1
Eze 10:1-22.
영문 원문
Eze 10:1-22.
VISION OF COALS OF FIRE SCATTERED OVER THE CITY: REPETITION OF THE VISION OF THE CHERUBIM.
1. The throne of Jehovah appearing in the midst of the judgments implies that whatever intermediate agencies be employed, He controls them, and that the whole flows as a necessary consequence from His essential holiness
(Eze 1:22, 26).
cherubim--in
Eze 1:5,
called "living creatures." The repetition of the vision implies that the judgments are approaching nearer and nearer. These two visions of Deity were granted in the beginning of Ezekiel's career, to qualify him for witnessing to God's glory amidst his God-forgetting people and to stamp truth on his announcements; also to signify the removal of God's manifestation from the visible temple
(Eze 10:18)
for a long period
(Eze 43:2).
The feature
(Eze 10:12)
mentioned as to the cherubim that they were "full of eyes," though omitted in the former vision, is not a difference, but a more specific detail observed by Ezekiel now on closer inspection. Also, here, there is no rainbow (the symbol of mercy after the flood of wrath) as in the former; for here judgment is the prominent thought, though the marking of the remnant in
Eze 9:4, 6
shows that there was mercy in the background. The cherubim, perhaps, represent redeemed humanity combining in and with itself the highest forms of subordinate creaturely life (compare
Ro 8:20).
Therefore they are associated with the twenty-four elders and are distinguished from the angels
(Re 5:1-14).
They stand on the mercy seat of the ark, and on that ground become the habitation of God from which His glory is to shine upon the world. The different forms symbolize the different phases of the Church. So the quadriform Gospel, in which the incarnate Saviour has lodged the revelation of Himself in a fourfold aspect, and from which His glory shines on the Christian world, answers to the emblematic throne from which He shone on the Jewish Church.
2
제목 없음
보좌에 앉으신 여호와께서 세마포 입은 사람에게 바퀴 사이의 숯불을 가져가 성읍 위에 흩으라고 하신다. 자비의 사자가 심판의 사자가 되며, 불은 화목의 제단이 아니라 하나님의 섭리를 나타내는 그룹 사이에서 나온다. 심판은 우연이 아니라 하나님의 섭리로 임한다.
영문 원문
2. he--Jehovah; He who sat on the "throne."
the man--the Messenger of mercy becoming the Messenger of judgment (see on
Eze 9:2).
Human agents of destruction shall fulfil the will of "the Man," who is Lord of men.
wheels--Hebrew, galgal, implying quick revolution; so the impetuous onset of the foe (compare
Eze 23:24; 26:10);
whereas "ophan," in
Eze 1:15, 16
implies mere revolution.
coals of fire--the wrath of God about to burn the city, as His sword had previously slain its guilty inhabitants. This "fire," how different from the fire on the altar never going out
(Le 6:12, 13),
whereby, in type, peace was made with God! Compare
Isa 33:12, 14.
It is therefore not taken from the altar of reconciliation, but from between the wheels of the cherubim, representing the providence of God, whereby, and not by chance, judgment is to fall.
3
제목 없음
그룹들이 성전 오른쪽, 곧 남쪽에 선 것은 심판이 성전에서 시작되어 성읍으로 나아감을 보여 준다. 갈대아 세력은 북쪽에서 와 성전의 사람들을 치고, 이제 남쪽과 서쪽의 성읍을 치려 한다. 구름은 하나님의 불쾌하심을, 광채는 심판 가운데 그분의 위엄을 나타낸다.
영문 원문
3. right . . . of . . . house--The scene of the locality whence judgment emanates is the temple, to mark God's vindication of His holiness injured there. The cherubim here are not those in the holy of holies, for the latter had not "wheels." They stood on "the right of the house," that is, the south, for the Chaldean power, guided by them, had already advanced from the north (the direction of Babylon), and had destroyed the men in the temple, and was now proceeding to destroy the city, which lay south and west.
the cherubim . . . the man--There was perfect concert of action between the cherubic representative of the angels and "the Man," to minister to whom they "stood" there
(Eze 10:7).
cloud--emblem of God's displeasure; as the "glory" or "brightness"
(Eze 10:4)
typifies His majesty and clearness in judgment.
4
제목 없음
바깥뜰은 여호와의 광채로 가득했으나, 우상숭배의 현장인 성전 안은 구름으로 가득했다. 한때 광채로 찼던 성전이 이제 어두워졌다.
영문 원문
4. The court outside was full of the Lord's brightness, while it was only the cloud that filled the house inside, the scene of idolatries, and therefore of God's displeasure. God's throne was on the threshold. The temple, once filled with brightness, is now darkened with cloud.
5
제목 없음
날개 소리는 크고 두려운 변화의 전조다. 하나님의 음성은 우레와 같다.
영문 원문
5. sound of . . . wings--prognostic of great and awful changes.
voice of . . . God--the thunder
(Ps 29:3,
&c.).
6
제목 없음
그 사람이 들어간 곳은 성전 안이 아니라 그룹들 사이였다. 한때 은혜의 사역자였던 그룹들은 이제 보복의 사역자가 되었고, 명령을 받자 지체 없이 순종했다.
영문 원문
6. went in--not into the temple, but between the cherubim. Ezekiel sets aside the Jews' boast of the presence of God with them. The cherubim, once the ministers of grace, are now the ministers of vengeance. When "commanded," He without delay obeys
(Ps 40:8; Heb 10:7).
7
제목 없음
한 그룹은 네 그룹 중 하나다. 그의 손은 에스겔 1:8의 사람 손과 같으며, 그는 성읍을 태우기 위해 나갔다.
영문 원문
7. See on
Eze 10:3.
one cherub--one of the four cherubim.
his hand--
(Eze 1:8).
went out--to burn the city.
8
제목 없음
날개는 민첩함을, 손은 맡겨진 일을 수행하는 효력과 적합함을 나타낸다.
영문 원문
8. The "wings" denote alacrity, the "hands" efficacy and aptness, in executing the functions assigned to them.
9
제목 없음
바퀴들은 세상의 여러 변화와 회전을 나타낸다. 또한 하나님의 섭리의 병거가 교회를 한 곳에서 다른 곳으로 옮기고 어디서나 보존하실 수 있음을 보여 준다. 이는 예루살렘 사람에게는 경고이고 포로에게는 위로다.
영문 원문
9. wheels--(See on
Eze 1:15, 16).
The things which, from
Eze 10:8 to the end of the chapter,
are repeated from the
first chapter
are expressed more decidedly, now that he gets a nearer view: the words "as it were," and "as if," so often occurring in the first chapter, are therefore mostly omitted. The "wheels" express the manifold changes and revolutions in the world; also that in the chariot of His providence God transports the Church from one place to another and everywhere can preserve it; a truth calculated to alarm the people in Jerusalem and to console the exiles [POLANUS].
10
제목 없음
네 바퀴가 한 모양이라는 것은 하나님의 다양한 일 가운데 깊은 조화가 있음을 뜻한다. 바퀴 안의 바퀴는 어느 방향으로든 움직일 수 있게 하며, 복잡해 보이는 하나님의 일도 낮은 원인이 높은 원인을 섬기도록 서로 맞물려 있음을 보여 준다.
영문 원문
10. four had one likeness--In the wonderful variety of God's works there is the greatest harmony:--
"In human works, though labored on with pain,
One thousand movements scarce one purpose gain;
In God's one single doth its end produce,
Yet serves to second, too, some other use.
(See on
Eze 1:16).
wheel . . . in . . . a wheel--cutting one another at fight angles, so that the whole might move in any of the four directions or quarters of the world. God's doings, however involved they seem to us, cohere, so that lower causes subserve the higher.
11
제목 없음
바퀴들은 돌이키지 않고 곧장 나아갔다. 네 방향을 향한 얼굴이 있으므로 방향을 바꿀 때 돌아설 필요가 없었다. 바퀴는 외부의 우연한 힘이 아니라 그룹 안의 은밀한 신적 충동으로 인도되었다.
영문 원문
11. (See on
Eze 1:17).
turned not--without accomplishing their course
(Isa 55:11)
[GROTIUS]. Rather, "they moved straight on without turning" (so
Eze 1:9).
Having a face towards each of the four quarters, they needed not to turn around when changing their direction.
whither . . . head looked--that is, "whither the head" of the animal cherub-form, belonging to and directing each wheel, "looked," thither the wheel "followed." The wheels were not guided by some external adventitious impetus, but by some secret divine impulse of the cherubim themselves.
12
제목 없음
몸은 문자적으로 살이다. 바퀴뿐 아니라 그룹들도 눈으로 가득했다는 것은 하나님께서 지혜로 겉보기에 모순되는 것들을 아름답게 화해시키심을 뜻한다.
영문 원문
12. body--literally, "flesh," because a body consists of flesh.
wheels . . . full of eyes--The description
(Eze 1:18)
attributes eyes to the "wheels" alone; here there is added, on closer observation, that the cherubim themselves had them. The "eyes" imply that God, by His wisdom, beautifully reconciles seeming contrarieties (compare
2Ch 16:9; Pr 15:3; Zec 4:10).
13
제목 없음
‘바퀴여’라는 말은 오히려 그들이 회전하는 것이라 불렸다는 뜻이다. 갈갈은 단순한 바퀴가 아니라 회오리 같은 회전을 가진 전체 바퀴 장치를 뜻하며, 즉시 빠르게 움직이도록 부르는 말이다.
영문 원문
13. O wheel--rather, "they were called, whirling," that is, they were most rapid in their revolutions [MAURER]; or, better, "It was cried unto them, The whirling" [FAIRBAIRN]. Galgal here used for "wheel," is different from ophan, the simple word for "wheel." Galgal is the whole wheelwork machinery with its whirlwind-like rotation. Their being so addressed is in order to call them immediately to put themselves in rapid motion.
14
제목 없음
여기서 그룹이라 불린 것은 에스겔 1:10의 소와 동의어가 아니다. 에스겔은 숯을 건넨 한 그룹을 정면에서 보고 전체 네 겹 형상을 보았기 때문에 단순히 그룹이라 부른 듯하다. 동물 형상과 인간 형상의 결합은 구속받은 사람과 만물의 회복을 예표한다.
영문 원문
14. cherub--but in
Eze 1:10
it is an ox. The chief of the four cherubic forms was not the ox, but man. Therefore "cherub" cannot be synonymous with "ox." Probably Ezekiel, standing in front of one of the cherubim (namely, that which handed the coals to the man in linen), saw of him, not merely the ox-form, but the whole fourfold form, and therefore calls him simply "cherub"; whereas of the other three, having only a side view, he specifies the form of each which met his eye [FAIRBAIRN]. As to the likelihood of the lower animals sharing in "the restoration of all things," see
Isa 11:6; 65:25; Ro 8:20, 21;
this accords with the animal forms combined with the human to typify redeemed man.
15
제목 없음
그발 강가의 환상과 동일하다는 반복은 이 환상에 주의를 일으키기 위한 것이다. 생물이라는 말은 집합적으로 그룹들을 가리킨다.
영문 원문
15. The repeated declaration of the identity of the vision with that at the Chebar is to arouse attention to it
(Eze 10:22; 3:23).
the living creature--used collectively, as in
Eze 10:17, 20; 1:20.
16
제목 없음
그룹들이 날개를 든 것은 곧 떠나려는 여호와의 영광을 따르기 위해서다.
영문 원문
16. (See on
Eze 10:11;
Eze 1:19).
lifted up . . . wings--to depart, following "the glory of the Lord" which was on the point of departing
(Eze 10:18).
17
제목 없음
하나님은 결코 멈추어 서 계시지 않으므로 천사들도 그러하다. 다만 사람의 눈에는 그들이 서 있는 것처럼 보일 수 있다.
영문 원문
17.
(Eze 1:12, 20, 21).
stood--God never stands still
(Joh 5:17),
therefore neither do the angels; but to human perceptions He seems to do so.
18
제목 없음
여호와의 임재의 상징이 성전에서 떠나는 것은 성읍 파괴의 준비다. 하나님은 천천히, 마지못해 집을 떠나신다. 먼저 성소를 떠나시고, 보좌를 문지방 위로 높이시며, 동문에 잠시 머문 뒤 성전을 완전히 떠나신다.
영문 원문
18. The departure of the symbol of God's presence from the temple preparatory to the destruction of the city. Foretold in
De 31:17.
Woe be to those from whom God departs
(Ho 9:12)!
Compare
1Sa 28:15, 16; 4:21:
"I-chabod, Thy glory is departed." Successive steps are marked in His departure; so slowly and reluctantly does the merciful God leave His house. First He leaves the sanctuary
(Eze 9:3);
He elevates His throne above the threshold of the house
(Eze 10:1);
leaving the cherubim He sits on the throne
(Eze 10:4);
He and the cherubim, after standing for a time at the door of the east gate (where was the exit to the lower court of the people), leave the house altogether
(Eze 10:18, 19),
not to return till
Eze 43:2.
20
제목 없음
에스겔은 두 번째로 그룹들을 보고, 그들이 성전 언약궤 위의 천사 형상들과 동일함을 알았다. 제사장으로서 그는 그 사실을 알고 있었다.
영문 원문
20. I knew . . . cherubim--By the second sight of the cherubim, he learned to identify them with the angelic forms situated above the ark of the covenant in the temple, which as a priest, he "knew" about from the high priest.
21
제목 없음
반복은 성전 없이 살게 될 백성에게 성전의 비밀에 관한 지식을 주어 장차 언약 회복을 준비하게 하기 위함이다. 백성의 완악함 때문에 에스겔은 자신이 본 것을 거듭 말한다.
영문 원문
21. The repetition is in order that the people about to live without the temple might have, instead, the knowledge of the temple mysteries, thus preparing them for a future restoration of the covenant. So perverse were they that they would say, "Ezekiel fancies he saw what has no existence." He, therefore, repeats it over and over again.
22
제목 없음
곧장 앞으로 간다는 말은 목표에 집중하여 길에서 벗어나지 않고 끝을 잃지 않는다는 뜻이다.
영문 원문
22. straight forward--intent upon the object they aimed at, not deviating from the way nor losing sight of the end
(Lu 9:52).
에스겔 10:1-22은 성읍 위에 흩어질 숯불과 그룹 환상의 반복을 다룬다. 심판 가운데 여호와의 보좌가 나타난 것은 모든 도구를 하나님이 통제하시며 심판이 그분의 거룩함에서 나온다는 뜻이다. 그룹 환상이 반복된 것은 심판이 가까워졌고, 하나님의 현현이 보이는 성전에서 오랫동안 떠날 것을 보여 준다.