1
So 3:1-11.
英文原文
So 3:1-11.
1. By night--literally, "By nights." Continuation of the longing for the dawn of the Messiah
(So 2:17; Ps 130:6; Mal 4:2).
The spiritual desertion here
(So 2:17; 3:5)
is not due to indifference, as in
So 5:2-8.
"As nights and dews are better for flowers than a continual sun, so Christ's absence (at times) giveth sap to humility, and putteth an edge on hunger, and furnisheth a fair field to faith to put forth itself" [RUTHERFORD]. Contrast
So 1:13; Ps 30:6, 7.
on . . . bed--the secret of her failure
(Isa 64:7; Jer 29:13; Am 6:1, 4; Ho 7:14).
loveth--no want of sincerity, but of diligence, which she now makes up for by leaving her bed to seek Him
(Ps 22:2; 63:8; Isa 26:9; Joh 20:17).
Four times
(So 3:1-4)
she calls Jesus Christ, "Him whom my soul loveth," designating Him as absent; language of desire: "He loved me," would be language of present fruition
(Re 1:5).
In questioning the watchmen
(So 3:3),
she does not even name Him, so full is her heart of Him. Having found Him at dawn (for throughout He is the morning), she charges the daughters not to abridge by intrusion the period of His stay. Compare as to the thoughtful seeking for Jesus Christ in the time of John the Baptist, in vain at first, but presently after successful
(Lu 3:15-22; Joh 1:19-34).
found him not--Oh, for such honest dealings with ourselves
(Pr 25:14; Jude 12)!
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無標題
2. 全然為神醒著
(Lu 14:18-20; Eph 5:14)。
“一個誠實的決志,往往對(踐行)本分而言,正如一根針拖著其後的線一般”[DURHAM]。這絕非不計代價的空願——她要離棄舒適的床榻,在黑夜中飄流尋找祂
(Pr 13:4; Mt 21:30; Lu 14:27-33)。
城中——字面即耶路撒冷
(Mt 3:5; Joh 1:19),
屬靈上此處指教會
(Heb 12:22),
在榮耀裡
(Re 21:2)。
寬闊處——東方城邑城門外開闊的空地,眾人聚集辦理事務之處。照樣,敬拜者的聚集也是如此
(So 8:2, 3; Pr 1:20-23; Heb 10:25)。
她在初次醒悟時曾退縮回避,獨自尋求耶穌基督;但她被囑咐要去尋羊群的腳蹤
(So 1:8),
所以如今在第二次試煉中,她自己也主動前往。“靈魂越在恩典中長進,越少倚靠禮儀,便越珍視禮儀、越從中獲益”[MOODY STUART]
(Ps 73:16, 17)。
卻尋不著——除耶穌基督以外,無一物能使她滿足
(Job 23:8-10; Ps 63:1, 2)。
英文原文
2. Wholly awake for God
(Lu 14:18-20; Eph 5:14).
"An honest resolution is often to (the doing of) duty, like a needle that draws the thread after it" [DURHAM]. Not a mere wish, that counts not the cost--to leave her easy bed, and wander in the dark night seeking Him
(Pr 13:4; Mt 21:30; Lu 14:27-33).
the city--Jerusalem, literally
(Mt 3:5; Joh 1:19),
and spiritually the Church here
(Heb 12:22),
in glory
(Re 21:2).
broad ways--open spaces at the gates of Eastern cities, where the public assembled for business. So, the assemblies of worshippers
(So 8:2, 3; Pr 1:20-23; Heb 10:25).
She had in her first awakening shrunk from them, seeking Jesus Christ alone; but she was desired to seek the footsteps of the flock
(So 1:8),
so now in her second trial she goes forth to them of herself. "The more the soul grows in grace, and the less it leans on ordinances, the more it prizes and profits by them" [MOODY STUART]
(Ps 73:16, 17).
found him not--Nothing short of Jesus Christ can satisfy her
(Job 23:8-10; Ps 63:1, 2).
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3. 巡邏的人——即傳道人
(Isa 62:6; Jer 6:17; Eze 3:17; Heb 13:17),
是合適的諮詢對象
(Isa 21:11; Mal 2:7)。
遇見我——神話語普遍的事工個別地“遇見”那些尋求耶穌基督的靈魂
(Ge 24:27
節末;
Ac 16:14);
而形式主義者卻無動於衷。
英文原文
3. watchmen--ministers
(Isa 62:6; Jer 6:17; Eze 3:17; Heb 13:17),
fit persons to consult
(Isa 21:11; Mal 2:7).
found me--the general ministry of the Word "finds" individually souls in quest of Jesus Christ
(Ge 24:27,
end of verse
Ac 16:14);
whereas formalists remain unaffected.
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4. 耶穌基督通常在守望者與恩典的媒介附近被“尋見”;但他們並不是祂自己;那指向伯利恆的星,並不是在那裡已經升起的太陽;她急忙越過路標直奔目標[MOODY STUART]。甚至天使也不能代替耶穌基督使馬利亞滿足
(Joh 20:11-16)。
尋見他——
(Isa 45:19; Ho 6:1-3; Mt 13:44-46)。
拉住他等——祂願意被拉住;若不被拉住,便不願離去
(Ge 32:26; Mt 28:9; Lu 24:28, 29; Re 3:11)。
“正如一個小小哭泣的孩子緊緊抓住母親,並非因它比母親強壯,而是因母親的心腸使她不忍離去;照樣耶穌基督眷戀那信徒,不能離去,因為祂不肯離去”[DURHAM]。在
So 1:4
是祂領新婦進入祂的內室;此處是她領祂進入她母親的家。有時耶穌基督的恩典似乎吸引我們到祂那裡;另有時我們以大聲的呼求吸引祂到我們這裡、到我們所屬的人那裡。在東方,一間大房往往供全家使用;所以新婦在此同時提到她母親的房間和自己的房間。提到“母親”便排除了不適當之處,並賦予一種屬天之愛的意念——純潔如姐妹之情,卻又熱烈如新婦之愛;故此才有那頻繁的稱謂:“我的妹子——新婦”。我們屬靈意義上的母親,就是教會,就是新耶路撒冷
(Joh 3:5-8; Ga 4:19, 26);
我們當為她不斷地禱告
(Eph 3:14-19),
也為那國家的耶路撒冷禱告
(Isa 62:6, 7; Ro 10:1),
併為那人類大家庭禱告——那是我們按肉身的母親與親屬;我們母親這些兒女曾惡待我們
(So 1:6);
但我們當像我們的父一樣,以善報惡
(Mt 5:44, 45),
如此便將耶穌基督帶回到他們中間
(1Pe 2:12)。
英文原文
4. Jesus Christ is generally "found" near the watchmen and means of grace; but they are not Himself; the star that points to Beth-lehem is not the Sun that has risen there; she hastens past the guideposts to the goal [MOODY STUART]. Not even angels could satisfy Mary, instead of Jesus Christ
(Joh 20:11-16).
found him--
(Isa 45:19; Ho 6:1-3; Mt 13:44-46).
held him, &c.--willing to be held; not willing, if not held
(Ge 32:26; Mt 28:9; Lu 24:28, 29; Re 3:11).
"As a little weeping child will hold its mother fast, not because it is stronger than she, but because her bowels constrain her not to leave it; so Jesus Christ yearning over the believer cannot go, because He will not" [DURHAM]. In
So 1:4
it is He who leads the bride into His chambers; here it is she who leads Him into her mother's. There are times when the grace of Jesus Christ seems to draw us to Him; and others, when we with strong cries draw Him to us and ours. In the East one large apartment often serves for the whole family; so the bride here speaks of her mother's apartment and her own together. The mention of the "mother" excludes impropriety, and imparts the idea of heavenly love, pure as a sister's, while ardent as a bride's; hence the frequent title, "my sister--spouse." Our mother after the Spirit, is the Church, the new Jerusalem
(Joh 3:5-8; Ga 4:19, 26);
for her we ought to pray continually
(Eph 3:14-19),
also for the national Jerusalem
(Isa 62:6, 7; Ro 10:1),
also for the human family, which is our mother and kindred after the flesh; these our mother's children have evilly treated us
(So 1:6);
but, like our Father, we are to return good for evil
(Mt 5:44, 45),
and so bring Jesus Christ home to them
(1Pe 2:12).
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5. 同
So 2:7;
但那裡她所焦慮的是她自己與耶穌基督相交的不受攪擾;此處則是為耶路撒冷的眾女子的緣故,不要叫聖靈擔憂。當極力避免輕浮、疏忽和絆跌人之事,免得損毀在他人身上已經開始的恩典之工
(Mt 18:7; Ac 2:42, 43; Eph 4:30)。
英文原文
5. So
So 2:7;
but there it was for the non-interruption of her own fellowship with Jesus Christ that she was anxious; here it is for the not grieving of the Holy Ghost, on the part of the daughters of Jerusalem. Jealously avoid levity, heedlessness, and offenses which would mar the gracious work begun in others
(Mt 18:7; Ac 2:42, 43; Eph 4:30).
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第三歌。——
(So 3:6-5:1)
——新郎與新婦同在。
在歷史上,指耶穌基督在地上的事工。
6. 新的場景
(So 3:6-11)。
新郎的朋友們看見一隊行列前來。他的轎輿和衛隊。
上來——更當譯作“從 . . . 上來”;曠野比耶路撒冷低[MAURER]。
煙柱——來自在祂和新婦四圍焚燒的香料。意象取自以色列和帳幕(對應於“床”,
So 3:7)
行經曠野,日間有煙柱、夜間有火柱
(Ex 14:20),
以及從香壇和贖罪祭壇上升的煙柱;照樣是耶穌基督的義、贖罪和永遠長存的代求。巴蘭——先祖時期的最後代表——被要求咒詛猶太教會,正如它後來也不會不經過掙扎便屈服於基督教
(Nu 22:41),
但他卻不得不用此處這般的話語來祝福
(Nu 24:5, 6)。
天使也同樣喜樂地問出同樣的問題,當耶穌基督帶著祂身體的帳幕(對應於“祂的床”,
So 3:7; Joh 1:14
“住”,希臘文“支搭帳幕”,
Joh 2:21)
升上天
(Ps 24:8-10);
當他們看見祂榮耀的新婦與祂同在時,也是如此
(Ps 68:18; Re 7:13-17)。
這是對她的勉勵;在最黑的試煉之中
(So 3:1),
她仍在通往榮耀的路上
(So 3:11),
在一頂“以愛鋪陳”的轎子裡
(So 3:10);
她如今在靈魂裡屬靈地“前來”,散發甜美的恩典——信、愛、喜樂、平安、禱告與讚美;(火在裡面點燃,“煙”在外面看見,
Ac 4:13);
正是在試煉的曠野裡
(So 3:1-3)
她得著了這些;她是那向耶穌基督不花錢、不計代價買來的“商人”
(Isa 55:1; Re 3:18);
正如沒藥和乳香並非產自埃及,而是產自阿拉伯的沙地和巴勒斯坦的山地。將來她也要如此“前來”
(So 3:6, 11),
也是在榮耀的身體裡
(Php 3:21)。
在歷史上,是耶穌基督滿有聖靈地從曠野回來
(Lu 4:1, 14)。
同樣的:“這是誰”等
(Isa 63:1, 5)。
英文原文
CANTICLE III.--
(So 3:6-5:1)
--THE BRIDEGROOM WITH THE BRIDE.
Historically, the ministry of Jesus Christ on earth.
6. New scene
(So 3:6-11).
The friends of the Bridegroom see a cortege approach. His palanquin and guard.
cometh out--rather, "up from"; the wilderness was lower than Jerusalem [MAURER].
pillars of smoke--from the perfumes burned around Him and His bride. Image from Israel and the tabernacle (answering to "bed,"
So 3:7)
marching through the desert with the pillar of smoke by day and fire by night
(Ex 14:20),
and the pillars of smoke ascending from the altars of incense and of atonement; so Jesus Christ's righteousness, atonement, and ever-living intercession. Balaam, the last representative of patriarchism, was required to curse the Jewish Church, just as it afterwards would not succumb to Christianity without a struggle
(Nu 22:41),
but he had to bless in language like that here
(Nu 24:5, 6).
Angels too joyfully ask the same question, when Jesus Christ with the tabernacle of His body (answering to "His bed,"
So 3:7; Joh 1:14,
"dwelt," Greek "tabernacled,"
Joh 2:21)
ascends into heaven
(Ps 24:8-10);
also when they see His glorious bride with Him
(Ps 68:18; Re 7:13-17).
Encouragement to her; amid the darkest trials
(So 3:1),
she is still on the road to glory
(So 3:11)
in a palanquin "paved with love"
(So 3:10);
she is now in soul spiritually "coming," exhaling the sweet graces, faith, love, joy, peace, prayer, and praise; (the fire is lighted within, the "smoke" is seen without,
Ac 4:13);
it is in the desert of trial
(So 3:1-3)
she gets them; she is the "merchant" buying from Jesus Christ without money or price
(Isa 55:1; Re 3:18);
just as myrrh and frankincense are got, not in Egypt, but in the Arabian sands and the mountains of Palestine. Hereafter she shall "come"
(So 3:6, 11)
in a glorified body, too
(Php 3:21).
Historically, Jesus Christ returning from the wilderness, full of the Holy Ghost
(Lu 4:1, 14).
The same, "Who is this," &c.
(Isa 63:1, 5).
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無標題
7. 在
So 3:6
描繪了教會的曠野特質;在
So 3:7, 8
描繪其爭戰的面貌。在
So 3:9, 10,
耶穌基督被看見住在信徒裡面,信徒是祂的“車輿”和“身體”。在
So 3:11,
是榮耀中的成全。
床——轎輿。祂的身體,字面上由確定數目的天使——六十名——護衛
(Mt 26:53),
從曠野
(Mt 4:1, 11)
開始,且持續不斷
(Lu 2:13; 22:43; Ac 1:10, 11);
正如以色列有六十萬人護衛耶和華的帳幕
(Nu 2:17-32),
每萬人中一人。與“怠惰之床”
(So 3:1)
相對照。
勇士——
(Jos 5:13, 14)。
護衛祂墳墓的天使也用類似的話
(Mr 16:6)。
以色列的——真正的子民,而非僱傭。
英文原文
7. In
So 3:6
the wilderness character of the Church is portrayed; in
So 3:7, 8,
its militant aspect. In
So 3:9, 10,
Jesus Christ is seen dwelling in believers, who are His "chariot" and "body." In
So 3:11,
the consummation in glory.
bed--palanquin. His body, literally, guarded by a definite number of angels, threescore, or sixty
(Mt 26:53),
from the wilderness
(Mt 4:1, 11),
and continually
(Lu 2:13; 22:43; Ac 1:10, 11);
just as six hundred thousand of Israel guarded the Lord's tabernacle
(Nu 2:17-32),
one for every ten thousand. In contrast to the "bed of sloth"
(So 3:1).
valiant--
(Jos 5:13, 14).
Angels guarding His tomb used like words
(Mr 16:6).
of Israel--true subjects, not mercenaries.
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8. 佩——並非實際握在手中,而是佩在大腿上隨時備用,正如他們的主
(Ps 45:3)。
照樣信徒也蒙天使護衛
(Ps 91:11; Heb 1:14),
他們自己也“各人”
(Ne 4:18)
都需要武裝
(Ps 144:1, 2; 2Co 10:4; Eph 6:12, 17; 1Ti 6:12),
並且“精通”
(2Co 2:11)。
因為夜間的驚嚇——阿拉伯的劫匪常以夜襲將婚筵變為哀哭。照樣,聖徒在這曠野黑夜中的婚娶行列,正是撒但攻擊的首要目標。
英文原文
8. hold--not actually grasping them, but having them girt on the thigh ready for use, like their Lord
(Ps 45:3).
So believers too are guarded by angels
(Ps 91:11; Heb 1:14),
and they themselves need "every man"
(Ne 4:18)
to be armed
(Ps 144:1, 2; 2Co 10:4; Eph 6:12, 17; 1Ti 6:12),
and "expert"
(2Co 2:11).
because of fear in the night--Arab marauders often turn a wedding into mourning by a night attack. So the bridal procession of saints in the night of this wilderness is the chief object of Satan's assault.
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9. 轎——比“床”或行旅的轎輿
(So 3:7)
製作更為精緻,
源出希伯來文字根“精緻製作”[EWALD]。
照樣用“利巴嫩的香柏木”所建的聖殿,與那用皂莢木所搭的臨時帳幕相對
(2Sa 7:2, 6, 7; 1Ki 5:14; 6:15-18),
耶穌基督的身體是其本體,由父為祂“造”成
(1Co 1:30; Heb 10:5),
木頭對應祂的人性,金對應祂的神性;二者只是一位基督。
英文原文
9. chariot--more elaborately made than the "bed" or travelling litter
(So 3:7),
from a Hebrew root, "to elaborate" [EWALD]. So the temple of "cedar of Lebanon," as compared with the temporary tabernacle of shittim wood
(2Sa 7:2, 6, 7; 1Ki 5:14; 6:15-18),
Jesus Christ's body is the antitype, "made" by the Father for Him
(1Co 1:30; Heb 10:5),
the wood answering to His human nature, the gold, His divine; the two being but one Christ.
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無標題
10. 柱子——在四角支撐著頂蓋;旁邊的帷幔保護裡面的人免受日曬。有銀座的柱子支撐著圍護至聖所的幔子;是耶穌基督之能力的象徵
(1Ki 7:21,
旁註,“銀”,是祂純潔的象徵
(Ps 12:6);
將來聖徒也是如此
(Re 3:12)。
底——更當譯作“供躺臥或斜倚的靠背”(《武加大譯本》與《七十士譯本》)[MAURER]。
照樣聖殿中神的安息之所——地板和施恩座——是金的
(Ps 132:14)
(1Ki 6:30)。
坐墊——更當譯作“座位”,如
Le 15:9。
將來聖徒要與祂同坐其位
(Re 3:21)。
紫色——至聖所的幔子部分為紫色,披在耶穌基督身上的紫色袍子也與英文欽定譯本的“坐墊”相符。“紫”(包括硃紅和紫紅)是王權的象徵,也是祂的血的象徵;由逾越節羔羊的血,以及那十二個坐或斜倚在主餐桌旁時所喝的酒所預表。
鋪——如馬賽克地板般鋪就,由父、子、聖靈各樣的愛的作為和應許鋪成
(Zep 3:17; 1Jo 4:8, 16),
與約櫃“其中”石版上所寫嚴厲誡命相對照(參
Joh 19:13);
這一切對信徒——即對應“耶路撒冷的眾女子”——全是恩典和愛
(Joh 1:17)。
外面的銀和金、香柏木、紫色以及衛兵,也許令人望而生畏,但當新婦進到裡面,她便安息在愛的鋪石之上。
英文原文
10. pillars--supporting the canopy at the four corners; curtains at the side protect the person within from the sun. Pillars with silver sockets supported the veil that enclosed the holy of holies; emblem of Jesus Christ's strength
(1Ki 7:21),
Margin, "silver," emblem of His purity
(Ps 12:6);
so the saints hereafter
(Re 3:12).
bottom--rather, "the back for resting or reclining on" (Vulgate and Septuagint) [MAURER]. So the floor and mercy seat, the resting-place of God
(Ps 132:14)
in the temple, was gold
(1Ki 6:30).
covering--rather, "seat," as in
Le 15:9.
Hereafter the saints shall share His seat
(Re 3:21).
purple--the veil of the holiest, partly purple, and the purple robe put on Jesus Christ, accord with English Version, "covering." "Purple" (including scarlet and crimson) is the emblem of royalty, and of His blood; typified by the passover lamb's blood, and the wine when the twelve sat or reclined at the Lord's table.
paved--translated, like mosaic pavement, with the various acts and promises of love of Father, Son, and Holy Ghost
(Zep 3:17; 1Jo 4:8, 16),
in contrast with the tables of stone in the "midst" of the ark, covered with writings of stern command (compare
Joh 19:13);
this is all grace and love to believers, who answer to "the daughters of Jerusalem"
(Joh 1:17).
The exterior silver and gold, cedar, purple, and guards, may deter, but when the bride enters within, she rests on a pavement of love.
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無標題
11. 出來——
(Mt 25:6)。
錫安的眾女子——聖徒的靈和天使
(Isa 61:10; Zec 9:9)。
冠冕——婚娶的冠冕
(Eze 16:8-12),
(希伯來人在婚筵上戴貴重的冠冕或花冠),也是君王的冠冕
(Ps 2:6; Re 19:12)。
荊棘冠冕曾是祂的婚冠,祂的血是婚筵的酒杯
(Joh 19:5)。
“祂的母親”——如此為祂加冕的——是人類,因祂是“人子”,不僅是馬利亞的兒子。這同一位母親與祂和好
(Mt 12:50),
作為教會,為靈魂劬勞,將他們作為冠冕獻與祂
(Php 4:1; Re 4:10)。
祂既不以稱這些孩子為弟兄為恥
(Heb 2:11-14),
便稱他們的母親為祂的母親
(Ps 22:9; Ro 8:29; Re 12:1, 2)。
觀看——
(2Th 1:10)。
訂婚的日子——主要是那最終的婚娶,當選民的數目添滿之時
(Re 6:11)。
喜樂——
(Ps 45:15; Isa 62:5; Re 19:7)。
MOODY STUART 關於本歌
(So 3:6-5:1)——
全書的核心——觀察到這些特徵:(1)新郎擔當主要角色,而在別處新婦是主要發言人。(2)在別處祂是“王”或“所羅門”;此處祂兩次被稱為“王所羅門”。新婦在此六次被稱為“新婦”;此前此後從未如此;此外四次被稱為“妹子”,且除下一歌頭一節
[So 5:2]
外,別處再無如此稱呼。(3)祂與她從不分離;此歌中沒有缺席,沒有怨訴——而這些都是別處所充斥的。
英文原文
11. Go forth--
(Mt 25:6).
daughters of Zion--spirits of saints, and angels
(Isa 61:10; Zec 9:9).
crown--nuptial
(Eze 16:8-12),
(the Hebrews wore costly crowns or chaplets at weddings), and kingly
(Ps 2:6; Re 19:12).
The crown of thorns was once His nuptial chaplet, His blood the wedding wine cup
(Joh 19:5).
"His mother," that so crowned Him, is the human race, for He is "the Son of man," not merely the son of Mary. The same mother reconciled to Him
(Mt 12:50),
as the Church, travails in birth for souls, which she presents to Him as a crown
(Php 4:1; Re 4:10).
Not being ashamed to call the children brethren
(Heb 2:11-14),
He calls their mother His mother
(Ps 22:9; Ro 8:29; Re 12:1, 2).
behold--
(2Th 1:10).
day of his espousals--chiefly the final marriage, when the number of the elect is complete
(Re 6:11).
gladness--
(Ps 45:15; Isa 62:5; Re 19:7).
MOODY STUART observes as to this Canticle
(So 3:6-5:1),
the center of the Book, these characteristics: (1) The bridegroom takes the chief part, whereas elsewhere the bride is the chief speaker. (2) Elsewhere He is either "King" or "Solomon"; here He is twice called "King Solomon." The bride is six times here called the "spouse"; never so before or after; also "sister" four times, and, except in the first verse of the next Canticle
[So 5:2],
nowhere else. (3) He and she are never separate; no absence, no complaint, which abound elsewhere, are in this Canticle.
So 3:1-11.
1. 我夜間——字面意為“我在夜裡”(By nights)。延續對彌賽亞黎明之切慕
(So 2:17; Ps 130:6; Mal 4:2)。
此處的屬靈離棄
(So 2:17; 3:5)
並非因冷淡所致,如同
So 5:2-8
中的情形。“正如黑夜和露水對花朵比持續不斷的日光更為有益,基督的(暫時)缺席也賜謙卑以汁液,使飢渴更為鋒利,併為信心的發揮提供寬廣的場地”[RUTHERFORD]。對比
So 1:13; Ps 30:6, 7。
躺臥在 . . . 床上——她失敗的秘訣
(Isa 64:7; Jer 29:13; Am 6:1, 4; Ho 7:14)。
我心所愛的——並非缺少真誠,而是缺少殷勤;她如今以離床去尋找祂來彌補
(Ps 22:2; 63:8; Isa 26:9; Joh 20:17)。
四次
(So 3:1-4)
她稱耶穌基督為“我心所愛的”,以此標明祂為不在眼前的那一位;這是切慕的言語:“祂愛我”則會是現在享受的言語
(Re 1:5)。
她在質問守望者時
(So 3:3),
甚至不提祂的名,因為她的心充滿了祂。她在黎明時尋見了祂(因為全書祂就是那晨光),便囑咐眾女子不要因闖入而縮短祂停留的時間。試將此處與施洗約翰時期人殷切尋求耶穌基督之事相較:起先徒然,不久便尋見
(Lu 3:15-22; Joh 1:19-34)。
卻尋不著——但願我們也如此誠實地對待自己
(Pr 25:14; Jude 12)!