Matthew Henry's Complete Commentary
Matthew Henry · 1714
Matthew Henry 사후(1714) 공개 도메인. 디지털판 CC0-1.0.
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Matthew Henry · 1714
Matthew Henry 사후(1714) 공개 도메인. 디지털판 CC0-1.0.
Robert Jamieson, A. R. Fausset, David Brown · 1871
Commentary Critical and Explanatory on the Whole Bible (1871). CCEL expanded electronic edition states it is in the public domain.
Albert Barnes · 1834
Albert Barnes' Notes on Revelation Of St. John The Divine (New Testament, English original, public domain). Sourced from the Christian Classics Ethereal Library (CCEL). Public domain. Retrieval mirror: biblehub.com/commentaries/barnes.
Adam Clarke · 1831
Public domain English commentary by Adam Clarke, normalized from Wikisource book pages for scripture.how. Public domain. Retrieval mirror: biblehub.com/commentaries/clarke.
John Gill · 1763
John Gill(1697-1771), Exposition of the Old and New Testament(1746-1763). Public domain. Retrieval mirror: biblehub.com/commentaries/gill.
John Calvin · 1850
종교개혁 신학 원천 (영역본 PD, 대부분 — 전권 아님)
Matthew Poole · 1685
간결 절별 전권 개혁주의 주석
ed. H.D.M. Spence & Joseph S. Exell · 1890
전권 강해·설교·예화 풍부 (항목 대량)
Carl F. Keil, Franz Delitzsch · 1866
구약 학술 표준 — 히브리어·문헌비평·고대근동 배경
ed. Charles J. Ellicott · 1878
학술+가독 균형 전권 주석
Cambridge (다저자) · 1900
준전권 준학술 (권별 저자·연도 확인)
Marvin R. Vincent · 1887
신약 헬라어 단어 연구
A.T. Robertson · 1933
헬라어 시제·문법 해설 결정판 (KR PD / US 1931+ 권별)
ed. W. Robertson Nicoll (다저자) · 1910
헬라어 신약 학술 (권별 저자 PD 확인 필요)
Heinrich A.W. Meyer · 1880
신약 학술 정밀주해 (독일 — K&D 대응)
John Wesley · 1755
간결 실용 전권(NT 1755 / OT 1765) 웨슬리안
Joseph Benson · 1815
웨슬리안 전권 주석
Charles H. Spurgeon · 1885
시편 주석 고전 (설교 자료 풍부)
Alexander Maclaren · 1910
설교형 강해 명저 (전권, 절별 가공 필요)
B.W. Johnson · 1891
평이 절별 신약 해설 (일반신자·모바일)
Thomas Coke · 1803
감리교 전권 주석
John Trapp · 1660
청교도 전권 주석 — Henry/Gill 보완
Charles Hodge · 1860
프린스턴 조직신학 관점 신약 정밀 주석 (롬·고전후·엡)
This psalm likewise purports to be "A Psalm of David," and there is no cause to doubt the correctness of the superscription which ascribes it to him. There is, however, no certain intimation at what time of his life, or on what occasion, it was composed, and it is impossible to determine these points.
The most probable supposition in regard to its composition seems to me to be, that it is a song of thanksgiving for the victory secured in answer to the prayer of himself and the people in the previous psalm. Nothing can be argued, indeed, on this point, from the mere fact that it stands in close connection with the previous psalm; but there are, it seems to me, internal marks that this was its design, and that it is the expression of a heart overflowing with gratitude, and, therefore, recalling not merely the immediate blessings of a recent victory, but also the other blessings with which God had crowned his life, Psalm 21:3-4.
Thus understood in regard to its origin, the psalm may be regarded as divided into the following parts:
I. Thanksgiving for success, or for granting the object which had been so earnestly sought, Psalm 21:1-7. In this thanksgiving the psalmist says that God had not only granted what had been asked Psalm 21:1-3, but that he had greatly "exceeded" this: he had granted far more than had been the literal request. He had added blessings which had not been specifically sought; he had made those blessings permanent and eternal, Psalm 21:4-7.
II. The general truth that "all" the foes of God would thus be overcome, and that the cause of truth would be finally triumphant, Psalm 21:8-12. This was "suggested" by the victory which had been achieved. As God had granted that victory, as he had so easily subdued the enemies of himself and of his people - as he had gone so far beyond the expectations and the hopes of those who had gone forth to the conflict, the idea is naturally suggested that it would be thus with all his foes, and that there would be ultimately a complete victory over them.
III. The expression of an earnest "desire" that God might be thus exalted, and might thus achieve a complete and final victory, Psalm 21:13,
For the meaning of the phrase, "To the chief Musician," in the title to the psalm, see the notes at Psalm 4:1-8.
Adam Clarke's Commentary and Critical Notes on the Bible
The psalmist returns thanks to God for giving him the victory over his enemies; which victory he had earnestly requested, Psalm 21:1, Psalm 21:2. He enters into a detail of the blessings that in consequence of the victory he had obtained, Psalm 21:3-7. He predicts the destruction of all those who may hereafter rise up against him, Psalm 21:8-12; and concludes with praising the power of Jehovah, Psalm 21:13.
In the title of this Psalm there is nothing particularly worthy of remark. The occasion of it is variously understood. Some think it was composed to celebrate the victory obtained over Sennacherib; others, that it was made on the recovery of Hezekiah, and the grant of fifteen years of longer life; see Psalm 21:4. Others and they with most appearance of propriety consider it a song of rejoicing composed by David for his victory over the Ammonites which ended in the capture of the royal city of Rabbah, the crown of whose king David put on his own head, see Psalm 21:3, and to procure which victory David offered the prayers and sacrifices mentioned in the preceding Psalm. Lastly, many think that it is to be wholly referred to the victories of the Messiah; and it must be owned that there are several expressions in it which apply better to our Lord than to David, or to any other person; and to him the Targum applies it, as does likewise my old Anglo-Scottish Psalter in paraphrasing the text.
INTRODUCTION TO Psalm 21
To the chief Musician, a Psalm of David. This psalm was either written by David; and therefore called a "psalm of David"; or it was written, as it may be rendered, "for David", by some other person, on account of his victories and triumphs; or rather "concerning David" (s); that is, concerning the Messiah, the son of David, as Kimchi says some expound it; or concerning the Messiah, who is called David, Ezekiel 37:24; and Jarchi observes, that their Rabbins interpret it of the Messiah; but, says he, it is right to explain it, moreover, of David himself, for an answer to the heretics (Christians) who err in it; and various passages in this psalm are by the Jewish writers understood of the Messiah; as "the King", in Psalm 20:1 is in the Targum called the King Messiah; Psalm 21:4 is in the Talmud applied (t) to him; Psalm 21:3 are in Zohar (u), and in the Midrashes (w), interpreted of him; and many Christian writers understand the whole of him; which is right: though Theodoret thinks it was penned on the account of the health of King Hezekiah, and his restoration from his disease; which is not likely.
(s) "pro Davide, vel de Davide", Vatablus. (t) T. Bab. Succah, fol. 52. 1. Vid. Nachman. disput. "cum fratre Paulo", p. 36. Ed. Wagenseil. (u) In Numb. fol. 68. 3. 4. (w) Midrash Tillim apud Viccars. in loc. & in Galatin. l. 3. c. 9. Bemidbar Rabba, fol. 212. 4. & 218. 1.
XXI.
The preceding psalm was a prayer for success; this is a thanksgiving after victory. Possibly, as many think, the two refer to the same event, and are by the same author. The composition is also similar, since here also the arrangement is for a part song. The people—probably a chorus of maidens (see Note to Psalm 21:3), or of Levites—meet the returning hero, with their shouts of praise to Jehovah (Psalm 21:1-7). The monarch himself is then addressed, perhaps by the leader of the procession (Psalm 21:8-12), and the whole concourse again unite in a burst of praise to God at the end. The rhythm is weak and ill-sustained.
Thanksgiving for victory is the leading motive of this Psalm, which is, as has already been remarked, a companion to Psalms 20. Its occasion need not be looked for in a coronation festival (Psalm 21:3), or a royal birthday (Psalm 21:4). It is quite natural that thanksgiving for victory should lead the poet to speak of the high dignity of the king, and to anticipate his future victories (Psalm 21:8-12).
The exalted language of Psalm 21:4-6 has led some interpreters to deny the historical reference of the Psalm, and to regard it as a prophecy of the Messianic King. The Targ. paraphrases king in Psalm 21:1; Psalm 21:7 by king Messiah. Such an interpretation is excluded by the general sense of the Psalm. The language applied to the king is not without parallel in the O.T.; and it is illustrated by expressions in the Assyrian royal Psalms: e.g. “Distant days, everlasting years, a strong weapon, a long life, many days of honour, supremacy among the kings, grant to the king, the lord, who made this offering to his gods” (quoted by Prof. Cheyne). Israel was not uninfluenced by the thoughts and language common to Oriental nations: and if other nations believed that their kings were reflections of the divinity, Israel believed that its king was the representative of Jehovah. Language which startles us by its boldness was used of him: language which was adopted and adapted by the Holy Spirit with a prophetic purpose, and only receives its ‘fulfilment’ in Christ. The Psalm then has a prophetic aspect, and looks forward through the earthly king of whom it spoke in the first instance, to Him who “must reign, till he hath put all his enemies under his feet” (1 Corinthians 15:25).
Hence its selection as one of the Proper Psalms for Ascension Day.
The structure of the Psalm is similar to that of Psalms 20.
i. A thanksgiving on behalf of the king for the victory granted to him: addressed to Jehovah and probably sung by the congregation or the Levites (Psalm 21:1-7).
ii. Anticipation of future triumphs, addressed to the king, and perhaps sung by a priest (Psalm 21:8-12).
iii. Concluding prayer of the congregation (Psalm 21:13).
Jamieson-Fausset-Brown Commentary Critical and Explanatory on the Whole Bible
Ps 21:1-13.
The pious are led by the Psalmist to celebrate God's favor to the king in the already conferred and in prospective victories. The doxology added may relate to both Psalms; the preceding of petition, chiefly this of thanksgiving, ascribing honor to God for His display of grace and power to His Church in all ages, not only under David, but also under his last greatest successor, "the King of the Jews."
1. thy strength . . . thy salvation--as supplied by Thee.
The king shall joy in thy strength - King David, who had achieved the victory which he had desired and prayed for, Psalm 20:1-9. This is in the third person, but the reference is doubtless to David himself, and is to be understood as his own language. If it be understood, however, as the language of "the people," it is still an ascription of praise to God for his favor to their king. It seems better, however, to regard it as the language of David himself. The word ""strength"" here implies that all the success referred to was to be traced to God. It was not by the prowess of a human arm; it was not by the valor or skill of the king himself; it was by the power of God alone.
And in thy salvation - In the salvation or deliverance from foes which thou hast granted, and in all that thou doest to save. The language would embrace all that God does to save his people.
How greatly shall he rejoice! - Not only does he rejoice now, but he ever will rejoice. It will be to him a constant joy. Salvation, now to us a source of comfort, will always be such; and when we once have evidence that God has interposed to save us, it is accompanied with the confident anticipation that this will continue to be the source of our highest joy forever.
As the foregoing psalm was a prayer for the king that God would protect and prosper him, so this is a thanksgiving for the success God had blessed him with. Those whom we have prayed for we ought to give thanks for, and particularly for kings, in whose prosperity we share. They are here taught, I. To congratulate him on his victories, and the honour he had achieved, Ps 21:1-6. II. To confide in the power of God for the completing of the ruin of the enemies of his kingdom, Ps 21:7-13. In this there is an eye to Messiah the Prince, and the glory of his kingdom; for to him divers passages in this psalm are more applicable than to David himself.