Barnes' Notes on the Bible · Psalms 第3章

注释阅读优化

章节注释

Psalms 第 3 章

서론

Psalm 3 Introduction

打开经文

第一节 作者。本诗在标题中明记为“大卫的诗”,而且是第一篇冠有标明作者、或标明写作缘由之标题的诗。这标题见于亚兰文意译本、拉丁文武加大译本、七十士译本、叙利亚文译本、阿拉伯文译本和埃塞俄比亚文译本。诚然,这标题由谁所加并不能确定,但没有理由怀疑它的正确性。诗中的情感与大卫不止一次所处的境遇相合,也正是我们可以料想他在那些境遇中会表达的情感。

第二节 写作缘由。按标题所记,本诗是大卫“逃避他儿子押沙龙的时候”写的。也就是说,它是在他逃避押沙龙之时——或是鉴于那事件、为表达他当场的情感——而作,尽管也可能是在事后笔录成篇。这两种假设都没有任何内在的不可能性;因为尽管他逃亡之时固然有许多混乱、激动和焦虑,但设想这些思绪曾在他心中掠过,并设想当这些事件正在进行之际,他在偷闲片刻的休息中、或在夜间守更之时,借这种诗体抒发这些深沉的情感,也并非不合理。金奇(Kimchi)说,古代拉比们的意见是:本诗正是大卫赤脚蒙头、上橄榄山逃离耶路撒冷之时所作(2 Samuel 15:30)。

然而,不必设想他在这种境况中真的着手进行诗体的创作;但再没有比这更可能的事了:这些思绪确曾在他的心中掠过;也再没有比这更自然的事了:他必会抓住第一个安宁平静的时刻——当场面的激动多少平息之后——把这些思绪凝成诗句。事实上,本诗的本身就提供了证据,表明它确实是在这样一类场合写成的。在 Psalm 3:1-2,诗中暗指他仇敌的众多、并那些起来攻击他的人,并表达了他因此而有的激动与焦虑;随后又陈述:他在这些境况中曾呼求耶和华,神从祂的圣山上应允了他;并且尽管有这些惊恐,他仍蒙允许躺下睡眠,因为耶和华保佑了他(Psalm 3:4-5)。在这些境况中——在度过他原以为必是可怕的一夜而蒙保守、得平安之后——还有什么比写成我们眼前这样一篇诗更恰当、更自然的呢?

倘若本诗为大卫所作,那么最可能就是在标题所设的时间——他逃避他儿子押沙龙的时候。他一生中再无别的时期可视为与此相称,除非是扫罗时期、并扫罗对大卫所发的逼迫。希齐格(Hitzig)确实认为后者才是本诗写作的缘由;但对此可以回答说:

(a)这并没有直接的证据。

(b)标题应视为良好的证据,除非能以明确的论证将其推翻。

(c)诗的内容对扫罗时期的适用性,并不比对押沙龙时期更高。

(d)在扫罗逼迫的时期,大卫并未处于 Psalm 3:4 所含的那种境况之中——“他从他的圣山上应允了我”。按这语句的正当解释,这必定是指锡安山(试参 Psalm 2:6 的注释),并暗示大卫在所指的时间已是登基的王,并已使那山成为他权柄的所在。这在扫罗时代尚未发生;也没有任何理由如希齐格那样,设想这里所指的乃是何烈山。

这里所设指的大卫逃亡,记在 2 Samuel 15-18。押沙龙背叛他的父亲,聚集了国中大批心怀不满的人,并借口还愿,获准前往希伯仑,却已指示他的党羽在那里与他会合,并作了在那里被立为王的安排。他如此狡诈,他的党羽如此众多,背离之势似乎如此广泛,而大卫又如此毫无准备,以致唯一的安全之望似乎只在逃亡。大卫带着少数随从离开耶路撒冷,过了橄榄山,打算寻找避难之所。这是他一生的大试炼,因为再没有比儿子忘恩、竟要夺父亲之命更大的试炼了。这事的种种情形,都使我们料想大卫必会以本诗中这样的语言向神呼求。

霍斯利(Horsley)确实提出异议,认为“诗中没有任何内容特别指向这事件”,并因此认为标题应当是“信徒为脱离无神论阴谋而作的祷告”。但原标题中没有任何与此相应的内容;也没有必要背离通行的看法。诗中确实没有明提押沙龙;但几乎所有的诗篇都可以作同样的评述。大卫的诗篇中,有相当一部分无疑是在作者所处境遇的视野之下写成、意在表达他当场的情感;但它们也是为整个教会写的,意在供教会日后一切时代使用;因此,其中的情感被赋予了一般性的形式,而局部性的暗示则几乎不提,或全然省略。这或许也是真敬虔之性质的一种标志:它会在一时之间转离、或忘却那属于个人和局部的苦难境况,而发出能表达神儿女在一切时代、一切境况中之情感的敬虔心声。这样,本诗就成了一篇通用之作;其语言也适于教会历世历代的使用。

德维特(DeWette)也提出异议,说本诗完全缺少那种我们会料想一位父亲在此场合所要倾吐的柔细情感。但对此可以回答说:这并不是倾吐那种情感的场合。他的心思专注于自身的危险、仇敌的众多、祸患的骤然、以及那些起来攻击他之人极大的忘恩与罪行。此时当仰望神求帮助,而不是向一个忘恩悖逆的儿子表达亲情的时候。及至这儿子死了——当他违背大卫作为君王和父亲的命令与恳求而被处死之后(2 Samuel 18:5;2 Samuel 18:12;2 Samuel 18:14)——他才倾尽全心,说出前无古人、后无来者的话(2 Samuel 18:33)。

第三节 本诗分析。本诗自然而规整地分为四段或四部分,每段包含两节;其中三段以“细拉”(Selah)一词作结,表明在意义上、曲调上、或两者兼有之处有一停顿。参见 Psalm 3:2 的注释。

一、第一段表达诗人的焦虑,因有许多仇敌起来攻击他(Psalm 3:1-2)。

二、第二段表达他在患难之中对神的信靠(Psalm 3:3-4)。神是他的盾牌和他的帮助,并从祂的圣山应允他的祷告。

三、第三段述及以下事实:在患难中,与原本有理由担忧的相反,他竟蒙允许安然躺下睡觉,并在清晨再起来。鉴于此,他既因休息而重新得力,又有了这神恩眷和保护的新凭据,便说虽有成万的百姓来周围攻击他,他也不惧怕(Psalm 3:5-6)。

四、在第四段中,诗人求神起来拯救他;因为神先前曾击打他一切仇敌的腮骨,曾敲碎恶人的牙齿,救恩惟独属乎耶和华(Psalm 3:7-8)。

英文原文

Section 1. The author. This psalm purports in the title to be "A Psalm of David," and is the first one to which a title indicating authorship, or the occasion on which a psalm was composed, is prefixed. The title is found in the Aramaic Paraphrase, the Latin Vulgate, the Septuagint, the Syriac, the Arabic, and the Ethiopic versions. It is not, indeed, certain by whom the title was prefixed, but there is no reason to doubt its correctness. The sentiments in the psalm accord with the circumstances in which David was more than once placed, and are such as we may suppose he would express in those circumstances.

Section 2. The occasion on which the psalm was composed. The psalm, according to the title, purports to have been written by David, "when he fled from Absalom his son." That is, it was composed at the time when he fled from Absalom - or in view of that event, and as expressive of his feelings on that occasion, though it might have been penned afterward. Neither of these suppositions has any intrinsic improbability in it, for though at the time when he fled there was, of course, much tumult, agitation, and anxiety, yet there is no improbability in supposing that these thoughts passed through his mind, and that while these events were going forward, during some moments taken for rest, or in the nightwatches, he may have given vent to these deep feelings in this poetic form. Kimchi says that it was the opinion of the ancient rabbis that this psalm was actually composed when David, with naked feet, and with his head covered, ascended the Mount of Olives, as he fled from Jerusalem, 2 Samuel 15:30.

It is not necessary, however, to suppose that in these circumstances he would actually give himself to the task of a poetic composition; yet nothing is more probable than that such thoughts passed through his mind, and nothing would be more natural than that he should seize the first moment of peace and calmness - when the agitation of the scene should be in some measure over - to embody these thoughts in verse. Indeed, there is evidence in the psalm itself that it was actually penned on some such occasion. There is Psalm 3:1-2 an allusion to the great number of his foes, and to those who had risen up against him, and an expression of his agitation and anxiety in view of that; and there is then a statement that he had, in these circumstances, cried unto the Lord, and that God had heard him out of his holy hill, and that, notwithstanding these alarms, he had been permitted to lie down and sleep, for the Lord had sustained him Psalm 3:4-5. In these circumstances - after preservation and peace during what he had apprehended would be a dreadful night - what was more proper, or more natural, than the composition of such a psalm as the one before us?

If the psalm was composed by David, it was most probably at the time supposed in the title - the time when he fled from Absalom his son. There is no other period of his life to which it could be regarded as fitted, unless it were the time of Saul, and the persecutions which he waged against him. Hitzig indeed supposes that the latter was the occasion on which it was written; but to this it may be replied:

(a) That there is no direct evidence of this.

(b) That the title should be regarded as good evidence, unless it can be set aside by some clear proofs.

(c) That the contents of the psalm are no more applicable to the time of Saul than to the time of Absalom.

(d) That in the time of the persecutions of Saul, David had not been in such circumstances as are implied in Psalm 3:4, "he heard me out of his holy hill." This, according to the fair construction of the language, must be understood as referring to Mount Zion (compare the notes at Psalm 2:6), and implies that David at the time referred to was the established king, and had made that the seat of his authority. This had not occurred in the time of Saul; and there can be no reason for supposing, as Hitzig does, that Mount Horeb is intended.

The flight of David, which is supposed to be referred to here, is described in 2 Samuel 15-18. Absalom rebelled against his father; gathered together a great number of the disaffected in the kingdom; and under pretence of performing a vow which he had made, obtained permission to go to Hebron, having given instructions to his followers to meet him, and having made arrangements to be proclaimed king there. So artful had he been, so numerous were his followers, so extensive seemed to be the defection, and so little prepared was David to meet it, that the only prospect of safety seemed to be in flight. With a few attendants David left Jerusalem, and passed over the Mount of Olives, designing to seek a place of refuge. This was to him the great trial of his life, for there is no greater trial than the ingratitude of a son when he seeks the life of his father. All the circumstances of this case are such that we should suppose that David would cry to God in some such language as is found in this psalm.

It is indeed objected by Horsley that there is "nothing in the psalm that had any particular reference to this event," and hence, he supposes that the title should be, "Prayer of a Believer for Deliverance from the Atheistical Conspiracy." But there is nothing in the original title that corresponds with this; and there is no need for departing from the common supposition. It is true that there is in the psalm no express mention of Absalom; but the same remark may be made of nearly all the psalms. A considerable portion of David's psalms were doubtless composed in view of the circumstances in which the writer was placed, and were designed to be expressive of his own feelings on the occasion, but they were also designed for the Church at large, and were intended to be used in the Church in all times to come, and hence, a general form is given to the sentiments, and the local allusion is barely referred to, or omitted altogether. It is, perhaps, also an indication of the nature of true devotion, that it will turn away from, or forget, for the time, the personal and local circumstances of distress, and give utterance to sentiments of piety that will express the feelings of the children of God in all ages and in all circumstances. The psalm thus becomes one of general use; and the language is such as is adapted to the use of the Church in all generations.

It is also objected by DeWette that the psalm is devoid of all the tender feelings which we should suppose the heart of a father would pour out on such an occasion. But to this it may be replied, that this was not the occasion to pour out such feelings. The thoughts are fixed on his own danger; on the nnmber of his enemies; on the suddenness of the peril; on the great ingratitude and crime of those who had risen up against him. It is a time to look to God for help; not a time to express affection for an ungrateful and rebellious son. When this son died - when he was put to death in violation of the commands and entreaties of himself as a king and a father 2 Samuel 18:5, 2 Samuel 18:12, 2 Samuel 18:14 - he poured forth all his heart in language such as had never been used before, and has never been equalled since, 2 Samuel 18:33.

Section 3. Analysis of the psalm. The psalm is naturally and regularly divided into four strophes or parts, each one embracing two verses; and in three of them closed by the word Selah, indicating a pause either in the sense, in the melody, or in both. See the notes at Psalm 3:2.

I. The first is expressive of the anxiety of the psalmist from the fact that many enemies had risen up against him, Psalm 3:1-2.

II. The second expresses his confidence in God in the midst of his troubles, Psalm 3:3-4. He was his shield and his helper, and he heard his prayer out of his holy hill.

III. The third refers to the fact that in his troubles he had, contrary to what there had been reason to apprehend, been permitted to lie down calmly and to sleep, and to arise again in the morning. In view of this, refreshed and invigorated by rest, and having this new proof of the divine favor and protection, he says that he would not be afraid though ten thousands of people should set themselves against him round about, Psalm 3:5-6.

IV. In the fourth part, the psalmist calls upon God to arise and save him for in other times he had smitten his enemies upon their cheek bone, and had broken the teeth of the ungodly, and salvation belonged only unto him, Psalm 3:7-8.

1

Psalm 3:1

打开经文

大卫的诗——字面意思是“属于大卫”;即属于他,作为作者。这在希伯来文中被标为第一节,叙利亚文译本、拉丁武加大译本和七十士译本也是如此;这样一来,在希伯来文以及上述各译本中,本篇诗便有九节,而不是像我们的译本那样八节。这标题可能是作者本人附于诗前的,因为古时作者将自己的名字冠于自己的作品之首,并不罕见,正如使徒保罗在他的书信中通常所做的那样。然而,并不能完全确定诗篇中的这一做法是出于作者们本人;它也可能是那位收集并编排诗篇的人所做的,表明当时关于作者身份的流行看法,并且是在默示之灵的引导下做的。

当他逃避——在他逃避之时。即:本篇诗或是作于那时,或是后来为纪念那事而作。见引言第2节。

逃避他儿子押沙龙——见引言第2节。

耶和华啊,我的敌人何其加增——即他们何其增多;或说,他们何其众多。也许其意是:起初他们的人数似乎寥寥无几,但如今已增多到危及他的王冠与性命的地步。若这话是指押沙龙,这便是一个恰当的表达。起初附从押沙龙的人数尚不至引起多大警觉;但借着煽动家的手段,借抱怨朝政,借宣称若立他作这地的士师、人人都可以得着公断,2 Samuel 15:4-5,他赢得了民心,在他旗下聚集了如此之多的人,以致王不得不从耶路撒冷逃往一个安全之地。

那搅扰我的——字面作“我的敌人”。这里是指那些当时投在押沙龙麾下、力图推翻政府的人。

有许多人起来攻击我——就是说,他们成了我的仇敌。

英文原文

A Psalm of David - literally, belonging to David; that is, belonging to him as the author. This is marked in the Hebrew as the first verse, and so in the Syriac version, the Latin Vulgate, and the Septuagint, making in the Hebrew, and in each of these versions, nine verses in the psalm instead of eight, as in our translation. This may have been prefixed to the psalm by the author himself, for it was not uncommon in ancient times for an author to prefix his name to his own composition, as is commonly done by the apostle Paul in his epistles. It is not absolutely certain, however, that this was done in the Psalms by the authors themselves, but it may have been done by him who collected and arranged the Psalms, indicating the prevalent belief in regard to the authorship, and under the Spirit of inspiration.

When he fled - On the occasion of his fleeing. That is, it was composed at that time, or was subsequently composed in remembrance of it. See Introduction, Section 2.

From Absalom his son - See the introduction, Section 2.

Lord, how are they increased - How are they multiplied; or, how numerous they are. Perhaps the idea is, that at first they seemed to be comparatively few in number, but had now so multiplied as to endanger his crown and life. This is an appropriate expression on the supposition that it refers to Absalom. At first the number of those who adhered to Absalom was not so great as to excite much alarm; but by the arts of a demagogue, by complaining of the government, by saying that if he were made a judge in tim land, every man would have justice done him 2 Samuel 15:4-5, he won the hearts of the people, and gathered so many under his standard as to make it necessary that the king should flee from Jerusalem to a place of safety.

That trouble me - literally, my enemies. The allusion is to those who were now enlisted under Absalom, and who were engaged in endeavoring to overthrow the government.

Many are they that rise up against me - That is, that have become my enemies.

2

Psalm 3:2

打开经文

有许多人议论我说——或者更恰当地说,也许是指他的“性命”,因为此处所用的词——נפשׁ nephesh——常有这个意思(Leviticus 17:11;Deuteronomy 12:23;Genesis 9:4;Genesis 35:18;1 Kings 17:21)。如这里所述,他们逼迫的对象并非严格意义上的他的“灵魂”(即按我们如今对这词的理解),而是他的性命;而且他们当时声称,这性命他们已稳操在手,一切迹象都表明,神现在不会干涉拯救他。他们对到手的猎物有完全的把握。试参 2 Samuel 17:1-4。

他得不着神的帮助——他完全被离弃了。他没有自卫的能力,如今也毫无逃脱我们之望;而且一切都表明,神并不打算介入拯救他。在押沙龙叛乱中(2 Samuel 16:1 及以下),情势似乎足以使这讥诮显得有理。大卫已被赶离他的王位和他的京城。当他有武装的部下和朋友环伺四周、又据守于坚固之城时,神尚且没有保护他;如今他成了一个被撇弃的逃亡者,几乎是孤身奔逃,寻找一个安全之所。倘若神没有在他居于王位、身在京城时护卫他;倘若祂容许他被赶走而不插手拯救,那就更没有理由指望祂如今会出面为他干预了;因此,他们得意地说,他的性命已无指望,甚至在他所信靠的那位神那里也是如此。在这世上,良善之人处于类似的试炼境况并不罕见:他们似乎被神也被人全然撇弃,以致他们的仇敌得意地说,他们已被完全抛弃。

细拉——סלה selâh。关于这个词,人们已经写了许多论述,但其含义似乎仍未完全确定。它在他尔根(即亚兰文意译本)中译作 לעלמין le‛alemiyn,意为“永远”,或“直到永世”。在拉丁文武加大译本中,它被略去,仿佛它并非正文的一部分。在七十士译本中,它被译作 Διάψαλμα Diapsalma,据认为指歌唱中声音的某种变化或转调。参 Sehleusner,Lexicon。这词在诗篇中出现七十一次,在哈巴谷书中出现三次,即 Habakkuk 3:3、Habakkuk 3:9、Habakkuk 3:13。在我们的译本中,它从未被翻译出来,而是在所有这些地方保留了原词“细拉”(Selah)。它只出现在诗歌中,据认为与诗歌的歌唱或吟诵有某种关联,很可能是一个音乐术语。一般而言,它也标示意义上的停顿,正如标示音乐演奏中的停顿一样。格泽尼乌斯(Gesenius,词典)认为,这音乐术语或记号最可能的含义是静默或停顿,其用途是在吟诵诗篇词句时,指示歌唱者静默、稍作停歇,同时由乐器演奏间奏或和声。

也许这已是如今所能确知关于这词含义的全部,而这也足以满足一切合理的探究。如果这词的用途果真如此,那么它大概通常会与经文的意思相呼应,插在意思出现合适停顿之处;而且通常无疑也会发现事实如此。但凡对乐谱记谱法稍有认识的人都会立刻看出,我们不可设想事情必定总是如此,因为音乐上的停顿绝不一定总与意义上的停顿相对应。因此,这个词对于确定其所在经文的含义,几乎提供不了什么帮助。埃瓦尔德(Ewald)与这见解不同,他认为这词倒是标示在它出现之处声音应当提高,与“向上、更高、洪亮或清晰”同义,源出于 סל sal、סלה sâlâh,意为上升。凡愿意就这词的含义以及音乐停顿的一般用法作进一步探究的人,可参 Ugolin,“Thesau. Antiq. Sacr.”,tom. xxii。

英文原文

Many there be which say of my soul - Or rather, perhaps, of his "life," for so the word used here - נפשׁ nephesh - frequently means Leviticus 17:11; Deuteronomy 12:23; Genesis 9:4; Genesis 35:18; 1 Kings 17:21. The object of their persecution, as here stated, was not his soul, as such, in the sense in which we now understand the word, but his life; and they now said that they were secure of that, and that all things indicated that God would not now interfere to save him. They were perfectly sure of their prey. Compare 2 Samuel 17:1-4.

There is no help for him in God - He is entirely forsaken. He has no power of defending himself, and no hope of escaping from us now, and all the indications are, that God does not intend to interpose and deliver him. Circumstances, in the rebellion of Absalom (2 Samuel 16:1 ff), were such as to seem to justify this taunt. David had been driven away from his throne and his capital. God had not protected him when he had his armed men and his friends around him, and when he was entrenched in a strong city; and now he was a forsaken fugitive, fleeing almost alone, and seeking a place of safety. If God had not defended him on his throne and in his capital; if he had suffered him to be driven away without interposing to save him, much less was there reason to suppose that he would now interpose in his behalf; and hence, they exultingly said that there was no hope for his life, even in that God in whom he had trusted. It is no uncommon thing in this world for good men to be in similar circumstances of trial, when they seem to be so utterly forsaken by God as well as men, that their foes exultingly say they are entirely abandoned.

Selah - סלה selâh. Much has been written on this word, and still its meaning does not appear to be wholly determined. It is rendered in the Targum, or Aramaic Paraphrase, לעלמין le‛alemiyn, forever, or to eternity. In the Latin Vulgate it is omitted, as if it were no part of the text. In the Septuagint it is rendered Διάψαλμα Diapsalma, supposed to refer to some variation or modulation of the voice in singing. Sehleusner, Lexicon. The word occurs seventy-one times in the Psalms, and three times in the Book of Habakkuk, Habakkuk 3:3, Habakkuk 3:9, Habakkuk 3:13. It is never translated in our version, but in all these places the original word "Selah" is retained. It occurs only in poetry, and is supposed to have had some reference to the singing or cantillation of the poetry, and to be probably a musical term. In general, also, it indicates a pause in the sense, as well as in the musical performance. Gesenius (Lexicon) supposes that the most probable meaning of this musical term or note is silence, or pause, and that its use was, in chanting the words of the psalm, to direct the singer to be silent, to pause a little, while the instruments played an interlude or harmony.

Perhaps this is all that can now be known of the meaning of the word, and this is enough to satisfy every reasonable inquiry. It is probable, if this was the use of the term, that it would commonly correspond with the sense of the passage, and be inserted where the sense made a pause suitable; and this will doubtless be found usually to be the fact. But any one acquainted at all with the character of musical notation will perceive at once that we are not to suppose that this would be invariably or necessarily the fact, for the musical pauses by no means always correspond with pauses in the sense. This word, therefore, can furnish very little assistance in determining the meaning of the passages where it is found. Ewald supposes, differing from this view, that it rather indicates that in the places where it occurs the voice is to be raised, and that it is synonymous with up, higher, loud, or distinct, from סל sal, סלה sâlâh, to ascend. Those who are disposed to inquire further respecting its meaning, and the uses of musical pauses in general, may be referred to Ugolin, 'Thesau. Antiq. Sacr.,' tom. xxii.

3

Psalm 3:3

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“但你耶和华是我四围的盾牌”——不只是在这些危险中,而是在一切危险中。这里的宣告具有概括的形式,仿佛他随时都能信靠祂。这显明他在这里所论到的事上——危险四伏围绕他之时——的心情,也显明他在危难之时素来的心情。盾牌是古代军装中人所共知的一部分,按古代的作战方式,在使用刀剑、长矛和箭矢时有它的用处,但也只在那时有用,因为它挡不住火枪或炮弹。盾牌通常用坚韧的厚皮制成,固定在框边上,系于左臂,遇攻击时可以随时挡在身前;或按通常持盾的姿势,使身体的重要部位得到保护。见 Ephesians 6:14-16 的注释。从盾牌的这一用途,人们自然称神为祂子民的“盾牌”或“保护者”——这是圣经中常赐给祂的称号(Genesis 15:1;Deuteronomy 33:29;2 Samuel 22:3;Psalm 28:7;Psalm 119:114;Psalm 144:2;Psalm 33:20;Psalm 84:11;Proverbs 30:5)。

“是我的荣耀”——即我的尊荣,或我尊荣的来源。意思是:我所享有的一切尊荣都是祂所赐的;而我能信靠祂,这本身就是我的荣耀。在危险与患难之时得以倚靠祂,我看为一种尊荣——每一个神真正的儿女都会赞同这心情。

“又是叫我抬起头来的”——人在患难忧愁之中,头自然下垂,仿佛被痛苦的重量压住。见 Psalm 35:14:“我屈身悲哀,如同人为母亲哀痛”;Psalm 38:6:“我疼痛,大大拳曲,终日哀痛”。参 Psalm 42:5;Psalm 44:25;Psalm 57:6;John 19:30。因此,抬起头来,或使人抬起头来,就是解除他的痛苦,或除去他的烦恼。大卫说,神向来是他这样的帮助者,他仰望祂为如今仍能帮助他的那一位。也就是说,他深信神能完全除去他现在的忧伤,使他恢复先前幸福而尊荣的境况。

英文原文

But thou, O Lord, art a shield for me - Not only in these dangers, but in all dangers. The declaration here has a general form, as if he could trust in him at all times. It shows what his feelings were on the occasion here referred to, when dangers stood thick around him, and what his feelings habitually were in times of peril. The shield was a well-known part of ancient armor, of use, according to the ancient modes of warfare, when swords, and spears, and arrows were employed, but of use only then, since they would constitute no defense against a musket or cannonball. They were usually made of tough and thick hides, fastened to a rim, and so attached to the left arm that they could be readily thrown before the body when attacked, or so that, as they were usually held, the vital parts of the body would be protected. See the notes at Ephesians 6:14-16. From this use of the shield it was natural to speak of God as the "shield," or the "Protector" of his people - an appellation which is often given to him in the Scriptures (Genesis 15:1; Deuteronomy 33:29; 2 Samuel 22:3; Psalm 28:7; Psalm 119:114; Psalm 144:2; Psalm 33:20; Psalm 84:11; Proverbs 30:5.

My glory - My honor, or the source of my honor. That is, he bestows upon me all the honor that I have, and it is my glory that I may put my trust in him. I regard it as an honor to be permitted, in times of danger and trouble, to rely on him - a sentiment in which every true child of God will unite.

And the lifter up of my head - The head, in time of trouble and sorrow is naturally bowed down, as if overpowered with the weight of affliction. See Psalm 35:14 : "I bowed down heavily as one that mourneth for his mother;" Psalm 38:6 : "I am bowed down greatly; I go mourning all the day." Compare Psalm 42:5; Psalm 44:25; Psalm 57:6; John 19:30. To lift up the head, therefore, or to raise one up, is to relieve his distresses, or to take away his troubles. Such a helper, David says, he had always found God to be, and he looks to him as one who is able to help him still. That is, he feels that God can so entirely take away his present griefs as to reinstate him in his former happy and honorable condition.

4

Psalm 3:4

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我求告耶和华——就是说,在这些患难之中,正如他在一切苦难中向来所行的那样。这里动词的形式是将来时——“我必求告”耶和华;然而其用意大概是陈述他一贯的习惯:患难一来,他总是求告耶和华。他如今说话,仿佛置身患难之中;把他素来在忧愁中的感受发表出来;并说:“我必求告耶和华”,以此表明他要放心向祂申诉的心志。因此,这语言与其说是回顾性的,不如说是表明他在患难之中内心一贯的状态。

用我的声音——不只是在心里,而是用言语把他灵魂深处的痛苦发表出来。救主在客西马尼园中就是这样行的,Matthew 26:39;大多数人在深重的苦难中或许也是如此。人在那时自然会呼求帮助;而且,除了我们可以指望那时的任何祷告——哪怕只是内心的祷告——会蒙应允而带来解脱之外,单单把灵魂深处那仿佛郁积的情感抒发出来、倾吐出来,本身就有一分纾解。在平静的时日,我们满足于无声的愿望、轻微的叹息、与神甜美的心灵相交;在难以承受的试炼中,我们则用恳切的恳求言语把感受倾吐出来。

他就应允我——或作“那时他就垂听我”;即当我呼求的时候。诗人所指的是他一贯经历为真实的事:神是垂听祷告的神。

从他的圣山——即锡安。参见 Psalm 2:6 的注释。那是大卫已经把约柜迁往的地方,因此被视为至高者特别的居所。人既视祂为住在锡安的神,就习惯向祂献上祷告,祂也习惯在那里应允祷告。大卫在此提到这一事实,作为他早年的日子已经印证过的事。他觉得,如今仍可以放心地向这位曾经这样应允他的神呼求。

细拉——表示新的诗节或音乐上的停顿。参见 Psalm 3:2 的注释。

英文原文

I cried unto the Lord - That is, in these troubles, as he had always done in affliction. The form of the verb here is future - "I will cry" or call unto the Lord; probably, however, designed to state a general habit with him, that when troubles came he always called on the Lord. He speaks now of himself as if in the midst of the trouble; gives utterance to the feeling which he has always had in his sorrows; and says, "I will call upon the Lord," thus declaring his purpose to make his appeal confidently to him. Thus, the language is not so much retrospective as it is indicative of the uniform state of his mind in the midst of afflictions.

With my voice - Not merely mentally, but he gave utterance to the deep anguish of his soul in words. So the Saviour did in the garden of Gethsemane Matthew 26:39; and so, perhaps, most persons do in deep affliction. It is natural then to cry out for help; and besides the fact that we may hope that any prayer then, though mental only, would bring relief by being answered, there is a measure of relief found by the very act of giving utterance or vent to the deep and, as it were, pent-up feelings of the soul. In calmer times we are satisfied with unuttered aspirations, with gentle ejaculations, with sweet mental communion with God; in overwhelming trials we give utterance to our feelings in the earnest language of pleading.

And he heard me - Or, "then he hears me;" that is, when I call. The psalmist refers to what he had constantly found to be true, that God was a hearer of prayer.

Out of his holy hill - Zion. See the notes at Psalm 2:6. That was the place to which David had removed the ark, and which was regarded, therefore, as the special dwelling-place of the Most High. To him, as dwelling in Zion, prayer was accustomed to be offered, and there he was accustomed to answer prayer. To this fact David here refers as one that had been illustrated in his former days. To that God who had thus answered him he felt that he might confidently appeal now.

Selah - Indicating another strophe or musical pause. See the notes at Psalm 3:2.

5

Psalm 3:5

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我躺下睡觉——虽有这些患难与危险,我仍深信神垂听祷告,并安然信靠他的保护,因此我安然躺下,稳然入睡。诗篇作者以此作为神奇妙保护与恩宠的非凡明证。他被逐出京都、宝座与家园。他被迫如可怜的逃亡者般流离,随行者仅寥寥数友。他被数以千计的仇敌追逼。他遭放逐,受自己儿子的迫害;随从那儿子的,还有年长而富于战阵经验的人。仇敌的军兵随时可能临到他。在这些境况中,他虽受逼迫,又因自己儿子忘恩负义的行为而满心忧苦焦虑,仍能在那可怕之夜安然躺卧而眠——他视此为神恩宠的独特明证,也是信靠神的人从信心所得平安的例证:Psalm 127:2。作为这样的明证与例证,它可以这样看:神恩宠之无可言喻的价值的明证,以及在患难之时信靠神使人心得安宁与平安之功效的例证。

我醒着——仍然安全无恙。他没有被仇敌突然袭击、坠入死亡之眠;他未被心灵的痛苦压碎。一夜酣睡之后,清晨得“醒过来”;再得起身享受人生;再得问候朋友、与他们一同分享灵修之特权——这一切都当常被视为神良善的新明证,并当引人发出赞美。我们并无能力使自己醒来;当我们想到每夜有多少人从这世界被取去——有多少人躺下睡眠便不再醒来——我们就绝不应从安歇之床起身,而不先将最初的思想以感恩归于我们伟大的保守者。

耶和华都保佑我——他保守我脱离危险;他保全我不死。人睡眠时,神是生命的扶持者,这在今日与那时同样真实。他护卫我们;他使心脏的搏动持续不息,把血液推送遍及全身;无论我们睡时醒时,他都保全肺腑柔和的起伏。

英文原文

I laid me down and slept - Notwithstanding these troubles and dangers I had such confidence that God hears prayer, and such calm trust in his protection, that I laid me down gently and slept securely. The psalmist mentions this as a remarkable proof of the divine protection and favor. He was driven from his capital, his throne, and his home. He was compelled to wander as a poor fugitive, accompanied by only a few friends. He was pursued by enemies, who were numbered by thousands. He was made an exile, and persecuted by his own son; and with this son there were men of age and of experience in war. The forces of his enemies might come upon him at any moment. In these circumstances, persecuted as he was, and under all the anxiety and distress which he felt in view of the ungrateful conduct of his own son, he regarded it as a singular proof of the divine favor, and as an illustration of the peace which confidence in God gives to those who put their trust in him, that on such a dreadful night he was permitted to lie calmly down and sleep. As such a proof and illustration it may be regarded here: a proof of the unspeakable value of the divine favor, and an illustration of the effect of confidence in God in giving calmness and peace of mind in time of trouble. Psalm 127:2.

I awaked - Still safe and secure. He had not been suddenly attacked by his foes, and made to sleep the sleep of death; he had not been crushed by anguish of spirit. That we are "awaked" in the morning after a night's refreshing slumber; that we are raised up again to the enjoyments of life; that we are permitted again to greet our friends and to unite with them in the privileges of devotion, should always be regarded as a new proof of the goodness of God, and should lead to acts of praise. We have no power to awake ourselves; and when we remember how many are taken away from our world each night - how many there are who lie down to sleep to wake no more, we should never rise from a bed of repose without giving our first thoughts in gratitude to our Great Preserver.

For the Lord sustained me - He kept me from danger; he preserved me from death. And it is as true now as it was then, that God is the supporter of life when men sleep. He guards us; he causes the action of the heart to be continued as it propels the blood through our frame; he secures the gentle heaving of the lungs, both when we slumber and when we wake.

6

Psalm 3:6

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我也不怕——作为神保护之新明证的结果,并鉴于神所行、所应许的一切,诗篇作者如今说,无论多少仇敌起来攻击他,他都不惧怕。这信靠与欢畅的灵,在某种意义上或可视为他所享那平静爽快之眠的“结果”。心灵和身体一样得了更新与力量。在新晨的亮光中,他以更愉快的看法和盼望观看周围的事物,并感到有新的力量去面对他所遭的危险。谁在患难忧愁中没有这样的经历呢?谁不曾体验夜晚的安睡与清晨的光线所施的影响——赐下新的活力、激发新的盼望——仿佛回归的白昼是人生更光明景象的象征,夜影的消散是一切患难忧愁终必逃遁的预兆?

虽有成万的百姓——即无数的人;虽有亿万的人摆阵攻击我。当然他在此并非声称数字精确;但他感到仇敌的数目极多。在押沙龙的叛乱中,情形“确实”如此。亚希多弗向押沙龙提议“挑选一万二千人”,让他可以追赶大卫,这暗含随从他的人实际远多于此(2 Samuel 17:1)。

来周围攻击我——即布阵攻击我;或起来背叛我;企图从四面围困我。当然,在这样的叛乱中这是必须顾虑的;然而大卫说,他如今能以平静的心看待这一切,因为他信靠神。比较 Psalm 56:3。

英文原文

I will not be afraid - As the result of this new proof of the divine protection, and in view of all that God has done and has promised, the psalmist now says that he would not be afraid though any number of foes should rise up against him. Perhaps this confiding and exulting spirit may be regarded in some measure as the "result" of the calm and refreshing slumber which he had enjoyed. The mind as well as the body had been refreshed and invigorated. With the bright light of a new morning he looked with more cheerful views and hopes on the things around him, and felt new strength to meet the dangers to which he was exposed. Who in trouble and sorrow has not felt this? Who has not experienced the influence of the slumbers of a night and of the light of the morning, in giving new vigour and inspiring new hopes, as if the returning day was an emblem of brighter scenes in life, and the passing away of the shades of night a token that all trouble and sorrow would flee away?

Of ten thousands of people - Myriads: Though myriads are arrayed against me. He does not, of course, pretend to any exactness here; but he felt that the number of his enemies was very great. This "was" the case in the rebellion of Absalom. Ahithophel proposed to Absalom to "choose out twelve thousand men" with whom he might pursue after David, implying that the number with him was actually much greater than that, 2 Samuel 17:1)

That have set themselves against me - That have arrayed themselves against me; or that have risen up in rebellion against me.

Round about - Intending to hem me in on every side. Of course this was to be apprehended in such a rebellion; yet David says that he could now look with calmness on all this, for he had confidence in God. Compare Psalm 56:3.

7

Psalm 3:7

打开经文

耶和华啊,求你起来!——这是圣经中呼求神的一种常见方式,仿佛他一直静坐不动、无所作为。这当然是从人的观念取来的语言,因为在劳作或争战的间歇,我们或坐或卧,再投入劳作时便从坐卧的姿态起来。人心也就习惯于这样想到神。这里的意思很简单:大卫如今呼求神为他介入,拯救他。

我的神啊,求你救我!——他仍被众多仇敌包围,因此恳切呼求神帮助他。他照圣经中常见的用法,也照神一切子民所当作的,称他为“我的神”。就是说,这是他区别于一切偶像、认作自己神的那一位,是曾以诸多怜悯待他、借此显明自己是他的神的那一位。

因为你打了我一切仇敌的腮骨——意思是指在以往的危急关头,或以往的事例中。他在与扫罗、与非利士人并与四围列国的争战中,神都这样待他;这一切的结果,是神立他登上王位,使他掌管国度。他记念这一切,便满怀确信地呼求:神从前为他成就的,如今也必成就;尽管他四面受敌,神必再次介入。同样,我们也可以借着记念神昔日为我们所行的事,在现今的患难或危险中得着安慰与把握。曾在以往的危难中拯救我们的,仍能拯救我们;我们可以相信,那位在那些危难中没有撇下我们的,如今也必不丢弃我们。

腮骨——这话似乎是把他的仇敌比作野兽;含义是,神已解除了他们的武装,如同人敲掉狮子或老虎的牙齿那样。腮骨是指牙齿所在的那块骨头;击打它,就解除了猛兽的攻击力。因此,这里的观念不是“羞辱”,意思只是说,神已剥夺了他们加害于他的能力。

你敲碎了恶人的牙齿——同一观念在此以另一个形式表达,仿佛野兽的牙齿被敲掉,使它们不再伤人。神既曾在往日这样解除仇敌的武装,诗人便指望他如今也必如此行,并满有把握地求他施行。

英文原文

Arise, O Lord - This is a common mode of calling upon God in the Scriptures, as if he had been sitting still, or had been inactive. It is, of course, language taken from human conceptions, for in the intervals of active effort, in labor or in battle, we sit or lie down, and when we engage in toil we arise from our sitting or recumbent posture. So the mind accustoms itself to think of God. The idea is simply that David now calls upon God to interpose in his behalf and to deliver him.

Save me, O my God - He was still surrounded by numerous enemies, and he, therefore, calls earnestly upon God to help him. In accordance with a common usage in the Scriptures, and with what is right for all the people of God, he calls him "his" God: "O my God." That is, he was the God whom he recognized as his God in distinction from all idols, and who had manifested himself as his God by the many mercies which he had conferred on him.

For thou hast smitten all mine enemies - That is, in former exigencies, or on former occasions. In his conflicts with Saul, with the Philistines, and with the surrounding nations, he had done this; and as the result of all he had established him on the throne, and placed him over the realm. In the remembrance of all this he appeals with the full confidence that what God had done for him before He would do now, and that, notwithstanding he was surrounded with numerous foes, He would again interpose. So we may derive comfort and assurance in present trouble or danger from the recollection of what God has done for us in former times. He who has saved us in former perils can still save us; we may believe that he who did not forsake us in those perils will not leave us now.

Upon the cheek-bone - This language seems to be taken from a comparison of his enemies with wild beasts; and the idea is, that God had disarmed them as one would a lion or tiger by breaking out his teeth. The cheek-bone denotes the bone in which the teeth are placed; and to smite that, is to disarm the animal. The idea here is not that of "insult," therefore; but the meaning is simply that he had deprived them of the power of doing him wrong.

Thou hast broken the teeth of the ungodly - The same idea is here expressed under another form, "as if" the teeth of wild animals were broken out, rendering them harmless. As God had thus disarmed his enemies in times past, the psalmist hoped that he would do the same thing now, and he confidently called on him to do it.

8

Psalm 3:8

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救恩属乎耶和华——即救人是唯独属于神的。诗人并不指望拯救自己;他对自己臂膀孤立无援的勇力毫无信心。他感到,他若要得救,唯有靠神,而救恩的赞美也当归于他。这里特别指的是今生的拯救,即脱离当时四围的危险;但这一宣告对属灵的拯救——灵魂的救恩——正如对脱离今生的危险一样真实。在两种情形中,都是唯独神施行拯救,一切的赞美都当归于他。

愿你赐福给你的百姓——或者更恰当地说,“愿你的福临到你的百姓”,把这话视为“祷告”而非“断言”。作为断言,这确实是真的(参较 Psalm 2:12);但把它视为一个祈求,更符合此处的上下文,也是本诗篇更恰当的结语,表达一种恳切的愿望,愿神的福永远临到他自己的百姓身上。这样,诗人的思想就从自己的危险转向他人的境况;从他个人的处境转向整个教会的处境;他祈愿其他所有人都能从神那里得着他曾丰盛享有、并盼望继续享有的同样恩宠。从自己的境况转向他人的境况,并愿自己所享有的能为各地神的百姓所共享,这是真敬虔的特征之一。

英文原文

Salvation belongeth unto the Lord - That is, it pertains to God alone to save. The psalmist had no expectation of saving himself; he had no confidence in the unaided prowess of his own arm. If he was to be saved he felt that it was to be only by God, and the praise of this was to be given to Him. The particular reference here is to temporal deliverance, or deliverance from the dangers which surrounded him then; but the declaration is as true of spiritual deliverance - of the salvation of the soul - as it is of deliverance from temporal danger. In both cases it is true that God only saves, and that all the praise is due to him.

Thy blessing is upon thy people - Or perhaps, rather, "thy blessing be upon thy people," regarding this as a "prayer" rather than an "affirmation." It is true, indeed, as an affirmation (compare Psalm 2:12); but it accords better with the connection here, and is a more appropriate conclusion of the psalm to regard it as a petition, expressing an earnest desire that the blessing of God might ever rest upon his own people. Then the thoughts of the psalmist are turned away from his own perils to the condition of others; from his individual case to that of the Church at large; and he prays that all others may find the same favors from God which he had so richly enjoyed, and which he hoped still to enjoy. It is one of the characteristics of true piety thus to turn from our own condition to that of others, and to desire that what we enjoy may be partaken of by the people of God everywhere.