Barnes' Notes on the Bible · Psalms 第3章

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Psalms 第 3 章

서론

Psalm 3 Introduction

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第一節 「本篇作者。」標題稱本詩為「大衛的詩」,這是頭一篇加有標明作者或寫作場合之標題的詩。這標題見於亞蘭文意譯本、拉丁武加大譯本、七十士譯本、敘利亞譯本、亞拉伯譯本和埃提阿伯譯本。誠然不能確定這標題是誰所加,但沒有理由懷疑它的正確性。詩中的情感與大衛不止一次身處的境況相合,也正是我們可以推想他在那些境況中會表達的情感。

第二節 「本篇寫作緣由。」按標題所述,本詩是大衛「逃避他兒子押沙龍的時候」寫的。即它寫於他逃避押沙龍之時——或鑒於那事件而寫,表達他在那場合的情感,雖然也可能成文於其後。這兩種假設都沒有內在的不可能性,因為雖然在他逃亡之時當然有許多騷亂、激動與焦慮,但設想這些思想曾經過他的心頭,而在事態演進之中,趁稍事休息的片刻、或夜間守望之時,他以這詩的形式傾吐這些深沉的情感,並非不可能。Kimchi 說,古時拉比的意見認為,本詩正是大衛赤腳、蒙頭、逃離耶路撒冷上橄欖山之時所寫的(2 Samuel 15:30)。

然而,不必設想他在這些境況中真會投身於詩歌創作的工作;但再沒有比這更可能的了:這些思想確曾經過他的心頭;而一等騷亂的場面稍告平息,他抓住頭一個平靜安寧的時刻,把這些思想化為詩句,也是最自然不過的。誠然,本詩的本身就有證據表明它正是在這樣的場合寫成的。在 Psalm 3:1-2,詩中暗指他仇敵的眾多、那些起來攻擊他的人,並表達他鑒於此而有的激動與焦慮;接著又陳明他在這些境況中曾呼求耶和華,神從他的聖山上應允了他;並且雖有這些驚恐,他仍蒙允躺下睡覺,因為耶和華保佑他(Psalm 3:4-5)。在這些境況之後——在他原以為必是可怕的一夜竟得保全平安之後——還有什麼比寫成我們眼前這樣一篇詩更合宜、更自然的呢?

本詩若是大衛所寫,就最可能是標題所設想的時候——他逃避他兒子押沙龍的時候。他生平再沒有別的時期可以視為與它相配,除非是掃羅的時期、掃羅對他發動的逼迫。Hitzig 誠然以為後者才是它寫成的場合;但可以答覆如下:

(a) 這沒有直接的證據。

(b) 標題當視為良好的證據,除非能用明確的證明把它推翻。

(c) 本詩的內容適用於掃羅的時期,並不多過於適用於押沙龍的時期。

(d) 在掃羅逼迫的時期,大衛未曾處於 Psalm 3:4 所暗示的境況——「從他的聖山上應允我」。按這話語的公正解釋,這必須理解為指錫安山(試參 Psalm 2:6 的註釋),並暗示大衛在所述之時已是登基的王,並已以那山為他權柄的所在。這在掃羅時代尚未發生;也沒有理由如 Hitzig 那樣設想所指的是何烈山。

這裡設想所指的大衛逃亡,記載在 2 Samuel 15-18。押沙龍背叛他的父親;聚集了國中大量心懷不滿的人;藉著要履行所許之願的名義,得了前往希伯崙的許可,又指示他的黨羽在那裡與他會合,並作了安排,要在那裡被立為王。他如此狡詐,黨羽如此眾多,叛離的規模看來如此之大,大衛又如此措手不及,以致惟一的生路似乎只在逃亡。大衛帶著少數隨從離開耶路撒冷,越過橄欖山,打算尋一個避難之所。這是他一生的大試煉,因為再沒有比兒子忘恩、竟尋索父親性命更大的試煉了。這事的一切情節,都使我們可以推想,大衛必會以本詩中這樣的言語向神呼求。

Horsley 誠然反對說,本詩中「沒有什麼特別指涉這事件」,因此他以為標題當是「信徒求拯救脫離無神陰謀的禱告」。但原文標題中沒有什麼與此相當;也沒有必要離開通行的假設。誠然,本詩沒有明確提到押沙龍;但幾乎所有的詩篇都可以這樣說。大衛的詩篇有相當一部分,無疑是鑒於作者當時的處境而寫,目的是表達他在那場合的感受;但它們也是為整體教會而寫,是要在教會中為將來歷代所用;因此,詩中的情感以普遍的形式表達,對當地的指涉或僅輕輕帶過,或全然省略。這或許也是真實敬虔之性質的一個標誌:它會暫時轉離、忘記個人和當地的苦境,而吐出能表達歷代、各種境況中神兒女之情感的敬虔言語。本詩因此成為普遍通用的詩篇;其言語也適合歷代教會使用。

DeWette 又反對說,本詩全然缺乏我們料想一位父親在這場合必會傾吐的柔情。但可以答覆:這不是傾吐這種情感的場合。他的思想集中於自己的危險;仇敵的眾多;危難的突臨;那些起來攻擊他之人極大的忘恩與罪惡。這是仰望神救助的時候,不是向不孝叛子表達愛意的時候。當這兒子死了——當他不顧他自己作為君王和父親的命令與懇求、被處死之時(2 Samuel 18:5、2 Samuel 18:12、2 Samuel 18:14)——他才把整個心傾倒出來,所用的是前所未有、後世也無可比擬的言語(2 Samuel 18:33)。

第三節 「本篇分析。」本詩自然而有規則地分為四個詩節或四部分,每部分包含兩節;其中三部分以「細拉」一詞作結,表明在文意上、曲調上、或兩者之中有一停頓。參見 Psalm 3:2 的註釋。

一、第一部分表達詩人因許多仇敵起來攻擊他而有的焦慮,Psalm 3:1-2。

二、第二部分表達他在患難之中對神的信靠,Psalm 3:3-4。神是他的盾牌、他的幫助者,從他的聖山應允他的禱告。

三、第三部分提述這事實:在患難中,他與原先有理由懼怕的相反,竟蒙允平靜躺下睡覺,並在早晨再起來。鑒於此,他經休息而重新得力,又有了神恩惠保護的新憑據,便說雖有成萬的百姓周圍攻擊他,他也不懼怕,Psalm 3:5-6。

四、在第四部分,詩人呼求神起來拯救他;因為神先前曾打擊他仇敵的腮骨,打落了惡人的牙齒;救恩惟獨屬乎他,Psalm 3:7-8。

英文原文

Section 1. The author. This psalm purports in the title to be "A Psalm of David," and is the first one to which a title indicating authorship, or the occasion on which a psalm was composed, is prefixed. The title is found in the Aramaic Paraphrase, the Latin Vulgate, the Septuagint, the Syriac, the Arabic, and the Ethiopic versions. It is not, indeed, certain by whom the title was prefixed, but there is no reason to doubt its correctness. The sentiments in the psalm accord with the circumstances in which David was more than once placed, and are such as we may suppose he would express in those circumstances.

Section 2. The occasion on which the psalm was composed. The psalm, according to the title, purports to have been written by David, "when he fled from Absalom his son." That is, it was composed at the time when he fled from Absalom - or in view of that event, and as expressive of his feelings on that occasion, though it might have been penned afterward. Neither of these suppositions has any intrinsic improbability in it, for though at the time when he fled there was, of course, much tumult, agitation, and anxiety, yet there is no improbability in supposing that these thoughts passed through his mind, and that while these events were going forward, during some moments taken for rest, or in the nightwatches, he may have given vent to these deep feelings in this poetic form. Kimchi says that it was the opinion of the ancient rabbis that this psalm was actually composed when David, with naked feet, and with his head covered, ascended the Mount of Olives, as he fled from Jerusalem, 2 Samuel 15:30.

It is not necessary, however, to suppose that in these circumstances he would actually give himself to the task of a poetic composition; yet nothing is more probable than that such thoughts passed through his mind, and nothing would be more natural than that he should seize the first moment of peace and calmness - when the agitation of the scene should be in some measure over - to embody these thoughts in verse. Indeed, there is evidence in the psalm itself that it was actually penned on some such occasion. There is Psalm 3:1-2 an allusion to the great number of his foes, and to those who had risen up against him, and an expression of his agitation and anxiety in view of that; and there is then a statement that he had, in these circumstances, cried unto the Lord, and that God had heard him out of his holy hill, and that, notwithstanding these alarms, he had been permitted to lie down and sleep, for the Lord had sustained him Psalm 3:4-5. In these circumstances - after preservation and peace during what he had apprehended would be a dreadful night - what was more proper, or more natural, than the composition of such a psalm as the one before us?

If the psalm was composed by David, it was most probably at the time supposed in the title - the time when he fled from Absalom his son. There is no other period of his life to which it could be regarded as fitted, unless it were the time of Saul, and the persecutions which he waged against him. Hitzig indeed supposes that the latter was the occasion on which it was written; but to this it may be replied:

(a) That there is no direct evidence of this.

(b) That the title should be regarded as good evidence, unless it can be set aside by some clear proofs.

(c) That the contents of the psalm are no more applicable to the time of Saul than to the time of Absalom.

(d) That in the time of the persecutions of Saul, David had not been in such circumstances as are implied in Psalm 3:4, "he heard me out of his holy hill." This, according to the fair construction of the language, must be understood as referring to Mount Zion (compare the notes at Psalm 2:6), and implies that David at the time referred to was the established king, and had made that the seat of his authority. This had not occurred in the time of Saul; and there can be no reason for supposing, as Hitzig does, that Mount Horeb is intended.

The flight of David, which is supposed to be referred to here, is described in 2 Samuel 15-18. Absalom rebelled against his father; gathered together a great number of the disaffected in the kingdom; and under pretence of performing a vow which he had made, obtained permission to go to Hebron, having given instructions to his followers to meet him, and having made arrangements to be proclaimed king there. So artful had he been, so numerous were his followers, so extensive seemed to be the defection, and so little prepared was David to meet it, that the only prospect of safety seemed to be in flight. With a few attendants David left Jerusalem, and passed over the Mount of Olives, designing to seek a place of refuge. This was to him the great trial of his life, for there is no greater trial than the ingratitude of a son when he seeks the life of his father. All the circumstances of this case are such that we should suppose that David would cry to God in some such language as is found in this psalm.

It is indeed objected by Horsley that there is "nothing in the psalm that had any particular reference to this event," and hence, he supposes that the title should be, "Prayer of a Believer for Deliverance from the Atheistical Conspiracy." But there is nothing in the original title that corresponds with this; and there is no need for departing from the common supposition. It is true that there is in the psalm no express mention of Absalom; but the same remark may be made of nearly all the psalms. A considerable portion of David's psalms were doubtless composed in view of the circumstances in which the writer was placed, and were designed to be expressive of his own feelings on the occasion, but they were also designed for the Church at large, and were intended to be used in the Church in all times to come, and hence, a general form is given to the sentiments, and the local allusion is barely referred to, or omitted altogether. It is, perhaps, also an indication of the nature of true devotion, that it will turn away from, or forget, for the time, the personal and local circumstances of distress, and give utterance to sentiments of piety that will express the feelings of the children of God in all ages and in all circumstances. The psalm thus becomes one of general use; and the language is such as is adapted to the use of the Church in all generations.

It is also objected by DeWette that the psalm is devoid of all the tender feelings which we should suppose the heart of a father would pour out on such an occasion. But to this it may be replied, that this was not the occasion to pour out such feelings. The thoughts are fixed on his own danger; on the nnmber of his enemies; on the suddenness of the peril; on the great ingratitude and crime of those who had risen up against him. It is a time to look to God for help; not a time to express affection for an ungrateful and rebellious son. When this son died - when he was put to death in violation of the commands and entreaties of himself as a king and a father 2 Samuel 18:5, 2 Samuel 18:12, 2 Samuel 18:14 - he poured forth all his heart in language such as had never been used before, and has never been equalled since, 2 Samuel 18:33.

Section 3. Analysis of the psalm. The psalm is naturally and regularly divided into four strophes or parts, each one embracing two verses; and in three of them closed by the word Selah, indicating a pause either in the sense, in the melody, or in both. See the notes at Psalm 3:2.

I. The first is expressive of the anxiety of the psalmist from the fact that many enemies had risen up against him, Psalm 3:1-2.

II. The second expresses his confidence in God in the midst of his troubles, Psalm 3:3-4. He was his shield and his helper, and he heard his prayer out of his holy hill.

III. The third refers to the fact that in his troubles he had, contrary to what there had been reason to apprehend, been permitted to lie down calmly and to sleep, and to arise again in the morning. In view of this, refreshed and invigorated by rest, and having this new proof of the divine favor and protection, he says that he would not be afraid though ten thousands of people should set themselves against him round about, Psalm 3:5-6.

IV. In the fourth part, the psalmist calls upon God to arise and save him for in other times he had smitten his enemies upon their cheek bone, and had broken the teeth of the ungodly, and salvation belonged only unto him, Psalm 3:7-8.

1

Psalm 3:1

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「大衛的詩」——按字面,屬於大衛;即屬於他,因他是作者。這在希伯來文中標為第一節,敘利亞文譯本、拉丁武加大譯本及七十士譯本也是如此;因此,在希伯來文及這些譯本中,本篇共有九節,而我們的譯本則為八節。這標題可能是作者自己加在詩前的,因為古時作者將自己的名字冠於著作之首,並非罕見之事,使徒保羅在書信中便常常這樣行。然而,我們不能絕對確定詩篇中的標題是作者本人所加,它也可能是那位收集並編排詩篇的人所加,用以標明當時關於作者身份的普遍見解,並且是在默示之靈的引導下而作。

「當他逃避……的時候」——即在他逃避之時。這意思是,本詩作於那時,或是後來為追念那事而作。見導論第二節。

「逃離他兒子押沙龍」——見導論第二節。

「耶和華啊,我的敵人何其加增」——他們何等增多;或說,他們何等眾多。這觀念也許是:起初他們的人數似乎相對不多,如今卻激增到危及他的王冠與性命的地步。若這詩是指押沙龍而言,這便是一個貼切的表述。起初附從押沙龍的人數尚未大到足以引起多大警覺;但他以煽動者的手段,抱怨朝政,聲稱他若被立為這地的士師,人人都必得公正的審斷(2 Samuel 15:4-5),便贏得了民心,糾集了這麼多人歸於他的旗下,以致王不得不從耶路撒冷逃往安全之地。

「攪擾我的」——按字面,我的敵人。這是指當時投在押沙龍麾下、力圖傾覆政府的人。

「有許多人起來攻擊我」——意即,他們成了我的仇敵。

英文原文

A Psalm of David - literally, belonging to David; that is, belonging to him as the author. This is marked in the Hebrew as the first verse, and so in the Syriac version, the Latin Vulgate, and the Septuagint, making in the Hebrew, and in each of these versions, nine verses in the psalm instead of eight, as in our translation. This may have been prefixed to the psalm by the author himself, for it was not uncommon in ancient times for an author to prefix his name to his own composition, as is commonly done by the apostle Paul in his epistles. It is not absolutely certain, however, that this was done in the Psalms by the authors themselves, but it may have been done by him who collected and arranged the Psalms, indicating the prevalent belief in regard to the authorship, and under the Spirit of inspiration.

When he fled - On the occasion of his fleeing. That is, it was composed at that time, or was subsequently composed in remembrance of it. See Introduction, Section 2.

From Absalom his son - See the introduction, Section 2.

Lord, how are they increased - How are they multiplied; or, how numerous they are. Perhaps the idea is, that at first they seemed to be comparatively few in number, but had now so multiplied as to endanger his crown and life. This is an appropriate expression on the supposition that it refers to Absalom. At first the number of those who adhered to Absalom was not so great as to excite much alarm; but by the arts of a demagogue, by complaining of the government, by saying that if he were made a judge in tim land, every man would have justice done him 2 Samuel 15:4-5, he won the hearts of the people, and gathered so many under his standard as to make it necessary that the king should flee from Jerusalem to a place of safety.

That trouble me - literally, my enemies. The allusion is to those who were now enlisted under Absalom, and who were engaged in endeavoring to overthrow the government.

Many are they that rise up against me - That is, that have become my enemies.

2

Psalm 3:2

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「有許多人議論我說」——或者更恰當地說,或許是指他的「性命」,因為此處所用的字——נפשׁ nephesh——常有這個意思(Leviticus 17:11;Deuteronomy 12:23;Genesis 9:4;Genesis 35:18;1 Kings 17:21)。如這裏所述,他們逼迫的對象並不是他的靈魂本身(按我們現今對這詞的理解),而是他的性命;他們當時說,這性命已是穩操在他們手中,而且種種情形都表明,神現在不會干涉拯救他。他們對到手的獵物有十足的把握。試參 2 Samuel 17:1-4。

「他得不着神的幫助」——他已被完全離棄。他沒有自衛的能力,如今也沒有從我們手中逃脫的希望,而種種跡象都表明,神不打算介入拯救他。在押沙龍叛亂之時(2 Samuel 16:1 及以下),種種情形似乎足以叫這譏誚顯得有理。大衛已被趕離他的寶座和他的京城。當他有武裝的部下和朋友環繞、駐守在堅固城中的時候,神尚且沒有保護他;如今他更是一個被棄的逃亡者,幾乎孤身奔逃,尋找安身之處。倘若神沒有在寶座上、在京城裏護衛他;倘若祂容許他被趕走而不插手拯救,那就更沒有理由設想祂如今會為他介入了;因此,他們得意地說,他的性命沒有指望了,連他所信靠的那位神也不會拯救他。在這世上,善人處於類似試煉境況的情形並不少見:他們似乎被神也被人完全離棄,以致他們的仇敵得意地說,他們已被全然撇棄。

「細拉」(סלה selâh)——關於這個字,人們已寫了許多論述,但其意義至今似乎仍未完全確定。在他爾根(亞蘭文意譯本)中,它被譯作 לעלמין le‛alemiyn,即「永遠」,或「直到永恆」。在拉丁文武加大譯本中,這字被略去,彷彿它並非正文的一部分。在七十士譯本中,它被譯作 Διάψαλμα Diapsalma,一般認為是指歌唱中聲音的某種變化或轉調(Sehleusner,Lexicon)。這字在詩篇中出現七十一次,在哈巴谷書中出現三次(Habakkuk 3:3、Habakkuk 3:9、Habakkuk 3:13)。在我們的譯本中,這字從未被翻譯出來;在所有這些地方,原文「Selah」一詞都保留下來。它只出現於詩歌體中,一般認為它與詩歌的歌唱或誦詠有某種關係,很可能是一個音樂術語。一般而言,它也標示意義上的停頓,正如音樂演奏中的停頓一樣。格澤尼烏斯(Gesenius,Lexicon)認為,這音樂術語或音符最可能的意思是靜默或停頓,其用途是在誦唱詩篇的字句時,指示歌唱者靜默、稍作停頓,同時由樂器奏出間奏或和聲。

關於這字的意義,如今所能知道的,或許就只有這些;而這已足以滿足一切合理的探究。倘若這就是這術語的用途,那麼它大概通常會與經文的意思相呼應,並被插在意思宜於停頓之處;這一點無疑通常會被發現屬實。然而,凡是對記譜法性質略有認識的人,都必立刻看出,我們不能設想這是恆常或必然的事實,因為音樂上的停頓絕不總是與意思上的停頓相應。因此,這字對於確定它所在經文的意義,所能提供的幫助甚少。埃瓦爾德(Ewald)與這見解不同,他認為這字毋寧是指在其出現之處聲音應當提高,與「向上」、「更高」、「響亮」或「清晰」同義,出自 סל sal、סלה sâlâh,即「上升」。凡願意就這字的意義以及音樂停頓的一般用法作進一步探究的人,可參閱烏戈林(Ugolin,"Thesau. Antiq. Sacr.",tom. xxii.)。

英文原文

Many there be which say of my soul - Or rather, perhaps, of his "life," for so the word used here - נפשׁ nephesh - frequently means Leviticus 17:11; Deuteronomy 12:23; Genesis 9:4; Genesis 35:18; 1 Kings 17:21. The object of their persecution, as here stated, was not his soul, as such, in the sense in which we now understand the word, but his life; and they now said that they were secure of that, and that all things indicated that God would not now interfere to save him. They were perfectly sure of their prey. Compare 2 Samuel 17:1-4.

There is no help for him in God - He is entirely forsaken. He has no power of defending himself, and no hope of escaping from us now, and all the indications are, that God does not intend to interpose and deliver him. Circumstances, in the rebellion of Absalom (2 Samuel 16:1 ff), were such as to seem to justify this taunt. David had been driven away from his throne and his capital. God had not protected him when he had his armed men and his friends around him, and when he was entrenched in a strong city; and now he was a forsaken fugitive, fleeing almost alone, and seeking a place of safety. If God had not defended him on his throne and in his capital; if he had suffered him to be driven away without interposing to save him, much less was there reason to suppose that he would now interpose in his behalf; and hence, they exultingly said that there was no hope for his life, even in that God in whom he had trusted. It is no uncommon thing in this world for good men to be in similar circumstances of trial, when they seem to be so utterly forsaken by God as well as men, that their foes exultingly say they are entirely abandoned.

Selah - סלה selâh. Much has been written on this word, and still its meaning does not appear to be wholly determined. It is rendered in the Targum, or Aramaic Paraphrase, לעלמין le‛alemiyn, forever, or to eternity. In the Latin Vulgate it is omitted, as if it were no part of the text. In the Septuagint it is rendered Διάψαλμα Diapsalma, supposed to refer to some variation or modulation of the voice in singing. Sehleusner, Lexicon. The word occurs seventy-one times in the Psalms, and three times in the Book of Habakkuk, Habakkuk 3:3, Habakkuk 3:9, Habakkuk 3:13. It is never translated in our version, but in all these places the original word "Selah" is retained. It occurs only in poetry, and is supposed to have had some reference to the singing or cantillation of the poetry, and to be probably a musical term. In general, also, it indicates a pause in the sense, as well as in the musical performance. Gesenius (Lexicon) supposes that the most probable meaning of this musical term or note is silence, or pause, and that its use was, in chanting the words of the psalm, to direct the singer to be silent, to pause a little, while the instruments played an interlude or harmony.

Perhaps this is all that can now be known of the meaning of the word, and this is enough to satisfy every reasonable inquiry. It is probable, if this was the use of the term, that it would commonly correspond with the sense of the passage, and be inserted where the sense made a pause suitable; and this will doubtless be found usually to be the fact. But any one acquainted at all with the character of musical notation will perceive at once that we are not to suppose that this would be invariably or necessarily the fact, for the musical pauses by no means always correspond with pauses in the sense. This word, therefore, can furnish very little assistance in determining the meaning of the passages where it is found. Ewald supposes, differing from this view, that it rather indicates that in the places where it occurs the voice is to be raised, and that it is synonymous with up, higher, loud, or distinct, from סל sal, סלה sâlâh, to ascend. Those who are disposed to inquire further respecting its meaning, and the uses of musical pauses in general, may be referred to Ugolin, 'Thesau. Antiq. Sacr.,' tom. xxii.

3

Psalm 3:3

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「但你耶和華是我四圍的盾牌」——不僅在這些危險中,在一切危險中都是如此。這裏的宣告具有一般的語氣,彷彿他無論何時都可以信靠祂。這既顯明他在這裏所指的場合、就是危險四面環繞之時的心情,也顯明他在危難時慣常的心情。盾牌是古代兵器中廣為人知的一部分;在刀、矛、箭交相使用的古代戰法中大有用處,但也只在當時有用,因為它抵擋不了火槍或炮彈。盾牌通常以堅韌厚實的皮革製成,固定在邊框上,繫於左臂,使人在受攻擊時能迅速把它擋在身前,或按通常持拿的方式,使身體的要害部位得着保護。見 Ephesians 6:14-16 的註釋。由於盾牌的這種用途,人自然稱神為祂百姓的「盾牌」或「保護者」——聖經中常常這樣稱呼祂(Genesis 15:1;Deuteronomy 33:29;2 Samuel 22:3;Psalm 28:7;Psalm 119:114;Psalm 144:2;Psalm 33:20;Psalm 84:11;Proverbs 30:5)。

「是我的榮耀」——即我的尊榮,或我尊榮的來源。意思是:我所有的一切尊榮都是祂所賜的;而我能信靠祂,這正是我的榮耀。在危險與患難之中得以倚靠祂,我看為莫大的尊榮——這種感受,凡神真正的兒女都必認同。

「又是叫我抬起頭來的」——在患難與憂傷之中,人的頭自然低垂,彷彿被苦難的重壓壓住一般。見 Psalm 35:14:「我屈身悲哀,如同人為母親哀痛」;詩篇 38:6:「我疼痛,甚是彎腰;我終日哀痛。」並參 Psalm 42:5;Psalm 44:25;Psalm 57:6;John 19:30。因此,抬起頭來,或使人重新抬起頭來,就是解除他的痛苦,除去他的患難。大衛說,神向來就是這樣幫助他的;他仰望祂,看祂為至今仍能幫助他的那一位。意思是:他深信神能完全除去他目前的憂傷,使他恢復先前幸福而尊榮的境況。

英文原文

But thou, O Lord, art a shield for me - Not only in these dangers, but in all dangers. The declaration here has a general form, as if he could trust in him at all times. It shows what his feelings were on the occasion here referred to, when dangers stood thick around him, and what his feelings habitually were in times of peril. The shield was a well-known part of ancient armor, of use, according to the ancient modes of warfare, when swords, and spears, and arrows were employed, but of use only then, since they would constitute no defense against a musket or cannonball. They were usually made of tough and thick hides, fastened to a rim, and so attached to the left arm that they could be readily thrown before the body when attacked, or so that, as they were usually held, the vital parts of the body would be protected. See the notes at Ephesians 6:14-16. From this use of the shield it was natural to speak of God as the "shield," or the "Protector" of his people - an appellation which is often given to him in the Scriptures (Genesis 15:1; Deuteronomy 33:29; 2 Samuel 22:3; Psalm 28:7; Psalm 119:114; Psalm 144:2; Psalm 33:20; Psalm 84:11; Proverbs 30:5.

My glory - My honor, or the source of my honor. That is, he bestows upon me all the honor that I have, and it is my glory that I may put my trust in him. I regard it as an honor to be permitted, in times of danger and trouble, to rely on him - a sentiment in which every true child of God will unite.

And the lifter up of my head - The head, in time of trouble and sorrow is naturally bowed down, as if overpowered with the weight of affliction. See Psalm 35:14 : "I bowed down heavily as one that mourneth for his mother;" Psalm 38:6 : "I am bowed down greatly; I go mourning all the day." Compare Psalm 42:5; Psalm 44:25; Psalm 57:6; John 19:30. To lift up the head, therefore, or to raise one up, is to relieve his distresses, or to take away his troubles. Such a helper, David says, he had always found God to be, and he looks to him as one who is able to help him still. That is, he feels that God can so entirely take away his present griefs as to reinstate him in his former happy and honorable condition.

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Psalm 3:4

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「我用我的聲音求告耶和華」——即在這些患難之中,如同他素來在受苦時所行的一樣。這裏動詞的形式是將來時——「我要求告耶和華」;不過大概是要陳明他的一貫習慣:患難一來,他總是求告耶和華。他如今說話,彷彿身在患難之中;把他素來在憂傷中所有的感受表達出來;並說「我要求告耶和華」,以此表明他要坦然向祂呼求的心志。因此,這話與其說是回顧,不如說是表明他在患難之中一貫的心境。

「用我的聲音」——不是僅在心中,而是用言語把他靈魂深處的痛苦傾訴出來。救主在客西馬尼園中也是這樣(Matthew 26:39);大多數人在深重的苦難中大概也是這樣。那時呼求幫助是自然的事;而且,除了那時任何禱告——即使只是心中的禱告——都可望蒙應允而帶來舒解之外,把靈魂深處那彷彿鬱積的情感傾吐出來,這行動本身就帶來某種釋放。在較平靜的時候,我們滿足於無言的願望、輕柔的短禱、與神甜蜜的心靈相交;在壓倒性的試煉中,我們便用懇切的言語把感受傾訴出來。

「他就從他的聖山上應允我」——或作「那時他就聽我」;即當我呼求的時候。詩人提到他屢次發現為真的事實:神是垂聽禱告的神。

「從他的聖山」——即錫安。見 Psalm 2:6 的註釋。那是大衛安置約櫃的地方,因此被視為至高者特別的居所。人慣於向住在錫安的祂禱告,祂也慣於在那裏應允禱告。大衛在此提起這件在他早年的日子裏已經印證的事實。他感到,如今仍可以坦然向這位曾這樣應允他的神呼求。

「細拉」——表示另一節詩段或音樂的休止。見 Psalm 3:2 的註釋。

英文原文

I cried unto the Lord - That is, in these troubles, as he had always done in affliction. The form of the verb here is future - "I will cry" or call unto the Lord; probably, however, designed to state a general habit with him, that when troubles came he always called on the Lord. He speaks now of himself as if in the midst of the trouble; gives utterance to the feeling which he has always had in his sorrows; and says, "I will call upon the Lord," thus declaring his purpose to make his appeal confidently to him. Thus, the language is not so much retrospective as it is indicative of the uniform state of his mind in the midst of afflictions.

With my voice - Not merely mentally, but he gave utterance to the deep anguish of his soul in words. So the Saviour did in the garden of Gethsemane Matthew 26:39; and so, perhaps, most persons do in deep affliction. It is natural then to cry out for help; and besides the fact that we may hope that any prayer then, though mental only, would bring relief by being answered, there is a measure of relief found by the very act of giving utterance or vent to the deep and, as it were, pent-up feelings of the soul. In calmer times we are satisfied with unuttered aspirations, with gentle ejaculations, with sweet mental communion with God; in overwhelming trials we give utterance to our feelings in the earnest language of pleading.

And he heard me - Or, "then he hears me;" that is, when I call. The psalmist refers to what he had constantly found to be true, that God was a hearer of prayer.

Out of his holy hill - Zion. See the notes at Psalm 2:6. That was the place to which David had removed the ark, and which was regarded, therefore, as the special dwelling-place of the Most High. To him, as dwelling in Zion, prayer was accustomed to be offered, and there he was accustomed to answer prayer. To this fact David here refers as one that had been illustrated in his former days. To that God who had thus answered him he felt that he might confidently appeal now.

Selah - Indicating another strophe or musical pause. See the notes at Psalm 3:2.

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Psalm 3:5

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「我躺下睡覺」——雖有這一切患難與危險,我仍深信神垂聽禱告,並安然信靠祂的保護,因此我安然躺下,睡得穩妥。詩篇作者提說這事,作為神保護與恩寵的顯著明證。他被逐出京都、王位與家園;他被迫如可憐的逃亡者漂流,跟隨他的只有少數朋友;他被數以千計的仇敵追趕;他被自己的兒子放逐、迫害;與這兒子同流的,還有年長而富於戰陣經驗的人。仇敵的軍隊隨時可能臨到他。在這些境況中,在他因自己兒子忘恩負義的行徑而感受的一切焦慮痛苦之下,在這樣可怕的一夜,他竟蒙准安然躺臥入睡——他視之為神恩寵的獨特明證,也說明信靠神的人因着信神所得的平安。作為這樣的明證與例證,它在這裏可如此領會:這是神恩寵無可言喻之價值的明證,也是信靠神在患難中賜人內心安寧與平安之效的例證(Psalm 127:2)。

「我醒着」——仍舊安全穩妥。他沒有被仇敵突然襲擊、墜入死亡的沉睡;也沒有被心靈的痛苦壓碎。我們在一夜酣睡之後的清晨「醒來」;我們再被興起享受生命;我們再蒙准問候朋友、與他們共享靈修的特權——這一切都當視為神良善的新明證,並當引發讚美。我們沒有能力叫自己醒來;當我們想到每晚有多少人離開這世界——有多少人躺下睡了卻不再醒來——我們從安歇之床起身時,決不可不把最初的思想化為感恩,歸與我們偉大的保全者。

「耶和華都保佑我」——祂保守我脫離危險;祂保全我免於死亡。如今與當時一樣真實:人睡眠時,神是生命的支持者。祂護衛我們;祂使心臟的搏動持續,把血液輸送到全身;無論我們睡着或醒着,祂保守肺腑輕柔的起伏。

英文原文

I laid me down and slept - Notwithstanding these troubles and dangers I had such confidence that God hears prayer, and such calm trust in his protection, that I laid me down gently and slept securely. The psalmist mentions this as a remarkable proof of the divine protection and favor. He was driven from his capital, his throne, and his home. He was compelled to wander as a poor fugitive, accompanied by only a few friends. He was pursued by enemies, who were numbered by thousands. He was made an exile, and persecuted by his own son; and with this son there were men of age and of experience in war. The forces of his enemies might come upon him at any moment. In these circumstances, persecuted as he was, and under all the anxiety and distress which he felt in view of the ungrateful conduct of his own son, he regarded it as a singular proof of the divine favor, and as an illustration of the peace which confidence in God gives to those who put their trust in him, that on such a dreadful night he was permitted to lie calmly down and sleep. As such a proof and illustration it may be regarded here: a proof of the unspeakable value of the divine favor, and an illustration of the effect of confidence in God in giving calmness and peace of mind in time of trouble. Psalm 127:2.

I awaked - Still safe and secure. He had not been suddenly attacked by his foes, and made to sleep the sleep of death; he had not been crushed by anguish of spirit. That we are "awaked" in the morning after a night's refreshing slumber; that we are raised up again to the enjoyments of life; that we are permitted again to greet our friends and to unite with them in the privileges of devotion, should always be regarded as a new proof of the goodness of God, and should lead to acts of praise. We have no power to awake ourselves; and when we remember how many are taken away from our world each night - how many there are who lie down to sleep to wake no more, we should never rise from a bed of repose without giving our first thoughts in gratitude to our Great Preserver.

For the Lord sustained me - He kept me from danger; he preserved me from death. And it is as true now as it was then, that God is the supporter of life when men sleep. He guards us; he causes the action of the heart to be continued as it propels the blood through our frame; he secures the gentle heaving of the lungs, both when we slumber and when we wake.

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Psalm 3:6

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「我也不怕」——作為神保護之新明證的結果,並鑒於神已行、已應許的一切,詩篇作者如今說:即使有任何數目的仇敵起來攻擊他,他也不害怕。這種信靠與誇勝的心靈,或可在某種程度上視為他所享受那平靜清爽之睡眠的「結果」。心靈與身體同得更新與力量。在新一日明亮的光中,他以更愉快的眼光和盼望看待周圍的事物,並感到新的力量去面對他所暴露於其中的危險。在患難憂傷之中,誰不曾有這經歷?誰不曾經歷夜間睡眠與清晨之光的影響——它賦予新的活力、激發新的盼望,彷彿重臨的白晝是人生更光明景象的表徵,夜影的消散是一切患難憂傷終必逃遁的記號?

「成萬的人」——無數的人;即雖有無數的人列陣攻擊我。他當然不是在此假裝任何確數;但他感到仇敵的數目極大。在押沙龍的叛亂中,情形「確」是如此。亞希多弗向押沙龍提議「挑選一萬二千人」,今夜便去追趕大衛,這暗示跟隨他的實際人數遠多於此,2 Samuel 17:1。

「來周圍攻擊我」——即列陣攻擊我;或起來背叛我。周圍——意圖從四面圍困我。在這樣的叛亂中,這當然是可慮的;但大衛說,他如今能平靜觀看這一切,因為他信靠神。比較 Psalm 56:3。

英文原文

I will not be afraid - As the result of this new proof of the divine protection, and in view of all that God has done and has promised, the psalmist now says that he would not be afraid though any number of foes should rise up against him. Perhaps this confiding and exulting spirit may be regarded in some measure as the "result" of the calm and refreshing slumber which he had enjoyed. The mind as well as the body had been refreshed and invigorated. With the bright light of a new morning he looked with more cheerful views and hopes on the things around him, and felt new strength to meet the dangers to which he was exposed. Who in trouble and sorrow has not felt this? Who has not experienced the influence of the slumbers of a night and of the light of the morning, in giving new vigour and inspiring new hopes, as if the returning day was an emblem of brighter scenes in life, and the passing away of the shades of night a token that all trouble and sorrow would flee away?

Of ten thousands of people - Myriads: Though myriads are arrayed against me. He does not, of course, pretend to any exactness here; but he felt that the number of his enemies was very great. This "was" the case in the rebellion of Absalom. Ahithophel proposed to Absalom to "choose out twelve thousand men" with whom he might pursue after David, implying that the number with him was actually much greater than that, 2 Samuel 17:1)

That have set themselves against me - That have arrayed themselves against me; or that have risen up in rebellion against me.

Round about - Intending to hem me in on every side. Of course this was to be apprehended in such a rebellion; yet David says that he could now look with calmness on all this, for he had confidence in God. Compare Psalm 56:3.

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Psalm 3:7

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「耶和華啊,求你起來」——這是聖經中呼求神的一種常見方式,彷彿祂一直靜坐不動、無所作為。這當然是取自人意念的說法,因為人在辛勞或爭戰之間的間歇坐臥,再投入勞作時便起來。人心也慣於這樣想到神。其意念只是:大衛如今求神介入,為他行事,拯救他。

「我的上帝啊,求你救我」——他仍被眾多仇敵四圍環繞,因此懇切求神幫助。他照着聖經中常見的用法、並照着神一切子民都當有的本分,稱祂為「我的」上帝。就是說,這是他有別於一切偶像、所承認為自己上帝的一位;而且祂已藉着所賜他的許多憐憫,顯明自己是他的上帝。

「因為你擊打了我一切仇敵的腮骨」——就是說,在從前的危急關頭,在已往的境況中。他與掃羅、與非利士人、與四圍列國的爭戰中,神都這樣行了;這一切的結果,是神立他坐上寶座,使他掌管國度。他記念這一切,便滿懷把握地呼求:神從前為他行的事,如今也必行;他雖被眾多仇敵圍困,神必再次介入。照樣,我們也可以從回想神在已往為我們所行的事,在眼前的患難或危險中得着安慰與把握。那位在從前的危難中拯救了我們的,仍能拯救我們;我們可以相信,那位在那些危難中沒有撇棄我們的,如今也必不丟下我們。

「擊打腮骨」——這話似乎出於把仇敵比作猛獸;其意念是,神解除了他們的武裝,如同人打掉獅子或老虎的牙齒一樣。腮骨是牙齒所在之骨;擊打那骨,就是解除那猛獸的武裝。所以這裏並沒有「羞辱」的意念;其意義只是說,神剝奪了他們傷害他的能力。

「敲碎了惡人的牙齒」——這裏以另一形式表達同樣的意念,「彷彿」猛獸的牙齒被打掉,使牠們不再能傷人。神既然從前這樣解除了他仇敵的武裝,詩篇作者便指望祂如今也照樣行,並滿有把握地求祂這樣行。

英文原文

Arise, O Lord - This is a common mode of calling upon God in the Scriptures, as if he had been sitting still, or had been inactive. It is, of course, language taken from human conceptions, for in the intervals of active effort, in labor or in battle, we sit or lie down, and when we engage in toil we arise from our sitting or recumbent posture. So the mind accustoms itself to think of God. The idea is simply that David now calls upon God to interpose in his behalf and to deliver him.

Save me, O my God - He was still surrounded by numerous enemies, and he, therefore, calls earnestly upon God to help him. In accordance with a common usage in the Scriptures, and with what is right for all the people of God, he calls him "his" God: "O my God." That is, he was the God whom he recognized as his God in distinction from all idols, and who had manifested himself as his God by the many mercies which he had conferred on him.

For thou hast smitten all mine enemies - That is, in former exigencies, or on former occasions. In his conflicts with Saul, with the Philistines, and with the surrounding nations, he had done this; and as the result of all he had established him on the throne, and placed him over the realm. In the remembrance of all this he appeals with the full confidence that what God had done for him before He would do now, and that, notwithstanding he was surrounded with numerous foes, He would again interpose. So we may derive comfort and assurance in present trouble or danger from the recollection of what God has done for us in former times. He who has saved us in former perils can still save us; we may believe that he who did not forsake us in those perils will not leave us now.

Upon the cheek-bone - This language seems to be taken from a comparison of his enemies with wild beasts; and the idea is, that God had disarmed them as one would a lion or tiger by breaking out his teeth. The cheek-bone denotes the bone in which the teeth are placed; and to smite that, is to disarm the animal. The idea here is not that of "insult," therefore; but the meaning is simply that he had deprived them of the power of doing him wrong.

Thou hast broken the teeth of the ungodly - The same idea is here expressed under another form, "as if" the teeth of wild animals were broken out, rendering them harmless. As God had thus disarmed his enemies in times past, the psalmist hoped that he would do the same thing now, and he confidently called on him to do it.

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Psalm 3:8

開啟正文

「救恩屬乎耶和華」 — 即拯救唯獨屬於神。詩人不指望拯救自己;他不信賴自己膀臂在無人相助時的勇武。他若要得救,他深感那只能出於神,而這事的讚美也當歸給他。這裏所特別指的,是屬世的解救,即脫離當時四圍的危險;但這宣言用於屬靈的拯救——靈魂的救恩——正如用於屬世危難的解脫一樣真實。在兩種情形中,都是唯獨神施行拯救,一切的讚美都當歸於他。

「願你賜福給你的百姓」 — 或者也許更恰切地說:「願你的賜福常臨你的百姓」,即把這話視為一項「祈求」,而非一項「斷言」。誠然,作為斷言它是真實的(參 Psalm 2:12);但把它視為一個祈願,更符合此處的上下文,也是本詩更合宜的結語,表達一個懇切的願望,願神的賜福永遠臨到他自己的子民。於是詩人的思念從自身的危難轉向他人的境況;從他個人的遭遇轉向整體教會的光景;他祈願一切別人也能從神得着他自己所豐豐富富享受、並盼望繼續享受的同樣恩惠。真敬虔的特徵之一,正是這樣從自己的境況轉向他人,並願我們所享受的,能為各地神的子民所同享。

英文原文

Salvation belongeth unto the Lord - That is, it pertains to God alone to save. The psalmist had no expectation of saving himself; he had no confidence in the unaided prowess of his own arm. If he was to be saved he felt that it was to be only by God, and the praise of this was to be given to Him. The particular reference here is to temporal deliverance, or deliverance from the dangers which surrounded him then; but the declaration is as true of spiritual deliverance - of the salvation of the soul - as it is of deliverance from temporal danger. In both cases it is true that God only saves, and that all the praise is due to him.

Thy blessing is upon thy people - Or perhaps, rather, "thy blessing be upon thy people," regarding this as a "prayer" rather than an "affirmation." It is true, indeed, as an affirmation (compare Psalm 2:12); but it accords better with the connection here, and is a more appropriate conclusion of the psalm to regard it as a petition, expressing an earnest desire that the blessing of God might ever rest upon his own people. Then the thoughts of the psalmist are turned away from his own perils to the condition of others; from his individual case to that of the Church at large; and he prays that all others may find the same favors from God which he had so richly enjoyed, and which he hoped still to enjoy. It is one of the characteristics of true piety thus to turn from our own condition to that of others, and to desire that what we enjoy may be partaken of by the people of God everywhere.