서론
Psalm 9 Introduction
영문 원문
Section 1
"Author of the psalm." This psalm is ascribed to David, not only in the title, but in all the versions, and there is no reason to doubt the correctness of this. It would not be difficult to show from its contents that the sentiments and style of composition are such as accord with the other compositions of David.
Section 2
"Occasion on which the psalm was composed." On this point nothing is intimated expressly in the psalm, unless it be in the title, "To the chief Musician upon Muth-labben." The meaning of and that it was composed on his death. Others, as Rudinger, suppose that it is a psalm of thanksgiving on occasion of the victory over Absalom, and the suppression of his rebellion by his death: a harsh and unnatural supposition, as if any father, in any circumstances, could compose a psalm of praise on occasion of the death of it son. Moeller supposes that it was composed on occasion of a victory over the Philistines by David; Ferrand, who unites this psalm with the following, supposes that the whole refers to the times of the captivity in Babylon, and is a triumphal song of the people over their enemies; and Venema, who also thinks that these two psalms should be united, supposes that Psalm 9:1-18 refers to David, and to his deliverance from all his enemies, and the remainder to the times of the Maccabees, and the deliverance from the persecutions under Antiochus Epiphanes. Dr. Horsley styles the psalm "thanksgiving for the extirpation of the Atheistical faction, promised in Psalm 10," and supposes that the order should be reversed, and that the whole refers to some great deliverance - either the "overthrow of the Babylonian empire by Cyrus, or the defeat of Haman's plot."
The Jewish writers, Jarchi and Aben Ezra, suppose that it was composed on occasion of the defeat and death of some foreign prince. From this variety of views, none of which seem to rest on certain historical grounds, it appears probable that the exact occasion on which the psalm was composed cannot now be ascertained in such a way as to leave no ground for doubt. The only indications of the occasion on which it this will be considered in another part of the introduction to the psalm (Section 4). it will be seen there that nothing is determined by that title in regard to the origin of the psalm, or the time when it was composed. Neither is there any certain tradition which will determine this, and most that has been written on this point has been mere conjecture, or has arisen out of some interpretation of the enigmatical title; "upon Muthlabben." Some have supposed that the word labben refers to some foreign king or prince slain by David, and that the psalm was composed on his death. Others, following the Targum, or Aramaic Paraphrase (see section 4), suppose that the person referred to was Goliath of Gath, was written must be found, if at all, in the psalm itself. In the psalm we find the following things, which may, perhaps, be all that is necessary to enable us to understand it.
(a) It was composed in view of "enemies" of the writer, or foes with whom he had been engaged, Psalm 9:3 : "When mine enemies are turned back, they shall fall and perish at thy presence." Compare Psalm 9:6, Psalm 9:13, Psalm 9:19-20.
(b) These were foreign enemies, or those who are called pagan, that is, belonging to idolatrous nations, Psalm 9:5 : "Thou hast rebuked the heathen." Compare Psalm 9:15, Psalm 9:19.
(c) They were desolating foes - invading foes - those who laid a land waste in their marches, Psalm 9:6 : "Thou hast destroyed cities: their memorial is perished with them."
(d) The writer had achieved a victory over them, and for this he celebrated the praises of God for his interposition, Psalm 9:1-2, Psalm 9:10-11, Psalm 9:15. This victory thus achieved was such as to make him certain of ultimate complete triumph.
(e) Yet he was still surrounded by enemies, and he still asks God's merciful interposition in his behalf, Psalm 9:13 : "Have mercy upon me, O Lord; consider my trouble which I suffer of them that hate me, thou that liftest me up from the gates of death." Compare Psalm 9:18-20.
David was not unfrequently in his life in circumstances such as arc here supposed, and it is not possible now to determine the exact occasion to which the psalm alludes.
Section 3
The contents of the psalm. The psalm erabraces two leading subjects - one pertaining to the past and the other to the future, both illustrating the character of God, and both giving occasion to the writer to express iris confidence in God. The one relates to deliverance already granted; the other to deliverance still hoped for in his troubles.
I. The first relates to deliverance from trouble, or conquest over foes, already granted, and to the occasion which that furnished for praising God, and for pious reflections on his character.
(1) The psalmist expresses his thanks to God, or pours out the language of praise for mercies that have been received. Psalm 9:1-2.
(2) The particular reason for this is stated; that God had enabled him to overcome many of his enemies - the pagan that had risen up against him, who had now been subdued, Psalm 9:3-6.
(3) this gives occasion for pious reflections on him character of God, as one who would endure forever; as one who had set up his throne to do judgment or right; as one who would be a refuge for the oppressed; as one who might; be confided in by all who knew him; as one who would remember the foes of the righteous, and who would not forget the cry of the humble, Psalm 9:7-12. The principal truth taught in this part of the psalm is, that God is a refuge and help for those who are in trouble and danger; that all such may put their trust in Him; and that He will interpose to save them.
II. The second part, constructed in a manner similar to the former, relates to the future, and to what the psalmist hoped still from God, in view of the character which lie had evinced in his former troubles, Psalm 9:18-20.
(1) The psalmist still needs help, Psalm 9:13-14. He still has trouble from them that hate him, and he calls upon God still to interpose and lift him up from the gates of death, that he may praise him.
(2) He refers to the fact that; the pagan, who surrounded him as his foes, had sunk down into the pit which they hall made for others; and that their foot was taken in the net which they had hid: referring either to what had occurred in the past as the foundation of his present hope, or being so certain that this would be done that he could speak of it as if it were now actually accomplished, Psalm 9:15.
(3) This also, as in the former case, gives occasion for pious reflections on the character of God, and on the fact that he would interpose to destroy the wicked, and to protect the righteous, Psalm 9:16-18.
(4) In view of all this, the psalmist calls on God still to interpose - to manifest the same character which He had formerly done, by protecting him, and by overcoming his foes, Psalm 9:19-20. The principal truth taught in this part of the psalm is, that the wicked will be destroyed; that they as contradistinguished from the righteous, can hope for no protection from God, but will be cut down and punished.
The condition of the author of the psalm then was, that he had been surrounded by foes, and that God had interposcd in his behalf, giving him occasion for praise and thanksgiving; that he was still surrounded by formidable inemies, yet he felt assured that God would manifest the same character which he had done formerly, and that he might, therefore, call upon Him to interpose and give him occasion for future praise.
Section 4
"The title of the psalm." The psalm is directed to "the chief Musician upon Muth-labben." In regard to the phrase "chief Musician," see the notes at the title to Psalm 4:1-8. The phrase, "upon Muthlabben," occurs nowhere else, and very different explnations have been given of its meaning. The Targum, or Aramaic Paraphrase, renders it "To be sung over the man that went out between the camps;" that is, Goliath of Gath; and the author of the Aramaic Paraphrase, evidently supposed it was written on the occasion of his death. The Latin Vulgate renders it, "Pro occultis filii;" and so the Septuagint, ὑπὲρ τῶν κρυφίων τοῦ ὑιοῦ huper tōn kruphiōn tou huiou - "for the secret things (mysteries) of the Son:" but what idea was attached to those words it is impossible now to determine. The Syriac has this title: "Concerning the Messiah taking his throne and kingdom, and prostrating his foe." Luther renders it, "A Psalm of David concerning a beautiful youth" - von der schonen Jugend. Substantially so also DeWette; Nach der Jungfernweise, den Beniten. Tholuck renders it, "To the chief Musician, after the melody 'Death to the Son' (Tod dem Sohne), a Psalm of David."
After this variety in the explanation of the title, it is certainly not easy to determine the meaning. The most probable opinions may be regarded as two.
(1) That which supposes that it was a melody designed to be sung by females, or with female voices: literally according to this interpretation, "after the manner of virgins;" that is, with the female voice treble, soprano, in opposition to the deeper voice of men. Compare 1 Chronicles 15:20. Forkel, in his History of Musick (Gesch. der Musik, 1,142), understands it as meaning virgin measures, like the German Jungfrauweis. Gesenius, who supposes that it refers to the female voice or treble, regards the title - על־מות ‛al-mûth - "upon Muth," as being the same as עלמות על ‛al ‛ălâmôth, in Psalm 46:1-11, "Upon Alamoth," and supposes that it is derived from עלמה ‛almâh - a virgin.
(2) The other opinion is that which supposes that the title is the beginning of some old and well-known melody in common use, and that the idea is, that this psalm was to be sung to that melody. That melody was, as expressed by Tholuck and others, a melody on the death of a son, and was set to some hymn that had been composed with reference to such an event. This is founded on the supposition that the national melodies had become in some degree fixed and unchangeable, or that certain melodies or tunes originally composed for a particular occasion had become popular and that the melody would be affixed to new pieces of music. This is common in the East; and, indeed, it is common in all countries. See this idea illustrated in Rosenmuller (Morgenland, No. 800). The meaning, as thus expressed, is, "According to the manner (or, to the air) of the song (or poem called Death to the Son." Thus understood, it does not refer to the death of Absalom (as some have supposed), since there is nothing in the psalm that would correspond with such a supposition; nor to the death of Goliath, as the Targum supposes; but the composition was to be sung to the well-known air, or tune, entitled "Death to the Son." But when that air was composed, or on what occasion, there is of course no possibility now of ascertaining; and equally impossible is it to recover the air, or tune. The literal meaning of the title is על ‛al, on, or according to - מות mûth, death - לבן labên, to the son.
1
Psalm 9:1
주여, 내가 주를 찬양하오리니 - 시편 9:3-5의 긍휼한 개입과 그때 드러난 하나님의 성품(9:7-12)을 바라보며 찬양한다.
온 마음을 다하여 - 나뉜 애정이나 부분적 감사가 아니다. 모든 능력을 이 일에 사용하고, 가능한 가장 높고 순수한 방식으로 감사와 경배의 감정을 표현하겠다는 뜻이다.
내가 전하리이다 - 이 찬양의 노래에서 자세히 말하고 이야기하겠다는 뜻이다.
주의 모든 기이한 일들을 - 경탄과 놀라움을 불러일으키는 모든 행하심이다. 특히 이 시의 계기가 된 일을 가리키지만, 그런 감정을 일으키는 하나님의 모든 행위를 바라보며 일반적인 찬양을 표현하려는 목적도 분명히 함께한다.
영문 원문
I will praise thee, O Lord - That is, in view of the merciful interpositions referred to in the psalm Psa 9:3-5, and in view of the attributes of God's character which had been displayed on that occasion Psalm 9:7-12.
With my whole heart - Not with divided affection, or with partial gratitude. He meant that all his powers should be employed in this service; that he would give utterance to his feelings of gratitude and adoration in the loftiest and purest manner possible.
I will show forth - I will recount or narrate - to wit, in this song of praise.
All thy marvelous works - All his works or doings fitted to excite admiration or wonder. The reference here is particularly to what God had done which had given occasion to this psalm, but still the psalmist designs undoubtedly to connect with this the purpose to give a general expression of praise in view of all that God had done that was fitted to excite such feelings.
2
Psalm 9:2
내가 기뻐하고 - 즐거워하며 그 기쁨을 표현하겠다는 뜻이다.
주를 즐거워하오리니 - 크게 기뻐하고 승리를 자랑한다는 뜻이다. 그런 분이 계심과, 자신을 위해 행하신 모든 일과, 은총과 우정의 모든 증거를 알고 하나님 안에서 기쁨을 표현할 것이다.
주의 이름을 찬송하리이다 - 이름이 흔히 그 인격을 대신하므로, 주 자신을 찬양한다는 뜻이다.
지존자여 - 모든 것 위에 계시는 최고의 하나님이라는 뜻이다. 시편 7:17 주석을 보라.
영문 원문
I will be glad - I will rejoice, and will express my joy.
And rejoice in thee - I will exult; I will triumph. That is, he would express his joy in God - in knowing that there was such a Being; in all that he had done for him; in all the evidences of his favor and friendship.
Will sing praise to thy name - To thee; the name often being put for the person.
O thou Most High - Thou who art supreme - the God over all. See the notes at Psalm 7:17.
3
Psalm 9:3
내 원수들이 물러갈 때에 - 원수들이 누구인지는 말하지 않는다. 그러나 서론에서 말했듯 이 시는 (a) 어떤 강한 원수에게 거둔 승리와 (b) 같은 근원에서 여전히 닥친 위험을 바라보며 지었다.
문자적 의미는 '내 원수들이 뒤로 돌이킴 가운데', 곧 그들의 후퇴와 패배와 전복 가운데이다. 히브리어 표현만으로는 이미 일어난 일이나 앞으로 일어날 일을 모두 가리킬 수 있다. 그들이 이미 물러났거나 시편 기자가 그렇게 되리라고 소망하고 믿었다는 뜻일 수 있다. 어느 경우든 하나님의 완전하심을 보여 주고 감사와 찬양의 계기가 된다. 연결된 동사 '넘어져 망하리니'는 미래형이지만 과거와 미래 중 어느 것을 가리키는지 반드시 결정하지는 않는다. 그는 강하고 두려운 원수들과 그들에게 둘러싸일 때의 위험, 하나님의 개입을 바라보며, 개입하실 때마다 원수들이 하나님 앞에서 비틀거리며 넘어질 결과가 따른다고 본다. 이 절만으로는 과거인지 미래인지 정하지 못하지만, 뒤의 4-6절은 하나님께서 이미 놀랍게 개입하여 원수를 패배시키신 듯 말한다. 따라서 나는 이미 일어난 일을 묵상하며 실제 찬양과 감사의 근거를 표현한 것으로 본다.
그들이 넘어져 망하리니 - 일어난 일을 바라보며 언제나 그렇게 되리라고 일반적으로 진술한다.
주 앞에서 - 주께서 자신을 나타내실 때라는 뜻이다. 원수들이 비틀거리며 넘어지는 이유는 '주의 임재', 곧 주의 권능의 개입이다. 그들의 후퇴와 멸망은 인간의 용맹이 아니라 주께서 임재하여 개입하신 사실에서 비롯된다. 모든 경우에 승리의 창시자가 하나님이심을 인정하는 말이다.
영문 원문
When mine enemies are turned back - Who these enemies were, the psalmist does not say. It is clear, however, as was remarked in the introduction, that the psalm was composed:
(a) in view of a victory which had been achieved over some formidable enemies; and
(b) in view of some dangers still impending from a similar source.
The literal meaning of the passage here is, "In the turning of my enemies back;" that is, in their retreat, defeat, overthrow. So far as the Hebrew form of expression is concerned, this may either refer to what had been done, or to what would be; and may imply either that they had been turned back, or that the psalmist hoped and believed that they would be; for in either case the fact would show the divine perfections, and give occasion for gratitude and praise. The verbs with which this is connected - "they shall fall and perish" - are indeed in the Hebrew, as in our version, in the future tense; but this does not necessarily determine the question whether the psalmist refers to what had occurred or what would occur. His attitude is this: he contemplates his enemies as mighty and formidable; he sees the danger which exists when such enemies surround one; he looks at the interposition of God, and he sees that whenever it occurs it would be followed by this consequence, that they would stumble and fall before him. But while this verse does not determine the question whether he refers to what has been, or to what would be, the subsequent verses Psalm 9:4-6 seem to settle it, where he speaks as if this were already done, and as if God had interposed in a remarkable manner in defeating his foes. I regard this, therefore, as a reflection on what had occurred, and as expressing what was then actually a ground of praise and thanksgiving.
They shall fall and perish - A general statement in view of what had occurred, meaning that this would always be the case.
At thy presence - Before thee; that is, when thou dost manifest thyself. This was the reason why they would stumble and fall, and is equivalent to saying, that "whenever mine enemies are turned back, the reason why they stumble and fall is "thy presence." It is the interposition of thy power. It is not to be traced to the prowess of man that they thus turn back, and that they fall and perish; it is to be traced to the fact that thou art present - that thou dost interpose." It is thus an acknowledgment of God as the author of the victory in all cases.
4
Psalm 9:4
주께서 나의 의와 송사를 변호하셨으며 - 부당하게 공격받을 때 그의 의로운 대의를 지켜 주셨다는 뜻이다. 원수들이 도발받지 않고 잔인하게 덮쳤을 때 하나님께서 개입하여 그의 대의를 지키셨다. 이는 과거에 일어난 사건을 가리키며, 하나님의 개입이 시편 기자의 대의가 옳다는 믿음을 확증했음을 보여 준다.
보좌에 앉으사 의롭게 심판하셨나이다 - 하나님께서 재판석에 앉아 개입하기 전에 사건의 정당성을 판결하신 것처럼 말한다. 충동이나 어리석음이나 편파성이나 편애의 결과가 아니라, 재판장으로서 사건을 숙고하여 원수가 아니라 시편 기자에게 의가 있다고 판정하셨기 때문이다. 그 판결의 결과로 개입하여 그의 결백을 밝히고 대적들을 무너뜨리셨다. 시편 8:3-8을 비교하라.
영문 원문
For thou hast maintained my right and my cause - My righteous cause; that is, when he was unequally attacked. When his enemies came upon him in an unprovoked and cruel manner, God had interposed and had defended his cause. This shows that the psalmist refers to something that had occurred in the past; also that he regarded his cause as right - for the interposition of God in his behalf had confirmed him in this belief.
Thou satest in the throne judging right - As if he had been seated on a bench of justice, and bad decided on the merits of his cause before he interfered in his behalf. It was not the result of impulse, folly, partiality, or favoritism; it was because he had, as a judge, considered the matter, and had decided that the right was with the author of the psalm, and not with his enemies. As the result of that determination of the case, he had interposed to vindicate him, and to overthrow his adversaries. Compare Psalm 8:3-8.
5
Psalm 9:5
주께서 이방 나라들을 책망하시고 - 일반적인 모든 이방인이 아니라 이 시에서 저자와 하나님의 원수로 묘사된 자들을 뜻한다. גוים(gôyim)은 시편 2:1 주석을 보라. 여기의 '책망'은 말로 꾸짖는 것이 아니라 행동으로, 곧 이기고 정복하신 것을 뜻한다. 저자와 하나님을 대적하여 싸운 어떤 민족들과, 그들을 이기게 한 하나님의 특별한 개입과 승리를 가리킨다. 드베테는 '야만인, 외국인, 이방인'으로 이해한다. 다윗은 생애 중 이런 상황에 자주 놓였으나 정확한 사건은 결정할 수 없다.
악인을 멸하시며 - 히브리어 רשׁע(râshâ‛)는 단수이나 집합적으로 '이방 나라들'과 같은 뜻으로 사용될 수 있다(이사야 14:5; 시편 84:10; 125:3). 아람어 의역본은 '경건하지 않은 골리앗을 멸하셨다'라고 한다. 이방인으로 언급된 원수들을 가리키며, 외국인일 뿐 아니라 일반적 성품이 악한 자들이었다.
그들의 이름을 영원히 지우셨나이다 - 한 나라가 정복되어 정복국의 속주가 되고 자체 정부와 독립된 민족적 존재를 잃어 땅의 왕국들 가운데 이름이 더 기록되지 않는 것과 같다. 완전한 굴복을 나타내는 말이며, 시편 기자는 아마 그런 사건을 가리킨다. 역사상 여러 민족이 정복으로 독립과 고유한 존재를 잃고 다른 나라에 편입되었다. 여기서는 그런 완전한 정복을 말한다.
영문 원문
Thou hast rebuked the heathen - Not the pagan in general, or the nations at large, but those who are particularly referred to in this psalm - those who are described as the enemies of the writer and of God. On the word rendered "heathen" here - גוים gôyim - see the notes at Psalm 2:1. The word rebuke here does not mean, as it does usually with us, to chide with words, but it means that he had done this by deeds; that is, by overcoming or vanquishing them. The reference is, undoubtedly, to some of those nations with whom the writer had been at war, and who were the enemies of himself and of God, and to some signal act of the divine interposition by which they had been overcome, or in which the author of the psalm had gained a victory. DeWette understands this as referring to "barbarians, foreigners, pagan?" David, in the course of his life, was often in such circumstances as are here supposed, though to what particular event he refers it would not be possible now to decide.
Thou hast destroyed the wicked - The Hebrew here is in the singular number - רשׁע râshâ‛ - though it may be used collectively, and as synonymous with the word "heathen." Compare Isaiah 14:5; Psalm 84:10; Psalm 125:3. The Aramaic Paraphrase renders this, "Thou hast destroyed the impious Goliath." The reference is undoubtedly to the enemies meant by the word pagan, and the writer speaks of them not only as pagan or foreigners, but as characterized by wickedness, which was doubtless a correct description of their general character.
Thou hast put out their name forever and ever - As when a nation is conquered, and subdued; when it is made a province of the conquering nation, and loses its own government, and its distinct existence as a people, and its name is no more recorded among the kingdoms of the earth. This is such language as would denote entire subjugation, and it is probably to some such event that the psalmist refers. Nations have often by conquest thus lost their independence and their distinct existence, by becoming incorporated into others. To some such entire subjugation by conquest the psalmist undoubtedly here refers.
6
Psalm 9:6
원수여! - 이 절은 매우 다양하게 번역되고 설명되었다. 견해들은 로젠뮐러의 해당 주석을 보라. 앞 절들의 원수들을 가리키며 그들이 완전히 패배하고 굴복했다는 같은 관념이다. '원수'는 아마 독립 주격으로, '원수, 그의 파괴와 황폐가 영원히 끝났고 더는 그 일을 하지 못한다'는 뜻이다. 저자는 원수들과 그들이 더는 성읍들을 폐허로 만드는 일을 하지 못한다는 사실을 묵상한다. 따라서 일반 번역처럼 원수에게 직접 부르는 말이라기보다 원수를 묵상하는 마음 상태를 나타낸다.
파괴가 영원히 끝났사오니 - 너의 파괴가 끝나고 완성되어 더는 없다는 뜻이다. 성읍을 황폐하게 만들던 행동이 더 이루어지지 않는다는 뜻일 수도 있고, 그들이 만든 폐허의 수가 자신들의 패배로 이제 완결되어 더 늘지 않는다는 뜻일 수도 있다. '파괴'는 본래 황폐한 곳과 폐허를 뜻하므로, 원수가 만든 황폐가 끝나 더는 성읍과 밭을 파괴하지 못한다는 관념이다. 알렉산더 교수는 '그의 폐허와 황폐가 영원히 끝났다, 곧 그가 영원히 황폐해졌다'라고 번역한다.
주께서 무너뜨린 성읍들은 - 황폐하게 하던 행로에서 원수가 파괴한 성읍을 뜻한다. 불과 칼로 땅을 휩쓸어 연기 나는 폐허를 남긴 정복자에게 하는 말처럼 보인다. 그러나 하나님께서 개입하여 시편 기자에게 승리를 주셨으므로 이제 끝났다. 알렉산더 교수는 하나님께서 원수의 성읍을 파괴하셨다는 말로 보지만 덜 적절하다. 원수가 황폐와 폐허를 퍼뜨리는 것으로 악명 높았으나 그 행로가 영원히 닫혔다는 뜻이다.
그 기억도 함께 사라졌나이다 - 완전히 파괴되어 성읍의 이름까지 사라졌다는 뜻이다. 전쟁은 철저히 야만적이고 악하여 그 성읍이 무엇이었는지 증언할 것조차 남기지 않았다. 시편 9:5 주석을 보라. 이는 저자가 왜 그 원수와 전쟁했으며 하나님께서 왜 개입하여 승리를 주셨는지를 정당화하는 말인 듯하다.
영문 원문
O thou enemy! - This verse has been very variously rendered and explained. For an examination of the particular views entertained of it, see particularly Rosenmuller, in loc. The reference is doubtless to the enemies mentioned in the previous verses; and the idea is substantially the same - that they were completely overcome and subdued. The phrase, "O thou enemy," is probably to be regarded as the nominative absolute. "The enemy - his destructions or desolations are finished forever. He will now no more engage in that work." The attention of the writer is fixed on them, and on the fact that they will no more engage in the work of desolation. It is not, therefore, properly to be regarded, as it is rendered in the common translation, as an apostrophe to the enemy, but rather as indicating a state of mind in which the writer is meditating on his foes, and on the fact that they would no more engage in the work in which they had been occupied - of laying cities and towns in ruins.
Destructions are come to a perpetual end - That is, thy destructions are finished, completed, accomplished. There are to be no more of them. This may either refer to their acts causing destruction, or laying waste cities and towns, meaning that they would no more accomplish this work; or to the destruction or ruins which they had caused in laying waste cities - the ruins which marked their career - meaning that the number of such ruins was now complete, and that no more would be added, for they them. selves were overthrown. The word rendered "destructions" means properly desolations, waste places, ruins, and seem here to refer to the wastes or ruins which the enemy had made; and the true idea is, that such desolations were now complete, or that they would not be suffered to devastate anymore cities and fields. Prof. Alexander renders this, "finished, completed are (his) ruins, desolations, forever; that is, he is ruined or made desolate forever."
And thou hast destroyed cities - That is, in thy desolating career. This, considered as an address to the enemy, would seem to refer to the career of some victor who had Carried fire and sword through the land, and whose course had been marked by smoking ruins. This was, however, now at an end, for God had interposed, and had given the author of the psalm a victory ever his foe. Prof. Alexander regards this, less properly, as an address to God, meaning that he had destroyed the cities of the enemy. The idea is, rather, that this enemy had been distinguised for spreading desolation and ruin, and that this career was now closed forever.
Their memorial is perished with them - The names of the cities, referring to their utter destruction, and to the character of the warfare which had been waged. It had been utterly barbarous and vicious; the enemy had left nothing to testify even what the city had been, and its name had ceased to be mentioned. See the notes at Psalm 9:5. This seems to be mentioned as a justification of the warfare which the author of the psalm had waged against this enemy, and as showing why God had interposed and had given him the victory.
7
Psalm 9:7
주께서 영원히 앉으심이여 - 야훼는 영원하고 언제나 동일하시다. 성읍들이 황폐해지고 원수가 잠시 승리하며 나라와 백성이 사라져도 하나님은 변화와 황폐의 영향을 받지 않고 동일하시다. 때가 되면 언제나 개입하여 자신의 성품을 옹호하고 억눌리고 부당한 일을 당한 자들을 지키신다.
심판을 위하여 보좌를 준비하셨도다 - 시편 9:4를 보라. 민족들 가운데 의로운 재판장으로 앉아 공의가 이루어지게 하신다. 악인이 잠시 번성해도 언제나 승리할 수 없고, 의인이 낮아져 억눌려도 영원히 그 상태에 머물 수 없다. 의로운 재판장이신 하나님께서 일어나 지키고 구원하시기 때문이다. 하나님의 불변성은 의인에게 신뢰의 근거이며 악인에게 두려움의 근거이다. 영원한 의의 원리는 마침내 승리한다.
영문 원문
But the Lord shall endure for ever - Yahweh is eternal - always the same. Though these cities have become desolate, and the enemy has been permitted to triumph, and nations and people have passed away, yet God is ever the same, unaffected by these changes and desolations, and in due time he will always interfere and vindicate his own character, and defend the oppressed and the wronged.
He hath prepared his throne for judgment - See Psalm 9:4. He sits as a just judge among the nations, and he will see that right is done. The wicked, though temporarily prosperous, cannot always triumph; and the righteous, though cast down and oppressed, cannot always remain thus, for God, the just Judge, will rise in their defense and for their deliverance. The unchangeableness of God, therefore, is at the same time the ground of confidence for the righteous, and the ground of dread for the wicked. The eternal principles of right will ultimately triumph.
8
Psalm 9:8
공의로 세계를 심판하심이여 - '세계'는 본래 사람이 사는 땅, 이어 그 주민을 뜻한다. 앞 절들이 암시한 일반적 진술이다. 이 시의 특정 사건에서 하나님은 의로운 재판장으로 자신을 나타내어 자신과 진리의 원수들을 무너뜨리고 의인을 위해 개입하셨다. 시편 기자는 여기서 이것이 온 세상을 향한 하나님의 성품이며, 사람을 대하고 인류를 심판하실 때 언제나 그러하리라는 자연스럽고 합당한 결론을 내린다. 최후의 큰 심판에서도 영원한 공의의 원리에 따라 참될 것이다.
정직으로 만민에게 판결을 내리시리로다 - 심판을 선언하고 재판장의 직무를 행하신다는 뜻이다. '만민'은 땅의 모든 민족이며 앞의 '세계'와 대응한다. 땅의 주민을 대할 때 가장 엄격한 공의의 원리를 따르신다는 선언이다. '정직으로'란 편파성이나 편애나 뇌물의 영향을 받지 않고 모두에게 정확한 공의를 행하신다는 뜻이다.
영문 원문
And he shall judge the world in righteousness - The word here rendered world means properly the habitable earth; and then it denotes the inhabitants that dwell upon the earth. The statement here is general, and is suggested by what is referred to in the previous verses. In the particular case on which the psalm turns, God had manifested himself as a just Judge. He had overthrown the enemies of himself and of truth; he had interposed in behalf of the righteous: and from this fact the psalmist makes the natural and proper inference that this would be fouud to be his character in regard to all the world; this indicated what, in all Iris dealings with men he would always be found to be; this showed what he would be whenever he in any way pronounced a judgment on mankind. It may be added here that this will be found to be true in the great final judgment; that it will be in accordance with the principles of eternal justice.
He shall minister judgment - He will declare or pronounce judgment; he will execute the office of judge. "To the people." To all people; to the nations of the earth. This corresponds with what, in the former part of the verse, is called the world; and the declaration is, that in his dealings with the dwellers on the earth he will be guided by the strictest principles of justice.
In uprightness - In rectitude. He will not be influenced by partiality; he will show no favoritism; he will not be bribed. He will do exact justice to all.
9
Psalm 9:9
주께서는 또한 피난처가 되시리니 - 난외주는 '높은 곳'이다. 이것이 히브리어 משׂגב(miśgâb)의 더 정확한 의미이다. 본래 높이, 이어 높은 바위와 절벽을 뜻하며, 그런 곳은 원수가 접근하기 어려워 위험할 때 안전한 피난처가 되었으므로 안전과 피난의 장소를 뜻하게 되었다(시편 18:2; 46:7, 11; 48:3; 59:9, 17; 94:22). 하나님께서 피난처와 반석과 높은 망대와 방어가 되셔서 사람들이 그분 안에서 안전을 찾는다는 흔한 선언과 같다. 시편 18:2 주석을 보라.
억눌린 자의 - 문자적으로 부서지고 짓눌린 자, 그래서 낙담하고 고난받고 불행한 자를 뜻한다. דך(dak)은 잘게 치다, 부수다, 짓누르다는 דכך 또는 dākak에서 왔다. 부당한 일을 당하고 짓밟힌 자, 폭정과 불의의 희생자를 가리킨다. 그들은 하나님께서 자신과 대의의 결백을 밝히시기를 바라볼 수 있고 헛되이 바라보지 않는다. 조만간 하나님께서 보호자와 돕는 분으로 나타나신다. 시편 9:12를 보라.
환난 때의 피난처 - 억눌린 자뿐 아니라 환난 가운데 있는 모든 이를 위한 피난처이다. 시편 46:1을 비교하라. 그들은 하나님께서 슬픔을 불쌍히 여기고 건질 준비가 되셨다는 확신으로 나아갈 수 있다. 시편 기자는 자신의 경우에 이를 경험했고, 모든 경우에도 그러하며 이것이 하나님의 일반적 성품이라고 추론한다.
영문 원문
The Lord also will be a refuge - Margin, an high place. The margin expresses the more exact sense of the, Hebrew word - משׂגב miśgâb. It means properly height, altitude; then a height, rock, crag; and then, as such localities, being inaccessible to an enemy, were sought in times of danger as places of secure retreat, it comes to denote a place of security and refuge, Psalm 18:2; Psalm 46:7, Psalm 46:11; Psalm 48:3; Psalm 59:9, Psalm 59:17; Psalm 94:22. The declaration here is equivalent to what is so often said, that God is a refuge, a rock, a high tower, a defense; meaning, that those referred to might find safety in him. See the notes at Psalm 18:2.
For the oppressed - literally, for those who are crushed, broken; hence, the dejected, afflicted, unhappy - דך dak - from דכך mor dākak - to beat small; to break in pieces; to crush. The allusion here is to those who are wronged or down-trodden; to the victims of tyranny and injustice. Such may look to God to vindicate them and their cause, and they will not look in vain. Sooner or later he will manifest himself as their protector and their helper. See Psalm 9:12.
A refuge in times of trouble - Not only for the oppressed, but for all those who are in trouble. Compare Psalm 46:1. That is, all such may come to him with the assurance that he will be ready to pity them in their sorrows, and to deliver them. The psalmist had found it so in his own case; and he infers that it would be so in all cases, and that this might be regarded as the general character of God.
10
Psalm 9:10
주의 이름을 아는 자들은 - 주를 알고 주의 선하심의 현현과 성품에 관한 진리를 알게 된 모든 사람을 뜻한다.
주를 의지하오리니 - 하나님에 대한 올바른 견해를 가지고 참된 성품을 이해하는 모든 이가 그분을 신뢰한다. 하나님을 가장 잘 아는 이들이 가장 전적으로 의지하므로, 그분의 성품은 신뢰받기에 합당하다는 말이다. 말씀과 작품에 나타난 성품의 모든 계시가 신뢰하기에 합당하다. 하나님을 더 친밀히 알수록 더 온전히 신뢰하고, 참된 성품을 더 배울수록 보편적 사랑을 받기에 합당하심을 더 안다. 누군가가 알려질수록 더 사랑받는다고 말하는 것은 큰 칭찬이다. 하나님을 두고 이렇게 말하는 것은 사람들이 그분을 신뢰하지 않는 이유 하나가 참된 성품을 이해하지 못하기 때문이라는 뜻이다.
주를 찾는 자들을 버리지 아니하심이니이다 - 신뢰하는 마음으로 주께 나아온 자들을 결코 떠나지 않으셨다. 다윗은 특히 자신의 경우에서 하나님의 일반적 성품을 추론했을 것이다. 하나님께서 자신을 신뢰하는 자들을 버리지 않으신다는 것은 지금도, 언제나 과거에도, 언제나 미래에도 참되다. 사람들이 하나님을 버릴 뿐, 하나님은 그들을 버리지 않으신다.
영문 원문
And they that know thy name - All who are acquainted with thee; all those who have been made acquainted with the manifestations of thy goodness, and with the truth respecting thy character.
Will put their trust in thee - That is, all who have any just views of God, or who understand his real character, will confide in him. This is as much as to say, that he has a character which is worthy of confidence - since they who know him best most unreservedly rely on him. It is the same as saying that all the revelations of his character in his word and works are such as to make it proper to confide in him. The more intimate our knowledge of God, the more entirely shall we trust in him; the more we learn of his real character, the more shall we see that he is worthy of universal love. It is much to say of anyone that the more he is known the more he will be loved; and in saying this of God, it is but saying that one reason why men do not confide in him is that they do not understand his real character.
For thou, Lord, hast not forsaken them that seek thee - Thou hast never left them when they have come to time with a confiding heart. David means, doubtless, to refer here particularly to his own case, to derive a conclusion from his particular case in regard to the general character of God. But what is here affirmed is still true, and always has been true, and always will be true, that God does not forsake those who put their trust in him. Men forsake him; he does not forsake them.
11
Psalm 9:11
시온에 계신 주를 찬양하며 - 하나님의 성품에 관한 이런 견해와 행하신 일을 기억한 결과이다. 시편 기자의 마음은 신적 개입을 기억하며 환희와 기쁨으로 가득해 자연스럽게 강한 표현을 쏟고 다른 이들에게도 기뻐하라고 부른다.
시온에 계신 - 시온은 시편 2:6 주석을 보라. 시편 3:4; 5:7을 비교하라. 당시 시온에 성막이 세워지고 하나님께 예배가 드려졌으므로 그분의 거처라고 한다.
그의 행사를 백성 중에 선포할지어다 - 하나님께서 행하신 일을 널리 선포하여 참된 성품을 곳곳에 알리고, 다른 이들도 그분을 신뢰하고 찬양하게 하라는 뜻이다.
영문 원문
Sing praises to the Lord - As the result of these views of his character, and at the remembrance of his doings. The heart of the psalmist is full of exultation and joy at the remembrance of the divine interposition, and he naturally breaks out into these strong expressions, calling on others to rejoice also.
Which dwelleth in Zion - On the word Zion, see the notes at Psalm 2:6. Compare Psalm 3:4; Psalm 5:7. As Zion was the place where at this time the tabernacle was set up, and the worship of God was celebrated, it is spoken of as his dwelling-place.
Declare among the people his doings - Make general and wide proclamation of what he has done; that is, make him known abroad, in his true character, that others may be brought also to put their trust in him, and to Praise him.
12
Psalm 9:12
피 흘림을 심문하시는 이가 - 피를 '찾으실' 때, 곧 형벌을 목적으로 나아가실 때라는 뜻이다. 창세기 9:5의 '내가 반드시 너희의 피 곧 너희의 생명의 피를 찾으리니 짐승에게서도, 사람에게서도 찾으리라' 같은 구절을 암시한다. 살인으로 피가 흘려지면 하나님께서 살인자를 찾아 피 흘린 자에게 배상을 요구하고 범죄자를 벌하신다는 관념이다. 그래서 살인, 나아가 일반적인 죄에 대한 형벌을 찾는다는 말과 같다. 하나님께서 자신의 율법을 집행하는 분으로 나아가 죄인에게 벌을 내리시는 모습이다.
그들을 기억하심이여 - 알렉산더 교수는 시편 5:6처럼 '피'가 복수형이므로 '피 흘림들 또는 살인들을 기억하신다'고 한다. 그러나 '그들'은 이 구절의 주된 관념인 억눌리고 고난받는 자들을 가리킨다고 보는 편이 낫다(시편 9:8-9). 하나님께서 악인을 심판하고 진노로 끊어 홍수처럼 쓸어 가실 때 형벌은 무차별적이지 않다. 억눌리고 고난받고 박해받고 근심하고 슬퍼하는 자들을 구별하여 진노의 폭풍에서 구하신다. 의인은 잊히지 않으며 가장 맹렬하고 두려운 섭리 가운데서도 돌보심과 구원을 받는다.
가난한 자의 부르짖음을 잊지 아니하시도다 - 난외주는 '고난받는 자'이며 이것이 참된 관념이다. 보통 의미의 겸손한 자가 아니라 고난받고 억눌리며 환난 가운데 있는 자를 가리킨다(시편 9:9). 그들이 고난 중에 오래 올려 보낸 부르짖음을 기억하신다.
영문 원문
When he maketh inquisition for blood - When he "inquires" after blood; that is, when he comes forth with this view, to wit, for purposes of punishment. There is allusion here to such passages as that in Genesis 9:5, "And surely your blood of your lives will I require; at the hand of every beast will I require it, and at the hand of man." The idea is, that when blood was shed in murder, God would seek out the murderer; he would require satisfaction of him who had shed the blood; he would punish the offender. The language, there, becomes equivalent to that of seeking punishment for murder, and then for sin in general; and the representation here is that of God as going forth in the capacity of an executioner of his own laws to inflict punishment on the guilty.
He remembereth them - "He remembereth," says Prof. Alexander, "the bloods or murders," since the word blood, as in Psalm 5:6, is in the plural - bloods. The better interpretation, however, is, that the word "them" here refers to the oppressed and the afflicted - for that is the main idea in the passage. See Psalm 9:8-9. When he goes forth in the earth to execute judgment on the wicked; when he cuts them down in his wrath; when he sweeps them away as with a flood - the punishment will not be indiscriminate. He will then mark the oppressed, the afflicted, the persecuted, the troubled, and the sad, and will interpose to save them - delivering them from the storms of wrath. The idea, then, is, that the righteous will not be forgotten; that even in the most fierce and awful of his dispensations he will still regard them, and interpose to save them.
He forgetteth not the cry of the humble - Margin, afflicted. The margin expresses the true idea. The reference is not to the humble in the common sense of that term, but to the afflicted; the oppressed; to those who are in trouble, Psalm 9:9. He will then remember the cry which in their afflictions they have been long sending up to him.
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Psalm 9:13
주여, 나를 긍휼히 여기소서 - 하나님께서 개입하여 놀라운 구원을 주셨지만 그가 여전히 원수들에게 둘러싸여 고난 가운데 있음을 암시한다. 시의 서론 2, 3절을 보라. 많은 고난에서 건짐받았지만 여전히 많은 고난이 압박하므로, 하나님께서 더 개입하여 모든 슬픔과 위험에서 완전히 구해 달라고 부른다. 여기의 고난은 시 앞부분의 것과 같은 종류, 곧 강한 원수들의 노력에서 생긴 것이다.
나의 고통을 보소서 - 이 고난을 잊지 말고 기억하며, 그 성격과 깊이를 살펴 긍휼히 개입하여 건져 달라는 뜻이다.
나를 미워하는 자들에게서 받는 - '나를 미워하는 자들에게서 생긴 고난을 보소서'라는 뜻이다. 아직 굴복하지 않은 적대자들이 일으킨 고난의 크기에 관심을 모은다.
죽음의 문에서 나를 일으키시는 주여 - 이를 행하실 분으로 의지하거나 과거에 행하셨다는 뜻이다. 원문의 이어지는 설명은 일부 훼손되어 있으나, 죽음의 세계가 빗장과 벽으로 둘러싸이고 무덤이라는 문으로 들어가는 곳처럼 묘사된다는 관념이다. 욥기 서론 제7절과 욥기 10:21-22 주석을 보라. 시편 기자는 어둡고 침울한 거처 가까이 이르렀고 오직 하나님만 구할 수 있다고 느꼈다. 그래서 생명을 위협하는 현재의 고난에서 개입하여 구해 달라고 바라본다.
영문 원문
Have mercy upon me, O Lord - The cry for mercy implies that though God had interposed and granted them surprising deliverances, yet he was still surrounded by enemies, and was still in trouble. See introduction to the psalm, 2, 3. He had been delivered from many troubles, but there were many still pressing upon him, and he now calls on God to interpose further in his behalf, and to grant him entire deliverance from all his sorrows and dangers. The trouble to which he here refers was of the same kind as that adverted to in the former part of the psalm - that arising from the efforts of formidable enemies.
Consider my trouble - Do not forget this trouble; bear it in remembrance; look upon its character and its depth, and mercifully interpose to deliver me.
Which I suffer of them that hate me - Or, "see my suffering arising from those that hate me; or, which is produced by those who hate me." The design is to fix the attention on the greatness of that suffering as caused by his "haters" or by his enemies - the foes that were still unsubdued.
Thou that liftest me up from the gates of death - Thou on whom I rely to do this; or, who hast done it in times past. The idea by bars and walls; as entered by gates - the grave leading to it. See Introduction to Job, Section 7, and the notes at Job 10:21-22. The psalmist felt that he had come near to that dark and gloomy abode, and that God only could rescue him from it; therefore, in the trouble which now threatened his life, he looks to him to interfere and save him.
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Psalm 9:14
주의 모든 찬송을 전하게 하시며 - 산 자의 땅에서 주를 찬양하고 마땅히 드릴 모든 것을 드려 찬양의 일을 마치게 해 달라는 뜻이다. 죽은 자는 하나님을 찬양할 수 없고 오직 산 자만 찬양할 수 있다고 보아, 땅에서 계속 예배하고 찬양하도록 개입하여 구해 달라고 한다. 시편 기자는 무덤이 인간의 계획과 활동의 끝이며 침묵의 땅이고 하나님 예배가 거행되지 않는 곳으로 보이는 자연스러운 감정을 표현한다. 이는 전체 주제를 고요히 숙고한 판단이라기보다 자연스러운 감정의 충동에서 나온 말로 여겨야 한다. 모든 경건한 사람도 때때로 이런 감정을 품으며, 종교의 영향 아래 있는 인간 본성을 보여 주도록 성경에 표현되는 것이 합당했다. 시편 115:17도 '죽은 자들은 주를 찬양하지 못하나니 적막한 데로 내려가는 자들도 다 그러하리로다'라고 한다. 시편 6:5 주석을 보라. 성경 저자들이 다른 때에는 더 밝은 견해를 가졌음은 말할 필요도 없다. 그러나 무덤을 볼 때 누가 언제나 낙담을 막고, 어둡고 침울한 곳이라는 느낌을 늘 피할 수 있겠는가? 원문의 이 부분은 문장 순서가 뒤섞여 있으나, 그가 죽음의 문 가까이에 있고 오직 하나님만 일으키실 수 있어 개입을 구한다는 내용도 포함한다. '죽음의 문'은 죽은 자들이 거하는 보이지 않는 세계를 아래의 어둡고 침울하며 닫힌 거처로 보던 견해와 관련된다.
딸 시온의 문에서 - '죽음의 문'과 대조된다. 고대 성읍의 문은 사람들이 모여 중요한 일을 처리한 곳이다. 예루살렘의 문들은 사람들이 성막이나 성전에서 하나님을 예배하러 지나갔으므로 매력적이고 거룩한 곳으로 여겨졌다. 시편 87:2는 '주께서 야곱의 모든 거처보다 시온의 문들을 사랑하시는도다', 시편 100:4는 '감사함으로 그의 문에 들어가라'고 한다. 시편 118:19를 비교하라. '딸 시온'은 예루살렘을 뜻하며 이유는 이사야 1:8 주석을 보라. 이 말은 시온 또는 예루살렘이 왕국의 수도와 공적 예배의 중심이 된 뒤 지어진 시임을 증명하므로, 아람어 의역본처럼 골리앗의 죽음을 가리킬 수 없다.
주의 구원을 기뻐하리이다 - 주께서 주실 구원, 특히 위험에서의 구원을 기뻐한다. 그러나 말은 일반적이어서 모든 종류의 구원에 사용할 수 있다.
영문 원문
That I may show forth all thy praise - That I may praise time in the land of the living; that I may finish the work of praise by rendering to thee all that is due. The idea is, that the dead could not praise God, or that his praise could be uttered only by the living; and he calls on God, therefore, to interpose and save him, that he might yet worship and praise him on the earth. In this sentiment the psalmist utters only what man naturally feels when he looks upon the grave; that it is an end of human plans and pursuits; that it is a land of silence; that the worship of God is not there celebrated. Such language must be retarded as uttered under the impulse of natural feeling, and not as uttered by the deliberate judgment of the mind when calmly contemplating the whole subject. All pious persons baize these feelings at times, and it was proper that these feelings should be expressed in the sacred writings, as illustrating human nature even under the influence of religion. The same sentiment occurs in several places, as is, that he was apparently near to the gates of death, and that the only one who could raise him up was God, and he now invoked His interposition that it might be done. The phrase "gates of death" relates to the prevalent views about the unseen world - the world where the dead abide. That world was represented as beneath; as a dark and gloomy abode; as enclosed Psalm 115:17, "The dead praise not the Lord, neither any that go down into silence." See the notes at Psalm 6:5. It is not necessary to say that the sacred writers had brighter views at times than these. But who can keep the mind always from desponding when it looks at the grave? Who can always help feeling that it is a place of darkness and gloom?
In the gates of the daughter of Zion - As contradistinguished from the "gates of death." Gates in ancient cities were places of concourse, where important transactions were performed; and the "gates" of Jerusalem were regarded as attractive and sacred, because it was through them that the people passed on their way to worship God at the tabernacle or in the temple. Hence, it is said, Psalm 87:2, "The Lord loveth the gates of Zion more than all the dwellings of Jacob." Psalm 100:4, "enter into his gates with thanksgiving." Compare Psalm 118:19. The phrase, "daughter of Zion," means Jerusalem. For the reason of this appellation see the notes at Isaiah 1:8. The language used here proves that the psalm was composed after Zion or Jerusalem was made the capital of the kingdom and the seat of public worship, and, therefore, that it cannot refer, as is supposed in the Aramaic Paraphrase, to the death of Goliath.
I will rejoice in thy salvation - In the salvation which thou wilt bestow on me; here particularly, in delivering him from his dangers. The language, however, is general, and may be employed with reference to salvation of any kind.
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Psalm 9:15
이방 나라들은 - 그를 대적하여 늘어선 우상숭배 민족들을 뜻한다. 시편 9:5 주석을 보라.
빠졌으며 - 시편 9:5에서 이미 패배한 자들일 수도 있고, 여전히 에워쌌지만 반드시 패배하리라는 확신 때문에 이미 이루어진 일처럼 말한 것일 수도 있다. 앞 견해면 과거에서 얻은 격려이고, 뒤 견해면 하나님을 향한 흔들리지 않는 신뢰와 최종 승리의 확신이다. 어느 것이 참인지 결정하기 쉽지 않다. 히브리어는 '민족들이 자기가 만든 웅덩이에 빠졌다'이며, 그들이 멸망으로 가라앉는 모습을 본다.
자기가 판 웅덩이에 - 다른 이들이 빠지게 하려고 만든 것이다. 시편 7:15 주석을 보라.
자기가 숨긴 그물에 - 다른 이들을 잡으려고 놓은, 새나 들짐승을 잡는 튀어 오르는 그물을 암시한다.
자기 발이 걸렸도다 - 현대의 덫처럼 한쪽 발을 붙잡는 들짐승용 그물이었던 듯하다. 다른 이들을 위해 계획한 멸망에 자신들이 빠졌다는 관념이다. 시편 7:15-16 주석을 보라.
영문 원문
The heathen - Hebrew, "The nations;" that is, the idolatrous people that were arrayed against him. See the notes at Psalm 9:5.
Are sunk down - That is, referring to those who had been overcome, as mentioned in Psalm 9:5; or to those who still encompassed him, in respect to whom he was so certain that they would be overcome that he could speak of it as a thing already accomplished. According to the former view, it would be an encouragement derived from the past; according to the latter, it would indicate unwavering confidence in God, and the certain assurance of ultimate victory. It is not easy to determine which is the true interpretation. The Hebrew is, "Sunk are the nations in the pit which they have made;" that is, he sees them sinking down to destruction.
In the pit that they made - In which they designed that others should fall. See the notes at Psalm 7:15.
In the net which they hid - Which they laid for others. The allusion here is to a spring-net made to capture birds or wild beasts.
Is their own foot taken - The net here referred to seems to have been particularly a net to take wild beasts by securing one of their feet, like a modern trap. The idea is, that they had been brought into the destruction which they had designed for others. See the notes at Psalm 7:15-16.
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Psalm 9:16
주께서 행하신 심판으로 알려지셨으며 - 사람을 대하며 상과 벌을 주고 의인에게 축복하고 경건하지 않은 자를 벌하시는 일로 성품이 알려진다. 섭리를 연구하면 하나님이 어떤 분인지 배울 수 있다. 하나님과 사람 모두 성품을 평가하는 공정하고 합당한 방법이며, 하나님이 어떤 분인지 알려면 언제나 행하시는 일을 연구해야 한다.
악인은 자기 손으로 행한 일에 스스로 얽혔도다 - 시편 7:16과 같은 사상이다. 악인은 자기 멸망의 원인이며, 계책과 계획이 파멸의 수단이 되어 자기 자신의 집행자가 된다. 앞부분의 '행하신 심판으로 알려지셨다'가 특히 가리키는 내용이다. 악인의 행로가 자기 파멸의 원인이 된다는 큰 원리가 하나님께서 사람을 대하시는 일에 나타난다. 하나님의 율법은 상당 부분 스스로 집행되어 사람들이 자기 멸망을 자초한다. 법이 스스로 집행되게 하는 것이 통치의 최고 완전성이다.
힉가욘 - 난외주는 '묵상'이다. 다른 곳에는 시편 19:14에서 묵상, 92:3에서 엄숙한 소리, 예레미야애가 3:62에서 계략으로 번역된다. 본래 웅얼거림과 낮은 소리, 하프의 낮은 음이나 혼잣말의 중얼거림, 이어 묵상을 뜻한다. 어원이 되는 동사 '꾀하다'(난외주 '묵상하다')는 시편 2:1 주석을 비교하라. 게제니우스와 칠십인역은 음악적 소리로 본다. 왜 여기 들어갔는지는 알 수 없고, 특별히 여기서 멈추어 묵상해야 할 의미상 이유도 없다. 아마 단순한 음악적 휴지이되 사용된 악기의 특별한 소리나 간주 같은 휴지의 종류를 나타낸다.
셀라 - 또 다른 음악 용어로 시편 3:2 주석을 보라. 셀라는 일반적 휴지, 힉가욘은 특별한 종류의 휴지를 나타낸다.
영문 원문
The Lord is known by the judgment which he executeth - By what; he does in his dealings with men, in dispensing rewards and punishments, bestowing blessings upon the righteous, and sending punishments upon the ungodly. That is, his character can be learned from his dealings with mankind; or, by studying the dispensation of his Providence, we may learn what he is. This is always a fair and proper way of estimating character, alike in regard to God and man; and it is proper, at all times, to study what God does, to learn what he is.
The wicked is snared in the work of his own hands - The same sentiment which is expressed here occurs in Psalm 7:16. The idea is that the wicked are the cause of their own destruction; their own devices and designs are the means of their ruin, and they are made their own executioners. It is this to which the writer seems particularly to refer in the former part of the verse, when he says that "the Lord is known by the judgment which he executeth." This great principle is brought out in his dealings with human beings, that the course which wicked men pursue is the cause of their own ruin. The laws of God in a great measure execute themselves, and men bring upon themselves their own destruction. It is the highest perfection of government to make ttle laws execute themselves.
Higgaion - Margin, "Meditation." This word occurs elsewhere only in the following places, Psalm 19:14, rendered meditation; Psalm 92:3, rendered solemn sound; Lamentations 3:62. rendered device. Its proper meaning is, murmur; muttering; the utterance of a low sound, as the low sound of a harp; or the murmuring or muttering of one who talks to himself; and then meditation. Compare the notes at Psalm 2:1, on the word "imagine," Margin, meditate, - the verb from which this is derived. Gesenius supposes that it is here a musical sound. So it is understood by the Septuagint - ᾠδὴ διαψάλματος ōdē diapsalmatos. It is not known why it is introduced here. There seems to be nothing in the sense which demands it, as there is no particular reason why the reader should pause and meditate here rather than in any other place in the psalm. It is doubtless a mere musical pause, though perhaps indicating the kind of pause in the music, as some special sound or interlude on the musical instrument that was employed.
Selah - Another musical term, see the notes at Psalm 3:2. This indicates a general pause; the word Higgaion denotes the particular kind of pause.
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Psalm 9:17
악인들이 - 악인이라 부를 수 있는 모든 자이다. 저자는 특히 이 시의 계기인 원수들이 반드시 벌받으리라고 말하지만, 같은 성품을 가진 모든 이에게 참되므로 보편적으로 진술한다.
돌아가리라 - 현재 행로에서 돌이켜지거나 물러난다는 뜻이다. 승리로 나아가지 못하고 패배하여 스올에 빠진다. 시편 9:3의 '내 원수들이 물러갈 때에'와 본질적으로 같다.
스올로 - לשׁאולה(lishe'ôlâh), 곧 스올, 하데스, 무덤, 떠난 영들의 세계이다. 누가복음 16:23; 이사야 14:9; 욥기 10:21-22 주석을 보라. 본래 무덤과 죽은 자의 영역을 뜻했지만 죽은 자들의 상태에 구별이 있다고 여겨지면서 점차 악한 죽은 자들의 거처, 곧 미래 형벌의 장소를 뜻하게 되었고 누가복음 16:23에서 분명히 그렇다.
(a) 의인도 악인처럼 반드시 죽어 무덤에 가므로 여기서 보통 의미의 무덤일 수 없다.
(b) 의인도 죄인처럼 보이지 않는 죽은 자들의 세계에 들어가므로 그 일반적 의미일 수도 없다.
따라서 무덤이나 죽음 자체와 다른 의미, 곧 (1) 재앙이나 형벌로 갑작스럽고 폭력적인 죽음을 당한다는 뜻이거나 (2) 여기의 스올을 형벌의 장소로 보았다는 뜻이어야 한다. 칼뱅은 전자도 가능하다고 보지만, (a) 그런 관념은 보통 '끊어지다'나 '찍혀 넘어지다'로 표현하며 무덤 의미의 스올로 보내진다는 것은 악인에게 특별한 일을 말하지 못하고, (b) 문맥은 악인이 악인으로서 형벌의 장소에 보내져 합당하게 대우받는다는 관념을 요구한다. 병행구 '하나님을 잊어버린 모든 나라들'도 하나님을 섬기는 나라와 마찬가지로 단순히 무덤에 간다는 뜻일 수 없으므로 이 해석을 강화한다. 따라서 이 구절은 스올이 무덤 너머의 형벌, 곧 악인이 의인과 다르게 대우받는 영역이라는 관념과 연결된 분명한 곳 가운데 하나이다. 저승이 일반적으로 어둡고 침울한 곳으로 여겨졌지만 악인의 거처는 의인의 거처보다 훨씬 침울하며 그곳에 보내지는 것이 형벌이었다. 그들이 오늘날 우리가 지닌 지옥의 완전한 관념을 가졌다고 할 필요는 없으며, 하늘에 대해서도 마찬가지이다. 이 주제의 빛은 점차 왔고 초기 성경 저자들이 후기 저자들과 같은 명료한 견해나 알려질 모든 것을 알았다고 볼 필요는 없다. 베드로전서 1:10-11을 비교하라.
하나님을 잊어버린 모든 나라들이 - 하나님께 낯설고 참 하나님을 알지 못하는 모든 자이다. 로마서 2:12 주석을 보라. 시편 기자는 특정 원수들의 성품과 운명에서 같은 성품의 모든 자에 관한 일반적 결론을 내린다. 하나님은 외모로 사람을 취하지 않으시므로 같은 성품을 같은 방식으로 대하는 것이 공정한 통치의 완전성이다. 한 죄인이 미래 세계에서 받을 대우를 알면 같은 성품의 모두가 받을 대우를, 한 백성을 대하시는 방식을 알면 모두를 대하시는 방식을 추론할 수 있다. 모든 나라의 악인이 미래 세계의 형벌에 보내진다는 진술이다. '하나님을 잊어버린'은 그분을 기억하고 높이려 하지 않는 자들이다. 알 수 있었어도 지식 가운데 두기를 원하지 않고 우상숭배와 죄의 삶에 자신을 내주었다. 로마서 1:19-21, 28 주석을 비교하라.
영문 원문
The wicked - All the wicked; all who come properly under the denomination of wicked persons. Doubtless the writer had particularly in his eye the enemies with whom he was contending, and in reference to whom the psalm wits composed; and he meant to say that they would be certainly punished. But what was true in regard to them, was true of all others of similar character, and the statement is therefore made in a universal form - all the wicked.
Shall be turned - Shall turn back, or be turned from their present course. The idea is, that they were now pursuing a certain course, but that they would be turned back from that, or would fail and retreat; and instead of going on to victory, would be defeated, and would sink into hell. The idea is essentially the same as that which is expressed in Psalm 9:3 above: "When mine enemies are turned back."
Into hell - - לשׁאולה lishe'ôlâh - to Sheol, Hades, the grave, the world of departed spirits. This is the usual meaning of this word. See Luke 16:23, note; Isaiah 14:9, note; Job 10:21-22, note. Though the word, however, originally denoted the grave, the region of the dead, the world of departed spirits, yet it was also supposed that there was a distinction in the condition of the dead; and the word gradually came to denote the abode of the wicked portion of the dead, and hence, the place of future punishment. So it is undoubtedly used in Luke 16:23. It is clear
(a) that this cannot be understood here as referring to the grave in its ordinary sense, for the righteous will be as certainly consigned to the, grave, or will as certainly die, as the wicked;
(b) that it cannot refer to the invisible world, the abodes of the dead, in the ordinary sense of the term - for it is as true that the righteous will enter that world as that sinners will.
There must be some sense, in which the word is used here, different from that of the grave, or different merely from death as such. This sense can be only one of two - either:
(1) that the author means that they will be cut off by a sudden and violent death, considered as a calamity or as a punishment; or
(2) that he regarded the Sheol mentioned here as a place of punishment.
Calvin thinks it is not improbable that the former of these is intended; but it may be observed in regard to this,
(a) that this is not the language usually employed to denote that idea - the phrase, to be cut off, or cut down, being that which a writer intending to express that idea, would most naturally use - since the phrase, to be sent to Sheol, considered as the grave or the region of the dead, would express nothing special in regard to the wicked; and
(b) the spirit of the passage seems to demand the idea that the wicked referred to here would he consigned to a place of punishment, that they would be cut off as wicked persons, and treated accordingly.
This interpretation is strengthened by the other member of the parallelism, where it is said, "and all the nations that forget God;" since it is no more true that the nations "that forget God" will be "turned into the grave, or the world of departed spirits," than it is that the nations that serve and obey him will. It seems to me, therefore, that this is one of the passages in which it is clear that the word Sheol had connected with it the idea of punishment beyond the grave - of a region where the wicked would be treated according to their deserts, and in a manner different from the treatment of the righteous; that although the general idea of that under-world was that it was a dark and gloomy place, yet that there was also the idea that the abode of the wicked there was far more gloomy than that of the righteous; and that it was regarded as a punishment to be consigned to that region. It is not necessary to suppose that they had the full idea attached to the word hell which we have, anymore than that they had the same full and clear idea of heaven that we have. Light has come into our world on all these subjects gradually, and there is nothing which requires us to suppose that the earlier sacred writers lind the same clear views which the later writers had, or that either of them knew all that is to be known. Compare 1 Peter 1:10-11.
And all the nations that forget God - All who are strangers to him, or who are ignorant of the true God. See the notes at Romans 2:12. From the character and prospective doom of those to whom the psalmist particularly referred in this psalm, he is led to make this general remark about all who sustain the same character which they did. Under the administration of the same God those of the same character would share alike, for "there is no respect of persons with him;" and it is the perfection of an impartial government to treat all of the same character in the same manner. If we can, therefore, ascertain how, under his administration, one sinner will be treated in the future world, we can infer how all of the same character will be treated; if we can learn how God will deal with one people, we can infer how he will deal with all. The statement here is, that all the wicked, of whatever nation, will be consigned to punishment in the future world. The phrase used here, "that forqet God," denotes those who are not disposed or inclined to remember and honor him. The idea seems to be that though they might have known him, they did not choose to retain him in their knowledge, but gave themselves up to a life of idolatry and sin. Compare Romans 1:19-21, notes; Romans 1:28, note.
18
Psalm 9:18
가난한 자들이 - 의존적이고 무력한 가난한 이들을 뜻한다.
항상 잊어버림을 당하지 아니함이여 - 하나님께 잊히지 않는다는 뜻이다. 하나님께서 개입하여 원수를 멸하고 구하신다. 악인이 언제나 의인을 박해하고 억누르게 두지 않으신다. 때가 되면 자신의 대의를 옹호하고 억눌리고 짓밟힌 자를 구하며 압제자에게 합당한 형벌을 내리신다. 이는 시편 기자 시대처럼 오늘날 모든 억눌린 자와 압제자에게도 참되다.
가난한 자들의 소망이 - 고난받고 억눌린 자들의 소망과 바람, 구원을 간절히 기다림이다. 그런 상태에서 사람은 자연스럽게 하나님의 개입을 바라며, 시편 기자는 그들이 언제나 실망하지는 않는다고 한다.
영원히 사라지지 아니하리이다 - '아니'는 번역자들이 보충했으나 적절하다. 타르굼, 시리아어역, 불가타, 그리스어역도 보충한다. 이런 구문은 드물지 않다(시편 1:5; 신명기 33:6). 미카엘리스는 '부정어가 앞 구절에서 반복된다'고 한다.
영문 원문
For the needy - The poor; those who are dependent and helpless.
Shall not always be forgotten - That is, by God. He will interfere and save them by destroying their enemies. He will not suffer the wicked always to persecute and oppress the righteous. In due time he will vindicate his own cause; will deliver the oppressed and down-trodden, and will consign their oppressors to deserved punishment. This is as true now, in regard to all the oppressed and their oppressors, as it was in the time of the psalmist.
The expectation of the poor - Of the afflicted and the oppressed. The word "expectation" refers to their hope; their desire; their earnest looking for deliverance. In that state men naturally look for the divine interposition, and the psalmist says that in that they will not always be disappointed.
Shall not perish for ever - The word "not" is supplied here by our translators, but not improperly. It is thus supplied in the Targum, and in the Syriac, the Vulgate and the Greek. Such forms of construction are not uncommon. Compare Psalm 1:5; Deuteronomy 33:6. "The negative is repeated from the preceding member." - Michaelis.
19
Psalm 9:19
주여, 일어나사 - 시편 3:7 주석을 보라.
인생이 이기지 못하게 하시며 - 주와 주의 대의를 이기지 못하게 해 달라는 뜻이다. 시편 기자는 자신을 향한 전쟁을 하나님께 대한 전쟁으로 여겨, 개입하여 자신의 대의를 옹호해 달라고 부른다. '이기다'는 강하다는 뜻이다. 인간이 주보다 강한 듯 보이거나 주의 대의를 대적하는 노력에 성공하지 못하게 해 달라는 말이다.
이방 나라들이 주 앞에서 심판받게 하소서 - 이 시에서 저자와 하나님을 대적하여 늘어선 민족들이다. 그들에게 공정한 판결이 내려지고, 하나님께서 의인의 결백을 밝히며 억누르고 부당하게 대하는 자들의 권세에서 구해 주시기를 바랐다.
영문 원문
Arise, O Lord - See the notes at Psalm 3:7.
Let not man prevail - Against thee and thy cause. The war waged against the psalmist he regarded as waged against God, and he calls upon him, therefore, to interpose and vindicate his own cause. The word rendered "prevail" is be strong; that is, let not man seem to be stronger than thou art, or let, him not succeed in his efforts in opposing thy cause.
Let the heathen be judged in thy sight - The nations to whom the writer had referred in the psalm, that were arrayed against him and against God. He desired that a just judgment should be passed on them, and that God would vindicate the righteous, and save them from the power of those who oppressed and wronged them.
20
Psalm 9:20
주여, 그들을 두렵게 하소서 - 시편 기자의 원수들이 자기 힘과 성공을 믿고 대담하고 뻔뻔했음이 분명하다. 그는 타인의 권리를 침범하는 이 대담한 자들이 하나님의 크고 두려운 위엄 앞에서 경외하고 떨며, 자신을 바르게 보고 하나님과 비교하면 얼마나 약하고 미약한지 깨닫게 해 달라고 기도한다.
이방 나라들이 알게 하소서 - 이 시에서 특히 저자를 대적하여 늘어선 민족들을 가리킨다.
자기들은 인생일 뿐인 줄 - 자기들이 실제로 가난하고 약한 피조물이며 하나님과 비교하면 아무것도 아님을 보게 해 달라는 뜻이다. 교만과 자기 확신, 원하는 목적을 무엇이든 이룰 수 있다는 믿음 대신, 하나님과 같지 않고 연약하고 미약한 필멸자임을 알게 해 달라는 것이다. 시편 기자는 이것을 이해하면 낮아져 계획을 포기하리라고 보았으므로 하나님께 개입하여 그들의 실상을 정확히 보여 달라고 기도한다. 사람들이 이를 이해한다면 감히 창조주를 대적하지 못할 것이다.
영문 원문
Put them in fear, O Lord - From this it is evident that the enemies of the psalmist were bold, daring, confident in their own strength, and in the belief that they would succeed. He prays, therefore, that these bold and daring invaders of the rights of others might be made to stand in awe, and to tremble before the great and terrible majesty of God; that they might thus have just views of themselves, and see how weak and feeble they were as compared with Him.
That the nations may know - The nations particularly referred to in this psalm as arrayed against the writer.
Themselves to be but men - That they may see themselves as they are - poor, feeble creatures; as nothing when compared with God; that instead of their pride and self-confidence, their belief that they can accomplish any purpose that they choose, they may see that they are not like God, but that they are frail and feeble mortals. The psalmist seems to have supposed that if they understood this, they would be humbled and would desist from their purposes; and he therefore prays that God would interpose and show them precisely what they were. If men understood this, they would not dare to arrayy themselves against their Maker.
제1절. '시의 저자.' 표제뿐 아니라 모든 역본이 이 시를 다윗의 작품으로 돌리며, 그 정확성을 의심할 이유가 없다. 내용의 정서와 문체가 다윗의 다른 작품과 일치함도 어렵지 않게 보일 수 있다.
제2절. '시가 지어진 계기.' '뭇랍벤에 맞춘 인도자를 위한 시'라는 표제 외에는 아무것도 명시되지 않는다. 여러 견해가 있으나 확실한 역사적 근거는 없다. 어떤 이들은 labben을 다윗에게 죽은 외국 왕이나 방백으로, 타르굼은 가드의 골리앗으로 본다. 루딩거는 압살롬의 반역이 그의 죽음으로 진압된 데 대한 감사시라고 보지만, 아들의 죽음을 계기로 아버지가 찬양시를 지었다는 것은 가혹하고 부자연스럽다. 묄러는 블레셋에 대한 승리, 이 시와 다음 시를 합치는 페랑은 바벨론 포로 시대 백성의 승리 노래로 본다. 두 시를 합치는 베네마는 9:1-18은 다윗과 원수들에게서의 구원, 나머지는 마카비 시대와 안티오쿠스 에피파네스의 박해에서의 구원을 가리킨다고 본다. 호슬리 박사는 이 시를 '시편 10편에 약속된 무신론적 무리의 근절에 대한 감사'라 부르며 순서를 뒤집어 전체를 고레스에 의한 바벨론 제국의 멸망 또는 하만의 계략 패배 같은 큰 구원에 적용한다.
유대 저술가 야르키와 아벤 에즈라는 어떤 외국 방백의 패배와 죽음을 계기로 지었다고 본다. 이처럼 다양한 견해로 볼 때 정확한 계기는 의심의 여지 없이 확정할 수 없다. 확실한 전승도 없고, 대부분 수수께끼 같은 '뭇랍벤에 맞춘'이라는 표제의 해석에서 나온 추측이다. 표제는 제4절에서 다시 다룬다. 시 자체에서 찾을 수 있는 표지는 다음과 같다.
(a) 저자의 '원수들', 곧 그가 싸운 적들을 바라보며 지었다(시편 9:3; 6, 13, 19-20 비교).
(b) 이들은 우상숭배 민족에 속한 외국 원수들, 곧 이방인이었다(시편 9:5, 15, 19).
(c) 그들은 행군하며 땅을 황폐하게 만든 침략자였다(시편 9:6).
(d) 저자는 그들에게 승리했고, 하나님의 개입을 찬양했다(시편 9:1-2, 10-11, 15). 그 승리로 최종적이고 완전한 승리를 확신했다.
(e) 그러나 여전히 원수들에게 둘러싸여 긍휼한 개입을 구했다(시편 9:13, 18-20).
다윗은 생애 중 이런 상황에 자주 놓였으므로 정확한 계기를 정할 수 없다.
제3절. '시의 내용.' 과거와 미래에 관한 두 주제가 하나님의 성품을 보여 주고 저자의 신뢰를 표현한다. 하나는 이미 주어진 구원, 다른 하나는 고난 중에 여전히 소망하는 구원이다.
I. 이미 받은 구원과 원수에 대한 승리, 그것이 제공한 찬양의 계기와 하나님의 성품에 관한 경건한 묵상이다.
(1) 받은 긍휼을 인하여 감사와 찬양을 쏟는다(시편 9:1-2).
(2) 하나님께서 대적한 많은 이방 원수를 이기게 하신 구체적 이유를 말한다(시편 9:3-6).
(3) 영원히 계시고, 공의의 보좌를 세우시며, 억눌린 이의 피난처이시고, 아는 모든 이가 신뢰할 수 있으며, 의인의 원수를 기억하고 겸손한 이의 부르짖음을 잊지 않으시는 하나님의 성품을 묵상한다(시편 9:7-12). 이 부분의 주된 진리는 하나님께서 고난과 위험 가운데 있는 이들의 피난처와 도움이시며, 그들이 그분을 신뢰하면 개입하여 구원하신다는 것이다.
II. 둘째 부분은 앞부분과 비슷하게 미래, 곧 이전 고난에서 보이신 성품을 근거로 여전히 소망하는 일에 관한 것이다(시편 9:18-20).
(1) 시편 기자는 여전히 도움이 필요하다. 미워하는 자들에게 고난받으므로 죽음의 문에서 일으켜 찬양하게 해 달라고 한다(시편 9:13-14).
(2) 에워싼 이방 원수들이 남을 위해 만든 웅덩이에 빠지고 숨긴 그물에 발이 걸린 사실을 말한다. 과거의 사건을 현재 소망의 기초로 삼거나, 확실히 이루어질 일을 이미 성취된 듯 말한 것이다(시편 9:15).
(3) 이 역시 악인을 멸하고 의인을 보호하시는 하나님의 성품을 묵상하게 한다(시편 9:16-18).
(4) 이 모든 사실을 바라보며 이전처럼 개입하여 보호하고 원수를 이겨 달라고 부른다(시편 9:19-20). 주된 진리는 악인이 멸망하며, 의인과 달리 하나님의 보호를 바랄 수 없고 끊어져 벌받는다는 것이다.
따라서 저자는 원수들에게 둘러싸였으나 하나님의 개입으로 찬양과 감사를 드렸고, 여전히 강한 원수들에게 둘러싸였지만 하나님께서 이전과 같은 성품을 보이실 것을 확신하여 다시 개입과 미래의 찬양 기회를 구할 수 있었다.
제4절. '시의 표제.' '뭇랍벤에 맞춘 인도자를 위한 시'이다. '인도자'는 시편 4편 표제 주석을 보라. '뭇랍벤에 맞춘'은 다른 곳에 없고 설명도 다양하다. 타르굼은 '진영 사이로 나온 사람', 곧 가드의 골리앗을 두고 부른 노래로 번역한다. 라틴어 불가타와 칠십인역은 '아들의 비밀들을 위하여'라고 하지만 그 관념은 알 수 없다. 시리아어역은 '메시아께서 보좌와 나라를 취하고 원수를 엎드러뜨리심에 관하여'라고 한다. 루터는 '아름다운 젊은이에 관한 다윗의 시', 드베테도 대체로 같고, 톨루크는 '아들에게 죽음을이라는 선율에 맞춘 다윗의 시'라고 번역한다.
개연성 높은 견해는 둘이다.
(1) 여성들이나 여성 음성, 곧 남성의 낮은 음과 대조되는 높은 소프라노로 부를 선율이라는 견해이다. 역대상 15:20을 비교하라. 포르켈은 '처녀의 운율'로, 여성 음성을 가리킨다고 보는 게제니우스는 על־מות('al-mûth)을 시편 46편의 עלמות על('al 'ălâmôth)과 같고 '처녀'라는 עלמה('almâh)에서 유래한 것으로 본다.
(2) 널리 알려진 옛 선율의 첫 구절이며 이 시를 그 선율로 부르라는 견해이다. 톨루크 등이 표현하듯 어떤 아들의 죽음에 관한 찬송의 선율이었다. 특정 계기의 민족적 선율이 고정되어 널리 퍼진 뒤 새로운 작품에 붙는 일은 동방과 모든 나라에서 흔하다. Rosenmuller, Morgenland No. 800을 보라. 의미는 '아들에게 죽음을이라 불린 노래의 방식 또는 곡조에 따라'이다. 이렇게 이해하면 시와 맞지 않는 압살롬의 죽음이나 타르굼이 말한 골리앗의 죽음을 가리키지 않고, '아들에게 죽음을'이라는 알려진 곡조로 부르라는 뜻이다. 언제 어떤 계기로 그 곡이 지어졌는지, 그 곡조를 복원하는 것은 불가능하다. 표제의 문자적 뜻은 על('al), '따라'; מות(mûth), '죽음'; לבן(labên), '아들에게'이다.