Matthew Henry's Complete Commentary
Matthew Henry · 1714
Matthew Henry 사후(1714) 공개 도메인. 디지털판 CC0-1.0.
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Jamieson-Fausset-Brown Commentary Critical and Explanatory on the Whole Bible
Robert Jamieson, A. R. Fausset, David Brown · 1871
Commentary Critical and Explanatory on the Whole Bible (1871). CCEL expanded electronic edition states it is in the public domain.
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Barnes' Notes on the Bible
Albert Barnes · 1834
Albert Barnes' Notes on Revelation Of St. John The Divine (New Testament, English original, public domain). Sourced from the Christian Classics Ethereal Library (CCEL). Public domain. Retrieval mirror: biblehub.com/commentaries/barnes.
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Adam Clarke's Commentary and Critical Notes on the Bible
Adam Clarke · 1831
Public domain English commentary by Adam Clarke, normalized from Wikisource book pages for scripture.how. Public domain. Retrieval mirror: biblehub.com/commentaries/clarke.
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John Gill's Exposition of the Bible
John Gill · 1763
John Gill(1697-1771), Exposition of the Old and New Testament(1746-1763). Public domain. Retrieval mirror: biblehub.com/commentaries/gill.
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Calvin's Commentaries
John Calvin · 1850
종교개혁 신학 원천 (영역본 PD, 대부분 — 전권 아님)
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Matthew Poole's Annotations upon the Holy Bible
Matthew Poole · 1685
간결 절별 전권 개혁주의 주석
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The Pulpit Commentary
ed. H.D.M. Spence & Joseph S. Exell · 1890
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Keil & Delitzsch Commentary on the Old Testament
Carl F. Keil, Franz Delitzsch · 1866
구약 학술 표준 — 히브리어·문헌비평·고대근동 배경
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Ellicott's Commentary for English Readers
ed. Charles J. Ellicott · 1878
학술+가독 균형 전권 주석
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Cambridge Bible for Schools and Colleges
Cambridge (다저자) · 1900
준전권 준학술 (권별 저자·연도 확인)
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Vincent's Word Studies in the New Testament
Marvin R. Vincent · 1887
신약 헬라어 단어 연구
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Word Pictures in the New Testament
A.T. Robertson · 1933
헬라어 시제·문법 해설 결정판 (KR PD / US 1931+ 권별)
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The Expositor's Greek Testament
ed. W. Robertson Nicoll (다저자) · 1910
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Meyer's Critical and Exegetical Commentary on the New Testament
Heinrich A.W. Meyer · 1880
신약 학술 정밀주해 (독일 — K&D 대응)
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Wesley's Explanatory Notes
John Wesley · 1755
간결 실용 전권(NT 1755 / OT 1765) 웨슬리안
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Benson's Commentary of the Old and New Testaments
Joseph Benson · 1815
웨슬리안 전권 주석
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The Treasury of David
Charles H. Spurgeon · 1885
시편 주석 고전 (설교 자료 풍부)
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MacLaren's Expositions of Holy Scripture
Alexander Maclaren · 1910
설교형 강해 명저 (전권, 절별 가공 필요)
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The People's New Testament
B.W. Johnson · 1891
평이 절별 신약 해설 (일반신자·모바일)
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Coke's Commentary on the Holy Bible
Thomas Coke · 1803
감리교 전권 주석
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Trapp's Complete Commentary
John Trapp · 1660
청교도 전권 주석 — Henry/Gill 보완
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Hodge's Commentary on the New Testament
Charles Hodge · 1860
프린스턴 조직신학 관점 신약 정밀 주석 (롬·고전후·엡)
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The author of this psalm is unknown, as is the occasion on which it was composed. It is one of the psalms, of which there are in all ten in number, that commence with the phrase "Hallelu-jah" in the Hebrew; in our version rendered, "Praise ye the Lord." Those psalms are Ps. 106; Psalm 111:1-10; Psalm 112:1-10; Psalm 113:1-9; Psalm 135; Psalm 146:1-10; Psalm 147; Psalm 148:1-14; Psalm 149:1-9; and Psalm 150:1-6 : The use of this phrase shows that the psalms where it is found were designed for public worship. It is probable that this was one of the later psalms - a fact that might be indicated by the very use of this phrase "Hallelujah." Venema supposes that it was composed in the time of the Maccabees, but of this there is no evidence.
This is one of the alphabetical psalms. In that class of psalms there is considerable variety. In some a letter of the Hebrew alphabet commences each verse in the psalm; in others, the successive letters of the alphabet begin each two or three verses in succession, or, as in Psalm 119; eight verses in succession; in others, the successive letters of the alphabet are used in the beginning of separate clauses of the "verses" of a psalm.
The peculiarity of this psalm is that the first eight verses of the psalm contain "two" clauses, beginning with the letters of the alphabet taken in their order; the last two verses, "three". Why this arrangement was adopted, it is impossible now to determine - as it is in regard to "many" things which are thought to be beauties in poetry. There is very much in the measure, the rhythm, the rhyme, of modern poetry, that is quite as artificial, and quite as inexplicable, as this.
The psalm is call to the praise of God on account of his "works," and is designed to suggest grounds of confidence in him as drawn "from" those works. It is, therefore, of universal applicability; and may be used in any nation, at any time, and among any people. It is a psalm which may be translated into all the languages of the world, and whatever language people may speak, it would exppress in their own tongue what they have occasion to give thanks for in the various lands where they dwell.
Adam Clarke's Commentary and Critical Notes on the Bible
Psalm 111 Introduction
The psalmist praises the Lord, and extols his works as great, honorable, glorious, and magnificent, Psalm 111:1-4; his providence and kindness to his followers, Psalm 111:5-8; the redemption he has granted to his people, Psalm 111:9. The fear of the Lord is the beginning of wisdom, Psalm 111:10.
This is one of the alphabetical or acrostic Psalms: but it is rather different from those we have already seen, as the first eight verses contain each two members; and each member commences with a consecutive letter of the Hebrew alphabet. But the two last verses are composed of three members each, characterized the same way, making twenty-two members or hemistichs in the whole, to each of which a consecutive letter of the alphabet is prefixed. But this division is not proper: it should follow the arrangement in the Hebrew poetry, where every hemistich stands by itself, and each contains a complete sense. The Psalm has no title in the Hebrew, unless the word Hallelujah be considered as such; and the thanksgivings which it contains were probably composed for the benefit of the Jews after their return from captivity.
INTRODUCTION TO Psalm 111
This psalm, though without a name, is thought to be penned by David; it is composed in an artificial manner, in an alphabetical order, each clause or sentence beginning with a letter of the Hebrew alphabet in course, till the whole is finished; this perhaps was done to recommend the psalm, to make it more observed, and to help the memory; the general design of it is to excite to praise the Lord, from the consideration of his great and wonderful works.
CXI.
Psalms 111, 112 should be read closely together, the one being a pendant of the other. They are both acrostics of at once the simplest and most perfect construction, each clause (not, as usual, each verse of two or more clauses) exhibiting the alphabetical arrangement. There are therefore exactly twenty-two clauses, nearly of three words each. In order to limit the number of verses to ten—considered a perfect number—the last two verses in each psalm are arranged as triplets.
The close relation of the two psalms is also exhibited in their subject. The first exhibits Jehovah in covenant with man; the second, man in covenant with Jehovah. The one sings the Divine praise in view of the kindness God has shown to Israel; in the second, the feeling of the just man—i.e., the Israelite faithful to the covenant, is the subject. In both we discover the strength of these religious convictions, which, in spite of the contradictions experienced in actual life, persist in maintaining the grand principle of Divine justice, and declaring that the cause of virtue will triumph, and success and wealth never fail the faithful.
The close relation of the two psalms is marked by the echo in the second, of phrases applied in the first to Jehovah. (Comp. e.g., Psalm 111:3, with Psalm 112:3; Psalm 112:9; Psalm 111:4, with Psalm 112:4; Psalm 112:6.)
Psalms 111, 112 are closely connected in structure, contents, and language. Each consists of twenty-two lines, which begin with the letters of the alphabet in regular order, and are arranged in eight distichs and two tristichs. Psalms 111 celebrates the power, goodness, and righteousness of Jehovah; Psalms 112 describes the prosperity, beneficence, and righteousness of those who fear Him. Words and phrases applied to God in Psalms 111 are transferred in Psalms 112 with some modification of meaning, and sometimes with startling boldness, to the godly man, describing his character as the reflection of the character of Jehovah. Thus Psalm 112:1 a takes up the thought of Psalm 111:10 a: with Psalm 112:1 b (delighteth) cp. Psalm 111:2; Psalm 112:3 b, Psalm 111:9 b = Psalm 111:3 b; Psalm 112:4 b = Psalm 111:4 b: with Psalm 112:6 b cp. Psalm 111:4 a. The trustfulness of the godly man in Psalm 112:7-8 answers to the trustworthiness of Jehovah in Psalm 111:7-8. Other correspondences of thought and language may be noticed by the student.
Both Psalms draw largely from older Psalms and from Proverbs, and doubtless belong to the period after the exile, but to what part of it there is nothing to shew. Several MSS of the LXX, and the Vulgate, prefix to Psalms 112 the title, For the Return of Haggai and Zechariah (τῆς ἐπιστροφῆς Ἁγγαίου καὶ Ζαχαρίου): and the same title seems originally to have been prefixed to Psalms 111 in the LXX, though it is now found in the Syro-hexaplar version only.
Jamieson-Fausset-Brown Commentary Critical and Explanatory on the Whole Bible
Ps 111:1-10.
Ps 111:1-10.
The Psalmist celebrates God's gracious dealings with His people, of which a summary statement is given.
1. Praise ye the Lord--or, Hallelujah
(Ps 104:35).
This seems to serve as a title to those of the later Psalms, which, like this, set forth God's gracious government and its blessed fruits. This praise claims the
whole heart--
(Ps 86:12),
and is rendered publicly.
upright--a title of the true Israel
(Ps 32:11).
Praise ye the Lord - Margin, "Hallelujah." See Psalm 106:1.
I will praise the Lord with my whole heart - With undivided affections; holding back nothing. I will allow nothing to be in my heart that would interfere with the fullness of praise; no coldness or dividedness of affection; no love for other things that would deaden my love for God; no suspicion respecting him that would chill my ardor; no unbelief that would drag me down to earth, while the language of my lips ascended to God. See the notes at Psalm 86:12.
In the assembly of the upright - With the righteous when they are gathered together for public worship.
And in the congregation - See Psalm 22:22, Psalm 22:25; Psalm 66:13; Psalm 89:5.
This and divers of the psalms that follow it seem to have been penned by David for the service of the church in their solemn feasts, and not upon any particular occasion. This is a psalm of praise. The title of it is "Hallelujah—Praise you the Lord," intimating that we must address ourselves to the use of this psalm with hearts disposed to praise God. It is composed alphabetically, each sentence beginning with a several letter of the Hebrew alphabet, in order exactly, two sentences to each verse, and three a piece to the last two. The psalmist, exhorting to praise God, I. Sets himself for an example, Ps 111:1. II. Furnishes us with matter for praise from the works of God. 1. The greatness of his works and the glory of them. 2. The righteousness of them. 3. The goodness of them. 4. The power of them. 5. The conformity of them to his word of promise. 6. The perpetuity of them. These observations are intermixed, Ps 111:2-9. III. He recommends the holy fear of God, and conscientious obedience to his commands, as the most acceptable way of praising God, Ps 111:10.