The Pulpit Commentary
ed. H.D.M. Spence & Joseph S. Exell · 1890
전권 강해·설교·예화 풍부 (항목 대량)
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The Pulpit Commentary
ed. H.D.M. Spence & Joseph S. Exell · 1890
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Verse 3. - Lest I strip her naked, and set her as in the day that she was born. The Lord, by his servant the prophet, enforces the preceding exhortation by a stern denunciation, and the threat of further severities unless averted by repentance; as an injured husband withdraws from a faithless wife all the gifts and presents he had made for her adornment, leaving her poor and bare. Not only the removal of her garments by way of degradation and disgrace, but exposure in that position to insult and ignominy would ensue. In other words, the nation is threatened with deprivation of all the blessings previously lavished upon them - property, prosperity, population, and privileges; while dishonor of the deepest dye would aggravate the misery. The day of the nation's birth denotes the weakness and wretchedness of their infant state. To this corresponded their servile, suffering condition during their bondage and oppression in Egypt. Rashi thus explains it; Kimchi says, "The figure of birth is the time they are slaves in Egypt;" so also Theodoret, - the latter calls the day of her birth the sojourn in Egypt. The Prophet Ezekiel (Ezekiel 16:4) expands the idea, occasionally employing, as Rosenmüller remarks, the very words of Hosea. And make her as a wilderness, and set her like a dry land, and clay her with thirst. This part of the verse is susceptible of two explanations. The faithless female, under which character the northern kingdom is personified, may be compared to a wilderness, that is, according to Cyril, fruitless, parched, and productive only of thorns, thirsty and waterless. This comparison of a woman to a desert is wanting in suitability, and seems in some degree awkward in itself, beside being out of harmony with the closing clause; for to "slay with thirst," however applicable to a person, cannot with any propriety be said of a place, whether desert or otherwise. No doubt the wilderness may stand for those dwelling in it. We prefer, therefore, the alternative rendering, "make her as in a wilderness, and set her as in a dry land." Rashi aptly explains the threat to mean, "Lest I pronounce against them such a sentence as of old in this desert (Numbers 14:35), 'In this wilderness they shall be consumed, and there they shall die.'" There is, moreover, a natural connection of ideas between a wilderness, a dry land, and thirst. The nation's birth, represented by or compared to their sojourn in Egypt, naturally suggests the idea of their wandering in the wilderness after their exodus from that country; a wilderness, again, suggests what is an ordinary feature of such a district, namely, a dry land; while a region thus without water is suggestive as well as provocative of thirst. The former explanation, however, is given by Kimehi: "I will make thee like the wilderness which is open to every one, and in which, moreover, one finds no means of subsistence, nor anything that man needs; so I'll withdraw my goodness from them, and they shall be surrendered as a prey to every one."
Verse 4. - And I will not have mercy upon her children; for they be the children of whoredoms. The connection of this verse is carried on from the preceding, viz. and lest I will not have mercy upon her children. An exceedingly apt illustration of this verse is given by Jerome. It is to this effect: When the children of Israel were brought out of Egypt, the parents perished in the wilderness; but the children of those who had thus perished, and whose caresses had thus fallen in the wilderness, were spared and permitted to enter the land of promise. Now, however, the case is different, and the punishment aggravated. The adulterous parent perishes, and the children of that parent perish also. Further, the reason is assigned in the concluding clause. The children proved themselves no better than the mother that bore them; they were the worthless progeny of a worthless parent.
Verse 5. - Nor their mother hath played the harlot: she that conceived them hath dons shamefully: for she said, I will go after my lovers. The charge of idolatry under the figure of harlotry, spiritual harlotry, is reiterated. "Mother" is repeated in and emphasized by the parallel words, "she that conceived them." A somewhat similar form of expression is that in Psalm 58:3, "The wicked are estranged from the womb: they go astray as soon as they be born, speaking lies." To bosh, to be ashamed, belong the Hiphil forms, hebhish and hobhish (the latter formed from zabhish), properly "to put to shame," but also "to practice shame or do shameful things." The nature of her shameful conduct is more definitely and distinctly expressed in the clauses which follow; and consisted of several particulars. There is the persistent pursuit of her lovers; then the unblushing boldness with which she avows her determination to continue that course; and next come her expectations from them. That give me my bread and my water, my wool and my flax, mine oil and my drink (margin, drinks). The original word here rendered "lovers" is the Piel participle, which may have either its usual intensive sense or its occasional causative sense in which it is taken by Rosenmüller, who has "a-mare me facientes," equivalent to "wooers." It matters little which way we understand it. The more important point is to determine who or what are here meant by lovers. Most commentators understand them to be those nations whose friendship Israel set such store by - the Assyrians and the Egyptians. Thus Grotius and Jerome, - the latter explains them of the Assyrians and Egyptians and other nations, with whose idols Israel committed fornication, and from which in distress they vainly hoped for help; so also Kimchi, in the following comment: "By 'friends ' he implies the Assyrians and Egyptians joined in alliance to the Israelites, who delivered them from their enemies, so that they lived safely, in return for the gifts (tribute) which they (the Israelites) were in the habit of giving them. And as they lived in tranquility in virtue of the compact entered into with them, the prophet represents it as if they supplied them with all the necessaries of life. For with their help they tilled their land without fear and in safety traded from country to country." Kimchi quotes at the same time his father's (Joseph Kimchi) interpretation: "But my lord my father of blessed memory explained 'after her lovers' of the sun and moon and stars, which they worshipped; while their intention was that they gave them their food and their sufficiency, as they said, 'But since we left off to burn incense to the queen of heaven, and to pour out drink offerings unto her, we have wanted all things, and have been consumed by the sword and by the famine.'" This exposition of Joseph Kimchi is much nearer the truth than that of his son David; it is, however, too restricted. The "lovers" were the idols on which the people of the northern kingdom so dented, and on which they placed so much dependence. The blessings which they vainly expected from these idols are enumerated: they were - food and raiment and luxuries; the bread and water were the articles of food as it is written elsewhere. "Bread shall be given him; his waters shall be sure;" the wool and flax were the materials for clothing; while the oil and drinks were, the former for ornament, the latter for refresh-merit, and so included all luxuries; thus in Psalm 23:5, "Thou anointest my head with oil;" and in Psalm 102:9, "And mingled my drink [literally, 'drinks,' the same word, shigguyar] with weeping;" also in Psalm 104:15 we read of "wine that maketh glad the heart of man, and oil to make his face to shine, and bread which strengthened man's heart."
Verse 6. - Therefore, behold, I will hedge up thy way with thorns, and make a wall, that she shall not find her paths. The sudden change of person from the third to the second is very observable. This directness of address is, in this instance, expressive of deep indignation. She had avowed her determination to pursue her evil courses shamefully and sinfully, as if in despite and defiance of the Almighty. In deep and undisguised displeasure, and with a suddenness springing from indignation, he affirms his determination to thwart her course of sin and shame; as though addressing her personally and promptly, he said, "Then thou shalt not be able to carry out thy plan or accomplish thy purpose; I will see to that." The hedge and wall are elsewhere, as in Job 1:10 and Isaiah 5:5, used for protection and defense, here for prevention and obstruction, and similarly in Job 19:8, "He hath fenced up my way that I cannot pass, and he hath set darkness in my paths;" and in Lamentations 3:7, "He hath hedged me about, that I cannot get out," and ver. 9, "He hath enclosed my ways with hewn stone, he hath made my paths crooked." Thus Kimchi: "I will hedge thy way with thorns, so that they cannot go out of the city because of the devastation; and her lovers shall not be able to help her, and they are Assyria and Egypt." After quoting his father's explanation of lovers, he pro-coeds: "So their way is as if there were in it a thorn hedge, and thorns that she could not pass through it, and could not find her paths in which she walked." The fence here is double one a hedge of thorns, sharp, prickly, and piercing, such as forbid her forcing a way through: the other a wall of stone that cannot be climbed, or leaped, or otherwise got over. We need not try to specify the particular circumstances that thus hedged in and walled about the adulteress - whether fightings within or foes beleaguering without, whether straitened means or stress of circumstances raising an impassable barrier against the practice of idolatry, or an enforced conviction of its futility. "If," says Kimchi, "she seek to Assyria and Egypt, they will not give her their friendship and their help."
Verse 7. - And she shall follow after her lovers, but she shall not overtake them; and she shall seek them, but shall not find them. This portion of the verse expresses the consequence of the preceding. However eagerly she follows after them - and the form of the verb (Pie! conjugation) expresses that eagerness - she shall only experience the ineffectual nature of her efforts, and feel the impossibility of overtaking the darling objects of her pursuit. However earnestly she seeks them (here the Piel is used again), she shall find every passage barred and every outlet obstructed, so that, unable to find them, she shall be forced to abandon her search as utterly vain and impossible. Then shall she say, I will go and return to my first husband; for then was it better with me than now. The difficulties of her position, the distress in which she found herself, stimulated her to increased eagerness in pursuit of her lovers; but it was only for a brief space, and the efforts were unsuccessful; the means as well as opportunity for the sacrifices and services of idol-worship failed, the obstacles placed in her way were insurmountable. Or, rather, the disappointment was so great and grievous, when all the fondly cherished hopes of help, or succor, or support from those idols were frustrated and found entirely vain, that heartsick and chagrined by unsuccess, she resolves on a change of course. With mingled feelings of remorse and penitence she makes up her mind to retrace her steps. She recalls the better days, the happier time, the more prosperous circumstances, of fidelity to her first and rightful husband and head; and now she is just ready to return to him. She is just now at that stage at which the prodigal in the parable had arrived "when He came to himself," and when he said, "How many hired servants of my father's have bread enough and to spare, and I perish with hunger! I will arise and go to my father." Kimchi remarks," She will not say this until she has borne the captivity a considerable time."
Verse 8. - For she din not know that I gave her corn, and wine, and oil, and multiplied her silver and gold, which they prepared for Baal. From vers. 6 to 13 inclusive, the suffering and sorrow consequent on, and occasioned by, her sins are enumerated; yet now and again certain aggravations of her guilt crop up. Here we have an account of her ignorance of, and ingratitude to, the true and or of her mercies, together with her sinful misuse and sad abuse of those mercies. The products of the earth which God bestowed on her were corn and wine and oil - all that was needed for food, refreshment, and even luxury; the prosperity in trade or commerce with which he favored her resulted in the multiplied increase of silver and gold. The perversion of these blessings consisted in her employment of them in the service of Baal or of idolatry in general. The sin of refusing to acknowledge the Author of such manifold mercies was grievously augmented by this gross abuse of them. The last clause is a relative one, asher, as frequently being understood; while the words asu labbaal do not signify that they made those metals into images of Baal, as implied in the Authorized Version; nor vet that they offered them to Baal according to Gesenius; but that they prepared or employed them in the worship of that idol and the service of idolatry in general. דֶגן rad. דגה, to cover, multiply, i.e. multitude and plenty covering ever everything; comp. tego, תֶירושׁ rad. ירשׁ, take possession of the brain in intoxicating: יצהר, rad. צהר, to shine. Kimchi remarks as follows: "All the goodness in the possession of which she was, she had not except from me; because I sent my blessing on the corn and wine and oil, and sent my blessing upon the work of their hands, so that they had abundance of silver and gold; but Jeshurun waxed fat and kicked."
Verse 9. - Therefore will I return, and take away my corn in the time thereof, and my wine in the season thereof, and will recover my wool and my flax given to cover her nakedness. The abuse of the Divine bounties mentioned in the preceding verse fully justifies the series of punishments that follow. God thus vindicates those penal inflictions. Accordingly he threatens them in this ninth verse with the deprivation of the bounties which they had misused as the means of idolatry and sin; in ver. 10 with disgrace; in ver. 11 with the departure of all her merry-makings; in ver. 12 with the destruction of the sources whence the means of idolatrous worship were supplied; and in ver. 13 with days of visitation proportionate to the time of declension and apostasy. The first clause of the verse under consideration is better rendered
(1) according to the common Hebrew idiom, which employs two verbs to express one idea in a modified sense, the first denoting the manner, and so equivalent to an adverb with us, and the second signifying the matter; and it is thus translated by Keil: "Therefore will I take back my corn."
(2) We admit the ray consecutive is opposed to this; and the LXX. has ἐπιστρέψω καὶ κομιοῦναι: and Jerome, "reverter et sumam." The manner of the dispossession intensifies the punishment, just as their abuse of those possessions had augmented their guilt. The food, refreshment, and raiment are to be taken away this certainly would be bad enough by itself, but the suddenness of the stroke adds poignancy to the infliction. The prospect of an indifferent harvest and of a bad vintage for weeks previously might have prepared them in some sort for the disaster. But when the time of harvest has already come and the season of vintage just arrived, by some sudden, unexpected calamity, whether tempest or hostile invasion, the bread-corn perishes and the wine-grapes are destroyed. The food is thus snatched, as it were, from their month, and the cup dashed from their lips; the sadness of the catastrophe is immensely increased by the sudden rudeness of the stroke by which it comes. Nor is this all. In the case of the raiment, or rather the material, the wool and the flax out of which it is formed, its removal reduces the intended wearer to perfect nudity, or, if we understand it as figure, to abject poverty and absolute penury. Aben Ezra attributes this disaster (ver. 9) to hostile invasion: "At its season when I shall bring the enemies, to take away the corn and the wine;" Kimchi, on the other hand, sees in it a misgrowth: "I will return and take away my corn in its season, and my wine in its appointed time, because I will send a curse upon them in the time of harvest and at the season of vintage, instead of the blessing I used to send upon them. And so on all the work of their hands I shall send a curse, and all their gain shall be put into a bag with holes; and they shall not have bread to eat nor raiment to wear."
Verse 2. - Plead with your mother, plead: for she is not thy wife, neither am I her husband. In this second chapter the same cycle of events recurs as in the first, with this difference, that what is expressed by symbol in the one is simply narrated in the other. The cycle is the common one of sin: its usual consequences of suffering and sorrow; then succor and sympathy in case of repentance. The persons addressed in the verse before us are those individuals in Israel who had still retained their integrity, and who, notwithstanding surrounding defection and abounding ungodliness, had continued steadfast in their loyalty and love to the Lord. They might be few in number, widely scattered, perhaps unknown to each other, and of comparatively little note; yet they are here called on to raise their voice in solemn warning and earnest protest against the national defection and wickedness. "The congregation in its totality, or whole people taken conjointly, is compared to the mother, but individual members to the children, and the sense is that they are to plead with each other to bring them back to the way of goodness" (Kimchi). The nation as such, and in its impiety, is the mother; the pious persons still found in it are here required to testify for God both by exhortation and example. "The congregation of Israel is compared to an adulteress, and the children of the different generations to the children of whoredoms. Before them the prophet says, 'Plead with your mother'" (Kimchi). Adultery per se is a virtual dissolution of the marriage-tie; idolatry is spiritual adultery; the close and tender relationship into which God has graciously condescended to take Israel is rendered null and void, and that through Israel's own fault. God threatens the renunciation of it, unless perchance the pleading of the still faithful children might recall the erring mother to penitence and purity. A case the converse of this is that presented in Isaiah 1:1, where the mother's divorce is attributed to the unfaithfulness of the children. "Where," asks the Lord in that passage, "is the bill of your mother's divorcement, whom I have put away?... for your transgressions is your mother put away." Ki before the second clause is either recitative, introducing the words of pleading, or assigns a reason; the latter seems preferable. Let her therefore put away her whoredoms out of her sight, and her adulteries from between her breasts. The word mippaneyha is rather to be rendered "from her face" than "out of her sight." The expression is to be taken literally, as the word "breasts" in the parallel clause proves. Thus Kimchi rightly explains it, saying, "Since he compares her to harlot, he attributes to her the ways of harlots; for the harlot's way is to adorn her face with various kinds of colors, that she may appear fair in the eyes of her paramours." But in addition to ornamenteth as earrings or nose-rings, and other ways of decking herself, as by painting, the expression may imply lascivious looks and wanton expressions of countenance; while the mention of breasts may indicate the making of them bare for the purpose of meretricious blandishments, or as indicating the place of the adulterer (comp. Ezekiel 23:3 and Song of Solomon 1:13). The Jewish commentators adopt the latter sense. Aben Ezra comments on the grammatical form of the words teuncha and naaphupheha (the former by duplication of the second radical, and the latter by that of the third) as intensive; while Rashi and Kimchi refer to the pressure of the breasts. But others understand them figuratively, the countenance indicating boldness, and the breasts shamelessness. Thus Horace speaks of the brilliant beauty (nixor) and coquettishness (protervitas) of Glyeera.