Benson's Commentary of the Old and New Testaments
Joseph Benson · 1815
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Benson's Commentary of the Old and New Testaments
Joseph Benson · 1815
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Joseph Benson · 1815
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Psalm 18:4-5. The sorrows of death compassed me — That is, dangerous and deadly troubles. Or, the bands, or cords, of death, as חבלי, cheblee, may be rendered, quæ hominem quasi fune arctissime constringunt, which binds a man most closely, as with a cord, whence the word is used concerning the pains of women in labour. And the floods of ungodly men — Literally, of Belial, as in the margin. Their great multitudes, strength, and violence, broke in upon me like an irresistible flood, carrying all before it, or like a torrent came down upon me as though they would have swept me away by their fury. “Nothing,” says Dr. Delaney, “can be a finer emblem of a host of men, in their several ranks, than the waves of the sea succeeding one another in their natural order.” And when we consider them pressing forward to the destruction of their adversaries, they may be very properly termed waves of death. The sorrows — Or, cords, of hell, or of death, compassed me about — Brought me to the brink of the grave; the snares of death prevented me — Deadly snares came upon me, and almost took hold on me, before I was aware of my danger.
Psalm 18:6-7. He heard out of his temple — Either, 1st, Out of his sanctuary, where he was represented as dwelling between the cherubim, in the most holy place, and where he promised to hear and answer the prayers of his people, which were either made in or directed to it. Or, 2d, Out of his heavenly habitation, which is often called his temple. Then the earth shook and trembled — Then God appeared on my behalf in a miraculous and glorious manner, and to the great terror and confusion of all mine enemies, as though they had been surprised with an earthquake, in which the earth was shaken from its foundations, and all its rocks and mountains trembled. David proceeds, in this and the eight following verses, to describe, by the sublimest expressions, the awful manner in which Jehovah came to his assistance. The imagery employed, Dr. Horne thinks, is borrowed from mount Sinai, and those tremendous circumstances which attended the delivery of the law from thence. When a monarch is angry and prepares for war, the whole kingdom is instantly in commotion. Thus universal nature is here represented as feeling the effects of its great Sovereign’s displeasure, and all the visible elements appear disordered. The description must be allowed, by all skilful and impartial judges, to be truly noble and sublime, and in the genuine spirit of poetry. “The majesty of God, and the manner in which he is represented as coming to the aid of his favourite king, surrounded with all the powers of nature as his attendants and ministers, and arming heaven and earth to fight his battles and execute his vengeance, are described in the loftiest and most striking terms. The shaking of the earth, the trembling of the mountains and pillars of heaven; the smoke that ascended out of his nostrils; the flames of devouring fire that flashed from his mouth; the heavens bending down to convey him to the battle; his riding upon a cherub, and rapidly flying on the wings of a whirlwind; his concealing his majesty in the thick clouds of heaven; the bursting of the lightnings from the horrid darkness; the uttering his voice in peals of thunder; the storm of fiery hail; the melting of the heavens, and their dissolving into floods of tempestuous rains; the cleaving of the earth, and disclosing the bottom of the hills, and the subterraneous channels, or torrents of water, by the very breath of the nostrils of the Almighty; are all of them circumstances which create admiration, excite a kind of horror, and exceed every thing of this nature that is to be found in any of the remains of heathen antiquity. The grandest pieces thereof will be found, upon comparison, infinitely short of this description of the psalmist; throughout the whole of which God is represented as a mighty warrior, going forth to fight the battles of David, and highly incensed at the opposition his enemies made to his power and authority. When he descended to the engagement, the very heavens bowed down to render his descent more awful; his military tent was substantial darkness; the voice of his thunder was the warlike alarm which sounded to the battle; the chariot in which he rode were the thick clouds of heaven, conducted by cherubs, and carried on by the irresistible force and rapid wings of an impetuous tempest; and the darts and weapons he employed were thunder-bolts, lightnings, fiery hail, deluging rains, and stormy winds! No wonder that when God thus arose, all his enemies should be scattered, and those who hated him should flee before him! It does not appear, from any part of David’s history, that there ever was literally such a storm as is here described, which proved destructive to his enemies, and salutary to himself. There might, indeed, have been such a one, though there be no particular mention of it.” But it is more probable that the whole passage is to be understood figuratively, and that by these metaphorical and lofty expressions, and this sublime description, David only meant to set forth that storm of wrath and vengeance which God had poured upon his enemies and the glorious deliverance he had thereby wrought for him. See Dodd and Chandler.
Psalm 18:8. There went up a smoke out of his nostrils, &c. — Here “the further effects of God’s indignation are represented by those of fire, which is the most terrible of the created elements, burning and consuming all before it: scorching the ground, and causing the mountains to smoke. Under this appearance God descended on the top of Sinai; thus he visited the cities of the plain; and thus he is to come at the end of time.” — Horne. In the poetical figure of the smoke issuing from God’s nostrils, the psalmist is thought to allude to the well-known circumstance, that when the passion of anger becomes warm and violent in any man it is wont to discover itself by the heated, vehement breath which proceeds from his nose and mouth. The latter clause of the verse is better rendered, Fire out of his mouth devoured, coals burned from before, or around him.
Psalm 18:9. He bowed the heavens — By producing thick and dark clouds, by which the heavens seemed to come down to the earth; and came down — Not by change of place, but by the manifestation of his presence and power on my behalf. In other words, he, as it were, made the heavens bend under him, when he descended to take vengeance on his and my enemies. And darkness was under his feet — The psalmist seems here to express the appearance of the Divine Majesty in a glorious cloud, descending from heaven, which, underneath, was substantially dark, but above bright, and shining with an amazing lustre; and which, by its gradual descent, would appear as if the heavens themselves were bending down and approaching toward the earth.
Psalm 18:10. He rode upon a cherub, and did fly — Or, upon the cherubim, upon the angels who are so called, (Genesis 3:24,) and who are also termed God’s chariots, (Psalm 68:17,) upon which he is said to sit and ride, which is not to be understood literally and grossly, but only figuratively, to denote God’s using the ministry of angels in raising such storms and tempests as are here described, whether they be interpreted literally or figuratively, and especially in effecting many of those great events which take place in the administration of his providence; and particularly such as manifest his immediate interposition in the extraordinary judgments by which he punishes sinful nations, or in the remarkable deliverances which he works out for his people. Yea, he did fly upon the wings of the wind — As swiftly as the wind. He came to my rescue with all speed.
Psalm 18:11. He made darkness his secret place — Or, his hiding place: his covert, says Dr. Waterland; his tent, says Chandler. He covered himself with dark clouds. God is frequently represented as surrounded with clouds, in the sacred writings; this representation is peculiarly proper in this place, as thick, heavy clouds, deeply charged, and with lowering aspects, are always the forerunners and attendants of a tempest, and greatly heighten the horrors of the appearance; and the representation of them, as spreading around the Almighty for his pavilion and tent, is truly poetical and grand. And, as storms and tempests in the air are often instruments of the divine displeasure, they are therefore here selected with great propriety as figures of it; and God, who has the whole artillery of the aerial regions at his command, and holds the reins of whirlwinds in his hand, and directs their impetuous course through the world when and how he pleases, is here fifty represented as employing them against his enemies in the day of battle and war.
Psalm 18:12. At the brightness that was before him, &c. — Schultens, Waterland, and some others, translate this verse, At his lightning, his clouds swelled and burst out into hail-stones and balls of fire. The meaning is, that through the lightning his clouds fermented, that is, swelled, and, as it were, boiled over, being rarefied by the heat. In the former part of this description, the clouds are represented as condensed, heavy, and lowering, ready to burst out with all the fury of a tempest; and here, as beginning to disburden and discharge themselves, by the eruption of the lightning in fire, flames, and hail-stones mixed. The abrupt manner in which the burning coals and hail-stones are mentioned, points out the sudden and impetuous fall of them. The words rendered coals of fire here signify living, burning coals. Where the lightning fell it devoured all before it, and turned whatever it touched into burning embers. See Chandler and Dodd.
Psalm 18:1-3. I will love thee — Hebrew, ארחמךְ, erchamecha, I will love thee most affectionately, and with my whole soul. I can make thee no better return for all thy favours than my love, which I pray thee to accept. By loving the Lord, however, here and elsewhere, we are not only to understand giving him the inward affection of the soul, but also all the proper outward expressions and testimonies of it, in praising, glorifying, and serving him. O Lord, my strength — From whom alone I have received all my strength, and success, and my establishment in the peaceable possession of the kingdom, and in whom alone I trust, as it follows. The Lord is my rock and my fortress — To which I flee for refuge, as the Israelites did to their rocks and strong holds; and as David himself did when driven into banishment by Saul, and forced to conceal himself in rocks and caverns, and to retreat for safety to steep hills and precipices rendered by nature almost inaccessible. See Jdg 6:2; 1 Samuel 13:6; 1 Samuel 23:19; 1 Samuel 23:25; 1 Samuel 24:2. My buckler — Or, shield, by whom I have been protected, amidst the dangers of those perilous wars in which I have been engaged, as the soldier is by the shield in his hand. The horn of my salvation — By which I have both defended myself and subdued my enemies: a metaphor taken from the horns of animals, which are their ornament and strength; by which they both protect themselves, and assault those who oppose or injure them. The horn is frequently put for strength and power, by the sacred writers, as Psalm 92:10; Amos 6:13, and elsewhere, as also for riches and dignity. The reader will observe that this verse contains a continued chain of metaphors, and is a sublime paraphrase on the first commandment, declaring that Jehovah, the God of Israel, alone, was the foundation of his confidence, and the author of his security and happiness: by whom he had been supported under his troubles, and delivered out of them; whose protection had secured him, and whose power had broken and scattered his enemies; by whose mercy and truth he was now set up on high above them all. I will call — Or, I did call, and was saved. For the future tense is commonly used for that which is past. And this seems best to agree with the whole context.