Barnes' Notes on the Bible · Psalms 第6章

注释阅读优化

章节注释

Psalms 第 6 章

서론

Psalm 6 Introduction

打开经文

一、"诗篇的标题" 本诗的标题是"交与伶长,用丝弦的乐器,调用第八"。关于"伶长,用丝弦的乐器"一语的意义,参见 Psalm 4:1-8 标题的注释。"调用第八"一语在此首次出现,并限定标题的意义。Sheminith——שׁמינית shemı̂yı̂th——一词本义为"第八",恰与我们的"八度"(octave)一词对应。它在现代音乐中指相距七个音级、或十二个半音的音程,包含五个全音和两个半音。格塞尼乌斯(Gesenius,Lexicon)认为它在此指"音阶中最低、最沉的音,由男子唱出,即现代的低音"。这词在音乐意义上的用法见于 1 Chronicles 15:21,在列举众乐手的名字时:"玛他提、以利比勒……弹琴调用第八,领唱";页边注作"第八"。它也见于 Psalm 12:1-8 的标题。在圣经中论及音乐之处,它不出现于别处。如今大概已无法查明这词用于古音乐的精确意义,这也不重要。"调用第八"当是它恰当的译法;这在当时无疑是十分明白易懂的。即使过两三千年,如今通行的许多音乐术语也会难以解释。然而,这术语若如格塞尼乌斯所设想的是用来指低音,其意义就不难明白。它就意指本诗是要配上"Neginoth"所指的乐器伴奏、并用适合这"第八"——低音声部——的声音来唱的。惯常的低音声部大概可视为适合本诗的情感。

二、"本诗的作者" 本诗标明为大卫所写,诗中没有任何使我们怀疑这记述之真实性的内容。因此,可以假定它是他的作品。

三、"本诗写作的场合" 在英文译本的页首标题中,本诗被称为"大卫患病时的诉苦"。几乎无须说,这些页首标题是译者所加的,希伯来文中没有任何与之对应的东西。然而,关于本诗写作的场合,这一直是一种很流行的传统。霍斯利博士(Dr. Horsley)给它加上这标题:"一个病人身份的忏悔祷告";在解释本诗时,他设想祈求者是一个神秘性人物,其目的是以这样一个人物为形象来表现忏悔者的情感;或者说,"那病人就是信徒的灵魂,在自身软弱的感受下劳苦,切望那所应许的救赎;那疾病就是人的堕落所造成的败坏与紊乱"。路德(Luther)称它为"为身体与灵魂健康的忏悔祷告(Bussgebet)"。德维特(DeWette)视之为一个受压或遭难之人的祷告,以病人为形象;罗森米勒(Rosenmuller)赞同这见解。另一些人认为它是一篇因疾病而写的诗,并认为它是因押沙龙叛乱给大卫带来的疾病而写的。事实上,解经家中间相当普遍地同意这看法:既然前面两篇诗是着眼那场叛乱而写的,这篇也是如此。加尔文(Calvin)认为它不是特指"疾病"而写,而是指某场大灾祸——它使大卫感到自己临近坟墓边缘,从而有效地把他过去一生的罪带到他的记忆之中。

在这种不确定、这种关于写作场合缺乏确证的情况下,很自然要转向诗篇本身,查问是否有任何"内在"的迹象,使我们能以某种程度的或然性确定作者写作时的处境。这样,本诗关于其写作场合有以下内在标记:

一、作者身处仇敌之中,并因他们而处于极大的危险中。"我的眼睛因忧愁而干瘪,又因我一切的敌人而昏花"(Psalm 6:7)。"你们一切作孽的人,离开我吧"(Psalm 6:8)。"愿我的一切仇敌羞愧,大大惊惶"(Psalm 6:10)。那么,我们不会弄错:这是在大卫生平的某个时期,那时他众多的仇敌紧紧压迫他,危及他的性命。

二、他因这些试炼而破碎伤心;他没有体力承受累积灾祸的重担;他在这些烦恼与灾祸的重负下消沉,被带到坟墓边缘。有许多可怕的外在仇敌威胁他的性命;同时,在某件与此相关的事上,又有深重压碎性的"心里"痛苦,其结果是真实而危险的疾病——以致他被引去思想那永恒的世界已临近自己。因此,这是由特殊外患引起的真实疾病的情形。这从下列表达中显而易见:"耶和华啊,求你可怜我,因为我软弱;求你医治我,因为我的骨头发战"(Psalm 6:2)。"在死地无人记念你,在阴间有谁称谢你?"(Psalm 6:5)。"我因唉哼而困乏,我每夜流泪,把床榻漂起,把眼泪湿透褥子;我的眼睛因忧愁而干瘪"(Psalm 6:6-7)。这是一个被忧伤破碎伤心、不能承受重负而卧病在床之人所用的语言。外在的患难大得脆弱人身难以承受、身体被压垮而卧病在床、被带到坟墓边缘或坟墓本身,这并非罕见之事。

三、诗作者表达一种在这类情形中常见的感觉——对自己罪的问题深感焦虑,仿佛这些灾祸是因他的过犯、作为对他罪的惩罚而临到他。这在 Psalm 6:1 有所暗示:"耶和华啊,求你不要在怒中责备我,也不要在烈怒中惩罚我。"他视此为从神而来的"责备",并把它理解为"烈怒"的表达。这是人受苦时自然感觉的流露,因为心里会自发地产生这样的疑问:这苦难是否因为我们犯了什么罪,是否当视为神向我们发怒的证明。这疑问既自然又正当;大卫在所指的处境中,似乎充分感到了它的力量。

把这一切考虑在内,看来本诗大概写于押沙龙叛乱给大卫带来的患难之中;那时他被这些忧伤的重担压垮,体力衰竭,卧病在床,被带到坟墓边缘。

四、"本诗的内容" 本诗包含以下几点:

一、作者在患难中因感到神正为他的罪责备他、惩罚他,而恳求怜悯与同情的祈求,Psalm 6:1-2。如上所述,他深重的苦难使他探究:他受苦是否因他的罪,他是否当视他的忧伤为神因罪不悦于他的证明。

二、描述他的苦难,Psalm 6:2-7。他被忧伤压碎,变得"软弱";他的"骨头"都"发战";他临近坟墓;他因唉哼而困乏;他以眼泪湿透床榻;他的眼因忧愁干瘪。这些苦难一部分是身体的,一部分是心里的;或更恰当地说,如上所述,大概他心里的忧伤如此沉重,以致击垮了他的身体,使他卧病在床。

三、确信神已垂听他的祷告,他必胜过他的一切仇敌,他的一切患难必要过去,Psalm 6:8-10。盼望突然照入他受苦的灵魂;在这欢腾的情感之下,他向仇敌说话,叫他们离开他。他们不能得逞,因为耶和华听见了他的祷告。这突然的祷告蒙允——这可喜的思想转折——在诗篇中常会出现,仿佛诗作者正在恳求之时,祷告立即蒙了应允,光照入了黑暗的心。

英文原文
  1. "Title of the psalm." This psalm is inscribed "To the chief Musician on Neginoth upon Sheminith." On the meaning of the phrase "Chief Musician on Neginoth," see the notes at the title to Psalm 4:1-8 : The phrase "upon Sheminith" occurs here for the first time, and modifies the meaning of the title. The word Sheminith - שׁמינית shemı̂ynı̂yth - means properly "the eighth," and corresponds exactly to our word "octave," the eighth. It means in modern music an interval of seven degrees, or twelve semitones. It contains five full tones, and two semitones. It is supposed by Gesenius (Lexicon) here to denote "the lowest and gravest notes of the scale, sung by men, the modern bass or basso." The word occurs, in the musical use, in 1 Chronicles 15:21, in enumerating various names of musicians, "Mattithiah, and Elipheleh, etc., with harps on the Sheminith to excel;" margin, "or eighth." It is also found in the title to Psalm 12:1-8 : It does not elsewhere occur in reference to music in the Scriptures. It is probably not possible now to ascertain the precise meaning of the word as applicable to ancient music, and it is not important. The phrase "upon the octave" would properly be the true rendering of it; and this was doubtless quite intelligible at the time. It would be difficult to explain many of the musical terms now in use, after the lapse of two or three thousand years. If the term, however, was used, as is supposed by Gesenius, to denote the bass, its meaning is not difficult. It would then mean that the psalm was designed to be sung, accompanied with the instruments designated by "Neginoth," and with the voices appropriate to this "octave" - the bass voices. The usual bass voice might be supposed to be adapted to the sentiment in the psalm.

  2. "The author of the psalm." The psalm purports to have been written by David, and there is nothing in the psalm to lead us to doubt the truth of this representation. It may be assumed, therefore, to be his.

  3. "The occasion on which the psalm was written." In the, running title in the English version this psalm is called "David's complaint in his sickness." It is hardly necessary to say that these running titles were prefixed by the translators, and that there is nothing in the Hebrew that corresponds with this. Still, this has been a very prevailing tradition as to the occasion on which this psalm was composed. Dr. Horsley prefixes this title to it: "A penitential prayer in the character of a sick person," and in the exposition of this psalm supposes that the suppliant is a mystical personage, and that the object is to represent the feelings of a penitent under the image of such a personage, or that "the sick person is the believer's soul laboring under a sense of its infirmities and anxiously expecting the promised redemption; the sickness is the depravity and disorder occasioned by the fall of man." Luther entities it "A penitential prayer (Bussgebet), for the health of the body and the soul." DeWette regards it as the prayer of one oppressed or in trouble, under the image of a sick person; and in this opinion Rosemnuller concurs. Others regard it as a psalm composed in view of sickness, and suppose it was written in consequence of sickness brought upon David in consequence of the rebellion of Absalom. Indeed, there has been a pretty general concurrence among expositors in the sentiment that, as the two previous psalms were composed in view of that rebellion, so this was also. Calvin supposes that it was not composed specifically in view of "sickness," but of some great calamity that brought David to feel that he was near the borders of the grave, and that was thus the means of bringing the sins of his past life impressively to his remembrance.

In this uncertainty, and this want of positive testimony as to the occasion when the psalm was composed, it is natural to look to the psalm itself, and to inquire whether there are any "internal" indications which will enable us to determine with any degree of probability the circumstances of the writer at the time of its composition. The psalm, then, has the following internal marks as to the occasion on which it was composed:

I. The writer was in the midst of enemies, and in great peril on account of them. "Mine eye is consumed because of grief; it waxeth old because of all mine enemies," Psalm 6:7. "Depart from me, all ye workers of iniquity," Psalm 6:8. "Let all mine enemies be ashamed and sore vexed," Psalm 6:10. We cannot be mistaken, then, in supposing that this was at some period in the life of David, when his numerous enemies pressed hard upon him and endangered his life.

II. He was crushed and broken-hearted on account of these trials; he had not strength of body to bear up under the weight of accumulated woes; he sank under the burden of these troubles and calamities, and was brought near to the grave. There were many and formidable external foes who threatened his life; and there was, on some account, connected with this, deep and crushing "mental" anguish, and the result was actual and dangerous sickness - so that he was led to contemplate the eternal world as near to him. It became a case, therefore, of real sickness caused by unique outward troubles. This is manifest from such expressions as the following: - "I am weak; heal me: my bones are vexed" Psalm 6:2. "In death there is no remembrance of thee; in the grave who shall give thee thanks?" Psalm 6:5. "I am weary with my groaning; I water my couch with my tears: mine eye is consumed with grief," Psalm 6:6-7. This is such language as would be used by one who was crushed and broken-hearted with grief, and who, unable to bear up under the weighty load was laid, as the result of it, on a bed of languishing. It is not uncommon that outward troubles become too great for the feeble human frame to bear, and that, crushed beneath them, the body is laid upon a bed of languishing, and brought to the borders of the grave, or to the grave itself.

III. The psalmist expresses a feeling which is common in such cases - a deep anxiety on the subject of his own sin, as if these calamities had come upon him on account of his transgressions, and as a punishment for his sins. This is implied in Psalm 6:1 : "O Lord, rebuke me not in thine anger, neither chasten me in thy hot displeasure." He looked upon this as a "rebuke" from God, and construed it as an expression of "hot displeasure." This is the prompting of natural feeling when one is afflicted, for this inquiry spontaneously arises in the mind, whether the affliction is not on account of some sin which we have committed, and is not to be regarded as proof that God is angry with us. It is an inquiry as proper as it is natural, and David, in the circumstances referred to, seems to have felt its full force.

Taking all these considerations into view, it seems probable that the psalm was composed during the troubles brought upon David in the rebellion of Absalom, and when, crushed by the weight of these sorrows, his strength gave way, and he was laid on a bed of languishing, and brought near to the grave.

  1. "The contents of the psalm." The psalm contains the following points:

I. A plea of the author for mercy and compassion in trouble, under the apprehension that God was rebuking and punishing him for his sins, Psalm 6:1-2. His deep sufferings, described in the following verses, had, as remarked above, led him to inquire whether it was not on account of his sins that he was afflicted, and whether he ought not to regard his sorrow as proof that God was displeased with him for his sins.

II. A description of his sufferings, Psalm 6:2-7. He had been crushed with sorrow, and had become "weak;" his very "bones" were "vexed;" he was drawing near to the grave; he was weary with his groaning; he watered his couch with his tears; his eye was consumed with grief. These sufferings were partly bodily and partly mental; or rather, as suggested above, probably his mental sorrows had been so great as to prostrate his physical frame, and to lay him on a bed of languishing.

III. The assurance that God had heard his prayer, and that he would triumph over all his enemies, and that all his troubles would pass away, Psalm 6:8-10. Hope breaks in suddenly upon his afflicted soul, and, under this exulting feeling, he addresses his enemies, and tells them to depart from him. They could not be successful, for the Lord had heard his prayer. This sudden answer to prayer - this happy turn of thought - often occurs in the Psalms, as if, while the psalmist was pleading, an immediate answer to prayer was granted, and light broke in upon the darkened mind.

1

Psalm 6:1

打开经文

耶和华啊,求你不要在怒中责备我——仿佛神正借祂降下的患难责备他。这是诗人现今注意力所集中的一个焦点。他显然一直在默想自己的患难,探究其原因,并得出结论:这可能是因他的罪,他的试炼当被解读为神向他发怒的证明。因此,他说到神在“怒”中、在“烈怒”中临到他,并恳求神“不要”这样责备、惩治他。“责备”一词,与译作“惩罚”的那个词一样,本指“以言语”斥责罪犯,但也可用于指神借祂护理的作为施行斥责——当祂因人的罪把审判降在某人身上时。这正是这里的意思。诗人并不是担心神会公开“斥责”他的罪;而是他把神对他的作为视为这样的一种斥责,并恳求斥责的记号可以除去。全部的语言都表明受苦与罪之间的关联;以及我们受苦时那种“这必是因我们的罪”的感受。

也不要惩罚我——一个实质上表达同一件事的词;在此用于“惩罚”的意义。

在烈怒中——字面意思是“在你的烈火中”。我们论到怒气或忿怒,说它“燃烧”、“吞噬”。试参 Genesis 39:19;Numbers 11:33;Deuteronomy 11:17;Psalm 106:40;Job 19:11;Job 32:2-3;Psalm 2:12。

英文原文

O Lord, rebuke me not in thine anger - As if God was rebuking him by the affliction which he was bringing upon him. This is the point on which the attention of the psalmist is now fixed. He had been apparently contemplating his afflictions, and inquiring into their cause, and he was led to the conclusion that it might be for his sins, and that his trials were to be interpreted as proof that God was angry with him. He speaks, therefore, of God as visiting him in his "anger," and in his "hot displeasure," and pleads with him that he would "not" thus rebuke and chasten him. The word "rebuke" here, like the word rendered "chasten," properly refers to the reproof of an offender "by words," but may also be used to denote the reproof which God administers by his providential dealings when he brings judgment upon anyone for his sins. This is the meaning here. The psalmist did not apprehend that God would openly "reprove" him for his sins; but he regarded his dealings with him as such a reproof, and he pleads that the tokens of the reproof might be taken away. The whole language is that which indicates a connection between suffering and sin; the feeling which we have when we are afflicted that it must be on account of our sins.

Neither chasten me - A word denoting substantially the same thing; used here in the sense of "punishing."

In thy hot displeasure - literally, "in thy heat." We speak of anger or wrath as "burning," or "consuming." Compare Genesis 39:19; Numbers 11:33; Deuteronomy 11:17; Psalm 106:40; Job 19:11; Job 32:2-3; Psalm 2:12.

2

Psalm 6:2

打开经文

耶和华啊,求你可怜我——就是说,求你恩待我;或求你怜恤我。这样的话可以因着罪、因着苦难、或因着危险而发。它是呼求神介入、除去眼前某种祸患根源的呼喊;自觉是罪人的人可以用它,卧于病榻的人可以用它,被仇敌四围的人可以用它,临终的人可以用它,怀着忧虑眺望永恒世界的人也可以用它。诚然,这话通常是(试参 Psalm 51:1)在想到罪时向神发出的呼喊,恳求赦免与救恩;但在这里,它是在患难与危险、外面的忧伤与内心的痛苦面前发出的呼喊——这些已经压倒了受苦者的力气,使他卧于衰弱之榻。参见本篇引言第3节。

因为我软弱——此处的原文词——אמלל 'ûmlal——本义是凋萎或枯萎,如受病害的植物(Isaiah 24:7),或干旱中的田地(Isaiah 16:8);在此用于一个病人,他的力气已经枯竭殆尽。这样的人的光景被恰切地比作一株因缺水而枯萎的植物;这词在此正是在这个意义上使用的,指诗人自己,即他因外面的与内心的忧伤而生病之时。这样的影响在世上并不罕见。忧伤压倒人的力气——如同植物枯萎——并带来衰弱之病的情形,不胜枚举。

耶和华啊,求你医治我——这是适用于疾病情形的话,因此在这里按这意义解释最为自然。试参 Isaiah 19:22;Isaiah 30:26;Job 5:18;Genesis 20:17;Psalm 60:2;2 Chronicles 16:12;Deuteronomy 28:27。

因为我的骨头发战——“发战”一词我们如今通常用于精神的烦恼,尤其是较轻的一种——因小的挑衅而激怒、搅扰。但在这里,它如圣经中常见的用法一样,用于指折磨或痛苦。骨头是身体的力量与骨架;诗人在此的意思是说,他力量的源头本身已经崩垮;那支撑他的已经倒下;他的疾病与忧伤已透入他身体最坚固的部分。圣经中也常用“骨头”仿佛真的感受疼痛的语言,尽管如今已知骨头本身并不能感受疼痛。同样,人们也常使用仿佛骨头的“骨髓”特别敏感、如同神经一般的语言——尽管圣经中没有这种用法——这与普遍流行的观念相符,尽管如今已知骨的骨髓对痛苦完全无感。诗人在这里的用意,是要说他身体的每一部分都被压碎、被击打。

英文原文

Have mercy upon me, O Lord - That is, be gracious to me; or, show me compassion. This language may be used either in view of sin, of suffering, or of danger. It is a cry to God to interpose, and remove some present source of trouble, and may be employed by one who feels that he is a sinner, or by one on a bed of pain, or by one surrounded by enemies, or by one at the point of death, or by one who is looking out with apprehension upon the eternal world. It is commonly, indeed (compare Psalm 51:1), a cry to God in view of sin, pleading for pardon and salvation; but here it is a cry in view of trouble and danger, outward sorrow and mental anguish, that had overcome the strength of the sufferer and laid him on a bed of languishing. See introduction to the psalm, Section 3.

For I am weak - The original word here, אמלל 'ûmlal, means properly to languish or droop, as plants do that are blighted, Isaiah 24:7, or as fields do in a drought, Isaiah 16:8, and is here applied to a sick person whose strength is withered and gone. The condition of such an one is beautifully compared with a plant that withers for lack of moisture; and the word is used in this sense here, as referring to the psalmist himself when sick, as the result of his outward and mental sorrows. Such an effect has not been uncommon in the world. There have been numberless cases where sorrow has prostrated the strength - as a plant withers - and has brought on languishing sickness.

O Lord, heal me - This is language which would be properly applied to a case of sickness, and therefore, it is most natural to interpret it in this sense in this place. Compare Isaiah 19:22; Isaiah 30:26; Job 5:18; Genesis 20:17; Psalm 60:2; 2 Chronicles 16:12; Deuteronomy 28:27.

For my bones are vexed - The word "vexed" we now commonly apply to mental trouble, and especially the lighter sort of mental trouble - to irritate, to make angry by little provocations, to harass. It is used here, however, as is common in the Scriptures, in reference to torment or to anguish. The bones are the strength and framework of the body, and the psalmist means here to say that the very source of his strength was gone; that that which supported him was prostrated; that his disease and sorrow had penetrated the most firm parts of his body. Language is often used in the Scriptures, also, as if the "bones" actually suffered pain, though it is now known that the bones, as such, are incapable of pain. And in the same manner, also, language is often used, though that use of the word is not found in the Scriptures, as if the "marrow" of the bones were especially sensitive, like a nerve, in accordance with what is the common and popular belief, though it is now known that the marrow of the bones is entirely insensible to suffering. The design of the psalmist here is to say that he was crushed and afflicted in every part of his frame.

3

Psalm 6:3

打开经文

“我心也大大地惊惶”——这里译作“心”的那个词,是按人们通常的用法使用的,指心思、内心。其意思是:他的痛苦不仅仅是身体上的,其病根比骨头还要深。他的心思、他的心,也因着环绕他的环境、并招致这些身体病痛的境遇,满了伤痛。

“耶和华啊”——这是一个没有说完的句子,仿佛他已开始向神呼求,却没有把它说完。他好像是在说:“我在此受苦、衰弱;我的痛苦深重而未得减轻;至于你,耶和华啊”——似乎他接着要说,他原本盼望神会介入拯救;或要说,神的作为奥秘难测;或要说,这些作为看似奇怪或严厉;然而他收尾时,没有用任何抱怨的言语,只是简单地问:这些痛苦还要延续“几时”。

“要几时呢?”——即,你还要任凭我这样受苦多久呢?我未得减轻的剧痛还要持续多久呢?还要等多久你才介入解救我呢?这话表明,在他看来,这时间已经很久了——受苦之人通常觉得时间漫长(参 Job 7:2-4)——并且他一直在等候神介入帮助他。这是所有躺在病痛衰弱之榻上的人都可能会说的话。如今在他们看来,这时间确实漫长;然而,当他们从天上荣耀的世界回望时,它必显得短暂。参 2 Corinthians 4:17-18。

英文原文

My soul is also sore vexed - The word "soul" here is used in the sense in which it is commonly with us, as denoting the mind. The idea is, that his sorrows were not merely those of the bodily frame. They had a deeper seat than even the bones. His mind, his soul, was full of anguish also, in view of the circumstances which surrounded him, and which had brought on these bodily afflictions.

But thou, O Lord - This is a broken sentence, as if he had commenced an address to God, but did not complete it. It is as if he had said, "Here I suffer and languish; my sorrows are deep and unmitigated; as for thee, O Lord" - as if he were about to say that he had hoped God would interpose; or, that his dealings were mysterious; or, that they seemed strange or severe; but he ends the sentence by no language of complaint or complaining, but by simply asking "how long" these sorrows were to continue.

How long? - That is, how long wilt thou leave me thus to suffer? How long shall my unmitigated anguish continue? How long will it be ere thou wilt interpose to relieve me? The language implies that in his apprehension it was already a long time - as time usually seems long to a sufferer (compare Job 7:2-4), and that he was constantly looking out for God to interpose and help him. This is language such as all persons may be inclined to use on beds of pain and languishing. It seems indeed long to them now; it will, however, seem short when they look back upon it from the glories of the heavenly world. Compare 2 Corinthians 4:17-18.

4

Psalm 6:4

打开经文

耶和华啊,求你转回搭救我——仿佛神已经离开他、任他死亡一般。这里的"性命"("soul")一词,是按它常见的意义使用的,即"生命"的意思,因为在下一节他提到坟墓——他显然感到自己正迅速走向那里。

哦,拯救我——即救我的性命;救我免于下到坟墓。搭救我脱离这些患难与危险。

因你的慈爱——

(a) 作为纯然出于怜悯的举动,因为他感到自己毫无权利,不能以权利和公义为由提出恳求;

(b) 为使神的怜悯得以显明,或因为神是一位有怜悯的存在者,因此也可以凭这一点向他呼吁。

这些如今仍是求神为我们介入的正当理由;而且,这实在也是我们惟一能以恳求他拯救我们的根据。

英文原文

Return, O Lord, deliver my soul - As if he had departed from him, and had left him to die. The word "soul" in this place is used, as it often is, in the sense of "life," for in the next verse he speaks of the grave to which he evidently felt he was rapidly descending.

O save me - Save my life; save me from going down to the grave. Deliver me from these troubles and dangers.

For thy mercies' sake -

(a) As an act of mere mercy, for he felt that he had no claim, and could not urge it as a matter of right and justice; and

(b) in order that God's mercy might be manifest, or because he was a merciful Being, and might, therefore, be appealed to on that ground.

These are proper grounds, now, on which to make an appeal to God for his interposition in our behalf; and, indeed, these are the only grounds on which we can plead with him to save us.

5

Psalm 6:5

打开经文

因为,在死地——指死人的状态;在坟墓中。

无人记念你——死去的人不记念你,也不想念你。这呼吁的“根据”在于:诗人把记念神、赞美神视为一件“可羡慕”的事,而死去的人不能这样做。因此他祷告,求神保全他的性命,使他恢复健康,好叫他在活人之地赞美他。类似的意思也见于 Psalm 30:9:“我被害流血,下到坑中,有什么益处呢?尘土岂能称赞你,传说你的诚实吗?”又如 Psalm 88:11:“岂能在坟墓里述说你的慈爱吗?岂能在灭亡中述说你的信实吗?”又如 Isaiah 38:18 中希西家的话:“原来,阴间不能称谢你,死亡不能颂扬你;下坑的人不能盼望你的诚实。”见该处经文的注释。类似的意思也见于 Job 10:21-22。见该处经文的注释。关于这话的含义,可以这样说:

(a) 应当承认,古代圣徒关于来世的光照远比我们少,他们倾吐情感时,往往说得仿佛坟墓之外尽是幽暗。

(b) 然而,他们虽在忧伤沮丧中如此说,在别的场合他们也表达了对来世的信仰,以及对将来世界之福乐的期望(例如比较 Psalm 16:10-11;Psalm 17:15)。

(c) 他们在沮丧病痛之时所说的话,岂不也表达了如今“我们”——即使拥有我们所领受的一切光照、怀有我们持守的一切盼望——常常有的感受吗?敬虔之人的生命中,即使对天国有强烈而恒久的盼望,岂不也有这样的时刻:心思把坟墓看作一座幽暗、阴沉、可憎的监牢,并且“如此”专注于它,以致看不见彼岸的世界吗?在这样的时刻,“生命”对我们岂不也显得像对大卫、对希西家、对约伯那样宝贵、那样可羡慕吗?

在阴间——希伯来文是 בשׁאול bishe'ôl,“在阴间(Sheol)”。关于这个词的含义,见 Isaiah 5:14 的注释;Isaiah 14:9 的注释;Job 7:9 的注释。它在这里的含义与“坟墓”一词没有实质差别。

有谁称谢你?——谁要“赞美”你?其观念是:那时“没有人”赞美神。那是“寂静”之地。见 Isaiah 38:18-19。这话暗示大卫“渴望”赞美神,但他不能指望在坟墓中如此行。

英文原文

For in death - In the state of the dead; in the grave.

There is no remembrance of thee - They who are dead do not remember thee or think of thee. The "ground" of this appeal is, that it was regarded by the psalmist as a "desirable" thing to remember God and to praise him, and that this could not be done by one who was dead. He prayed, therefore, that God would spare his life, and restore him to health, that he might praise him in the land of the living. A sentiment similar to this occurs in Psalm 30:9, "What profit is there in my blood, when I go down to the pit? Shall the dust praise thee? shall it declare thy truth?" So also Psalm 88:11, "Shall thy loving-kindness be declared in the grave? or thy faithfulness in destruction?" So also in Isaiah 38:18, in the language of Hezekiah, "The grave cannot praise thee; death cannot celebrate thee; they that go down into the pit cannot hope for thy truth." See the notes at that passage. A similar sentiment also is found in Job 10:21-22. See the notes at that passage. In regard to the meaning of this it may be remarked

(a) that it is to be admitted that there was among the ancient saints much less light on the subject of the future state than there is with us, and that they often, in giving utterance to their feelings, seemed to speak as if all were dark beyond the grave.

(b) But, though they thus spoke in their sorrow and in their despondency, they also did, on other occasions, express their belief in a future state, and their expectation of happiness in a coming world (compare, for example, Psalm 16:10-11; Psalm 17:15).

(c) Does not their language in times of despondency and sickness express the feelings which "we" often have now, even with all the light which we possess, and all the hopes which we cherish? Are there not times in the lives of the pious, even though they have a strong prevailing hope of heaven, when the thoughts are fixed on the grave as a dark, gloomy, repulsive prison, and "so" fixed on it as to lose sight of the world beyond? And in such moments does not "life" seem as precious to us, and as desirable, as it did to David, to Hezekiah, or to Job?

In the grave - Hebrew, בשׁאול bishe'ôl, "in Sheol." For the meaning of the word, see Isaiah 5:14, note; Isaiah 14:9, note; Job 7:9, note. Its meaning here does not differ materially from the word "grave."

Who shall give thee thanks? - Who shall "praise" thee? The idea is that "none" would then praise God. It was the land of "silence." See Isaiah 38:18-19. This language implies that David "desired" to praise God, but that he could not hope to do it in the grave.

6

Psalm 6:6

打开经文

我因唉哼而困乏——即我因它而耗尽、疲乏。也就是说,他的忧伤如此之深,他的唉哼如此不停,以致他的气力衰竭。他在忧伤的重压之下变得“衰弱”。凡身处苦难的人都有过这种体验——因忧伤而来的疲惫或衰竭之感。

我每夜流泪,把床榻漂起——意思是,他哭泣如此之多,以致他的床榻仿佛沉浸在泪水之中。这当然是夸张的语言,以强烈而有力的方式表达他忧伤之深。

把褥子湿透——这里译作“浇灌”的词,意为熔化、流淌;在 Hiphil 词干中则为使流淌、使消融。这里的含义是:他使他的褥子因眼泪而“流溢”。用我们的话说,他用眼泪“淹没”了他的床。本节揭示了本诗所述试炼的真正根源。那是某种深刻的心灵痛苦——某种忧伤的缘由——耗尽了他的力量,使他躺卧在衰弱的病榻之上。大卫生平中,没有比押沙龙忘恩反叛之行所引起的忧患更符合这一情境的了,因此把这诗系于此事最为自然。自大卫以来的许多父母,都因儿女的忘恩与恶行而经历了此处所描述的精神与身体的“全部”痛苦。《李尔王》这出悲剧正是完全围绕这一点展开的。

英文原文

I am weary with my groaning - I am exhausted or worn out with it. That is, his sorrows were so deep, and his groaning was so constant, that his strength failed. He became "faint" under the weight of his sorrows. All persons in trouble have experienced this effect - the sense of weariness or exhaustion from sorrow.

All the night make I my bed to swim - That is, he wept so much that his bed seemed to be immersed in tears. This is, of course, hyperbolical language, expressing in a strong and emphatic manner the depth of his sorrows.

I water my couch with my tears - The word here rendered "water" means to melt, to flow down; then, in the Hiphil, to cause to flow, to dissolve. The sense here is, that he caused his couch to "flow" or "overflow" with his tears. We would say, he "flooded" his bed with tears. This verse discloses the true source of the trials referred to in the psalm. It was some deep mental anguish - some source of grief - that exhausted his strength, and that laid him on a bed of languishing. No circumstances in the life of David better accord with this than the troubles which existed on account of the ungrateful and rebellious conduct of Absalom, and it is most natural to refer it to this. Many a parent since the time of David has experienced "all," both mental and bodily, which is here described as a consequence of the ingratitude and evil conduct of his children. The tragedy of "Lear" turns entirely on this.

7

Psalm 6:7

打开经文

我的眼睛干瘪——这里译作“干瘪”的词——עשׁשׁ ‛âshêsh——本义是陷落、消退,在这里应用于“眼睛”,指它因忧愁、焦虑与悲伤而憔悴消损。泪水从眼中涌出,眼睛仿佛就这样耗竭自己。意思是:它已经“昏暗”了,或者它的视力开始衰退,如同老人的眼睛,这都是因他的苦难。许多人把这里译作“眼”的词理解为指“面容”;但这词是否有这层意义,颇可怀疑;无论如何,指“眼睛”这一常见意义最合乎本处文脉。

它日趋老化——它仿佛渐渐老去;经历年龄通常对视力造成的钝化效应。这是忧愁与悲伤并不罕见的结果。就在我撰写这段注释之时,我在牧养探访中正被召去看顾一位卧病在床、大概濒临死亡的年轻女子,她的症状之一,就是视力的显著衰退——因忧患与疾病,几乎完全失明。

因我一切的敌人——即因他们带给我的苦难。按照本诗前述的解释,这里指的是押沙龙和与他同伙的人。他们的行为给大卫带来了这淹没他的忧愁巨浪。

英文原文

Mine eye is consumed - The word here rendered "consumed" - עשׁשׁ ‛âshêsh - means properly to fall in, to fall away, and is applied here to the "eye" as pining or wasting away from care, anxiety, and sorrow. Tears were poured forth from the eye, and it seemed to be exhausting itself in this manner. The meaning is, that it had grown "dim," or that its sight began to fail, like that of an old man, on account of his troubles. Many have understood the word here rendered "eye" as referring to the "countenance;" but it is doubtful whether the word ever has this signification; and at any rate the common signification, referring it to the "eye," best suits this connection.

It waxeth old - It seems to grow old; it experiences the effects commonly produced by age in blunting the power of vision. This is not an uncommon effect of grief and sadness. Even while I am writing this I am called in my pastoral visitations to attend on a young lady lying on a bed of languishing, and probably of death, one of whose symptoms is a quite diminished, and indeed almost total loss of vision, as the effect of trouble and disease.

Because of all mine enemies - From the trouble which they have brought upon me. The reference here, according to the interpretation proposed of the psalm, is to Absalom and those who were associated with him. Their conduct had been such as to bring upon David this overwhelming tide of sorrows.

8

Psalm 6:8

打开经文

你们一切作孽的人,离开我吧 - “作孽的人”指他的仇敌;他仿佛他们此刻正围着他,便吩咐他们“如今”离开他,因为神已听了他的祷告,他们的图谋必不能得逞。这是间接却极有力地宣告神已垂听他的祷告;本节的情感与前几节所显出的沮丧心境——那深沉可怖的忧伤——形成强烈的对照。光忽然照入他心;他的祷告已升到神面前,并且他以某种方式确信它必蒙应允。他已经看见仇敌四散,自己的事业得胜;他在这欢腾的情感中向仇敌说话,吩咐他们离开。因此,这是一个显著而有力的证明:即使我们正在向神说话之时,祷告也可能已蒙垂听(比较 Isaiah 65:24);神必垂听并应允向他献上之祷告的确信,可能忽然临到心中;这也是一个美好的例证,说明这确信对被患难和忧伤所淹没的心有何等作用,能使它得着安静与平安。

因为耶和华听了 - 意即我的祷告已升到他面前,我确信他悦纳它,并必应允它。他是“以何种方式”得着这确信的,他并没有告诉我们。他既是受默示的人,我们可以推想这确信是圣灵直接赐给他的。“我们”不应期待“同样种类的”确信;我们不该指望有此功效的启示;但我们的心同样可能真实地感受到祷告已蒙垂听的暗示——有同样真实的“证据”。人可能心中有一种坚定的确信,深信神是垂听祷告的主,如今这确信带着对此真理之新鲜领悟临到灵魂;在患难与忧伤之中,也可能有一种甘甜的平静与平安弥漫全魂——一种万事都必妥当的把握,仿佛祷告已蒙垂听,又如同我们借直接的启示得知它已蒙垂听时那样。神的灵在我们身上,能像他在大卫身上那样真实地成就这事。

我哀哭的声音 - 指伴随我流泪的祷告之声,或流泪本身的声音——那痛苦与愁苦的呼喊,它本身就具有祷告的性质。

英文原文

Depart from me, all ye workers of iniquity - Referring, by the "workers of iniquity," to his enemies, as if they now surrounded him, and calling on them "now" to leave him, since God had heard his prayer, and they could not be successful in their purposes. This is an indirect but most emphatic way of saying that God had heard his prayer; and the sentiment in this verse is strongly in contrast with the desponding state of feeling - the deep and dreadful sorrow - indicated in the previous verses. Light broke in suddenly upon him; his prayer had come up before God, and, in some way, he was assured that it would be answered. Already he sees his enemies scattered, and his own cause triumphant; and in this exulting feeling he addresses his foes, and commands them to leave him. This is, therefore, a remarkable and striking proof that prayer may be heard, even while we are speaking to God (compare Isaiah 65:24); that the assurance may be conveyed suddenly to the mind that God will hear and answer the prayer which is addressed to him; and also a beautiful illustration of the effect of this on a mind overwhelmed with trouble and sorrow, in giving it calmness and peace.

For the Lord hath heard - That is, my prayer has ascended before him, and I am certain that he regards it favorably, and will answer it. "In what way" he had this assurance he does not inform us. As he was an inspired man, we may suppose that the assurance was given to him directly by the Holy Spirit. "We" are not to expect the "same kind" of assurance that our prayers are heard; we are to look for no revelation to that effect; but there may be "as real" an intimation to the mind that our prayers are heard - as real "evidence" - as in this case. There may be a firm confidence of the mind that God is a hearer of prayer now coming to the soul with the freshness of a new conviction of that truth; and there may be, in trouble and sorrow, a sweet calmness and peace breathed through the soul - an assurance that all will be right and well, as if the prayer were heard, and such as there would be if we were assured by direct revelation that it is heard. The Spirit of God can produce this in our case as really as he did in the case of David.

The voice of my weeping - The voice of prayer that accompanied my weeping, or the voice of the weeping itself - the cry of anguish and distress which was in itself of the nature of prayer.

9

Psalm 6:9

打开经文

耶和华听了我的恳求——重复前一节的情怀,以表达他的确信与喜乐。在这样的境况中,再没有比把喜乐的思念久留心头、并向自己反复重述、好叫它留下完全印象更自然的事了。

耶和华必收纳我的祷告——他既已垂听,还必继续垂听。这就平息了对未来的一切恐惧,使心得安宁。这里的心态是:“耶和华听了我的祷告;我确信他以后仍必垂听;因此我别无所惧。”

英文原文

The Lord hath heard my supplication - Repeating the sentiment in the previous verse, to express his assurance and his joy. Nothing is more natural in such circumstances than to dwell on the joyous thought, and to repeat it to ourselves, that it may make its full impression.

The Lord will receive my prayer - As he has done it, so he will still do it. This allays all fears of the future, and makes the mind calm. The state of mind here is this: "The Lord has heard my prayer; I am assured that he will do it hereafter; I have, therefore, nothing to fear."

10

Psalm 6:10

打开经文

愿我的一切仇敌蒙羞——意即愿他们被带到看清自己的愚妄,以致为自己的行为羞愧。所愿的是他们得以看见自己的罪咎——对于一切作恶之人,怀抱这样的愿望显然是正当的。

大大惊惶——参 Psalm 5:10 的注释。这里所用的希伯来词,与 Psalm 6:2-3 中译作"惊惶"的是同一个词。这个词表示患难、战兢、惊愕;这里的意思是,诗篇作者祈愿他们的计划被搅乱、被挫败——对于恶人的一切图谋,这无疑是合宜的祷告。谁也不该愿恶人的图谋亨通;不愿此事,便是愿他们的诡计被挫败、被制伏。这必是每一个善人的愿望。

他们必要退后——转回,或被击退;就是说,愿他们被击退,被迫从目前的目标上转回。

忽然羞愧——希伯来文作"转眼之间";即刻之间。他愿他们的败亡不加耽延,而立刻成就。既然祷告这样的事发生是正当的,那么祷告它毫无耽延地、或尽速地发生,也是正当的。罪人的计划越快被搅乱,越好。

英文原文

Let all mine enemies be ashamed - Be so brought to see their folly that they shall be ashamed of their conduct. The wish is that they might be brought to see their own guilt - a wish certainly which it is right to cherish in regard to all evil-doers.

And sore vexed - Compare the notes at Psalm 5:10. The same Hebrew word is used here which occurs in Psalm 6:2-3, and rendered "vexed." It is a word which denotes trouble, trembling, consternation; and the meaning here is, that the psalmist prayed that they might be confounded or disconcerted in their plans - a prayer which is certainly proper in regard to all the purposes of the wicked. No one should desire that the purposes of the wicked should prosper; and not to desire this is to desire that they may be foiled and overcome in their schemes. This must be the wish of every good man.

Let them return - Turn back, or be turned back; that is, let them be repulsed, and compelled to turn back from their present object.

And be ashamed suddenly - Hebrew, "In a moment;" instantaneously. He desired that there might be no delay, but that their defeat might be accomplished at once. As it was right to pray that this might occur, so it was right to pray that it might occur without delay, or as speedily as possible. The sooner the plans of sinners are confounded, the better.