Barnes' Notes on the Bible · Psalms 第53章

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Psalms 第 53 章

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Psalm 53 Introduction

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本篇與 Psalm 14:1-7 極為相似。兩篇都歸於同一位作者大衛名下,且循著同一思路——無神論的愚妄與邪惡。兩篇都表明:「沒有神」這信念並非無害的觀念、也非純粹的臆測,而是對人生有重大的影響,並自然與邪惡的生活相連(Psalm 53:3-4)。

兩篇作品的差異在於:(a)標題;(b)詩的本身。

(a)標題方面。兩篇都歸於大衛,都交與「伶長」。但在我們眼前這篇的標題中,多了這幾個字:「調用麻哈拉,訓誨詩」。關於「訓誨詩」一詞的含義,參見 Psalm 32:1-11 的導論。這詞在此似乎表明本篇旨在就一個重要題目施予教訓,但它為何加在這篇而非其他詩篇,我們無從斷定。譯作「麻哈拉」的字——מחלת(machălath)——僅見於此處和 Psalm 88 的標題。Gesenius 認為它指一種弦樂器,如琵琶或吉他類,用於伴唱。DeWette 譯作「長笛」。路德譯作「為詩班所用,輪流歌唱」;即輪唱的詩班。七十士譯本和拉丁文通俗譯本保留原文,未嘗翻譯。Alexander 教授譯作「疾病」,因為這字一個「幾乎相同」的形式見於 Exodus 15:26;Proverbs 18:14;2 Chronicles 21:15,意為「疾病」;他認為所指的是「全人類所染的屬靈疾病,那正是這作品的真正主題」。的確有一個與此相似的字——מחלה(machăleh),意為「疾病」;但同樣真確的是,這裏所用的字從不用於那個意義;而這樣的解釋在此也確實牽強不自然。明顯的設想是:它指一種樂器。

(b)兩篇詩本身的差異,主要是 Psalm 53:1-6 略去了 Psalm 14:6,而詩的其他部分有若干擴充,旨在更充分地說明或解釋詩的思路。這些改動是誰所作,不得而知。正如 DeWette 所言,這些改動不可能出於抄寫之誤,必是出於有意。改動究竟是作者本人所作,還是出自某位收集編排詩篇的人——他採納 Psalm 14:1-7 的主要思想,加入傳達新層面思想的增補,卻無意取代原作的使用——如今已無法斷定。詩篇的作者大衛自己修訂此詩、作這些改動以更完整表達他的意念,這設想絕非不可能;而原詩既含有寶貴的思想,保留在詩集中供事奉神之用,也不被認為是不宜的。類似的改動也見於 Psalm 18 與 2 Samuel 22 的比較——後者保存了該詩最初寫成的形式。沒有證據顯示改動出於後來的作者;我們倒可以懷疑,後來的作者是否會改動大衛的作品,又以大衛的名義發表。

至於本篇的分析,參見 Psalm 14:1-7 的導論。

英文原文

There is a remarkable resemblance between this psalm and Psalm 14:1-7. Both are ascribed to the same author, David; and each pursues the same line of thought - the folly and wickedness of Atheism. They both show that the belief that there is no God is not a harmless idea, or a mere speculation, but that it has important consequences on the life, and is naturally connected with a wicked life, Psalm 53:3-4.

The difference in the two compositions is (a) in the title; and (b) in the psalm itself.

(a) In the title. Both psalms are ascribed to David, and both are dedicated to the "Chief Musician." But in the title to the psalm before us, there is this addition: "Upon Mahalath, Maschil." On the meaning of the term Maschil, see Introduction to Psalm 32:1-11. The term here would seem to imply that the psalm was designed to give instruction on an important subject, but why it is prefixed to this psalm, and not to the others, we have no means of determining. The word, rendered "Mahalath" - מחלת machălath - occurs only here and in the title to Psalm 88. It is supposed by Gesenius to denote a stringed instrument, as a lute or guitar, that was designed to be accompanied with the voice. DeWette renders it "flute." Luther renders it "for a choir, to be sung by one another;" that is, a responsive choir. The Septuagint and the Latin Vulgate retain the original word with no attempt to translate it. Prof. Alexander renders it disease, because a form of the word "almost identical" occurs Exodus 15:26; Proverbs 18:14; 2 Chronicles 21:15 meaning "disease," and he supposes reference is to "the spiritual malady with which all mankind are infected, and which is really the theme or subject of the composition." It is true that there is a word - מחלה machăleh - similar to this, meaning "disease," but it is also true that the word used here is never employed in that sense, and equally true that such a construction here is forced and unnatural. The obvious supposition is that it refers to an instrument of music.

(b) The difference in the psalms themselves is mainly that in Psalm 53:1-6 Psalm 14:6 is omitted, and that in the other parts of the psalm there are enlargements designed to illustrate or to explain more fully the course of thought in the psalm. It is not known by whom these changes were made. They are, as DeWette remarks, such as could not have occurred by an error in transcribing, and they must have been made by design. Whether the changes were made by the author, or by someone who collected and arranged the psalms, and who, adopting the main thoughts of Psalm 14:1-7, inserted additions conveying new phases of thought, though without intending to supersede the use of the original composition, it is not possible now to determine. It is by no means an improbable supposition that the author of the psalm - David - may have revised it himself, and made these changes as expressing more fully his idea, while, as embodying valuable thoughts, it was deemed not undesirable to retain the original psalm in the collection as proper to be used in the service of God. Similar changes occur in Psalm 18, as compared with 2 Samuel 22, where that psalm occurs in the original form of composition. There is no evidence that the alteration was made by a later writer; we may doubt whether a later writer would alter a composition of David, and publish it under his name.

For an analysis of the psalm, see Introduction to Psalm 14:1-7.

1

Psalm 53:1

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「愚頑人心裡說……」——關於這節經文的含義,參見 Psalm 14:1 的註釋。這節惟一的變動——這變動不影響含義——是把 Psalm 14:1-7 中的「行為」(works)一詞,在 Psalm 53:1-6 中換成了「罪孽」(iniquity)。

英文原文

The fool hath said in his heart ... - For the meaning of this verse, see the notes at Psalm 14:1. The only change in this verse - a change which does not affect the sense - is the substitution of the word "iniquity," in Psalm 53:1-6, for "works," in Psalm 14:1-7.

2

Psalm 53:2

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「神從天上垂看……」——參閱 Psalm 14:2 的註釋。本節出現的唯一變化,是以אלהים 'Elohiym一詞(譯作「神」)取代了 Psalm 14:2 中的「Yahweh」(譯作「主」)。同樣的變化也見於 Psalm 14:4、Psalm 14:6。還應留意,「Yahweh」一詞並不出現於本詩,所用的名稱一律是אלהים 'Elohiym——即「神」。在 Psalm 14:1-7 中,兩個名稱都有出現——אלהים 'Elohiym一詞出現三次(Psalm 14:1-2、Psalm 14:5),יהוה Yahweh一詞出現四次(Psalm 14:2、Psalm 14:4、Psalm 14:6-7)。這變化無從解釋。然而其中並沒有什麼足以表明本詩的作者或寫作年代,因為這兩個詞在大衛別處的詩中都是常用的。

英文原文

God looked down from heaven ... - See the notes at Psalm 14:2. The only change which occurs in this verse is the substitution of the word אלהים 'Elohiym, rendered "God," for "Yahweh," rendered Lord, in Psalm 14:2. The same change occurs also in Psalm 14:4, Psalm 14:6. It is to be observed, also, that the word "Yahweh" does not occur in this psalm, but that the term used is uniformly. אלהים 'Elohiym, God. In Psalm 14:1-7 both terms are found - the word אלהים 'Elohiym three times Psalm 14:1-2, Psalm 14:5, and the word יהוה Yahweh four times, Psalm 14:2, Psalm 14:4,Psalm 14:6-7. It is impossible to account for this change. There is nothing in it, however, to indicate anything in regard to the authorship of the psalm or to the time when it was written, for both these words are frequently used by David elsewhere.

3

Psalm 53:3

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「他們各人都退後」——見 Psalm 14:3 的註釋。這兩首詩唯一的不同,在於詞語的替換——以סג sâg替換了סור sûr——兩詞在字形與意義上幾乎相同。意義上惟一的差異是:前者——即此處所用的詞——意為「退後」或「往回走」;後者,即 Psalm 14:1-7 所用的詞,意為「離開、偏離」。兩者都表明離棄神;這離棄同樣致命、同樣有罪,無論人是從跟隨神的道路上「退後」,還是「偏離」到別的事物。這兩種背道的形態,都以可嘆的頻率發生。

英文原文

Every one of them is gone back - See the notes at Psalm 14:3. The only variation here in the two psalms is in the substitution of the word - סג sâg, for סור sûr - words almost identical in form and in sense. The only difference in meaning is, that the former word - the word used here - means "to draw back," or "to go back;" the other, the word used in Psalm 14:1-7, means "to go off, to turn aside." Each of them indicates a departure from God; a departure equally fatal and equally guilty, whether people turn "back" from following him, or turn "aside" to something else. Both of these forms of apostasy occur with lamentable frequency.

4

Psalm 53:4

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「作孽的沒有知識嗎?」——見 Psalm 14:4 的註釋。本節唯一的不同,是省去了「都(一切)」字。這個字在 Psalm 14 中(「作孽的都……」)使語氣更強、更有力。它旨在以最絕對、最無保留的方式斷言:這些作孽的人,沒有一個對神有真正的認識。評論家們注意到,這是 Psalm 14 的措辭比我們眼前這篇修訂形式的詩更有力的唯一例子。

英文原文

Have the workers of iniquity no knowledge? - See the notes at Psalm 14:4. The only change in this verse is in the omission of the word "all." This word, as it occurs in Psalm 14:1-7 ("all the workers of iniquity"), makes the sentence stronger and more emphatic. It is designed to affirm in the most absolute and unqualified manner that none of these workers of iniquity had any true knowledge of God. This has been noticed by critics as the only instance in which the expression in Psalm 14:1-7 is stronger than in the revised form of the psalm before us.

5

Psalm 53:5

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「他們在無可懼怕之處、就大大害怕...」——邊註按照希伯來文作「他們懼怕了一個懼怕」。本節的大意,見 Psalm 14:5 的註釋。然而,這裏引入了一項重要的改動——是本詩中最重要的一處。Psalm 14:1-7 中兩節(Psalm 14:5-6)的大意在這裏被壓縮為一節,而其改動又如此重要,足以顯明這是出於刻意,顯然是為要使本詩適應某個新的情況。這事的解釋似乎是:原來的形式(Psalm 14:1-7)適合當時作者心中所想的某個場合,後來發生了某個新事件,本詩的大意可以很容易地應用於它(或者說,它表達此事,其效果不亞於一篇全新的作品);只是,要使本詩適應這個新用途,宜於插入一些更具體地指涉該事件的措辭。

這些增補中主要的一處,見於我們面前的這節。在 Psalm 14:5-6,經文是「他們在那裏大大的害怕,因為神在義人的世代中;你們叫困苦人的謀算變為羞辱,然而耶和華是他的避難所」。在我們面前的這篇詩中,經文是「他們在無可懼怕之處就大大害怕,因為神把那安營攻擊你之人的骨頭散開了;你使他們蒙羞,因為神棄絕了他們」。「在無可懼怕之處」——這裏與 Psalm 14:5 一樣,是指神的子民因惡人的計謀與努力而生的恐懼或驚惶。他們擔心被惡人傾覆。兩處詩篇作者的目的,都是要表明那恐懼沒有理由。在 Psalm 14:5,他以「神在義人的世代中」這話來表明;在我們面前的這篇詩中,他明確地說那恐懼沒有根據——「在無可懼怕之處」——並補充理由說,神已經「散了」那「安營攻擊」他們之人的「骨頭」。就是說,雖然看來有懼怕的理由——雖然那些仇敵人數眾多、勢力強大——但神是他們的朋友,並且他已藉著驅散那些仇敵,表明他們實在沒有驚惶的理由。

「因為神把那安營攻擊你之人的骨頭散開了」——即圍攻者的骨頭。如前所述,這話似乎是為使本詩適應修訂之時的特定情況而引入的。從這子句以及其他地方看來,修訂本詩時心中所想的特定場合,很可能是對耶路撒冷的攻擊,或對該城的圍困——一次被擊退的攻擊,或一場仇敵被迫撤走的圍困。就是說,他們被傾覆了,他們的骨頭四散在地,無人埋葬。這樣修改後的 Psalm 14:1-7 全篇文句,正適合這樣一件事。Psalm 14:1-7 中對無神論與邪惡的一般描述,適用於這樣一次攻城的企圖——因為那些發動攻擊的人,大可以被描繪為實際上說沒有神的人、腐敗可憎的人、專行不義的人、污穢不潔的人、想要吞吃神子民如同喫餅的人、以及不求告神的人。我們面前的這一節,便把他們描繪為潰敗的人,如同被屠殺的屍堆四散在地上。

「你使他們蒙羞」——即他們因被傾覆、因企圖失敗而蒙羞。這裏的「你」必須理解為指神。

「因為神棄絕了他們」——他全然不悅納他們的品格,並且「棄絕」他們的企圖;就是說,他已表明他們並非強敵、不足畏懼。那些舉動是可以被輕看的,而他已藉著顯明他們何等容易被傾覆,證實了這一點。

英文原文

There were they in great fear ... - Margin, as in Hebrew, "they feared a fear." For the general meaning of the verse, see the notes at Psalm 14:5. There is, however, an important change introduced here - the most important in the psalm. The general sentiment of two verses Psalm 14:5-6 in Psalm 14:1-7 is here compressed into one, and yet with such an important change as to show that it was by design, and apparently to adapt it to some new circumstance. The solution of this would seem to be that the original form Psalm 14:1-7 was suited to some occasion then present to the mind of the writer, and that some new event occurred to which the general sentiment in the psalm might be easily applied (or which would express that as well as could be done by an entirely new composition), but that, in order to adapt it to this new purpose, it would be proper to insert some expression more particularly referring to the event.

The principal of these additions is found in the verse before us. In Psalm 14:5-6, the language is, "There were they in great fear, for God is in the generation of the righteous; ye have shamed the counsel of the poor, because the Lord is his refuge." In the psalm before us, the language is, "There were they in great fear, where no fear was: for God hath scattered the bones of him that encampeth against thee: thou hast put them to shame, because God hath despised them." "Where no fear was." The reference here, as in Psalm 14:5, is to the fear or consternation of the people of God on account of the designs and efforts of the wicked. They were apprehensive of being overthrown by the wicked. The design of the psalmist in both cases is to show that there was no occasion for that fear. In Psalm 14:5, he shows it by saying that "God is in the congregation of the righteous." In the psalm before us fie says expressly that there was no ground for that fear - "where no fear was," - and he adds, as a reason, that God had "scattered the bones" of them "that encamped against" them. That is, though there seemed to be occasion for fear - though those enemies were formidable in numbers and in power - yet God was their friend, and he had now showed them that they had no real occasion for alarm by dispersing those foes.

For God hath scattered the bones of him that encampeth against thee - Of the besieger. This, as already intimated, would seem to have been introduced in order to adapt the psalm to the particular circumstances of the occasion when it was revised. From this clause, as well as others, it appears probable that the particular occasion contemplated in the revision of the psalm was an attack on Jerusalem, or a siege of the city - an attack which had been repelled, or a siege which the enemy had been compelled to raise. That is, they had been overthrown, and their bones had been scattered, unburied, on the ground. The whole language of Psalm 14:1-7, thus modified, would be well suited to such an occurrence. The general description of atheism and wickedness in Psalm 14:1-7 would be appropriate in reference to such an attempt on the city - for those who made the attack might well be represented as practically saying that there was no God; as being corrupt and abominable; as bent on iniquity; as polluted and defiled; and as attempting to eat up the people of God as they eat bread; and as those who did not call upon God. The verse before us would describe them as discomfited, and as being scattered in slaughtered heaps upon the earth.

Thou hast put them to shame - That is, they had been put to shame by being overthrown; by being unsuccessful in their attempt. The word "thou" here must be understood as referring to God.

Because God hath despised them - He has wholly disapproved their character, and he has "despised "their attempts; that is, he has shown that they were not formidable or to be feared. They were efforts which might be looked on with contempt, and he had evinced this by showing how easily they could be overthrown.

6

Psalm 53:6

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但願以色列的救恩……——這裏與 Psalm 14:7 惟一的變化,是以 אלהים 'Elohiym(神)代替了「耶和華」(主),並且譯作「救恩」的詞在此為複數。若假定本詩是配合城被圍困而仇敵潰敗之後的情勢而作的,這話便表達了百姓求主施行拯救的深切而懇切的渴望。也可以推想,在那樣的圍困之時、當主介入拯救他們脫離圍困的日子,百姓整體之上也確實懸著某種普遍的危險;那民族甚至可說在某種意義上正處「被擄」的境況;或者那地的一部分正受外邦權勢轄制。這裏所表達的願望,乃是拯救得以完全,全地得以重獲自由、脫離一切外邦的轄制。那時候一旦來到,便要成為普世歡騰的緣由。

英文原文

Oh that the salvation of Israel ... - The only change here from Psalm 14:7 is that the word אלהים 'Elohiym, God, is substituted for "Jehovah," Lord, and that the word rendered "salvation" is here in the plural. On the supposition that the psalm was adapted to a state of things when the city had been besieged, and the enemy discomfited, this language would express the deep and earnest desire of the people that the Lord would grant deliverance. Perhaps it may be supposed, also, that at the time of such a siege, and while the Lord interposed to save them from the siege, it was also true that there was some general danger hanging over the people; that even the nation might be described as in some sense "captive;" or that some portions of the land were subject to a foreign power. The desire expressed is, that the deliverance might be complete, and that the whole land might be brought to the possession of liberty, and be rescued from all foreign domination. That time, when it should arrive, would be the occasion of universal rejoicing.