach to that word; its usual signification, among the Hebrews, was "the lower world, the region of departed spirits." It corresponded to the Greek ἅδης Hadēs, "hades," or place of the dead. This word occurs eleven times in the New Testament Matthew 11:23; Matthew 16:18; Luke 10:15; Luke 16:23; Acts 2:27, Acts 2:31; 1 Corinthians 15:55; Revelation 1:18; Revelation 6:8; Revelation 20:13-14, in all of which places, except 1 Corinthians 15:55, it is rendered "hell," though denoting, in most of those places, as it does in the Old Testament, the abodes of the dead. The Septuagint, in this place, and usually, translates the word שׁאול she'ôl by ἅδης Hadēs, "Hades." It was represented by the Hebrews as "low down, or deep" in the earth - contrasted with the height of heaven; Deuteronomy 32:22; Job 11:8; Psalm 139:7-8. It was a place where thick darkness reigns; Job 10:21-22 : 'The land of darkness and the shadow of death; a land of darkness, as darkness itself.' It is described as having "valleys, or depths," Proverbs 9:18. It is represented also as having "gates," Isaiah 38:10; and as being inhabited by a great multitude, some of whom sit on thrones, occupied in some respects as they were on earth; see the note at Isaiah 14:9. And it is also said that the wicked descend into it by openings in the earth, as Korah, Dathan, and Abiram did; Numbers 15:30, ... In this place, it means evidently the "regions of the dead," without the idea of punishment; and the poetic representation is, that so many of the Jews would be cut off by famine, thirst, and the sword, that those vast regions would be obliged "to enlarge themselves" in order to receive them. It means, therefore, that while many of them would go into captivity Isaiah 5:13, vast multitudes of them would be cut off by famine, thirst, and the sword.

Opened her mouth - As if to absorb or consume them; as a "cavern," or opening of the earth does; compare Numbers 16:30.

Without measure - Without any limit.

And their glory - All that they esteemed their pride and honor shall descend together into the yawning gulf.

Their multitude - The multitude of people; their vast hosts.

Their pomp - Noise, tumult; the bustle, and shouting, and display made in battle, or war, or victory; Isaiah 13:4; Amos 2:2; Hosea 10:14.

And he that rejoiceth - All that the nation prided itself on, and all that was a source of joy, should be destroyed.

15

Isaiah 5:15

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平民……勇士——這些說法的意思是:「一切」階層都必被降卑、受罰;見 Isaiah 2:9 的註釋。

高傲之人的眼目……——見 Isaiah 2:11 的註釋;Isaiah 2:17 的註釋。

因公平而崇高——即因祂的公義;祂必如此彰顯祂的公義,以致在百姓眼中被尊為高。

顯為聖——即被「視為」聖潔。祂必在祂的作為中如此彰顯祂的公義,使人看見並感受到祂是聖潔的神。

英語原文

And the mean man ... the mighty man - The expressions here mean that "all" ranks would be subdued and punished; see the note at Isaiah 2:9.

The eyes of the lofty ... - see Isaiah 2:11, note; Isaiah 2:17, note.

Shall be exalted in judgment - In his justice; he shall so manifest his justice as to be exalted in the view of tbe people.

Shall be sanctified - Shall be "regarded" as holy. He shall so manifest his righteousness in his dealings, that it shall be seen and felt that he is a holy God.

17

Isaiah 5:17

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「那時羊羔必來吃草」——這節經文有很不一致的解釋。大多數希伯來解經家隨從迦勒底譯本的解釋,認為它的用意,是在普遍的災禍之中,以蒙保護的確據安慰百姓中的敬虔者。迦勒底譯本作:「那時義人必照著所應許他們的得食;他們必繁增,並佔有不敬虔之人的產業。」照這解釋,「羊羔」如聖經中常見的那樣,被理解為代表神的子民。但按另一些人的看法,先知的用意更可能是表明那將臨到全國的徹底荒涼。它的城邑、村鎮與宮殿都必荒廢,成為羊群隨意遊走的廣大牧場。

「如同在自己的草場」——希伯來文作「照他們的話」,即在他們自己的「命令」之下,或隨意而行。他們要任意往來,不受籬笆攔阻。

「豐肥人的荒漠溪谷」——大多數古時解經家認為,這裏「豐肥人的荒漠」指富人的荒廢居所;在那臨到全國的審判中,它們必變為空置,外人要進來佔有。這是迦勒底譯本所給的意義。敘利亞譯本譯作「外人必吞吃那些尚待復興的廢墟」。若是這個意思,那麼它與前節所提的「第一種」解釋相符——敬虔者必得餵養,驕傲者必荒涼,他們的產業要轉入外人之手。另有一些人(格塞尼烏〔Gesenius〕等)則認為,它的意思是外人、外邦人要進來,在全國荒廢之地肥育他們的牲畜。那地必荒涼至極,他們要來到那自發滋長、繁茂粗放的草莽中肥育牲畜。這意義符合經文的上下文;但要從希伯來文推出這意義,有些困難。不過,譯作「豐肥人的荒漠」的希伯來文,也可以譯作「富饒——繁茂——豐盛的荒野」。「外人」一詞指「外邦人」,或那些不是那地「永久」居民的人。

英語原文

Then shall the lambs feed - This verse is very variously interpreted. Most of the Hebrew commentators have followed the Chaldee interpretation, and have regarded it as desired to console the pious part of the people with the assurance of protection in the general calamity. The Chaldee is, 'Then the just shall feed, as it is said, to them; and they shall be multiplied, and shall possess the property of the inpious.' By this interpretation, "lambs" are supposed, as is frequently the case in the Scriptures, to represent the people of God. But according to others, the probable design of the prophet is, to denote the state of utter desolation that was coming upon the nation. Its cities, towns, and palaces would be destroyed, so as to become a vast pasturage where the flocks would roam at pleasure.

After their manner - Hebrew, 'According to their word,' that is, under their own "command," or at pleasure. They would go where they pleased without being obstructed by fences.

And the waste places of the fat ones - Most of the ancient interpreters suppose, that the waste places of the fat ones here refer to the desolate habitations of the rich people; in the judgments that should come upon the nation, they would become vacant, and strangers would come in and possess them. This is the sense given by the Chaldee. The Syriac translates it, 'And foreigners shall devour the ruins which are yet to be restored.' If this is the sense, then it accords with the "first" interpretation suggested of the previous verse - that the pious should be fed, and that the proud should be desolate, and their property pass into the hands of strangers. By others (Gesenius, etc.), it is supposed to mean that strangers, or foreigners, would come in, and fatten their cattle in the desert places of the nation. The land would be so utterly waste, that they would come there to fatten their cattle in the rank and wild luxuriancy that would spontaneously spring up. This sense will suit the connection of the passage; but there is some difficulty in making it out from the Hebrew. The Hebrew which is rendered 'the waste places of the fat ones,' may, however, be translated 'the deserts that are rich - rank - luxuriant.' The word "stranger" denotes "foreigners;" or those who are not "permanent" dwellers in the land.

18

Isaiah 5:18

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「禍哉!那些人……」——這是一個新的宣告。它引出另一種形式的罪,並宣告其當受的刑罰。

「以虛假之細繩牽罪孽的」——本節與下一節的大意,無疑是愈陷愈深於罪中。這裏的「罪孽」一詞,有時被認為指罪的「刑罰」。這詞有時確有此義,但在這裏似乎是取其通常的意義。「繩」指任何粗細的繩索;「虛假之繩」被認為指「細小、纖弱」的繩線,如同蜘蛛網。שׁוא shâv'(虛假)一詞在這裏或許有虛謊或欺騙的含義;欺騙之繩可以指邪惡的計謀、欺人的詭計,或使人陷入網羅的圈套,正如捕鳥人向不疑的鳥兒張開欺騙的網羅。迦勒底譯本譯作:「禍哉,那些以虛假之繩漸漸牽引罪孽的人;這些罪增長加添,直到強固,如同套繩。」七十士譯本譯作:「禍哉,那些以長纜牽罪的人」;即一罪加上一罪,直到長得驚人,全都一起被牽動。真正的觀念大概正如拉比們古老的解釋:「惡念起初如髮絲,末了卻如套繩。」起初,他們以纖細的繩牽引罪;隨後他們去犯更大的不義,那些罪又催逼他們、牽引他們,使他們如同被套繩拉動一般竭盡全力。他們是竭「力」犯罪。

英語原文

Wo unto them ... - This is a new denunciation. It introduces another form of sin, and threatens its appropriate punishment.

That draw iniquity with cords of vanity - The general idea in this verse and the next, is, doubtless, that of plunging deeper and deeper into sin. The word "sin" here, has been sometimes supposed to mean "the punishment" for sin. The word has that meaning sometimes, but it seems here to be taken in its usual sense. The word "cords" means strings of any kind, larger or smaller; and the expression "cords of vanity," is supposed to mean "small, slender, feeble" strings, like the web of a spider. The word vanity שׁוא shâv', May, perhaps, have the sense here of falsehood or deceit; and the cords of deceit may denote the schemes of evil, the plans for deceiving people, or of bringing them into a snare, as the fowler springs his deceitful snare upon the unsuspecting bird. The Chaldee translates it, 'Woe to those who begin to sin by little and little, drawing sin by cords of vanity; these sins grow and increase until they are strong, and are like a cart-rope.' The Septuagint renders it, 'Woe to those who draw sin with a long cable;' that is," one sin is added to another, until it comes to an enormous length, and the whole is drawn along together. Probably the true idea is that of the ancient interpretation of the rabbis, 'An evil inclination is at first like a fine hair string, but the finishing like a cart-rope.' At first, they draw sin with a slender cord, then they go on to greater deeds of iniquity that urge them on, and draw them with their main strength, as with a cart-rope. They make a strong "effort" to commit iniquity.

19

Isaiah 5:19

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「說……的人」——他們罪上加罪,是為了「藐視」神、惹動祂的怒氣。他們假裝祂不會刑罰罪;因此便深深陷在罪中,向祂挑戰,要祂刑罰他們。

「任他速行」——任祂快快來刑罰。

「迅速成就他的工作」——即祂的刑罰。

「使我們看看」——這是挑戰的話。我們倒想看看祂敢不敢行。

「以色列聖者的籌算」——指祂所宣告要施罰的旨意。這是一切罪人的話。他們深深陷入罪中;譏誚神的警告;向祂挑戰,要祂使出全力;不相信祂的宣告。再難想像比這更可怕、更肆無忌憚的不義了。

英語原文

That say ... - They add one sin to another for "the purpose of defying" God, and provoking him to anger. They pretend that he will not punish sin; and hence, they plunge deeply into it, and defy him to punish them.

Let him make speed - Let him come quick to punish.

And hasten his work - His punishment.

That we may see it - An expression of defiance. We would like to see him undertake it.

The counsel of the Holy One ... - His threatened purpose to punish. This is the language of all sinners. They plunge deep into sin; they mock at the threatenings of God; they defy him to do his utmost; they do not believe his declarations. It is difficult to conceive more dreadful and high-handed iniquity than this.

20

Isaiah 5:20

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「禍哉,那些稱惡為善」——這是所斥責的第四類罪。這裏所譴責的罪,是「顛倒混淆」是非,尤其是道德與宗教上的區分。他們寧取錯謬虛假的道理而捨真道;寧取惡行而捨正直的行為。迦勒底譯本譯作:「禍哉,那些對今世亨通的惡人說『你是好人』、又對溫柔人說『你們是惡人』的人。」賈爾希(Jarchi)認為先知在此是指拜偶像的人;但他顯然更普遍地是指那些混淆一切是非、棄正取邪的人。

「以暗為光」——在聖經中,「黑暗」是無知、錯謬、假道、罪行的象徵;「光」則代表真理、知識、敬虔。因此這一句以比喻卻更有力的方式,表達了本節前一段所說的意思。

「以苦為甜」——「苦」與「苦澀」常用以指「罪」;見 Acts 8:23 的註釋;又見 Romans 3:14;Ephesians 4:31;Hebrews 12:15;Jeremiah 2:19;Jeremiah 4:18。這裏的意思與本節其他部分所表達的無異,只是另外「隱含」一層意思:罪「本是」苦的,而德行或聖潔是甘甜的;即前者伴隨痛苦的後果,後者伴隨快樂。

英語原文

Wo unto them that call evil good ... - This is the fourth class of sins denounced. The sin which is reprobated here is that of "perverting and confounding" things, especially the distinctions of morality and religion. They prefer erroneous and fake doctrines to the true; they prefer an evil to an upright course of conduct. The Chaldee renders this, 'Wo to those who say to the impious, who are prospered in this age, You are good; and who say to the meek, Ye are impious.' Jarchi thinks that the prophet here refers to those who worship idols, but he evidently has a more general reference to those who confound all the distinctions of right and wrong, and who prefer the wrong.

That put darkness for light - "Darkness," in the Scriptures, is the emblem of ignorance, error, false doctrine, crime. Light denotes truth, knowledge, piety. This clause, therefore, expresses in a figurative, but more emphatic manner, what was said in the previous member of the verse.

That put bitter - "Bitter and bitterness" are often used to denote "sin;" see the note at Acts 8:23; also Romans 3:14; Ephesians 4:31; Hebrews 12:15; Jeremiah 2:19; Jeremiah 4:18. The meaning here does not differ from that expressed in the other parts of the verse, except that there is "implied" the additional idea that sin "is" bitter; and that virtue, or holiness, is sweet: that is, that the one is attended with painful consequences, and the other with pleasure.

21

Isaiah 5:21

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禍哉,那些自以為有智慧的——這是所列的第五項罪。指那些因對自己的知識存虛妄之見而自高自大的人;他們因此自信而虛浮。這是聖經明文禁止的;Proverbs 3:7:「不要自以為有智慧」;參 Proverbs 26:12。

自看為——即照他們自己的意見或評價。

自看為通達——即有知識的;自負的。這無疑是以賽亞時代的一個特徵。眾所周知,它也是猶太人——特別是法利賽人——在我們救主時代的顯著特徵。這種惡的害處在於:

(1)它顯出並助長「驕傲」。

(2)它使人不願受教,尤其不願聽先知的教訓。

他們既以為自己已經夠智慧了,便拒絕聽別人的話。這種自信的後果總是如此;因此,救主要求祂的門徒溫柔、謙卑、像孩童一樣受教。

英語原文

Wo unto them that are wise ... - This is the fifth crime specified. It refers to those who are inflated with a false opinion of their own knowledge, and who are, therefore, self-confident and vain. This is expressly forbidden; Proverbs 3:7 : 'Be not wise in thine own eyes;' compare Proverbs 26:12.

In their own eyes - In their own opinion, or estimation.

And prudent - Knowing; self-conceited. This was, doubtless, one characteristic of the times of Isaiah. It is known to have been strikingly the characteristic of the Jews - particularly the Pharisees - in the time of our Saviour. The evil of this was,

(1) That it evinced and fostered "pride."

(2) That it rendered them unwilling to be instructed, and especially by the prophets.

As they supposed that they were already wise enough, they refused to listen to others. This is always the effect of such self-confidence: and hence, the Saviour required his disciples to be meek, and humble, and teachable as children.

22

Isaiah 5:22

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「禍哉!那些勇於飲酒的人」——這是第六項罪狀。他已在以賽亞書5:11斥責過酗酒的人。但這大概是當時盛行的罪。也許不見任何悔改的跡象;因此需要「重複」這警告,好使人們認真看待它。先知在以賽亞書56:12也重複了類似的斥責。

「勇於飲酒」——也許指那些以能「多」飲而不醉自傲的人;他們對此如此習慣,以致藐視酒的效力,誇口自己有力量抵擋酒通常的影響。以賽亞書56:12表達了類似的意思。

「以能力調濃酒的人」——迦勒底譯本把這話理解為指「富」人;但大概是指那些誇口能承受「大量」烈酒的人。

「調濃酒」——把酒與香料、棗、藥物等攙混,使它更易醉人;Proverbs 9:2、Proverbs 9:5。他們誇口能飲用醉力極強的酒而不受損害。

「濃酒」——見以賽亞書5:11的註釋。關於東方所用的濃酒,參看哈默(Harmer)《觀察集》,卷二,第140-148頁,倫敦1808年版。

英語原文

Wo unto them that are mighty ... - This is the sixth specification of crime. He had already denounced the intemperate in Isaiah 5:11. But probably this was a prevailing sin. Perhaps there was no evidence of reform; and it was needful to "repeat" the admonition, in order that people might be brought to regard it. The prophet repeats a similar denunciation in Isaiah 56:12.

Mighty - Perhaps those who prided themselves on their ability to drink "much" without becoming intoxicated; who had been so accustomed to it, that they defied its effects, and boasted of their power to resist its usual influence. A similar idea is expressed in Isaiah 56:12.

Men of strength - The Chaldee understands this of "rich" men; but, probably, the reference is to those who boasted that they were able to bear "much" strong drink.

To mingle - To mix wine with spices, dates, drugs, etc., to make it more intoxicating; Proverbs 9:2, Proverbs 9:5. They boasted that they were able to drink, without injury, liquor of extraordinary intoxicating qualities.

Strong drink - Note, Isaiah 5:11. On the subject of the strong drink used in the East, "see Harmer's Observations," vol. ii. pp. 140-148. Ed. Lond. 1808.

23

Isaiah 5:23

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「他們因受賄賂,就稱惡人為義」——這無疑是指官吏。他們作不公正的判決。

「因賄賂」——為了得好處。

「將義人的義奪去」——就是說,他們不把判決給那有正當權利的一方,倒被賄賂所左右;見 Isaiah 1:23 的註釋。值得注意的是,這話與他們「飲酒有能力」緊連在一起。酗酒的一個後果,就是使人容易被「收買」。這後果在法庭之中、在法庭的判決之中,顯得與別處一樣清楚。一個酗酒的人,或縱於烈酒的人,沒有資格作審判官。

英語原文

Which justify - This refers, doubtless, to magistrates. They gave unjust decisions.

For reward - For bribes.

And take away the righteousness - That is, they do not decide the cause in favor of those who have just claims, but are determined by a bribe; see the note at Isaiah 1:23. It is remarkable, that this is introduced in immediate connection with their being mighty to mingle strong drink. One effect of intemperance is to make a man ready to be "bribed." Its effect is seen as clearly in courts of justice, and in the decisions of such courts, as any where. A man that is intemperate, or that indulges in strong drink, is not qualified to be a judge.

24

Isaiah 5:24

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「因此,如火怎樣……」——本章其餘的部分,是預告因前文所列諸罪而臨到百姓的「審判」或刑罰。這裏的希伯來文作「火的舌」。這比喻優美而明顯,取自火燄那金字塔形、舌狀的外觀。希伯來文中比喻的和諧一以貫之:「燒燬」一字在希伯來文作「吞吃」:「如火舌怎樣吞吃」等。聖經中常用「舌」指「火燄」;見 Acts 2:3 的註釋。

「火燄怎樣燒燬糠秕」——這裏譯作「糠秕」的字,其實更宜作「乾草」或枯草。譯作「燒燬」的字,本義是「使倒下」,指火經過穀田或草地時的景象:靠近地面的稭稈被燒斷,上部的稈葉便「倒下」,或輕輕沉入火燄之中。

「他們的根必像朽爛」——即朽壞、腐爛——自然不能供應水分或適當的汁液以維持植物。其意是:猶太人中一切國家繁盛的源頭都必被毀。「根」字常用以指「力量或繁盛」之源;Isaiah 14:30;Hosea 9:16;Job 18:16。

「他們的花」——這字更宜指嫩芽或柔枝,也指花。比喻在此仍一貫:根既被毀,一切靠它支撐的、一切被視為美麗可觀的,也必如此。

「如灰塵」——希伯來文指「細塵」,易被風吹散的。根必朽爛;花既失去滋養,必枯乾成塵,被風吹去。他們的力量與繁盛之源必被毀;他們一切的光彩華美、一切裝飾之物與國富之源,也必隨之而毀。

「他們離棄」——他們拒絕「遵行」它。這就是將臨到他們的一切災禍的根由。

英語原文

Therefore as the fire ... - The remainder of this chapter is occupied with predicting "judgments," or punishments, upon the people for their sins which had been specified. The Hebrew here is, 'The tongue of fire.' The figure is beautiful and obvious. It is derived from the pyramidal, or tongue-like appearance of "flame." The concinnity of the metaphor in the Hebrew is kept up. The word "devoureth" is in the Hebrew "eateth:" 'As the tongue of fire eats up,' etc. The use of the word "tongue" to denote "flame" is common in the Scriptures; see the note at Acts 2:3.

And the flame consumeth the chaff - The word rendered "chaff here," means rather "hay, or dried grass." The word rendered 'consumeth,' denotes properly "to make to fall," and refers to the appearance when a fire passes through a field of grain or grass, consuming the stalks near the ground, so that the upper portion "falls down," or sinks gently into the flames.

So their root shall be as rottenness - Be rotten; or decayed - of course furnishing no moisture, or suitable juices for the support of the plant. The idea is, that all the sources of national prosperity among the Jews would be destroyed. The word "root" is often used to denote the source of "strength or prosperity;" Isaiah 14:30; Hosea 9:16; Job 18:16.

And their blossom - This word rather means germ, or tender branch. It also means the flower. The figure is kept up here. As the root would be destroyed, so would all that was supported by it, and all that was deemed beautiful, or ornamental.

As dust - The Hebrew denotes "fine dust," such as is easily blown about. The root would be rotten; and the flower, lacking nourishment, would become dry, and turn to dust, and blow away. Their strength, and the sources of their prosperity would be destroyed; and all their splendor and beauty, all that was ornamental, and the source of national wealth, would be destroyed with it.

They have cast away - They have refused to "obey" it. This was the cause of all the calamities that would come upon them.

25

Isaiah 5:25

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「所以耶和華的怒氣發作」——主「震怒」,發怒。類似的說法常見(Numbers 11:33;2 Kings 23:26;Deuteronomy 11:17;Job 19:11;Psalm 2:12)。祂發怒的「原因」,是本章所列的罪行。

「他伸手攻擊他們」——伸手可以是表達保護、邀請或刑罰的動作。這裏是後者;試比較 Isaiah 14:27。

「擊打他們」——刑罰他們。這特別指甚麼,並不清楚。格塞尼烏斯(Gesenius)認為以下的描述是指瘟疫。洛斯(Lowth)與羅森米勒(Rosenmuller)認為它們指烏西雅年間、並眾先知時代所發生的地震(Amos 1:1;Zechariah 14:5)。這些字句或許兩種解釋都通。

「山嶺就震動」——這說法在聖經中常用以表達神的臨在與忿怒。它很適合描述地震;但也常用於詩體,描寫至高者的臨在與威嚴;試比較 Psalm 144:5;Job 9:6;Job 26:11;Psalm 114:7;Jeremiah 4:24;Habakkuk 3:10;Psalm 18:7;Psalm 97:5;Psalm 104:32。這畫面極其莊嚴。大地彷彿知覺神的臨在,被描繪為驚惶震顫。它在此是指地震還是別的刑罰方式,無法斷定。然而,以賽亞時代確曾發生這樣的地震,這事實似乎把這說法定位於那次地震。以賽亞也藉此宣告將來的審判。這不過是災禍的起頭。

「他們的屍首橫陳」——邊注的譯法更為正確。這段經文的意思是:他們的死屍未得掩埋,像穢物一樣橫陳街市。這說法更自然地指瘟疫;但也可以描述地震,或任何災禍。

「雖然如此」——儘管有這一切災禍,祂的審判尚未完結。祂還要更嚴厲地刑罰這國。祂要如何行,先知在本章其餘的部分指明;試比較 Isaiah 9:12;Isaiah 10:4。

英語原文

Therefore is the anger of the Lord kindled - The Lord is "enraged," or is angry. Similar expressions often occur; Numbers 11:33; 2 Kings 23:26; Deuteronomy 11:17; Psalm 56:1-13 :40; Job 19:11; Psalm 2:12. The "cause" of his anger was the crimes which are specified in this chapter.

And he hath stretched forth his hand - To stretch forth the hand may be an action expressive of protection, invitation, or punishment. Here it is the latter; compare Isaiah 14:27.

And hath smitten them - Punished them. To what this refers particularly is not clear. Gesenius supposes that the expressions which follow are descriptive of pestilence. Lowth and Rosenmuller suppose that they refer to the earthquakes which occurred in the days of Uzziah, and in the time of the prophets; Amos 1:1; Zechariah 14:5. The words, perhaps, will bear either construction.

And the hills did tremble - This expression is one that is often used in the Scriptures to denote the presence and anger of God. It is well adapted to describe an earthquake; but it is also often used poetically, to describe the presence and the majesty of the Most High; compare Psalm 144:5; Job 9:6; Job 26:11; Psalm 114:7; Jeremiah 4:24; Habakkuk 3:10; Psalm 18:7; Psalm 97:5; Psalm 104:32. The image is one that is very sublime. The earth, as if conscious of the presence of God, is represented as alarmed, and trembling. Whether it refers here to the earthquake, or to some other mode of punishment, cannot be determined. The fact, however, that such an earthquake had occurred in the time of Isaiah, would seem to fix the expression to that. Isaiah, from that, took occasion also to denounce future judgments. This was but the beginning of woes.

And their carcasses were torn - The margin here is the more correct translation. The passage means that their dead bodies were strewed, unburied, like filth, through the streets. This expression would more naturally denote a pestilence. But it may be descriptive of an earthquake, or of any calamity.

For all this - Notwithstanding all this calamity, his judgments are not at an end. He will punish the nation more severely still. In what way he would do it, the prophet proceeds in the remainder of the chapter to specify; compare Isaiah 9:12; Isaiah 10:4.

26

Isaiah 5:26

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「他必豎立大旗」——這裏的意念是:地上的列國都在祂的掌控之下,祂可以隨意呼召任何人來成就祂的旨意。祂多次宣告自己擁有這種對列國的權柄;試比較 Isaiah 44:28;Isaiah 45:1-7;Isaiah 10:5-7;Isaiah 9:11;Isaiah 8:18。「大旗」就是軍隊所用的「軍旗」或「旗幟」。高舉軍旗乃是聚集備戰的信號。神在此把自己描繪為僅僅高舉軍旗,便預期列國立時來到。

「並發嘶聲」——這意思是說,祂要「招聚」他們來成就祂的旨意。這說法大概出自收取蜂群入巢的方式。提奧多勒(Theodoret)與區利羅(Cyril)在本處說,在敘利亞和巴勒斯坦,養蜂的人能用笛聲或嘶聲把蜜蜂引出蜂巢,帶到田野,又帶回巢中。古人確實對蜜蜂有這樣的看法。普林尼(Pliny,卷十一第20章)說:Gaudent plausu, atque tinnitu aeris, coque convocantur.——「牠們喜愛聲響和銅的叮噹聲,便這樣被召集在一起。」埃利安(AElian,卷五第13章)說,蜜蜂要飛走的時候,養蜂人便發出樂音和諧之聲,牠們便彷彿被塞壬引回,歸回蜂巢。維吉爾(Virgil)論到蜜蜂時也說:

Tinnitusque cie, et Matris quate cymbala circum.

Georg. iv. 64.

「在黃銅器皿上敲出叮噹之聲,在四圍搖動女神的鈸;那時牠們全都急速退回,充滿那溫暖迴響的巢房。」——阿迪生(Addison)

奧維德(Ovid)也說:

Jamque erat ad Rhodopen Pangaeaque flumina ventum,

Aeriferae comitum cum crepuere manus.

Ecce! novae coeunt volucres tinnitibus actae

Quosque movent sonitus aera sequuntur apes.

Fastor, lib. iii., 739.

並見 Columella,卷十第7章;Lucan,卷九第288行;及克勞狄安(Claudian)的 Panegyric. in sextum consul. Honorii, ver. 259;試比較 Bochart 的 Hieroz. P. ii. lib. iv. ch. x. pp. 506, 507。眾先知在多處提到這一事實(Isaiah 8:18;Zechariah 10:8)。簡單的意思就是:神要隨己意招聚列國環繞猶太,如同蜜蜂一般,即人數極多。

「從地極而來」——即世界最遠之處。他們所知最東方的國家,大概是巴比倫人、瑪代人、波斯人,或許還有印度的居民。大意是說,祂要召來遠方的國家毀滅他們。在 Isaiah 7:18,埃及和亞述被特別指明。這正與 Deuteronomy 28:49 的預言相符。

英語原文

And he will lift up an ensign ... - The idea here is, that the nations of the earth are under his control, and that he can call whom he pleases to execute his purposes. This power over the nations he often claims; compare Isaiah 44:28; Isaiah 45:1-7; Isaiah 10:5-7; Isaiah 9:11; Isaiah 8:18. An "ensign" is the "standard," or "flag" used in an army. The elevation of the standard was a signal for assembling for war. God represents himself here as simply raising the standard, expecting that the nations would come at once.

And will hiss unto them - This means that he would "collect" them together to accomplish his purposes. The expression is probably taken from the manner in which bees were hived. Theodoret and Cyril, on this place, say, that in Syria and Palestine, they who kept bees were able to draw them out of their hives, and conduct them into fields, and bring them back again, with the sound of a flute or the noise of hissing. It is certain also that the ancients had this idea respecting bees. Pliny (lib. xi. ch. 20) says: Gaudent plausu, atque tinnitu aeris, coque convocantur. 'They rejoice in a sound, and in the tinkling of brass, and are thus called together.' AElian (lib. v. ch. 13) says, that when they are disposed to fly away, their keepers make a musical and harmonious sound, and that they are thus brought back as by a siren, and restored to their hives. So Virgin says, when speaking of bees:

Tinnitusque cie, et Matris quate cymbala circum.

Georg. iv. 64.

'On brazen vessels beat a tinkling sound,

And shake the cymbals of the goddess round;

Then all will hastily retreat, and fill

The warm resounding hollow of their cell.'

Addison

So Ovid:

Jamque erat ad Rhodopen Pangaeaque flumina ventum,

Aeriferae comitum cum crepuere manus.

Ecce! novae coeunt volucres tinnitibus actae

Quosque movent sonitus aera sequuntur apes.

Fastor, lib. iii., 739.

See also Columella, lib. x. ch. 7; Lucan, lib. ix. ver. 288; and Claudian, "Panegyric. in sextum consul. Honorii," ver. 259; compare Bochart, "Hieroz." P. ii. lib. iv. ch. x. pp. 506, 507. The prophets refer to that fact in several places, Isaiah 8:18; Zechariah 10:8. The simple meaning is, that God, at his pleasure; would collect the nations around Judea like bees, that is, in great numbers.

The end of the earth - That is, the remotest parts of the world. The most eastern nations known to them were probably the Babylonians, Medes, Persians, and perhaps the inhabitants of India. The general idea is, that he would call in the distant nations to destroy them. In Isaiah 7:18, Egypt and Assyria are particularly specified. This was in accordance with the prediction in Deuteronomy 28:49.

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Isaiah 5:27

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「沒有疲倦的」——在本節及下一節,先知描述那將被召來毀滅猶大的軍隊的狀況。這軍隊由大膽、矯健、勇敢的人組成;他們不因長途艱辛的行軍而疲乏;他們兇猛暴烈;他們來時已為征服作好充分準備。沒有一人「疲倦」,即不因長途行軍或艱苦的役務而困乏(Deuteronomy 25:18;2 Samuel 16:14)。

「絆跌的」——他們必是精選的、拔尖的人;不是有缺陷的人,也不是會被行軍路上任何障礙輕易絆倒的人。

「沒有打盹的」——他們必是不知疲倦、不懈不怠的人,以時刻警醒的戒備追求他們的目標——甚至片刻不鬆懈。他們無法被偷襲。

「腰帶並不放鬆」——古人穿寬鬆肥大的外袍。勞作或奔跑時,必須把袍子「束」在身上,或索性脫下。這裏的表達方式可以意味著:他們必不放鬆他們的努力;必不解開腰帶;必不使自己失去猛烈行動和作戰的狀態。東方人通常在那束袍的腰帶裏佩帶短劍和刀劍;見 Nehemiah 4:18;Ezekiel 22:15。這話的意思是:他們必隨時隨刻完全準備好行動。

「鞋帶也不折斷」——他們必時常準備好行軍。鞋子、涼鞋或「鞋底」不是用上面的皮面固定在腳上,而是用皮條或繩子綁上的;見 Matthew 3:2 的註釋。

英語原文

None shall be weary - In this verse and the following, the prophet describes the condition of the army that would be summoned to the destruction of Judea. It would be composed of bold, vigorous, courageous men; they would be unwearied by long and painful journies; they would be fierce and violent; they would come fully prepared for conquest. None would be "weary," that is, fatigued with long marches, or with hard service; Deuteronomy 25:18; 2 Samuel 16:14.

Nor stumble - They shall be chosen, select men; not those who are defective, or who shall easily fall by any impediments in the way of their march.

None shall slumber - They shall be unwearied, and indefatigable, pursuing their purpose with ever watchfull vigilance - so much as not to be off their guard. They cannot be taken by surprise.

Neither shall the girdle of their loins be loosed - The ancients wore a loose, large, flowing robe, or upper garment. When they labored, or ran, it was necessary to "gird" this up round the body, or to lay it aside altogether. The form of expression here may mean, that they will not relax their efforts; they will not unloose their girdle; they will not unfit themselves for vigorous action, and for battle. "In" that girdle, with which they bound up their robes, the orientals usually carried their dirks and swords; see Nehemiah 4:18; Ezekiel 22:15. It means that they should be fully, and at all times, prepared for action.

Nor the latchet of their shoes be broken - They will be constantly prepared for marches. The shoes, sandals, or "soles" were attached to the feet, not by upper leather, but were girded on by thongs or strings; see the notes at Matthew 3:2.

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Isaiah 5:28

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「他們的箭快利」——弓箭是遠距離交戰常用的兵器。箭當然要磨得鋒利,箭頭通常裝有鐵鏃,為要穿透防箭所用的盾牌或鎖子甲。

「弓也上了弦」——一切都已準備好作戰。

「馬蹄算如堅石」——據推想,古人通常不給馬釘蹄鐵。因此,堅硬結實的馬蹄會大大增加馬的價值。先知在此的意思是:他們的馬已預備好應付任何勞頓、任何遠征;關於馬與戰車的詳盡描述,見博沙特(Bochart)的 Hieroz. P. i. lib. ii. ch. viii. ix。

「車輪好像旋風」——就是說,他們戰車的輪必快如風,揚起的塵土必如旋風。這比喻古時很常見,如今也是;見博沙特(Bochart)。關於戰馬更壯麗的描述,見 Job 39:19-25。

英語原文

Whose arrows are sharp - Bows and arrows were the common instruments of fighting at a distance. Arrows were, of course, made sharp, and usually pointed with iron, for the purpose of penetrating the shields or coats of mail which were used to guard against them.

And all their bows bent - All ready for battle.

Their horses' hoofs shall be counted like flint - It is supposed that the ancients did not usually shoe their horses. Hence, a hard, solid hoof would add greatly to the value of a horse. The prophet here means, that their horses would be prepared for any fatigue, or any expedition; see a full description of horses and chariots in Bochart's "Hieroz." P. i. lib. ii. ch. viii. ix.

And their wheels like a whirlwind - That is, the wheels of their chariots shall be swift as the wind, and they shall raise a cloud of dust like a whirlwind. This comparison was very common, as it is now; see "Bochart." See, also, a magnificent description of a war-horse in Job 39:19-25.

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Isaiah 5:29

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「他們要吼叫」——即他們的戰吼,或他們投入戰鬥時的呼喊。這樣的「吶喊」在開戰之時很常見。戰爭在很大程度上是身體的搏鬥;他們指望藉著使戰爭盡可能可怕駭人來成就大事。吶喊不僅激發己方的士氣,還使人對他們的人數與勇氣留下印象,並使敵方行伍喪膽。荷馬(Homer)及其他作家在戰記中幾乎總是提到這樣的「吶喊」。舊約中也常提到(Exodus 32:18;Joshua 6:10, Joshua 6:16, Joshua 6:20;Jeremiah 50:15;1 Samuel 17:20, 1 Samuel 17:52;2 Chronicles 13:15;Job 39:25)。

「像母獅子」——這比較在聖經中很常見(Jeremiah 51:38;Hosea 11:10;Amos 3:4;試比較 Numbers 23:24)。

「少壯獅子」——從獅子換為少壯獅子的這種措辭變化很常見。這是希伯來詩體的形式:第二行比第一行所表達的略多一點。此處所描繪的是一頭獅子,或更可能是「母獅」和牠的幼獅,全都兇殘貪食,齊聲吼叫奪食。這裏的意念是:上來的軍隊必貪求擄物;他們必以可怖的方式撲向搶掠。

英語原文

Their roaring ... - Their battle cry, or their shout as they enter into an engagement. Such a "shout," or cry, was common at the commencement of a battle. War was very much a personal conflict; and they expected to accomplish much by making it as frightful and terrible as possible. A shout served not only to excite their own spirits, but to produce an impression of their numbers and courage, and to send dismay into the opposite ranks. Such "shouts" are almost always mentioned by Homer, and by other writers, in their accounts of battles. They are often mentioned, also, in the Old Testament; Exodus 32:18; Joshua 6:10, Joshua 6:16, Joshua 6:20; Jeremiah 50:15; 1 Samuel 17:20, 1 Samuel 17:52; 2 Chronicles 13:15; Job 39:25.

Like a lion - This comparison is common in the Bible; Jeremiah 51:38; Hosea 11:10; Amos 3:4; compare Numbers 23:24.

Like young lions - This variation of the expression, from the lion to the young lion, is very common. It is the Hebrew form of poetry, where the second member expresses little more than the first. Here the description is that of a lion, or more probably a "lioness" and her whelps, all ravenous, and all uniting in roaring for prey. The idea is, that the army that would come up would be greedy of plunder; they would rush on to rapine in a frightful manner.

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Isaiah 5:30

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まだ翻訳がありません。

英語原文

They shall roar against them - The army that shall come up shall roar against the Jews. The image of "the roaring of the sea" indicates the great number that would come; that of the roaring of the "lion" denotes their fierceness and terror.

And if one look unto the land - This expression has given some perplexity, because it is supposed not to be full or complete. The whole image, it has been supposed (see "Lowth"), would be that of looking "upward" to the heaven for help, and then to the land, or "earth;" compare Isaiah 8:22, where the same expression is used. But there is no need of supposing the expression defective. The prophet speaks of the vast multitude that was coming up and roaring like the tumultuous "ocean." On "that" side there was no safety. The waves were rolling, and everything was suited to produce alarm. It was natural to speak of the "other" direction, as the "land," or the shore; and to say that the people would look there for safety. But, says he, there would be no safety there. All would be darkness.

Darkness and sorrow - This is an image of distress and calamity. There should be no light; no consolation; no safety; compare Isaiah 59:9; Amos 5:18, Amos 5:20; Lamentations 3:2.

And the light is darkened ... - That which gave light is turned to darkness.

In the heavens thereof - In the "clouds," perhaps, or by the gloomy thick clouds. Lowth renders it, 'the light is obscured by the gloomy vapor.' The main idea is plain, that there would be distress and calamity; and that there would be no light to guide them on their way. On the one hand a roaring, ragtag multitude, like the sea; on the other distress, perplexity, and gloom. Thus shut up, they must perish, and their land be utterly desolate.