Barnes' Notes on the Bible · Psalms 第6章

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Psalms 第 6 章

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Psalm 6 Introduction

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一、「本詩的標題。」本詩標明「交與伶長,用絲弦的樂器,調用第八」。關於「用絲弦的樂器」(伶長用絲弦樂器)一語的意義,參見 Psalm 4:1-8 標題的註釋。「調用第八」一語在此首次出現,並對標題的意義有所限定。「第八」(Sheminith)一詞——שׁמינית shemı̂yı̂th——本義為「第八」,與我們所謂的「八度」(octave,第八)一詞完全對應。在現代音樂中,它指七度的一個音程,即十二個半音,包含五個全音與兩個半音。Gesenius(《辭典》)認為它在此指「音階中最低最沉的音,由男聲演唱,即現代的低音(bass 或 basso)」。這詞在音樂上的用法見於 1 Chronicles 15:21,該處列舉眾樂師的名字:「又派瑪他提雅、以利斐利戶……領首彈琴,調用第八」;頁邊註作「或作第八」。它也見於 Psalm 12:1-8 的標題。在聖經中,它未在其他地方以音樂的含義出現。如今恐怕無法查明這詞用在古音樂上的確切意義,而這也並不重要。「調用第八」可說是它恰當的譯法;這在當時無疑是十分明白的。許多現今通用的音樂術語,若經過兩三千年之後,也難以解釋。然而,這詞若如 Gesenius 所設想,是用以指低音,其意義就不難明白。那麼它的意思便是:本詩設計為以「絲弦樂器」所指的樂器伴奏,並以適合這「第八」(低音)的聲部——男低音——來唱。普通的低音聲部,可設想為適合本詩的情懷。

二、「本詩的作者。」本詩標明為大衛所寫,詩中沒有什麼使我們懷疑這說法的真實性。因此可以假定它是他的作品。

三、「本詩寫作緣由。」在英文譯本的頁首標題中,本詩稱為「大衛在病中的苦訴」。這些頁首標題是譯者加上的,希伯來原文中沒有與之對應的話,這幾乎無需多說。然而,關於本詩的寫作場合,這一直是十分流行的傳統。Horsley 博士為它冠上這樣的標題:「以病人身分發出的悔罪禱告」,並在本詩的解釋中設想,祈求者是一個神祕性人物,其目的是要藉這樣一個人物的形像,描繪悔罪者的感受;或者說,「病人就是信徒的靈魂,在自覺軟弱中嘆息,切望所應許的救贖;疾病就是因人墮落而生的敗壞與紊亂」。路德稱之為「求身體與靈魂健康的認罪禱文(Bussgebet)」。DeWette 視之為一個受壓迫或患難之人的禱告,以病人的形像表達;Rosenmuller 也同意這見解。另有人認為它是一篇因疾病而寫的詩,設想它是因押沙龍叛亂使大衛罹病而寫成的。誠然,解經家們頗為普遍地同意這樣的意見:正如前兩篇詩是因那場叛亂而寫,這一篇也是如此。加爾文則認為,它不是特別因「疾病」而寫,而是因某場使大衛深感自己已臨近墳墓邊緣的大災禍而寫;那災禍使他過去的罪深刻地浮上心頭。

在這樣的不確定、這樣缺乏關於寫作場合的確切見證之下,我們自然要轉向詩本身,探究是否有任何「內在」的跡象,能使我們以某種或然性判定作者寫作時的境況。那麼,關於本詩的寫作場合,詩中有以下的內在標記:

一、作者正處於仇敵之中,並因他們而身陷大險。「我因憂愁眼睛乾癟,又因我一切的敵人眼睛昏花」(Psalm 6:7)。「你們一切作孽的人,離開我罷」(Psalm 6:8)。「願我的一切仇敵都羞愧,大大驚惶」(Psalm 6:10)。因此,我們不會弄錯:這是大衛生平中某個時期,那時他眾多的仇敵緊緊逼迫他,危及他的性命。

二、他因這些試煉而心碎腸斷;他沒有足夠的體力承受重重災禍的重壓;他在這些患難禍患的重擔下消沉,被帶到墳墓的邊緣。有許多可怕的外敵威脅他的性命;同時又因某種緣故,伴隨著深重壓抑的「內心」痛苦,結果是真實而危險的疾病——以致他被引去思想那永恆的世界已臨近他。因此,這是一個由獨特外來患難所引發之真疾病的例子。這從以下這類表達可以清楚看出:「我軟弱……求你醫治我……我的骨頭發戰」(Psalm 6:2)。「在死地無人記念你,在陰間有誰稱謝你?」(Psalm 6:5)。「我因唉哼而困乏;我每夜流淚,把床榻漂起……我因憂愁眼睛乾癟」(Psalm 6:6-7)。這是一個被憂傷壓碎心腸的人所用的言語;他無力承擔重負,終因病弱而臥床。外來的患難過於脆弱人身所能承受,人被壓在其下,身體便臥於病榻,被帶到墳墓的邊緣,或墳墓本身——這並非罕見的事。

三、詩人表達了這類境況中常有的感受——對自己的罪深切的憂慮,彷彿這些災禍是因他的過犯臨到他、是他罪的刑罰。這隱含於 Psalm 6:1:「耶和華啊,求你不要在怒中責備我,也不要在烈怒中懲罰我。」他把這看作神的一種「責備」,並理解為「烈怒」的表達。這是人受苦時自然情感的流露,因為心中自然會生出這樣的疑問:這苦難豈不是因我們所犯的某項罪,豈不當視為神向我們發怒的明證?這疑問既自然又恰當,而大衛在所指的境況中,似乎深深感受到它的力量。

把這些考量都放在一起看,本詩很可能寫於押沙龍叛亂帶給大衛的那些患難之中;那時他被這些憂傷的重壓壓垮,體力崩潰,臥於病榻,被帶到墳墓的邊緣。

四、「本詩的內容。」本詩包含以下幾點:

一、作者在患難中,因感到神正為他的罪責備並懲罰他,而祈求憐憫與同情,Psalm 6:1-2。如上所述,以下幾節所描述的深重苦楚,使他追問:他受苦豈不是因他的罪?他豈不當視他的憂傷為神因他的罪不喜悅他的明證?

二、描述他的苦況,Psalm 6:2-7。他被憂傷壓碎,變得「軟弱」;連他的「骨頭」都「發戰」;他臨近墳墓;他因唉哼而困乏;他每夜流淚,把褥子濕透;他的眼睛因憂愁而乾癟。這些苦難一部分屬身體,一部分屬內心;或更恰當地說,如上所提示,大概他內心的憂傷沉重到使他的身體垮下來,臥於病榻。

三、確信神已垂聽他的禱告,他必勝過一切仇敵,他一切的患難必將過去,Psalm 6:8-10。盼望忽然照進他受苦的心靈;在這歡騰的感受之下,他向仇敵說話,吩咐他們離開他。他們不能得逞,因為耶和華聽了他的禱告。這樣突然的蒙應允——這樣愉快的轉念——在詩篇中常見,彷彿詩人正在懇求之際,禱告便立時蒙了應允,光照進黑暗的心。

英文原文
  1. "Title of the psalm." This psalm is inscribed "To the chief Musician on Neginoth upon Sheminith." On the meaning of the phrase "Chief Musician on Neginoth," see the notes at the title to Psalm 4:1-8 : The phrase "upon Sheminith" occurs here for the first time, and modifies the meaning of the title. The word Sheminith - שׁמינית shemı̂ynı̂yth - means properly "the eighth," and corresponds exactly to our word "octave," the eighth. It means in modern music an interval of seven degrees, or twelve semitones. It contains five full tones, and two semitones. It is supposed by Gesenius (Lexicon) here to denote "the lowest and gravest notes of the scale, sung by men, the modern bass or basso." The word occurs, in the musical use, in 1 Chronicles 15:21, in enumerating various names of musicians, "Mattithiah, and Elipheleh, etc., with harps on the Sheminith to excel;" margin, "or eighth." It is also found in the title to Psalm 12:1-8 : It does not elsewhere occur in reference to music in the Scriptures. It is probably not possible now to ascertain the precise meaning of the word as applicable to ancient music, and it is not important. The phrase "upon the octave" would properly be the true rendering of it; and this was doubtless quite intelligible at the time. It would be difficult to explain many of the musical terms now in use, after the lapse of two or three thousand years. If the term, however, was used, as is supposed by Gesenius, to denote the bass, its meaning is not difficult. It would then mean that the psalm was designed to be sung, accompanied with the instruments designated by "Neginoth," and with the voices appropriate to this "octave" - the bass voices. The usual bass voice might be supposed to be adapted to the sentiment in the psalm.

  2. "The author of the psalm." The psalm purports to have been written by David, and there is nothing in the psalm to lead us to doubt the truth of this representation. It may be assumed, therefore, to be his.

  3. "The occasion on which the psalm was written." In the, running title in the English version this psalm is called "David's complaint in his sickness." It is hardly necessary to say that these running titles were prefixed by the translators, and that there is nothing in the Hebrew that corresponds with this. Still, this has been a very prevailing tradition as to the occasion on which this psalm was composed. Dr. Horsley prefixes this title to it: "A penitential prayer in the character of a sick person," and in the exposition of this psalm supposes that the suppliant is a mystical personage, and that the object is to represent the feelings of a penitent under the image of such a personage, or that "the sick person is the believer's soul laboring under a sense of its infirmities and anxiously expecting the promised redemption; the sickness is the depravity and disorder occasioned by the fall of man." Luther entities it "A penitential prayer (Bussgebet), for the health of the body and the soul." DeWette regards it as the prayer of one oppressed or in trouble, under the image of a sick person; and in this opinion Rosemnuller concurs. Others regard it as a psalm composed in view of sickness, and suppose it was written in consequence of sickness brought upon David in consequence of the rebellion of Absalom. Indeed, there has been a pretty general concurrence among expositors in the sentiment that, as the two previous psalms were composed in view of that rebellion, so this was also. Calvin supposes that it was not composed specifically in view of "sickness," but of some great calamity that brought David to feel that he was near the borders of the grave, and that was thus the means of bringing the sins of his past life impressively to his remembrance.

In this uncertainty, and this want of positive testimony as to the occasion when the psalm was composed, it is natural to look to the psalm itself, and to inquire whether there are any "internal" indications which will enable us to determine with any degree of probability the circumstances of the writer at the time of its composition. The psalm, then, has the following internal marks as to the occasion on which it was composed:

I. The writer was in the midst of enemies, and in great peril on account of them. "Mine eye is consumed because of grief; it waxeth old because of all mine enemies," Psalm 6:7. "Depart from me, all ye workers of iniquity," Psalm 6:8. "Let all mine enemies be ashamed and sore vexed," Psalm 6:10. We cannot be mistaken, then, in supposing that this was at some period in the life of David, when his numerous enemies pressed hard upon him and endangered his life.

II. He was crushed and broken-hearted on account of these trials; he had not strength of body to bear up under the weight of accumulated woes; he sank under the burden of these troubles and calamities, and was brought near to the grave. There were many and formidable external foes who threatened his life; and there was, on some account, connected with this, deep and crushing "mental" anguish, and the result was actual and dangerous sickness - so that he was led to contemplate the eternal world as near to him. It became a case, therefore, of real sickness caused by unique outward troubles. This is manifest from such expressions as the following: - "I am weak; heal me: my bones are vexed" Psalm 6:2. "In death there is no remembrance of thee; in the grave who shall give thee thanks?" Psalm 6:5. "I am weary with my groaning; I water my couch with my tears: mine eye is consumed with grief," Psalm 6:6-7. This is such language as would be used by one who was crushed and broken-hearted with grief, and who, unable to bear up under the weighty load was laid, as the result of it, on a bed of languishing. It is not uncommon that outward troubles become too great for the feeble human frame to bear, and that, crushed beneath them, the body is laid upon a bed of languishing, and brought to the borders of the grave, or to the grave itself.

III. The psalmist expresses a feeling which is common in such cases - a deep anxiety on the subject of his own sin, as if these calamities had come upon him on account of his transgressions, and as a punishment for his sins. This is implied in Psalm 6:1 : "O Lord, rebuke me not in thine anger, neither chasten me in thy hot displeasure." He looked upon this as a "rebuke" from God, and construed it as an expression of "hot displeasure." This is the prompting of natural feeling when one is afflicted, for this inquiry spontaneously arises in the mind, whether the affliction is not on account of some sin which we have committed, and is not to be regarded as proof that God is angry with us. It is an inquiry as proper as it is natural, and David, in the circumstances referred to, seems to have felt its full force.

Taking all these considerations into view, it seems probable that the psalm was composed during the troubles brought upon David in the rebellion of Absalom, and when, crushed by the weight of these sorrows, his strength gave way, and he was laid on a bed of languishing, and brought near to the grave.

  1. "The contents of the psalm." The psalm contains the following points:

I. A plea of the author for mercy and compassion in trouble, under the apprehension that God was rebuking and punishing him for his sins, Psalm 6:1-2. His deep sufferings, described in the following verses, had, as remarked above, led him to inquire whether it was not on account of his sins that he was afflicted, and whether he ought not to regard his sorrow as proof that God was displeased with him for his sins.

II. A description of his sufferings, Psalm 6:2-7. He had been crushed with sorrow, and had become "weak;" his very "bones" were "vexed;" he was drawing near to the grave; he was weary with his groaning; he watered his couch with his tears; his eye was consumed with grief. These sufferings were partly bodily and partly mental; or rather, as suggested above, probably his mental sorrows had been so great as to prostrate his physical frame, and to lay him on a bed of languishing.

III. The assurance that God had heard his prayer, and that he would triumph over all his enemies, and that all his troubles would pass away, Psalm 6:8-10. Hope breaks in suddenly upon his afflicted soul, and, under this exulting feeling, he addresses his enemies, and tells them to depart from him. They could not be successful, for the Lord had heard his prayer. This sudden answer to prayer - this happy turn of thought - often occurs in the Psalms, as if, while the psalmist was pleading, an immediate answer to prayer was granted, and light broke in upon the darkened mind.

1

Psalm 6:1

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「耶和華啊,求你不要在怒中責備我」——彷彿神正藉著他所降下的患難責備他。這正是詩人此刻心思所聚的一點。他顯然一直在默想自己的苦況,探究其成因,並得到一個結論:這也許是因他的罪,他的試煉當被解釋為神向他發怒的明證。因此,他說神是在「怒」中、在「烈怒」中臨到他,並懇求神「不要」這樣責備他、懲治他。這裏的「責備」一詞,與譯作「懲治」的字一樣,本義指「以言語」責備犯錯的人,但也可以指神藉他的護理作為所施行的責備——當他因人的罪降下審判之時。這便是這裏的意思。詩人並不以為神會公開「斥責」他的罪;但他看神對待他的方式正是這樣一種責備,於是他懇求除去這責備的記號。全部話語都表明受苦與罪之間的關聯;表明我們受苦時心中的感覺——這必是因我們的罪。

「也不要懲罰我」——一個實質上意思相同的字;這裏取「懲罰」的意義使用。

「在烈怒中」——按字面是「在你的熱中」。我們常說憤怒或烈怒是「燃燒的」、「吞噬的」。試參 Genesis 39:19; Numbers 11:33; Deuteronomy 11:17; Psalm 106:40; Job 19:11; Job 32:2-3; Psalm 2:12。

英文原文

O Lord, rebuke me not in thine anger - As if God was rebuking him by the affliction which he was bringing upon him. This is the point on which the attention of the psalmist is now fixed. He had been apparently contemplating his afflictions, and inquiring into their cause, and he was led to the conclusion that it might be for his sins, and that his trials were to be interpreted as proof that God was angry with him. He speaks, therefore, of God as visiting him in his "anger," and in his "hot displeasure," and pleads with him that he would "not" thus rebuke and chasten him. The word "rebuke" here, like the word rendered "chasten," properly refers to the reproof of an offender "by words," but may also be used to denote the reproof which God administers by his providential dealings when he brings judgment upon anyone for his sins. This is the meaning here. The psalmist did not apprehend that God would openly "reprove" him for his sins; but he regarded his dealings with him as such a reproof, and he pleads that the tokens of the reproof might be taken away. The whole language is that which indicates a connection between suffering and sin; the feeling which we have when we are afflicted that it must be on account of our sins.

Neither chasten me - A word denoting substantially the same thing; used here in the sense of "punishing."

In thy hot displeasure - literally, "in thy heat." We speak of anger or wrath as "burning," or "consuming." Compare Genesis 39:19; Numbers 11:33; Deuteronomy 11:17; Psalm 106:40; Job 19:11; Job 32:2-3; Psalm 2:12.

2

Psalm 6:2

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「耶和華啊,求你可憐我」——就是說,求祢向我施恩,或求祢憐恤我。這話可以用於因着罪、因着受苦、或因着危險而發。這是向神發出的呼求,求祂介入,除去當前某種患難的根源;自覺是罪人的人、臥於病榻的人、被仇敵四圍環繞的人、臨終的人、或懷着畏懼展望永恆世界的人,都可以這樣呼求。誠然,這話(試參 Psalm 51:1)通常是因着罪而向神發出的呼求,懇求赦免與救恩;但在此處,這是因着患難與危險、外體的憂傷與內心的痛苦而發的呼求——這一切已壓倒了受苦者的力量,使他臥於困乏的病榻。見本詩導論第三節。

「因為我軟弱」——此處的原文——אמלל 'ûmlal——本義是衰殘、枯萎,如受病害的植物(Isaiah 24:7),或如乾旱中的田地(Isaiah 16:8);在此處應用於一個病人——他的力量已枯乾耗盡。這樣的景況被美妙地比作一株因缺水而枯萎的植物;這字在此正是取這個意思,指詩人自己——他因外體和內心的憂傷而患病。這樣的影響在世上並不少見。憂傷壓倒人的力量——如植物枯萎一般——並帶來困乏的疾病,這樣的例子無數。

「耶和華啊,求你醫治我」——這話恰當地適用於疾病的情形,因此在此處最自然的就是按這個意思解釋。試參 Isaiah 19:22;Isaiah 30:26;Job 5:18;Genesis 20:17;Psalm 60:2;2 Chronicles 16:12;Deuteronomy 28:27。

「因為我的骨頭發戰」——「發戰」所譯的詞,我們現今通常用於精神的困擾,尤其是較輕微的一種——因小小的刺激而惱怒、被攪擾。然而,此處的用法與聖經中常見的一樣,是指折磨或痛苦。骨頭是身體的力量與支架,詩人在此的意思是說:他力量的源頭已經耗盡;支撐他的已經倒下;他的疾病與憂傷已滲入他身體最堅固的部分。聖經中也常這樣用語,彷彿「骨頭」真的會感覺疼痛,儘管如今已知骨頭本身是不能感知疼痛的。同樣,人們也常說「骨髓」特別敏感、如神經一般——儘管聖經中沒有這樣的用法,這只是流行的看法——而如今已知骨髓對痛苦是完全沒有知覺的。詩人在此的目的,是要說他全身每一部分都被壓碎、受痛苦。

英文原文

Have mercy upon me, O Lord - That is, be gracious to me; or, show me compassion. This language may be used either in view of sin, of suffering, or of danger. It is a cry to God to interpose, and remove some present source of trouble, and may be employed by one who feels that he is a sinner, or by one on a bed of pain, or by one surrounded by enemies, or by one at the point of death, or by one who is looking out with apprehension upon the eternal world. It is commonly, indeed (compare Psalm 51:1), a cry to God in view of sin, pleading for pardon and salvation; but here it is a cry in view of trouble and danger, outward sorrow and mental anguish, that had overcome the strength of the sufferer and laid him on a bed of languishing. See introduction to the psalm, Section 3.

For I am weak - The original word here, אמלל 'ûmlal, means properly to languish or droop, as plants do that are blighted, Isaiah 24:7, or as fields do in a drought, Isaiah 16:8, and is here applied to a sick person whose strength is withered and gone. The condition of such an one is beautifully compared with a plant that withers for lack of moisture; and the word is used in this sense here, as referring to the psalmist himself when sick, as the result of his outward and mental sorrows. Such an effect has not been uncommon in the world. There have been numberless cases where sorrow has prostrated the strength - as a plant withers - and has brought on languishing sickness.

O Lord, heal me - This is language which would be properly applied to a case of sickness, and therefore, it is most natural to interpret it in this sense in this place. Compare Isaiah 19:22; Isaiah 30:26; Job 5:18; Genesis 20:17; Psalm 60:2; 2 Chronicles 16:12; Deuteronomy 28:27.

For my bones are vexed - The word "vexed" we now commonly apply to mental trouble, and especially the lighter sort of mental trouble - to irritate, to make angry by little provocations, to harass. It is used here, however, as is common in the Scriptures, in reference to torment or to anguish. The bones are the strength and framework of the body, and the psalmist means here to say that the very source of his strength was gone; that that which supported him was prostrated; that his disease and sorrow had penetrated the most firm parts of his body. Language is often used in the Scriptures, also, as if the "bones" actually suffered pain, though it is now known that the bones, as such, are incapable of pain. And in the same manner, also, language is often used, though that use of the word is not found in the Scriptures, as if the "marrow" of the bones were especially sensitive, like a nerve, in accordance with what is the common and popular belief, though it is now known that the marrow of the bones is entirely insensible to suffering. The design of the psalmist here is to say that he was crushed and afflicted in every part of his frame.

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Psalm 6:3

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「我的心也大大的驚惶」——「心」(soul)一詞在此乃按我們慣常的用法,用以指心靈。其意乃是:他的愁苦不僅是身體上的;其病根比骨頭還深。他的心靈——他的魂——也滿了傷痛,這是因著環繞他的境況,並那些招致身上疾患的緣故。

「耶和華啊,你……」——這是一句中斷的話,彷彿他已開口向神陳辭,卻未及說完。就如他本要說:「我在此受苦、衰竭;我的愁苦深重而未得舒解;至於你,耶和華啊」——彷彿他正要說,他曾盼望神介入;或說,神的作為奧祕難測;或說,這些作為似乎奇特或嚴厲;然而他用以結束這句話的,並非任何埋怨或抱怨之辭,而只是問這些苦楚還要延續「幾時」。

「要幾時呢?」——即:你還要任憑我這樣受苦到幾時?我未得舒解的傷痛還要持續多久?還要多久你才介入施行救助?這話表明,在他的感受中,這已是一段漫長的時日——受苦之人通常總覺時間漫長(參 Job 7:2-4)——並且他一直在仰望神介入幫助他。這是所有人臥於病榻、困於衰疲之中時都容易說出的話。如今在他們看來,這確實漫長;然而,當他們從天國的榮耀中回顧之時,這段時間便顯得短暫了。參 2 Corinthians 4:17-18。

英文原文

My soul is also sore vexed - The word "soul" here is used in the sense in which it is commonly with us, as denoting the mind. The idea is, that his sorrows were not merely those of the bodily frame. They had a deeper seat than even the bones. His mind, his soul, was full of anguish also, in view of the circumstances which surrounded him, and which had brought on these bodily afflictions.

But thou, O Lord - This is a broken sentence, as if he had commenced an address to God, but did not complete it. It is as if he had said, "Here I suffer and languish; my sorrows are deep and unmitigated; as for thee, O Lord" - as if he were about to say that he had hoped God would interpose; or, that his dealings were mysterious; or, that they seemed strange or severe; but he ends the sentence by no language of complaint or complaining, but by simply asking "how long" these sorrows were to continue.

How long? - That is, how long wilt thou leave me thus to suffer? How long shall my unmitigated anguish continue? How long will it be ere thou wilt interpose to relieve me? The language implies that in his apprehension it was already a long time - as time usually seems long to a sufferer (compare Job 7:2-4), and that he was constantly looking out for God to interpose and help him. This is language such as all persons may be inclined to use on beds of pain and languishing. It seems indeed long to them now; it will, however, seem short when they look back upon it from the glories of the heavenly world. Compare 2 Corinthians 4:17-18.

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Psalm 6:4

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「耶和華啊,求你返回搭救我」——彷彿神已離開他,任他死去似的。這裏原文的「魂」(soul)一詞,按它常見的用法,取「性命」的意思;因為在下一節,他論到墳墓——他顯然感到自己正迅速走向那裏。

「拯救我」——救我的性命;救我免於下到墳墓。救我脫離這些患難與危險。

「因你的慈愛」——(a)作為純然出於憐憫的作為,因為他自覺沒有任何權利,不能以權利和公義為由提出要求;(b)為使神的憐憫得以顯明,或因為神是憐憫的神,所以可以在這根據上向祂呼求。今日我們求神為我們施行拯救,這些仍是正當的根據;實在說來,這也是我們能以求祂拯救我們來懇求祂的唯一根據。

英文原文

Return, O Lord, deliver my soul - As if he had departed from him, and had left him to die. The word "soul" in this place is used, as it often is, in the sense of "life," for in the next verse he speaks of the grave to which he evidently felt he was rapidly descending.

O save me - Save my life; save me from going down to the grave. Deliver me from these troubles and dangers.

For thy mercies' sake -

(a) As an act of mere mercy, for he felt that he had no claim, and could not urge it as a matter of right and justice; and

(b) in order that God's mercy might be manifest, or because he was a merciful Being, and might, therefore, be appealed to on that ground.

These are proper grounds, now, on which to make an appeal to God for his interposition in our behalf; and, indeed, these are the only grounds on which we can plead with him to save us.

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Psalm 6:5

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「在死地無人記念你」——即在死人的境況中;在墳墓中。

「無人記念你」——死了的人不記念你,也不想念你。這呼求的「根據」在於:詩篇作者看記念神、讚美神為「可羨慕」的事,而死了的人不能這樣行。因此他祈求神保全他的性命,使他恢復健康,好叫他在活人之地讚美祂。類似的思想也見於 Psalm 30:9:「我被害流血,下到坑中,有什麼益處呢?塵土豈能稱讚你,傳說你的誠實嗎?」Psalm 88:11 也是如此:「你的慈愛豈是在墳墓裏被述說嗎?你的信實豈是在滅亡中被記念嗎?」Isaiah 38:18 中希西家的話也是如此:「原來,陰間不能稱謝你,死亡不能頌揚你;下坑的人不能盼望你的誠實。」見該處的註釋。類似的思想也見於 Job 10:21-22。見該處的註釋。至於這話的意思,可以這樣說:

(a) 當承認,古時聖徒對將來狀態所領受的光,遠比我們少;他們傾吐感受之時,常說得彷彿墳墓之外盡是黑暗。

(b) 然而,他們雖在憂傷與沮喪中如此說話,卻也在別的場合表明他們相信將來的狀態,並期望在來世得著福樂(例如比較 Psalm 16:10-11; Psalm 17:15)。

(c) 他們在沮喪與患病之時的言語,豈不也表達了「我們」今日常有的感受——即使我們擁有這一切的光、懷有這一切的盼望?敬虔人的生活中,豈不也有這樣的時候——即使他們對天堂有強烈而恆久的盼望——心思卻專注於墳墓,視之為黑暗、陰沉、可憎的監牢,而且專注到看不見那邊的世界?在那樣的時刻,「生命」對我們豈不也像對大衛、對希西家、對約伯那樣寶貴、那樣可羨慕嗎?

「在陰間」——希伯來文是 בשׁאול bishe'ôl,「在陰間(Sheol)」。這字的意義,見 Isaiah 5:14 的註釋;Isaiah 14:9 的註釋;Job 7:9 的註釋。它在這裏的意思與「墳墓」一詞並無實質的差別。

「有誰稱謝你」——誰「讚美」你?其意是:那時「沒有人」讚美神。那是「沉默」之地。見 Isaiah 38:18-19。這話暗示大衛「渴望」讚美神,但他不能指望在墳墓裏這樣行。

英文原文

For in death - In the state of the dead; in the grave.

There is no remembrance of thee - They who are dead do not remember thee or think of thee. The "ground" of this appeal is, that it was regarded by the psalmist as a "desirable" thing to remember God and to praise him, and that this could not be done by one who was dead. He prayed, therefore, that God would spare his life, and restore him to health, that he might praise him in the land of the living. A sentiment similar to this occurs in Psalm 30:9, "What profit is there in my blood, when I go down to the pit? Shall the dust praise thee? shall it declare thy truth?" So also Psalm 88:11, "Shall thy loving-kindness be declared in the grave? or thy faithfulness in destruction?" So also in Isaiah 38:18, in the language of Hezekiah, "The grave cannot praise thee; death cannot celebrate thee; they that go down into the pit cannot hope for thy truth." See the notes at that passage. A similar sentiment also is found in Job 10:21-22. See the notes at that passage. In regard to the meaning of this it may be remarked

(a) that it is to be admitted that there was among the ancient saints much less light on the subject of the future state than there is with us, and that they often, in giving utterance to their feelings, seemed to speak as if all were dark beyond the grave.

(b) But, though they thus spoke in their sorrow and in their despondency, they also did, on other occasions, express their belief in a future state, and their expectation of happiness in a coming world (compare, for example, Psalm 16:10-11; Psalm 17:15).

(c) Does not their language in times of despondency and sickness express the feelings which "we" often have now, even with all the light which we possess, and all the hopes which we cherish? Are there not times in the lives of the pious, even though they have a strong prevailing hope of heaven, when the thoughts are fixed on the grave as a dark, gloomy, repulsive prison, and "so" fixed on it as to lose sight of the world beyond? And in such moments does not "life" seem as precious to us, and as desirable, as it did to David, to Hezekiah, or to Job?

In the grave - Hebrew, בשׁאול bishe'ôl, "in Sheol." For the meaning of the word, see Isaiah 5:14, note; Isaiah 14:9, note; Job 7:9, note. Its meaning here does not differ materially from the word "grave."

Who shall give thee thanks? - Who shall "praise" thee? The idea is that "none" would then praise God. It was the land of "silence." See Isaiah 38:18-19. This language implies that David "desired" to praise God, but that he could not hope to do it in the grave.

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Psalm 6:6

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「我因唉哼而困乏」——我因唉哼而耗盡、疲乏。意即他的悲傷如此之深,唉哼如此不停,以致他的力氣衰竭。他在憂傷的重壓之下變得「衰弱」。凡在苦難中的人都經歷過這種效果——因憂傷而來的疲倦與耗竭之感。

「我每夜流淚,把床榻漂起」——意即他哭泣得如此之多,床榻彷彿浸在淚水之中。這當然是誇張的說法,以強烈有力的方式表達他悲傷之深。

「把眼淚浸透所睡的褥子」——這裏譯作「浸透」的字,意思是熔化、流下;在 Hiphil 語幹則指使流淌、使消融。這裏的意思是,他使自己的褥子因眼淚而「流淌」、「氾濫」。用我們的話說,他的床榻被眼淚「淹沒」了。這一節顯明了本詩所述試煉的真正來源。那是一種深重的心靈痛苦——某種悲傷之源——耗盡了他的力氣,使他臥於衰弱的病榻。在大衛一生中,沒有甚麼境遇比押沙龍忘恩叛逆的行為所引起的禍患更與這裏相符,因此最自然的解釋是指這件事。自大衛以來,許多作父母的人都曾經歷這裏所描述、因兒女忘恩與惡行而來的「一切」——無論是心靈的或身體的。莎士比亞的悲劇《李爾王》,全劇正是圍繞這一點展開。

英文原文

I am weary with my groaning - I am exhausted or worn out with it. That is, his sorrows were so deep, and his groaning was so constant, that his strength failed. He became "faint" under the weight of his sorrows. All persons in trouble have experienced this effect - the sense of weariness or exhaustion from sorrow.

All the night make I my bed to swim - That is, he wept so much that his bed seemed to be immersed in tears. This is, of course, hyperbolical language, expressing in a strong and emphatic manner the depth of his sorrows.

I water my couch with my tears - The word here rendered "water" means to melt, to flow down; then, in the Hiphil, to cause to flow, to dissolve. The sense here is, that he caused his couch to "flow" or "overflow" with his tears. We would say, he "flooded" his bed with tears. This verse discloses the true source of the trials referred to in the psalm. It was some deep mental anguish - some source of grief - that exhausted his strength, and that laid him on a bed of languishing. No circumstances in the life of David better accord with this than the troubles which existed on account of the ungrateful and rebellious conduct of Absalom, and it is most natural to refer it to this. Many a parent since the time of David has experienced "all," both mental and bodily, which is here described as a consequence of the ingratitude and evil conduct of his children. The tragedy of "Lear" turns entirely on this.

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Psalm 6:7

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「我的眼睛乾癟」——這裏譯作「乾癟」的字——עשׁשׁ(‛âshêsh)——本義是陷落、消損,在此用於「眼睛」,指它因憂慮、焦灼與憂傷而枯萎衰殘。眼淚從眼中流出,它彷彿就這樣耗損自己。其意義是,眼睛已經「昏暗」了,或因他的苦難,視力開始衰退,如老人的眼睛一般。許多人把這裏譯作「眼睛」的字理解為指「面容」;但這字是否有此含義,頗可懷疑;無論如何,指「眼睛」的通常含義最切合這裏的上下文。

「昏花」——它彷彿漸漸老了;它經歷了年歲通常帶來、使視力遲鈍的影響。這是憂傷愁苦並非罕見的結果。就在我寫這段的時候,我在牧養探訪中正被召去看顧一位臥病在床、日漸衰弱、或許臨近死亡的年輕女子;她的症狀之一,便是因憂愁與疾病而視力大減,事實上幾乎完全失明。

「因我一切的敵人」——因他們帶給我的苦難。按照本篇詩所提出的解釋,這裏是指押沙龍和那些與他同夥的人。他們的行徑,給大衛帶來了這樣鋪天蓋地而來的憂傷浪潮。

英文原文

Mine eye is consumed - The word here rendered "consumed" - עשׁשׁ ‛âshêsh - means properly to fall in, to fall away, and is applied here to the "eye" as pining or wasting away from care, anxiety, and sorrow. Tears were poured forth from the eye, and it seemed to be exhausting itself in this manner. The meaning is, that it had grown "dim," or that its sight began to fail, like that of an old man, on account of his troubles. Many have understood the word here rendered "eye" as referring to the "countenance;" but it is doubtful whether the word ever has this signification; and at any rate the common signification, referring it to the "eye," best suits this connection.

It waxeth old - It seems to grow old; it experiences the effects commonly produced by age in blunting the power of vision. This is not an uncommon effect of grief and sadness. Even while I am writing this I am called in my pastoral visitations to attend on a young lady lying on a bed of languishing, and probably of death, one of whose symptoms is a quite diminished, and indeed almost total loss of vision, as the effect of trouble and disease.

Because of all mine enemies - From the trouble which they have brought upon me. The reference here, according to the interpretation proposed of the psalm, is to Absalom and those who were associated with him. Their conduct had been such as to bring upon David this overwhelming tide of sorrows.

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Psalm 6:8

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「你們一切作孽的人,離開我吧」 — 這裏以「作孽的人」指他的仇敵,彷彿他們此刻正圍困着他,並召喚他們「如今」離開他,因為神已聽了他的禱告,他們的圖謀必不能得逞。這是一種間接卻最有力的說法,表明神已聽了他的禱告;本節的情緒,與前幾節所顯示的沮喪心境——那深沉而可怖的憂傷——形成強烈的對比。光明忽然照入他心;他的禱告已升到神面前,並且他以某種方式得了保證,知道它必蒙應允。他已然看見仇敵四散,自己的事得勝;在這昂揚的情緒中,他向仇敵說話,命令他們離開他。因此,這是一個顯著而動人的明證,表明禱告可以在我們正向神說話的時候便蒙垂聽(參 Isaiah 65:24);表明神必垂聽、必應允向他獻上之禱告的保證,可以突然臨到心中;它也美妙地說明了這保證對一顆被患難憂傷所淹沒之心所生的影響——使它得着安靜與平安。

「因為耶和華聽了」 — 即我的禱告已升到他面前,我確信他悅納它,並必應允它。他是「以何種方式」得着這保證的,經文並未告訴我們。他既是受默示的人,我們可以推想這保證是聖靈直接賜給他的。「我們」不應期待「同樣一種」禱告蒙垂聽的保證;我們不當指望有啟示為此而賜下;但心中卻可以有「同樣真實」的暗示,知道我們的禱告已蒙垂聽——有同樣真實的「憑據」——正如這事例一樣。心中可以有堅定的確信,深信神是垂聽禱告的神;這確信如今帶着對這真理的新鮮感悟臨到心靈;在患難憂傷之中,也可以有一種甜美的安靜與平安沁入心靈——一種「一切都必妥善」的保證,彷彿禱告已蒙垂聽,又如同我們若藉直接啟示得知它蒙垂聽時所將有的那樣。神的靈能在我們身上真實地成就這事,正如他在大衛身上所行的一樣。

「我哭泣的聲音」 — 指伴隨我哭泣的禱告之聲,或哭泣本身的聲音——那痛苦與愁苦的呼喊,其本身就具有禱告的性質。

英文原文

Depart from me, all ye workers of iniquity - Referring, by the "workers of iniquity," to his enemies, as if they now surrounded him, and calling on them "now" to leave him, since God had heard his prayer, and they could not be successful in their purposes. This is an indirect but most emphatic way of saying that God had heard his prayer; and the sentiment in this verse is strongly in contrast with the desponding state of feeling - the deep and dreadful sorrow - indicated in the previous verses. Light broke in suddenly upon him; his prayer had come up before God, and, in some way, he was assured that it would be answered. Already he sees his enemies scattered, and his own cause triumphant; and in this exulting feeling he addresses his foes, and commands them to leave him. This is, therefore, a remarkable and striking proof that prayer may be heard, even while we are speaking to God (compare Isaiah 65:24); that the assurance may be conveyed suddenly to the mind that God will hear and answer the prayer which is addressed to him; and also a beautiful illustration of the effect of this on a mind overwhelmed with trouble and sorrow, in giving it calmness and peace.

For the Lord hath heard - That is, my prayer has ascended before him, and I am certain that he regards it favorably, and will answer it. "In what way" he had this assurance he does not inform us. As he was an inspired man, we may suppose that the assurance was given to him directly by the Holy Spirit. "We" are not to expect the "same kind" of assurance that our prayers are heard; we are to look for no revelation to that effect; but there may be "as real" an intimation to the mind that our prayers are heard - as real "evidence" - as in this case. There may be a firm confidence of the mind that God is a hearer of prayer now coming to the soul with the freshness of a new conviction of that truth; and there may be, in trouble and sorrow, a sweet calmness and peace breathed through the soul - an assurance that all will be right and well, as if the prayer were heard, and such as there would be if we were assured by direct revelation that it is heard. The Spirit of God can produce this in our case as really as he did in the case of David.

The voice of my weeping - The voice of prayer that accompanied my weeping, or the voice of the weeping itself - the cry of anguish and distress which was in itself of the nature of prayer.

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Psalm 6:9

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「耶和華聽了我的懇求」——重複前一節的意思,以表達他的確信與喜樂。在這樣的境況中,再自然不過的事,就是停留在這喜樂的思想上,並向自己一再複述,好叫它留下完整的印象。

「耶和華必收納我的禱告」——他既已這樣垂聽,將來也必照樣垂聽。這就消解了對將來的一切恐懼,使內心平靜安穩。這裡的心境乃是:「耶和華已聽了我的禱告;我確信他日後仍必垂聽;因此,我無所畏懼。」

英文原文

The Lord hath heard my supplication - Repeating the sentiment in the previous verse, to express his assurance and his joy. Nothing is more natural in such circumstances than to dwell on the joyous thought, and to repeat it to ourselves, that it may make its full impression.

The Lord will receive my prayer - As he has done it, so he will still do it. This allays all fears of the future, and makes the mind calm. The state of mind here is this: "The Lord has heard my prayer; I am assured that he will do it hereafter; I have, therefore, nothing to fear."

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Psalm 6:10

開啟正文

「我的一切仇敵都必羞愧」——願他們被帶到看清自己的愚昧,以致為自己的行為羞愧。所願的是他們能被帶到看清自己的罪咎——對一切作惡的人懷這樣的願望,無疑是正當的。

「大大驚惶」——參 Psalm 5:10 的註釋。這裡所用的希伯來字,與出現於 Psalm 6:2-3 並譯作「驚惶」的是同一個字。這是一個表示患難、戰兢、惶亂的字;這裡的意思是,詩人求他們在計謀上被攪亂、被挫敗——對惡人的一切圖謀來說,這禱告無疑是合宜的。誰也不會希望惡人的計謀亨通;而不願它亨通,就是願他們的詭計被挫敗、被制勝。這必是每一個善人的心願。

「他們必要退後」——回轉,或被擊退;即願他們被逐退,被迫從現今的目標上轉回。

「忽然羞愧」——希伯來文是「轉瞬之間」,即頃刻之間。他願這事沒有延宕,願他們的挫敗立時成就。既然求這事發生是正當的,那麼求它毫不遲延、或求它盡速發生,也同樣正當。罪人的計謀越早被攪亂越好。

英文原文

Let all mine enemies be ashamed - Be so brought to see their folly that they shall be ashamed of their conduct. The wish is that they might be brought to see their own guilt - a wish certainly which it is right to cherish in regard to all evil-doers.

And sore vexed - Compare the notes at Psalm 5:10. The same Hebrew word is used here which occurs in Psalm 6:2-3, and rendered "vexed." It is a word which denotes trouble, trembling, consternation; and the meaning here is, that the psalmist prayed that they might be confounded or disconcerted in their plans - a prayer which is certainly proper in regard to all the purposes of the wicked. No one should desire that the purposes of the wicked should prosper; and not to desire this is to desire that they may be foiled and overcome in their schemes. This must be the wish of every good man.

Let them return - Turn back, or be turned back; that is, let them be repulsed, and compelled to turn back from their present object.

And be ashamed suddenly - Hebrew, "In a moment;" instantaneously. He desired that there might be no delay, but that their defeat might be accomplished at once. As it was right to pray that this might occur, so it was right to pray that it might occur without delay, or as speedily as possible. The sooner the plans of sinners are confounded, the better.